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<v Joanne Lockwood>Hello, everyone. My name is Joanne Lockwood, and I'll be your host

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<v Joanne Lockwood>for the Inclusion Bites podcast. In this series, I've interviewed

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<v Joanne Lockwood>a number of amazing people and simply had conversations around the subject

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<v Joanne Lockwood>of inclusion, belonging, and generally making the world a

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<v Joanne Lockwood>better place for everyone to thrive. If you'd like to join me in

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<v Joanne Lockwood>the future, then please do drop me a line to

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<v Joanne Lockwood>jo.lockwood@seechangehappen.co.uk.

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<v Joanne Lockwood>That'S-E-E change Happen dot co

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<v Joanne Lockwood>dot uk. You can catch up with all of the previous shows

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<v Joanne Lockwood>on Itunes, Spotify and the usual places.

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<v Joanne Lockwood>So plug in the headphones, grab a decaf, and let's

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<v Joanne Lockwood>get going. Today is episode

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<v Joanne Lockwood>35 with the title, empowering

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<v Joanne Lockwood>everybody to better share their gifts with the world.

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<v Joanne Lockwood>And I have the absolute honor and privilege to be joined by

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<v Joanne Lockwood>Penny Pullan. Penny describes herself as a

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<v Joanne Lockwood>speaker, author, facilitator, and mentor.

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<v Joanne Lockwood>And when I asked Penny to describe her superpower, she said, she

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<v Joanne Lockwood>makes workshops work, and that's a tongue twister.

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<v Joanne Lockwood>Hello, Penny. Welcome to the show.

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<v Penny Pollan>Hello, Joanne, and thank you so much for your introduction. It's really

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<v Penny Pollan>fun to be here and to be chatting away with you.

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<v Penny Pollan>Yeah. You asked me, you say that I

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<v Penny Pollan>make workshops work and yeah, I suppose

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<v Penny Pollan>I do that. And I've been doing that for about 20 years.

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<v Penny Pollan>I started off as a, project manager and program

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<v Penny Pollan>manager and was very interested in, you know,

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<v Penny Pollan>how do I really make these projects and programs as good as they

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<v Penny Pollan>possibly can be? And realized that actually it was all about people.

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<v Penny Pollan>I was just about getting that sorted and

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<v Penny Pollan>working out how to work with groups in person

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<v Penny Pollan>when something happened that

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<v Penny Pollan>shifted my whole world

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<v Penny Pollan>into virtual. About 19 years before everybody else,

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<v Penny Pollan>I was meant to be hosting a kickoff meeting

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<v Penny Pollan>for a big program. This is the first time I'd ever

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<v Penny Pollan>run a whole program, just me. And there are all these people coming

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<v Penny Pollan>from all over the world. We're going to spend 2 weeks in New York.

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<v Penny Pollan>What fun. Except the date on my ticket when I

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<v Penny Pollan>was flying out from Heathrow to Newark

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<v Penny Pollan>was 13th September 2,001.

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<v Penny Pollan>Now, yes, the listeners can't see,

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<v Penny Pollan>but you've just pulled a face and gone, Oh, because

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<v Penny Pollan>that's 2 days after 9:11. And oh boy, we weren't going

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<v Penny Pollan>anywhere. We were grounded for 3 months. So that

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<v Penny Pollan>program had to happen virtually a little bit like

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<v Penny Pollan>everything had to suddenly go virtual at the beginning of the

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<v Penny Pollan>lockdowns of 2020. So, yes,

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<v Penny Pollan>so that added in virtual to the mix because I still had

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<v Penny Pollan>to get this program done with quite ancient technology.

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<v Penny Pollan>It's much easier in a way now because we can see each

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<v Penny Pollan>other on a desktop. Brilliant. But,

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<v Penny Pollan>then we just, nobody really knew about this virtual thing. And I spent ages

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<v Penny Pollan>working on it and ended up being asked to help other people and

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<v Penny Pollan>write books on it. But I've probably carried on long enough. So back to you,

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<v Penny Pollan>John. Yeah. When you've when you're talking about that,

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<v Joanne Lockwood>those days weeks months after 9/11, I

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<v Joanne Lockwood>look back. Yeah. Most people kind of remember where they

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<v Joanne Lockwood>were. It's one of those, you know where you were type type moments.

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<v Joanne Lockwood>I remember I was working on a project for a cable

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<v Joanne Lockwood>TV startup in Irvine in Scotland.

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<v Joanne Lockwood>And I remember we we just got the the head end, the the

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<v Joanne Lockwood>technology center up and running that, you know, the the massive big

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<v Joanne Lockwood>dish in in the in the in the back, and they've plumbed it all in.

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<v Joanne Lockwood>And those were the first pictures we got live

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<v Joanne Lockwood>in in the in the computer room in the head end, in the in the

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<v Joanne Lockwood>knock. There's the picture we had up, and we all gather around this small

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<v Joanne Lockwood>screen looking at the I think it was well, it's obviously the

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<v Joanne Lockwood>second plane hitting the the tab because nobody saw the first plane

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<v Joanne Lockwood>hit. And we were just stunned

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<v Joanne Lockwood>silent, and I was texting friends

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<v Joanne Lockwood>that I'd been in New York with, the year before,

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<v Joanne Lockwood>months before, just reminiscing and just stunned

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<v Joanne Lockwood>silence. So that was, yeah,

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<v Joanne Lockwood>a world changing day and time, wasn't

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<v Joanne Lockwood>it? It was. And I had a friend, though. Yeah. It was in the

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<v Joanne Lockwood>air at that time, flying to the

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<v Joanne Lockwood>US, and

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<v Joanne Lockwood>they had no idea what's going on. They just know that they suddenly entered a

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<v Joanne Lockwood>holding path and go around the circles. I think they ended up

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<v Joanne Lockwood>landing in Gander. And if you've ever landed in Gander at

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<v Joanne Lockwood>Newfoundland, it's quite an adventure. I mean, I've I've been there once on the

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<v Joanne Lockwood>way to Miami and sat on the tarmac in Gander for 5

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<v Joanne Lockwood>hours, because somebody had a suspect heart attack. But she was

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<v Joanne Lockwood>in the air. And, of course, she knew nothing about what's going on

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<v Joanne Lockwood>at the time, and her husband obviously did.

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<v Joanne Lockwood>Obviously, knew that she was in the air. Her arrival time

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<v Joanne Lockwood>wasn't too dissimilar. So, of

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<v Joanne Lockwood>course, he knew that it wasn't her on those

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<v Joanne Lockwood>planes because he knew that wasn't her her flight. But he he was

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<v Joanne Lockwood>worried. You know? He didn't know what's gonna happen. Jo, yeah, when she

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<v Joanne Lockwood>landed, all these panicked phone calls and messages, she still had no

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<v Joanne Lockwood>idea until suddenly everyone became aware of

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<v Joanne Lockwood>what had happened. And, yeah. So she tells that story from a different

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<v Joanne Lockwood>perspective, being up in here at the time. So, yeah, it's it's

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<v Joanne Lockwood>a, yeah, one of those moments, but I and as she

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<v Joanne Lockwood>was saying that, you're right. It's it's one of those pivotal moments in history

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<v Joanne Lockwood>where we suddenly have to adapt, change, learn about ourselves.

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<v Joanne Lockwood>So the need for you to develop the virtual training, the virtual way of

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<v Joanne Lockwood>interacting with people. And and as you say, at a time

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<v Joanne Lockwood>where Zoom didn't exist, Teams didn't exist, Maybe there's a

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<v Joanne Lockwood>bit of Webex and then I used to remote IT support. So we're using

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<v Joanne Lockwood>things like, what's it called? TeamViewer,

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<v Joanne Lockwood>things like this. So a kind of IT tools, weren't they, for a remote

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<v Joanne Lockwood>dot. Yeah. The only way we saw each other face to face

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<v Penny Pollan>is really when we were in the video conference

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<v Penny Pollan>suite, which tended to be a corner office,

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<v Penny Pollan>normally booked solid by senior very senior managers

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<v Penny Pollan>at the lovely time, you know, between 2 5 when the UK and the

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<v Penny Pollan>US overlapped. We could book those,

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<v Penny Pollan>but we couldn't do video on the on the desktop like we can

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<v Penny Pollan>now. I think we were able to see each other's

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<v Penny Pollan>screens, if we had

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<v Penny Pollan>IT tech support tools, but yes, all very, very different. And

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<v Penny Pollan>the funniest thing is that there are now people in the workplace who

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<v Penny Pollan>don't remember 911.

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<v Joanne Lockwood>And the phone in the mobile phones, they were they were phones.

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<v Joanne Lockwood>And I seem to remember cameras were just coming in our phones. They they

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<v Joanne Lockwood>weren't defacto. They weren't the standard feature. No.

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<v Penny Pollan>No. Not at all. Maybe some video messaging or you'd you

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<v Joanne Lockwood>share video clips with each other or you maybe just perhaps send a

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<v Joanne Lockwood>picture. And it's very early days with that. And I remember you Jo into companies,

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<v Joanne Lockwood>everybody wants to you had to prove that your camera was disabled when you

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<v Joanne Lockwood>walked into the building, and everyone was scared about people stealing secrets.

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<v Penny Pollan>Absolutely. Yeah. The world has changed so much, hasn't it?

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<v Penny Pollan>Yeah. Yeah. I remember we did most of the work by conference calls,

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<v Penny Pollan>so we couldn't see each other at all, but we had to listen out

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<v Penny Pollan>very carefully. And we got a lot done that

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<v Penny Pollan>way, but we had to be structured. It forced us to do

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<v Penny Pollan>things well, And I think that's how I

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<v Penny Pollan>it forced yeah. It forced me to develop all the things that I then

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<v Penny Pollan>used and helped other people with and and ended up thinking

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<v Penny Pollan>through properly in the year that I wrote my book, Virtual Leadership. And I'm so

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<v Penny Pollan>glad I had a chance to think through that book and write

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<v Penny Pollan>it well before you know, a few years before the pandemic

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<v Penny Pollan>hit, because then it was there. It was ready. People could just grab it.

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<v Penny Pollan>And, yeah, it's been selling like hotcakes, that one.

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<v Joanne Lockwood>So what was what's the cover of the big big nuggets

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<v Joanne Lockwood>of, of lessons you've learned at that time or or put in your book? What's

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<v Joanne Lockwood>the what's the kind of big nuggets from that? Yeah. There are a few things.

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<v Penny Pollan>One thing is, that I think people are just about getting

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<v Penny Pollan>about now, is

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<v Penny Pollan>that virtual working is not just about being

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<v Penny Pollan>in virtual meetings. That actually you need to think, how

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<v Penny Pollan>do you as a team work effectively?

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<v Penny Pollan>And then work as much as you can asynchronously.

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<v Penny Pollan>You don't have to be together face to face like you and

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<v Penny Pollan>I are when we're recording this. You can do a lot of

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<v Penny Pollan>work in a much more flexible way. You can, you can do

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<v Penny Pollan>work. If you do work asynchronously, so that means people can do

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<v Penny Pollan>things at a time to suit them, then you can

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<v Penny Pollan>flex around people's needs. Perhaps people,

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<v Penny Pollan>for example, have kids they want to collect from school. Yeah, they can go off,

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<v Penny Pollan>collect the kids from school, come back, but then they can make up

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<v Penny Pollan>that time to produce the output that's needed at

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<v Penny Pollan>a different time. Perhaps they work far better first thing in the morning

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<v Penny Pollan>or last thing at night. And if people can do the

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<v Penny Pollan>work, the virtual work that they need to do at times when they can work

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<v Penny Pollan>best, as opposed to being expected to be sitting down

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<v Penny Pollan>in front of a computer on meetings, you know, for a back

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<v Penny Pollan>to back all day, which I saw so many people doing last year.

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<v Penny Pollan>That's just not a good use of people's time. Not very

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<v Penny Pollan>inclusive either. Mhmm. No. I completely agree. And I

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<v Joanne Lockwood>think I was probably one of those people that got sucked into this back to

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<v Joanne Lockwood>back 15 minute gaps. And then you Joanne wake you get at the end of

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<v Joanne Lockwood>the day, you can't move. You are you are numb and drained

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<v Joanne Lockwood>because you've you've had no break at all, have you? It's just screen

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<v Joanne Lockwood>time. The thing that really helped the people who were in

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<v Penny Pollan>those back to back meetings and didn't feel they could

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<v Penny Pollan>change the culture of their organization quickly

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<v Penny Pollan>was, if they were in control of any meetings, Jo start

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<v Penny Pollan>them at 5 past the hour and finish them at 5

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<v Penny Pollan>2 rather than just I mean, there's so many people doing 9 to 10, 10

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<v Penny Pollan>to 11, 11 to 12, you know, maybe grab 5 minutes to

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<v Penny Pollan>grab a sandwich and then, you know, on 3 to 1. It was just

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<v Penny Pollan>crazy. Yeah. That's certainly a lesson I've learned is to

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<v Joanne Lockwood>make sure I've got that time between the between the calls.

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<v Joanne Lockwood>And because inevitably, the calls was end up overrunning a bit, don't

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<v Joanne Lockwood>they? If you're not careful, every call overruns into the next. By the end of

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<v Joanne Lockwood>the day, you've just literally overrun or your contingency is your

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<v Joanne Lockwood>lunch break or a coffee break. Yeah.

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<v Joanne Lockwood>And I've seen people when I'm running training,

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<v Joanne Lockwood>they arrive dead on time or 30 seconds late because they've just come for a

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<v Joanne Lockwood>meeting. And at the end of the training session, they're saying, well, I've gotta go.

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<v Joanne Lockwood>I'm into another meeting now. It's like, so you haven't really been

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<v Joanne Lockwood>present because you've this this training is squashed between 2

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<v Joanne Lockwood>other activities. And I do question sometimes whether people

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<v Joanne Lockwood>need that half an hour to decompress before and half an hour to

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<v Joanne Lockwood>absorb at the end before doing something else. Otherwise, it's it's such

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<v Joanne Lockwood>a transient activity that that there's no memory of it.

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<v Penny Pollan>Yeah. And, actually, we need time to get actions done. There's a whole

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<v Penny Pollan>chapter in my new book coming up all about how do we make sure

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<v Penny Pollan>workshops get actions done? Because so often, I mean, I don't

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<v Penny Pollan>know if you are like this, Joanne, but you find that, there are

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<v Penny Pollan>meetings, particularly in big organizations, there are meetings and

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<v Penny Pollan>then a couple of weeks later, they have a meeting and none of the

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<v Penny Pollan>actions have been done, and they essentially agree all the same actions to carry forward.

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<v Penny Pollan>It's crazy. I mean, I'm guilty of myself.

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<v Joanne Lockwood>I'm so busy scheduling

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<v Joanne Lockwood>new business or or delivery. I very rarely have

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<v Joanne Lockwood>time to focus on the admin or getting back to

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<v Joanne Lockwood>people with information I said I would. And I end up squashing that in

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<v Joanne Lockwood>between 2 other meetings. I don't have an I don't say to myself,

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<v Joanne Lockwood>this afternoon is is catch up time or or

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<v Joanne Lockwood>downtime. And, I said trying to keep keep

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<v Joanne Lockwood>on delivering is, yeah, quite a struggle to to think about that.

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<v Joanne Lockwood>Being good to yourself, isn't it? That's what you're trying to do, try and be

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<v Joanne Lockwood>good to yourself and be fair to yourself. Mhmm. And actually do the best

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<v Penny Pollan>work you can. So I'm sure if you're trying to squash the

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<v Penny Pollan>actual core, really important bits of work, knowledge

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<v Penny Pollan>work now, we need time to think.

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<v Penny Pollan>And if you try and squash it into the odd snatch minute here and there,

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<v Penny Pollan>we're not going to be doing our best work, are we? No. For sure.

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<v Joanne Lockwood>We're not. No. It's and that also I mean,

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<v Joanne Lockwood>one of the purposes, yeah, the mattress of this podcast around

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<v Joanne Lockwood>inclusion, of course, different people

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<v Joanne Lockwood>think, experience, interact differently. And

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<v Joanne Lockwood>often we design these constructs of

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<v Joanne Lockwood>meetings around the privileged or the leaders or or the way we've

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<v Joanne Lockwood>always done it. And I think we start to learn that that that doesn't work

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<v Joanne Lockwood>for everybody, does it? No. Absolutely not. So, I mean,

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<v Penny Pollan>my thing is to get the best if you want to get the best out

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<v Penny Pollan>of everybody, and surely, if you're bringing people together to work together,

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<v Penny Pollan>you want each person to do their best and to be at their

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<v Penny Pollan>best. So, create the conditions where each

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<v Penny Pollan>person can contribute their

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<v Penny Pollan>best to that group. And so the group as a whole can do their

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<v Penny Pollan>best possible work together and change the world, hopefully, just a little

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<v Penny Pollan>bit. Mhmm. So that means when you're designing

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<v Penny Pollan>a work shop or a meeting or something, think about each

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<v Penny Pollan>person. What's going to be the environment of

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<v Penny Pollan>that meeting or workshop that will help them to

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<v Penny Pollan>do their best work? You probably can't imagine

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<v Penny Pollan>this in, the the answers to these. You probably have to have discussions with

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<v Penny Pollan>them unless you know them very well. But what's gonna

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<v Penny Pollan>suit different people?

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<v Joanne Lockwood>Yeah. Well, ask them upfront. Absolutely.

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<v Penny Pollan>And say, you know, what's going to be best for you? And and

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<v Penny Pollan>if they look blank, because nobody's ever asked them anything like that and has

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<v Penny Pollan>just expected them to fit in, they might well look blank. But you can

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<v Penny Pollan>say, you know, we've got a whole range already. You know, somebody wants

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<v Penny Pollan>this, somebody suggested this, somebody else wanted, I don't know,

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<v Penny Pollan>to have to have fruit available in the room or whatever it might

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<v Penny Pollan>be. Sort of let let them know

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<v Penny Pollan>how how you really do genuinely want to make it possible for them to do

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<v Penny Pollan>their best possible work. Give them some examples of some of the things that suit

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<v Penny Pollan>other people. It's amazing. People's eyes light up and go, what?

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<v Penny Pollan>Really? Yeah.

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<v Joanne Lockwood>You've asked me. You care about me. You thought about me. Yeah. It's

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<v Joanne Lockwood>you say, I've I've been some on some some great local courses,

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<v Joanne Lockwood>and you walk in. As you say, there's fruit on the table, there's chocolate, there's

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<v Joanne Lockwood>coffee, there's cold water, And and immediately, you just feel,

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<v Joanne Lockwood>oh, you feel happy, you're conversational, everyone's talking about, oh, isn't this lovely?

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<v Joanne Lockwood>And you start off with positive frame of mind, don't you? So the room is

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<v Joanne Lockwood>all laid out. Despite working for Mars for 10 years,

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<v Penny Pollan>I wouldn't have chocolate in a meeting or workshop. Because what

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<v Penny Pollan>you do is you get this sort of sugar high. The rush. And

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<v Penny Pollan>then what happens next is the crash, and everybody's, you know.

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<v Penny Pollan>So even when I was working for Mars, I actually banned chocolates from the

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<v Penny Pollan>meeting rooms, I would say, because of that. Just those little

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<v Joanne Lockwood>foxes boxes glass of mints that people put out Oh, no. No. No. Still sugar.

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<v Penny Pollan>Still sugar. So apart from the jelly beans.

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<v Penny Pollan>Yeah. Absolutely. So fruit is good,

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<v Penny Pollan>but actually what's really helpful, unless you have someone with a nut allergy, so

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<v Penny Pollan>this is important, nuts are actually really good because they give you enough

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<v Penny Pollan>energy to stop being hungry. Yeah. They're high in protein, aren't

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<v Joanne Lockwood>they? Low in fat, generally. Well, they have quite a lot of

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<v Joanne Lockwood>fat from nuts. Almonds are the best, aren't they? So, yeah, nut

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<v Penny Pollan>nuts are great as well, and and some fruit, and and that'll keep people

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<v Penny Pollan>going. The other thing I do is in in a in

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<v Penny Pollan>person workshop, I like to use music. So

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<v Penny Pollan>something that really gets people feeling, hang on, this is a little bit

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<v Penny Pollan>different from your box standard boring meeting, is to

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<v Penny Pollan>play some steel drum music just

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<v Penny Pollan>in the background as people coming in. Because that's the sort of classic

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<v Penny Pollan>we're on holiday music, perhaps. Jo just

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<v Penny Pollan>so it's just so different from the standard work vibe.

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<v Penny Pollan>So I find that quite fun. I like the idea.

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<v Joanne Lockwood>So maybe just have it Yeah. As part of the warm up or the it

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<v Joanne Lockwood>we're able to get their seat just a bit of a bit of a jump

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<v Joanne Lockwood>in the background. Yeah. Yeah. Yeah. That's interesting. Yeah. I like that idea.

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<v Penny Pollan>My accent arms people. Yeah. But don't do

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<v Penny Pollan>anything that is still drum music of standard

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<v Penny Pollan>tunes, especially ones that have

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<v Penny Pollan>words, because it's very easy with music to switch

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<v Penny Pollan>people back into a state from the past. And the last thing

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<v Penny Pollan>you want is to be playing a music that was, you know, our song

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<v Penny Pollan>when somebody's just gone through a dramatic and

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<v Penny Pollan>unhappy divorce, for example. So

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<v Joanne Lockwood>nothing that invokes a memory.

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<v Joanne Lockwood>Yeah. And that and that's part of the when I talk about inclusion,

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<v Joanne Lockwood>is thinking about all these permutations

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<v Joanne Lockwood>about not using your own lens all the time, thinking about the

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<v Joanne Lockwood>impact or how that would resonate with somebody

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<v Joanne Lockwood>else. And as simple as that, yeah, as you say, triggering a

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<v Joanne Lockwood>memory, triggering an upset,

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<v Joanne Lockwood>overemphasis on family, overemphasis on children in discussions,

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<v Joanne Lockwood>that may well lead someone to feel sad

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<v Joanne Lockwood>or upset if they've lost someone recently. So it's yeah.

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<v Joanne Lockwood>It's so difficult, though, because we we love these human interactions

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<v Joanne Lockwood>and almost have to pause and take a break and step back and

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<v Joanne Lockwood>go, is this gonna work? Is this a good conversation?

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<v Penny Pollan>And think about what are the assumptions that I'm making about

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<v Penny Pollan>people? So

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<v Penny Pollan>it's so easy to assume that people fit into the stereotypes

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<v Penny Pollan>of that age of the age that they are,

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<v Penny Pollan>or of the gender or of, well, all sorts of

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<v Penny Pollan>things. I remember, obviously, the group of

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<v Joanne Lockwood>friends is several years ago, and we were talking

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<v Joanne Lockwood>about television and soaps or films or

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<v Joanne Lockwood>whatever's been going on. And one person

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<v Joanne Lockwood>doesn't didn't have a television. And, of course, we were all fascinated about

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<v Joanne Lockwood>how this person was able to survive in their life without a television.

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<v Joanne Lockwood>Apparently, they didn't go to movies or the cinema, so they had

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<v Joanne Lockwood>no visual media bias in their life. They had no visual entertainment.

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<v Joanne Lockwood>And we all find it really incredible, but then as the day and

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<v Joanne Lockwood>the time with them progressed, we found it really difficult to have

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<v Joanne Lockwood>conversations because we realized that so much of the context, the conversations,

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<v Joanne Lockwood>and discussed we had had a kind of

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<v Joanne Lockwood>culture based on film and TV. Mhmm. Even

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<v Joanne Lockwood>just that expressions of humor or

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<v Joanne Lockwood>or scenarios or quoting a line, and we've had it

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<v Joanne Lockwood>really strange. Joanne, that made me realize that

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<v Joanne Lockwood>people experience the world differently. They have different paradigms, different

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<v Joanne Lockwood>metaphors to the ones I use. And what I thought were really good

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<v Joanne Lockwood>really good examples, suddenly it didn't work. And it it was

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<v Joanne Lockwood>really testing. So, yeah, we we can't make those assumptions that people

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<v Joanne Lockwood>think and perceive the world as we do.

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<v Penny Pollan>Absolutely. So that's why it's really, really important. If

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<v Penny Pollan>you want to get the best work out of people, which is if

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<v Penny Pollan>you're bringing people together for a workshop, or a

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<v Penny Pollan>meeting of any sort, you're doing that to get

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<v Penny Pollan>some work done together. Then actually

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<v Penny Pollan>know who the people are and design the process

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<v Penny Pollan>of your session to so

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<v Penny Pollan>that each person can do their best work. And, overall, you can do fantastic work,

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<v Penny Pollan>and you can have lots of fun doing it.

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<v Joanne Lockwood>Yeah. I I I think a fun element has to be enjoyable, doesn't

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<v Joanne Lockwood>it? Work work shouldn't be tedious.

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<v Joanne Lockwood>Work with an element of satisfaction

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<v Joanne Lockwood>and enjoyment doesn't become mundane, in which case you're more like to

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<v Joanne Lockwood>be diligent, engaged, productive. Absolutely.

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<v Penny Pollan>Now, it's interesting, you see. I don't know if you

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<v Penny Pollan>know the book Death by Meeting by Patrick Lenconi.

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<v Joanne Lockwood>I've not read the book, but I've been in the meeting. Yes,

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<v Penny Pollan>absolutely. Now you see his answer to boring

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<v Penny Pollan>meetings, I'm not quite this this,

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<v Penny Pollan>yeah, I wouldn't go quite as far, but he says the best thing to do

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<v Penny Pollan>if you're in a boring meeting is to mine for conflict.

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<v Penny Pollan>Because if you dive deeper and find things that

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<v Penny Pollan>people care about enough to, for there to be conflict

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<v Penny Pollan>and a little bit of tension, then you've got to something that people

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<v Penny Pollan>care about and not just, can't can't be bothered.

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<v Penny Pollan>Okay. Which I think is interesting, but but I suppose the

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<v Penny Pollan>core of what he's saying is that actually people do care about things. And

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<v Penny Pollan>if you're working just and you're

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<v Penny Pollan>sort of glossing over everything and it's just tedious and boring.

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<v Penny Pollan>You're not actually engaging with things that people care about. So

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<v Penny Pollan>maybe mining for conflict is one of the ways to to do that.

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<v Penny Pollan>But I'd probably say mine for things people care about as opposed

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<v Penny Pollan>to try and find conflict. Yeah. Also, maybe as a as a

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<v Joanne Lockwood>when you're thinking as an inclusive leader or as an inclusive facilitator, as

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<v Joanne Lockwood>you're you're the host of that session, you have to be aware

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<v Joanne Lockwood>and emotionally intelligent enough to understand you're losing the audience.

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<v Joanne Lockwood>Because how often do we see people running for the finish line, I'm

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<v Joanne Lockwood>gonna give you this. I'm gonna go I'm gonna finish. No matter what happens, I'm

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<v Joanne Lockwood>gonna you're gonna get this without stopping or reflecting. Oh, actually,

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<v Joanne Lockwood>the right thing to do here is to pause, change, and adapt.

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<v Joanne Lockwood>Because I I've sat in meetings where where we've ended up getting

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<v Joanne Lockwood>our hankies out of our bags and waving the white flag. So it's

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<v Joanne Lockwood>like, we give up. We surrender. It's interesting because I

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<v Penny Pollan>talk about this a little bit in the, in the book that's coming out

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<v Penny Pollan>in July, And I talk about,

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<v Penny Pollan>how people tend to go into, I've got to be in control

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<v Penny Pollan>mode. So I've got to finish this, whatever. You

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<v Penny Pollan>know,

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<v Penny Pollan>that I need to, I have the, I'm the authority, the

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<v Penny Pollan>spotlight is on me. I I'm you know,

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<v Penny Pollan>something's going on. I'm the one who has to know what's going on, and I

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<v Penny Pollan>need to make the decisions as to what happens next. And it's a complete disaster,

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<v Penny Pollan>you know, like you and your friends with your white handkeys.

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<v Penny Pollan>That's what it feels like. Whereas, if I've learned

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<v Penny Pollan>now after many years of doing this, that if I'm in a

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<v Penny Pollan>workshop and it feels like that, and I'm the workshop leader, I will say

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<v Penny Pollan>something like, to me, it feels like we are

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<v Penny Pollan>elephants when we're wading through this

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<v Penny Pollan>gloopy field full of treacle. Doesn't

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<v Penny Pollan>it feel a bit like that to you? And then everybody will smile and

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<v Penny Pollan>go, yeah. And then I say, well, what Joanne we do? What what

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<v Penny Pollan>are your suggestions for making it a little bit less like elephants

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<v Penny Pollan>through a field of treacle? And there'll be all sorts of ideas popping up, and

392
00:24:48.360 --> 00:24:52.005
<v Penny Pollan>then people will feel that they've, you know, we're all in it together,

393
00:24:52.065 --> 00:24:55.505
<v Penny Pollan>and that's a mode to switch away from. Switch away

394
00:24:55.505 --> 00:24:59.240
<v Penny Pollan>from, I've got to be in control of everything to,

395
00:24:59.240 --> 00:25:02.920
<v Penny Pollan>We're in it together. But actually as a facilitator, that takes all the

396
00:25:02.920 --> 00:25:06.655
<v Penny Pollan>weight off your shoulders and actually lets you be much

397
00:25:06.655 --> 00:25:10.095
<v Penny Pollan>better. And you're much less likely to head off into the fight,

398
00:25:10.095 --> 00:25:13.795
<v Penny Pollan>flight, freeze response that you tend to get when you're really stressed.

399
00:25:14.200 --> 00:25:17.660
<v Penny Pollan>That comes very quickly when you're in this, I've got to be in control

400
00:25:17.880 --> 00:25:21.615
<v Penny Pollan>mode. Whereas if you're sort of, you know, we're in this

401
00:25:21.615 --> 00:25:24.435
<v Penny Pollan>together, you've got ideas, I've got ideas,

402
00:25:27.535 --> 00:25:31.130
<v Penny Pollan>you've got different perspectives to me. You may see things that I can't.

403
00:25:31.350 --> 00:25:34.330
<v Penny Pollan>All those sort of things can all work together really, really

404
00:25:34.950 --> 00:25:38.645
<v Penny Pollan>helpfully, really effectively. So try and get people, or

405
00:25:38.645 --> 00:25:42.405
<v Penny Pollan>when you're running workshops, try and stop yourself heading off in that, I've

406
00:25:42.405 --> 00:25:45.544
<v Penny Pollan>got a control, I've got a control, I've got a control over and over again,

407
00:25:45.860 --> 00:25:49.400
<v Penny Pollan>going around your head and just think, well, if something goes wrong

408
00:25:50.820 --> 00:25:54.420
<v Joanne Lockwood>Yeah. Well, there's all of us who together can sort

409
00:25:54.420 --> 00:25:58.025
<v Penny Pollan>it. But sometimes that takes a a

410
00:25:58.025 --> 00:26:01.085
<v Joanne Lockwood>person with the right experience, character, confidence

411
00:26:01.784 --> 00:26:05.049
<v Joanne Lockwood>as a as a sort of, if you like, a group leader, as a session

412
00:26:05.049 --> 00:26:07.470
<v Joanne Lockwood>leader to be rather than

413
00:26:08.490 --> 00:26:12.205
<v Joanne Lockwood>reach content, which often people reach content, is to

414
00:26:12.205 --> 00:26:15.664
<v Joanne Lockwood>have conversations with the audience. So you're not telling,

415
00:26:16.284 --> 00:26:20.044
<v Joanne Lockwood>you're showing an example and letting people bring build their own

416
00:26:20.044 --> 00:26:23.610
<v Joanne Lockwood>pictures. And then in that conversation, you could say, so how are we feeling about

417
00:26:23.610 --> 00:26:27.370
<v Joanne Lockwood>that? Anyone anyone got any thoughts? How how does that feel to you? And are

418
00:26:27.370 --> 00:26:29.850
<v Joanne Lockwood>we okay? Do we need a break or would we be okay to carry on

419
00:26:29.850 --> 00:26:33.425
<v Joanne Lockwood>a bit more? Almost like involving them in the decision of what what

420
00:26:33.425 --> 00:26:36.885
<v Joanne Lockwood>happens next. Yeah. Because it's their meeting generally,

421
00:26:38.600 --> 00:26:42.280
<v Penny Pollan>especially as an external facilitator, you know, it's their meeting. It's

422
00:26:42.280 --> 00:26:45.685
<v Penny Pollan>not my meeting. I'm just there to be the catalyst to make it all

423
00:26:45.925 --> 00:26:49.685
<v Penny Pollan>happen and work smoothly. I was very of what I'm delivering.

424
00:26:49.685 --> 00:26:53.125
<v Joanne Lockwood>I I look at the the con or listen to conversations going on. I think,

425
00:26:53.125 --> 00:26:56.909
<v Joanne Lockwood>well, actually, I don't wanna stop this. The next couple of slides and stuff

426
00:26:56.909 --> 00:27:00.350
<v Joanne Lockwood>I wanna talk about, I wanna I wanna cover. But what I try and do

427
00:27:00.350 --> 00:27:03.789
<v Joanne Lockwood>is drip them into the conversation rather than stop the conversation to hear the

428
00:27:03.789 --> 00:27:07.145
<v Joanne Lockwood>slides. I actually present into the conversation

429
00:27:07.684 --> 00:27:11.445
<v Joanne Lockwood>and allow people to carry on. And, once people are in

430
00:27:11.445 --> 00:27:15.050
<v Joanne Lockwood>flow, you wanna keep them in flow, don't you? Absolutely.

431
00:27:16.070 --> 00:27:18.558
<v Penny Pollan>I used to trip up over flip chart Joanne.

432
00:27:20.790 --> 00:27:24.625
<v Penny Pollan>Obviously, you haven't been anywhere near a flip chart for a while, when

433
00:27:24.625 --> 00:27:28.465
<v Penny Pollan>we record this. I used to get really worried about it, and

434
00:27:28.465 --> 00:27:32.130
<v Penny Pollan>it would go round around my head. I mustn't trip over the

435
00:27:32.130 --> 00:27:35.809
<v Penny Pollan>flip chart stand. I mustn't trip over the flip chart. It would go

436
00:27:35.809 --> 00:27:39.375
<v Penny Pollan>run around my head all day. And, you

437
00:27:39.375 --> 00:27:43.134
<v Penny Pollan>know, I mean, you know, Joanne, by the end of this, I probably or

438
00:27:43.134 --> 00:27:46.014
<v Penny Pollan>that day, I probably would have tripped over the flip chart. It's just something I

439
00:27:46.014 --> 00:27:47.720
<v Penny Pollan>always did. And then I

440
00:27:49.940 --> 00:27:53.399
<v Joanne Lockwood>thought, why don't I consider me tripping over the flip chart?

441
00:27:53.620 --> 00:27:57.245
<v Penny Pollan>Sort of reframe it as, well, it's entertaining

442
00:27:57.545 --> 00:28:01.305
<v Penny Pollan>for everybody. So if I do end up tripping

443
00:28:01.305 --> 00:28:05.005
<v Penny Pollan>over, I'll do it in a flamboyant and entertaining way.

444
00:28:05.320 --> 00:28:09.159
<v Penny Pollan>And, and, you know, so there you are. There's something for you to laugh

445
00:28:09.159 --> 00:28:12.380
<v Penny Pollan>at. And, it's sort of

446
00:28:12.894 --> 00:28:16.674
<v Penny Pollan>quite enjoyed it once or twice when it happened, but it's hardly happened ever since

447
00:28:18.095 --> 00:28:21.909
<v Penny Pollan>because I'm not been thinking about it all the time. Yeah.

448
00:28:21.970 --> 00:28:25.650
<v Joanne Lockwood>I I just I was I was delivering a training session at a hotel on

449
00:28:25.650 --> 00:28:29.330
<v Joanne Lockwood>a Saturday morning once. And as I as I was just about to get

450
00:28:29.330 --> 00:28:33.135
<v Joanne Lockwood>into my role, I just sort of said, hi. Welcome, everybody. There's such a massive

451
00:28:33.914 --> 00:28:36.554
<v Joanne Lockwood>crack on the back of my head, and I went flat into the table in

452
00:28:36.554 --> 00:28:39.940
<v Joanne Lockwood>front of me. And the whiteboard has come detached from the

453
00:28:39.940 --> 00:28:43.700
<v Joanne Lockwood>wall and and pivoted and smacked me on the back of the head. Of

454
00:28:43.700 --> 00:28:47.540
<v Joanne Lockwood>course, I was now seeing stars and days. Everybody in the room would rush into

455
00:28:47.540 --> 00:28:51.184
<v Joanne Lockwood>my assistance. So we agreed that I was gonna go

456
00:28:51.184 --> 00:28:53.985
<v Joanne Lockwood>off. The next customer would come on, and I come back later. So while I

457
00:28:53.985 --> 00:28:57.460
<v Joanne Lockwood>was off, I redesigned the first couple of slides. It had a little

458
00:28:57.779 --> 00:29:01.380
<v Joanne Lockwood>emoji avatar of me with a big bandage around my head. So I came

459
00:29:01.380 --> 00:29:05.115
<v Joanne Lockwood>back. Well, hopefully, we're okay in the future. But, yeah,

460
00:29:05.115 --> 00:29:08.315
<v Joanne Lockwood>you have to sort of fall with it, make a laugh, and and and Yeah.

461
00:29:08.315 --> 00:29:12.155
<v Penny Pollan>Yeah. Reassure the audience I'm okay and and seeing the funny side. But, yeah, it

462
00:29:12.155 --> 00:29:15.890
<v Joanne Lockwood>was a trip over the flip shop, mind out for

463
00:29:15.890 --> 00:29:19.410
<v Joanne Lockwood>the whiteboard on the back of the head. Yeah. I wonder if you were sort

464
00:29:19.410 --> 00:29:23.025
<v Penny Pollan>of expecting the next few whiteboards to land on you or a

465
00:29:23.025 --> 00:29:26.865
<v Penny Pollan>little bit wary. I'm now I'm now more cautious. I'm definitely

466
00:29:26.865 --> 00:29:30.415
<v Joanne Lockwood>more cautious about what's behind me and what's above me. But yeah.

467
00:29:31.830 --> 00:29:35.669
<v Penny Pollan>Interestingly, a little while ago, you said that you needed oodles of

468
00:29:35.669 --> 00:29:39.505
<v Penny Pollan>experience to be able to switch into that we're

469
00:29:39.505 --> 00:29:43.105
<v Penny Pollan>in it together state. I think it's not just

470
00:29:43.345 --> 00:29:46.485
<v Penny Pollan>it can come from years of experience, but

471
00:29:46.940 --> 00:29:50.460
<v Penny Pollan>also you can learn about it and know about it and practice

472
00:29:50.460 --> 00:29:54.300
<v Penny Pollan>it and actually get there without having to do the 20 years

473
00:29:54.300 --> 00:29:57.845
<v Penny Pollan>of actual high stress, and then working out for

474
00:29:57.845 --> 00:30:00.585
<v Penny Pollan>yourself that it's it's a better way to do things.

475
00:30:01.745 --> 00:30:05.500
<v Penny Pollan>Jo, you I agree. I've I've

476
00:30:05.500 --> 00:30:09.340
<v Joanne Lockwood>kinda learned it by experience over the last

477
00:30:09.340 --> 00:30:12.380
<v Joanne Lockwood>couple of years. So I have got I haven't got 20 years experience in doing

478
00:30:12.380 --> 00:30:15.735
<v Joanne Lockwood>that. It's it's just it became a style that

479
00:30:15.735 --> 00:30:18.875
<v Joanne Lockwood>evolved, and I detected it works.

480
00:30:19.255 --> 00:30:22.930
<v Joanne Lockwood>Therefore, I will be rewarded by good behavior by doing more of it, and it

481
00:30:22.930 --> 00:30:26.150
<v Joanne Lockwood>became a self fulfilling, action.

482
00:30:26.770 --> 00:30:29.650
<v Joanne Lockwood>It's just become part of your style, doesn't it? You just adapt and evolve to

483
00:30:29.650 --> 00:30:33.415
<v Joanne Lockwood>it. Yeah. But if somebody said to you upfront, you know, when you begin to

484
00:30:33.415 --> 00:30:37.115
<v Penny Pollan>get really stressed and you're feeling like you have to be in control,

485
00:30:37.510 --> 00:30:41.350
<v Penny Pollan>just notice that and deflect away from it to actually know

486
00:30:41.350 --> 00:30:44.490
<v Penny Pollan>the whole room, we're all in it together.

487
00:30:44.710 --> 00:30:48.245
<v Joanne Lockwood>Mhmm. We can do it together. It's not about

488
00:30:48.245 --> 00:30:51.684
<v Penny Pollan>I. If people in that sort of controlling stage

489
00:30:51.684 --> 00:30:55.260
<v Penny Pollan>go, it's all me, me, me, me, me, I, I, I, but actually it's not

490
00:30:55.500 --> 00:30:58.960
<v Penny Pollan>me, it's we. And if you think, actually, that's all of us.

491
00:30:59.340 --> 00:31:03.020
<v Penny Pollan>And I often think, and there's a picture in my book as well, of

492
00:31:03.020 --> 00:31:06.385
<v Penny Pollan>a metaphorical spotlight. Imagine it on the ceiling

493
00:31:06.764 --> 00:31:10.065
<v Penny Pollan>above you, if you're in person in a room. And

494
00:31:10.524 --> 00:31:14.080
<v Penny Pollan>the people who are in that sort of, you know, I've gotta be in

495
00:31:14.080 --> 00:31:17.620
<v Penny Pollan>control state often seem to have this

496
00:31:17.760 --> 00:31:21.465
<v Penny Pollan>metaphorical spotlight. I mean, it's metaphorical, but it

497
00:31:21.705 --> 00:31:25.485
<v Penny Pollan>seems very real to them indeed. They've got this massive spotlight shining

498
00:31:25.705 --> 00:31:28.902
<v Penny Pollan>onto them. And Jo

499
00:31:29.065 --> 00:31:32.570
<v Penny Pollan>metaphorically, if you can just switch that spotlight Jo that it

500
00:31:32.570 --> 00:31:34.590
<v Penny Pollan>focuses on the group that you're serving,

501
00:31:36.409 --> 00:31:40.005
<v Penny Pollan>again, it takes pressure off and it helps you to go from that, actually, it's

502
00:31:40.005 --> 00:31:43.845
<v Penny Pollan>all about I, it's all about me controlling, to actually we're all in

503
00:31:43.845 --> 00:31:47.285
<v Penny Pollan>it together. We can do this together. I'm just here as a

504
00:31:47.285 --> 00:31:48.985
<v Penny Pollan>catalyst and as a supporter.

505
00:31:51.350 --> 00:31:55.110
<v Joanne Lockwood>Yeah. That's a good point. Yeah. But that that could be a challenge where you've

506
00:31:55.110 --> 00:31:58.535
<v Joanne Lockwood>got people with different learning abilities, different

507
00:31:58.535 --> 00:32:02.135
<v Joanne Lockwood>physical capabilities in a mixed group, isn't it? Trying to really

508
00:32:02.135 --> 00:32:05.515
<v Joanne Lockwood>make everybody feel included. That can be a struggle when

509
00:32:05.830 --> 00:32:09.670
<v Joanne Lockwood>not everybody can participate in the same way. You need to design.

510
00:32:09.670 --> 00:32:13.430
<v Penny Pollan>You see, so there are 3 things with a a meeting or workshop. There's

511
00:32:13.430 --> 00:32:17.115
<v Penny Pollan>a process that you're going to do, but you can't

512
00:32:17.115 --> 00:32:20.795
<v Penny Pollan>just design your process straight away. You need to know 2

513
00:32:20.795 --> 00:32:24.015
<v Penny Pollan>things before, and they're all P's. So

514
00:32:25.260 --> 00:32:29.100
<v Penny Pollan>the first P you need to know is the purpose. What is the purpose

515
00:32:29.100 --> 00:32:32.885
<v Penny Pollan>for your meeting or workshop? When you've got that sorted, then

516
00:32:32.885 --> 00:32:35.865
<v Penny Pollan>you can think, given that purpose, who are the people we need?

517
00:32:37.205 --> 00:32:40.665
<v Penny Pollan>Identify the people and then learn about them and

518
00:32:41.170 --> 00:32:44.530
<v Penny Pollan>how are they unique? What are their preferences? What are their

519
00:32:44.530 --> 00:32:48.070
<v Penny Pollan>strengths? What are their weaknesses? What do they bring?

520
00:32:48.370 --> 00:32:52.095
<v Penny Pollan>What do they need? All those things about the people. And then

521
00:32:52.095 --> 00:32:55.934
<v Penny Pollan>you design the process of your workshop, whether it's

522
00:32:55.934 --> 00:32:58.755
<v Penny Pollan>in person, whether it's virtual, whether it's hybrid,

523
00:33:00.830 --> 00:33:04.430
<v Penny Pollan>those three things apply. Know your purpose. From the

524
00:33:04.430 --> 00:33:07.505
<v Penny Pollan>purpose, work out the people, and then knowing

525
00:33:08.045 --> 00:33:11.725
<v Penny Pollan>deeply about the people and their perspectives and their preferences, all that

526
00:33:11.725 --> 00:33:15.025
<v Penny Pollan>stuff, then design the process to suit that particular group.

527
00:33:17.260 --> 00:33:21.100
<v Joanne Lockwood>Yeah. Definitely. The other

528
00:33:21.100 --> 00:33:24.934
<v Joanne Lockwood>thing I think people often forget is asking people

529
00:33:24.934 --> 00:33:27.835
<v Joanne Lockwood>if they have any needs or special special requirements,

530
00:33:29.095 --> 00:33:32.810
<v Joanne Lockwood>even down to do you need a regular break? Is there any anything going

531
00:33:32.810 --> 00:33:36.490
<v Joanne Lockwood>on? So I I I did a few sessions the last couple of weeks

532
00:33:36.490 --> 00:33:40.335
<v Joanne Lockwood>where one person was blind. I was having a conversation on

533
00:33:40.335 --> 00:33:44.095
<v Joanne Lockwood>Zoom this morning where the person was deaf and I

534
00:33:44.095 --> 00:33:47.475
<v Joanne Lockwood>had to turn subtitles on on Zoom and

535
00:33:48.450 --> 00:33:51.430
<v Joanne Lockwood>speak very clearly, articulately

536
00:33:52.050 --> 00:33:55.650
<v Joanne Lockwood>because they weren't also there were non native English speakers also with lip

537
00:33:55.650 --> 00:33:59.335
<v Joanne Lockwood>reading and subtitling when English wasn't their first language. And it was,

538
00:33:59.975 --> 00:34:03.434
<v Joanne Lockwood>I felt I was very conscious about making sure that I took responsibility

539
00:34:03.735 --> 00:34:07.440
<v Joanne Lockwood>for being understood. And sometimes when we when we don't take that

540
00:34:07.440 --> 00:34:10.960
<v Joanne Lockwood>leadership role in communication, we speak to be

541
00:34:10.960 --> 00:34:14.594
<v Joanne Lockwood>heard from our own lens, not the other person's lens.

542
00:34:15.214 --> 00:34:18.974
<v Penny Pollan>It's interesting, Chris, of the virtual leadership work that

543
00:34:18.974 --> 00:34:22.400
<v Penny Pollan>I've done, I've

544
00:34:22.619 --> 00:34:26.000
<v Penny Pollan>had a lot of people who were not English

545
00:34:27.585 --> 00:34:31.125
<v Penny Pollan>mother tongue speakers, who I've interacted with

546
00:34:32.545 --> 00:34:35.980
<v Penny Pollan>virtually. And, I interviewed an expert

547
00:34:36.280 --> 00:34:39.020
<v Penny Pollan>in business English once for virtual,

548
00:34:42.014 --> 00:34:45.775
<v Penny Pollan>And it was really interesting because I completely put my foot in it. I

549
00:34:45.775 --> 00:34:49.395
<v Penny Pollan>made a complete hash. I introduced him as a leading

550
00:34:49.534 --> 00:34:53.349
<v Penny Pollan>light in the world of business English. And he

551
00:34:53.349 --> 00:34:57.030
<v Penny Pollan>said, Penny, thank you for giving me that marvelous example of how not to do

552
00:34:57.030 --> 00:35:00.835
<v Penny Pollan>it. Because I'd used the phrase leading light.

553
00:35:01.775 --> 00:35:05.455
<v Penny Pollan>So while my pronunciation was impeccable and

554
00:35:05.455 --> 00:35:07.940
<v Penny Pollan>my accent was understandable

555
00:35:09.200 --> 00:35:13.040
<v Penny Pollan>and even the words were quite simple, what I'd done was

556
00:35:13.040 --> 00:35:16.835
<v Penny Pollan>I'd used a metaphor of a leading light, which is something that

557
00:35:16.835 --> 00:35:20.595
<v Penny Pollan>when you're sailing and coming into a port, you

558
00:35:20.595 --> 00:35:23.634
<v Penny Pollan>might have 2 lights that line up and you can use them to work out

559
00:35:23.634 --> 00:35:27.460
<v Penny Pollan>where the channel is. Now, how somebody who might

560
00:35:27.460 --> 00:35:31.220
<v Penny Pollan>be from Central China would know

561
00:35:31.220 --> 00:35:34.885
<v Penny Pollan>anything about, you know, little lights on sticks

562
00:35:35.025 --> 00:35:38.325
<v Penny Pollan>in the sea off the coast of England,

563
00:35:39.900 --> 00:35:42.720
<v Penny Pollan>they just wouldn't. And so it was a way of excluding.

564
00:35:44.140 --> 00:35:47.660
<v Penny Pollan>And ever since then, I've been so careful thinking about not

565
00:35:47.660 --> 00:35:51.395
<v Penny Pollan>just clarity and speed and all of that,

566
00:35:51.395 --> 00:35:54.755
<v Penny Pollan>but also the words that I'm using to make them

567
00:35:54.755 --> 00:35:57.735
<v Penny Pollan>inclusive. I'm very conscious about

568
00:35:59.040 --> 00:36:02.400
<v Joanne Lockwood>words that are associated with good, or words associated with

569
00:36:02.400 --> 00:36:06.160
<v Joanne Lockwood>bad, and often masculine words

570
00:36:06.320 --> 00:36:09.825
<v Joanne Lockwood>masculine words are more worthy, better.

571
00:36:10.365 --> 00:36:13.505
<v Joanne Lockwood>Sometimes feminine words are less worthy or seems worse.

572
00:36:14.045 --> 00:36:17.825
<v Joanne Lockwood>And when we think about racism, some words are associated with the light

573
00:36:18.190 --> 00:36:21.730
<v Joanne Lockwood>as being gray and the dark as not being gray. So you're sometimes

574
00:36:21.870 --> 00:36:25.630
<v Joanne Lockwood>really conscious and mindful about, as you say, there's analogies, metaphors, or seminars we're

575
00:36:25.630 --> 00:36:29.075
<v Joanne Lockwood>using. What do we mean by that? Are we effective

576
00:36:29.075 --> 00:36:32.675
<v Joanne Lockwood>using effectively a racist connotation to describe something as

577
00:36:32.675 --> 00:36:36.490
<v Joanne Lockwood>bad? Yeah. Really? Yeah. Sinister. Yeah. Yeah.

578
00:36:36.490 --> 00:36:39.309
<v Penny Pollan>Yeah. Yeah. Sinister. You know, left handed people.

579
00:36:40.465 --> 00:36:44.305
<v Joanne Lockwood>That's me. Not good. Handed. Yeah. Yeah. Half my family are left

580
00:36:44.305 --> 00:36:47.905
<v Penny Pollan>handed. I'm right handed. But, yes, you know, are they

581
00:36:47.905 --> 00:36:51.680
<v Penny Pollan>sinister? Well, it wasn't so long ago

582
00:36:51.680 --> 00:36:55.280
<v Joanne Lockwood>that we were excluded from certain job

583
00:36:55.280 --> 00:36:58.640
<v Joanne Lockwood>opportunities. You couldn't work in a bank because they were worried you might

584
00:36:58.640 --> 00:37:02.444
<v Joanne Lockwood>smudge statements. You're handwriting them. You couldn't write envelopes.

585
00:37:02.505 --> 00:37:06.345
<v Joanne Lockwood>So the I've actually seen a memo from Barclays saying

586
00:37:06.345 --> 00:37:09.849
<v Joanne Lockwood>that we're now allowing people who are left handed to to work as clerks.

587
00:37:12.230 --> 00:37:15.495
<v Joanne Lockwood>And that that was like in the fifties. It wasn't that long ago.

588
00:37:15.815 --> 00:37:19.575
<v Joanne Lockwood>So it's it's incredible. I mean, example I often give is that I've got

589
00:37:19.575 --> 00:37:23.335
<v Joanne Lockwood>one of these thermos soup flasks and it comes with a

590
00:37:23.335 --> 00:37:27.180
<v Joanne Lockwood>spoon in the lid. And the spoon only works if you're

591
00:37:27.180 --> 00:37:30.960
<v Joanne Lockwood>right Joanne. Since you're left handed, it folds up every time you use it.

592
00:37:31.020 --> 00:37:34.684
<v Joanne Lockwood>And incredible that a company like Thermos designed this

593
00:37:34.684 --> 00:37:38.464
<v Joanne Lockwood>product with a spoon that doesn't work for left handed people.

594
00:37:39.484 --> 00:37:43.260
<v Joanne Lockwood>And it just shows that we we all have these blind

595
00:37:43.260 --> 00:37:46.080
<v Joanne Lockwood>spots to design, to thinking about other people.

596
00:37:46.700 --> 00:37:50.275
<v Penny Pollan>Absolutely. And I think I mean, I particularly think of left

597
00:37:50.275 --> 00:37:54.115
<v Penny Pollan>handed people because once I was doing something, and we had an activity that

598
00:37:54.115 --> 00:37:57.770
<v Penny Pollan>had involved paper and

599
00:37:57.770 --> 00:38:01.470
<v Penny Pollan>scissors and glue, I think. I don't know what it was. It was,

600
00:38:02.330 --> 00:38:06.015
<v Penny Pollan>I don't like icebreakers

601
00:38:06.075 --> 00:38:09.835
<v Penny Pollan>and energizers that are for their own sake. But if there's something

602
00:38:09.835 --> 00:38:13.355
<v Penny Pollan>related to the content that you're covering, the work that you're doing

603
00:38:13.355 --> 00:38:17.099
<v Penny Pollan>together, that can change the state, then that's great.

604
00:38:17.099 --> 00:38:19.680
<v Penny Pollan>As long as it's something related, not just creating,

605
00:38:21.305 --> 00:38:24.925
<v Penny Pollan>the tallest possible towers out of spaghetti and marshmallows

606
00:38:25.305 --> 00:38:26.845
<v Penny Pollan>just for the sake of doing that.

607
00:38:28.839 --> 00:38:32.599
<v Penny Pollan>But, so we are doing something with paper and scissors and glue, except I

608
00:38:32.599 --> 00:38:35.099
<v Penny Pollan>only had standard scissors, which are right handed.

609
00:38:36.575 --> 00:38:39.935
<v Penny Pollan>And there's somebody who who is left handed who find it particularly

610
00:38:39.935 --> 00:38:43.695
<v Penny Pollan>difficult to cut accurately. And ever since then, I've been much

611
00:38:43.695 --> 00:38:47.470
<v Penny Pollan>more careful and included that.

612
00:38:47.470 --> 00:38:51.310
<v Joanne Lockwood>Yeah. I've scissors because the paper always folds in

613
00:38:51.310 --> 00:38:53.710
<v Joanne Lockwood>the scissors because the blades are the wrong way around. You always end up the

614
00:38:53.710 --> 00:38:57.395
<v Joanne Lockwood>wrong side. I end up having to sort of cut backwards to force myself

615
00:38:57.775 --> 00:39:01.395
<v Joanne Lockwood>or and, yeah, I I have terrible trouble with

616
00:39:02.150 --> 00:39:05.530
<v Joanne Lockwood>tightening and loosening screws because for some reason, my brain

617
00:39:06.150 --> 00:39:09.930
<v Joanne Lockwood>just doesn't wanna do it in the way that it works. It's always reversed. And

618
00:39:10.735 --> 00:39:14.575
<v Joanne Lockwood>often, I end up tightening something up, but I should be undoing it

619
00:39:14.575 --> 00:39:17.775
<v Joanne Lockwood>without realizing. And I have to I have to actually work get another screw that

620
00:39:17.775 --> 00:39:21.140
<v Joanne Lockwood>I can turn and think, okay. Right. That got it now. And

621
00:39:21.140 --> 00:39:24.900
<v Joanne Lockwood>it's and I'm not sure that's whether that's being left handed or whether that's just

622
00:39:24.900 --> 00:39:28.555
<v Joanne Lockwood>the way my brain works because it's left handed. A lot of these

623
00:39:28.555 --> 00:39:32.315
<v Joanne Lockwood>things that seem natural to a right handed person just aren't for left

624
00:39:32.315 --> 00:39:34.494
<v Joanne Lockwood>handed people because everything works in reverse.

625
00:39:38.270 --> 00:39:41.010
<v Penny Pollan>Well, something that I find useful

626
00:39:42.085 --> 00:39:45.515
<v Penny Pollan>is not just saying, you know, would you like a break? Yes or Jo?

627
00:39:46.965 --> 00:39:50.565
<v Penny Pollan>Just jumping back to what we were talking about a little while, but

628
00:39:50.565 --> 00:39:53.849
<v Penny Pollan>saying, what breaks do you need?

629
00:39:54.869 --> 00:39:58.309
<v Penny Pollan>So asking open questions as

630
00:39:58.309 --> 00:40:00.970
<v Penny Pollan>opposed to questions with yesno answers,

631
00:40:02.195 --> 00:40:05.955
<v Penny Pollan>which makes it easier for it's as if you're expecting a

632
00:40:05.955 --> 00:40:09.175
<v Penny Pollan>response to that question. It's not just a sort of,

633
00:40:09.715 --> 00:40:12.109
<v Penny Pollan>yeah, we'll have you know, brakes fine.

634
00:40:14.009 --> 00:40:17.309
<v Penny Pollan>But, actually, you know, what what dietary requirements do you have

635
00:40:18.170 --> 00:40:21.995
<v Penny Pollan>as opposed to do you have dietary requirements? Yeah. I

636
00:40:21.995 --> 00:40:25.775
<v Joanne Lockwood>was I ran a workshop the other morning, and at the beginning of it,

637
00:40:26.475 --> 00:40:29.610
<v Joanne Lockwood>someone said, I I'll be having breaks during the session. It was a 2 hour

638
00:40:29.610 --> 00:40:33.070
<v Joanne Lockwood>session. I said, yeah. I'm planning 1 around about an hour in,

639
00:40:33.530 --> 00:40:37.164
<v Joanne Lockwood>and if we need one, just the last 20 minutes. They say,

640
00:40:37.164 --> 00:40:40.765
<v Joanne Lockwood>oh, the reason I need to know is my dog needs to

641
00:40:40.765 --> 00:40:44.170
<v Joanne Lockwood>have to be let out every so often.

642
00:40:44.908 --> 00:40:47.930
<v Joanne Lockwood>Jo it'd be really helpful for me if it was 40 minutes rather than an

643
00:40:47.930 --> 00:40:51.390
<v Joanne Lockwood>hour. I went, absolutely fine. 40 minutes ago for me.

644
00:40:51.770 --> 00:40:55.485
<v Joanne Lockwood>And so there was a just by planning the schedule and

645
00:40:55.485 --> 00:40:59.245
<v Joanne Lockwood>my needs, it actually reminded me that I actually need to ask people about, was

646
00:40:59.245 --> 00:41:02.910
<v Joanne Lockwood>that okay for them? And we also have to you know,

647
00:41:02.910 --> 00:41:06.530
<v Joanne Lockwood>we've we've all got deliveries, Amazon,

648
00:41:06.590 --> 00:41:10.349
<v Joanne Lockwood>Hermes, DPD, everything's turning out. The doors are knocking. Pets are jumping

649
00:41:10.349 --> 00:41:13.855
<v Joanne Lockwood>around. Kids need feeding and schooling. So we've

650
00:41:13.855 --> 00:41:16.835
<v Joanne Lockwood>learned really to be very adaptable to the needs of individuals.

651
00:41:17.375 --> 00:41:20.810
<v Joanne Lockwood>Whereas I think when we started this process, we were still that

652
00:41:20.810 --> 00:41:24.170
<v Joanne Lockwood>regimented, I've got you in my room. You're gonna do as you're told. And now

653
00:41:24.170 --> 00:41:26.910
<v Joanne Lockwood>we've learned we we can't herd our cats in that way.

654
00:41:28.005 --> 00:41:31.385
<v Penny Pollan>Perhaps my book should have come out a couple of couple of years earlier,

655
00:41:31.684 --> 00:41:35.525
<v Penny Pollan>the the one about workshops. But, anyway, it'll it'll be there. Now I

656
00:41:35.525 --> 00:41:39.110
<v Penny Pollan>do have something that is quite useful when you're

657
00:41:39.110 --> 00:41:42.950
<v Penny Pollan>starting up meetings and workshops, which I call my magic 6. In

658
00:41:42.950 --> 00:41:46.545
<v Penny Pollan>fact, I used to call it meeting startup steps,

659
00:41:46.545 --> 00:41:50.225
<v Penny Pollan>but then one of my clients said, Penny, you should call it a magic

660
00:41:50.225 --> 00:41:54.010
<v Penny Pollan>6. Quite useful for planning as well. So

661
00:41:54.230 --> 00:41:57.850
<v Penny Pollan>this, that discussion about where the break should be could,

662
00:41:58.150 --> 00:42:01.974
<v Penny Pollan>would come up if you, if you brought this up. So, and

663
00:42:01.974 --> 00:42:05.815
<v Penny Pollan>there is a visual as well for it, but I can't share that on this.

664
00:42:05.815 --> 00:42:09.115
<v Penny Pollan>So, but the first question is, we are here to,

665
00:42:10.849 --> 00:42:14.530
<v Penny Pollan>What are we here to do? So make sure you can answer that question or

666
00:42:14.530 --> 00:42:18.315
<v Penny Pollan>complete that sentence. We are here to. The purpose of the

667
00:42:18.315 --> 00:42:22.155
<v Penny Pollan>meeting, ideally about 7 words. So not a

668
00:42:22.155 --> 00:42:25.850
<v Penny Pollan>paragraph, quite high level. How, you know, what

669
00:42:26.010 --> 00:42:29.690
<v Penny Pollan>how will you know that this has been a success because you've done

670
00:42:29.690 --> 00:42:33.075
<v Penny Pollan>this thing? And then the next of the

671
00:42:33.075 --> 00:42:36.835
<v Penny Pollan>magic 6 is, Today we will Jo, what are

672
00:42:36.835 --> 00:42:40.375
<v Penny Pollan>the 4 or 5 objectives that we will cover today?

673
00:42:42.220 --> 00:42:45.820
<v Penny Pollan>The next one is our plan. And that's where things like

674
00:42:45.820 --> 00:42:49.340
<v Penny Pollan>start times, end times, breaks, and so on comes

675
00:42:49.340 --> 00:42:53.005
<v Penny Pollan>in. Who's doing

676
00:42:53.005 --> 00:42:56.845
<v Penny Pollan>what is another one. So what

677
00:42:56.845 --> 00:43:00.660
<v Penny Pollan>people are playing which roles in the session and make sure you've

678
00:43:00.660 --> 00:43:03.620
<v Penny Pollan>got them. I mean, with virtual, we need to have,

679
00:43:04.580 --> 00:43:08.100
<v Penny Pollan>somebody keeping time. We need to have somebody writing down

680
00:43:08.100 --> 00:43:11.515
<v Penny Pollan>actions, preferably in a shared way Jo everyone can see

681
00:43:11.515 --> 00:43:15.355
<v Penny Pollan>them. And then they can, you know, say, actually, that's not quite what I

682
00:43:15.355 --> 00:43:17.615
<v Penny Pollan>meant when I said I'd take that action on,

683
00:43:19.040 --> 00:43:22.720
<v Penny Pollan>and so on. One that's often forgotten is how

684
00:43:22.720 --> 00:43:24.180
<v Penny Pollan>we're going to work together.

685
00:43:27.125 --> 00:43:29.785
<v Penny Pollan>Lots of things there. I mean, especially virtually.

686
00:43:31.925 --> 00:43:35.620
<v Penny Pollan>Things like we know about muting if we're in a noisy environment, you know, we've

687
00:43:35.620 --> 00:43:39.380
<v Penny Pollan>had so many dog box and so on over the last year or

688
00:43:39.380 --> 00:43:42.775
<v Penny Pollan>so, but one person speaking at any time.

689
00:43:44.755 --> 00:43:48.195
<v Penny Pollan>If you're on a big call, why not say, stay your name at the beginning

690
00:43:48.195 --> 00:43:51.880
<v Penny Pollan>of anything you contribute? Because it's not always clear. I know the

691
00:43:51.880 --> 00:43:55.400
<v Penny Pollan>little lights come around boxes, but it's not always clear. And especially if somebody says,

692
00:43:55.400 --> 00:43:58.460
<v Penny Pollan>I'll take that action, and nobody knows who it is.

693
00:43:59.905 --> 00:44:02.244
<v Penny Pollan>So, those sort of things, how are we going to work together?

694
00:44:03.505 --> 00:44:07.285
<v Penny Pollan>Which is, if it hadn't come up already, hopefully that's where the,

695
00:44:07.380 --> 00:44:10.440
<v Penny Pollan>can we break every 40 minutes Jo that my dog can

696
00:44:11.280 --> 00:44:14.820
<v Penny Pollan>Joanne nip outside quickly? And then the final step is

697
00:44:14.820 --> 00:44:18.555
<v Penny Pollan>what's happening next? What's next? So

698
00:44:18.555 --> 00:44:22.095
<v Penny Pollan>that right from the beginning, we're thinking about what's gonna happen afterwards.

699
00:44:22.395 --> 00:44:25.775
<v Penny Pollan>And if you get those six things, sorted

700
00:44:26.720 --> 00:44:30.559
<v Penny Pollan>and clear, both in your preparation, but then crucially at the

701
00:44:30.559 --> 00:44:34.339
<v Penny Pollan>beginning of a meeting or workshop, then it will go much more smoothly

702
00:44:34.825 --> 00:44:38.285
<v Penny Pollan>and it will be shorter as well than it would otherwise be.

703
00:44:40.105 --> 00:44:43.760
<v Joanne Lockwood>I think there's some great points there. I mean, I I think

704
00:44:43.760 --> 00:44:47.440
<v Joanne Lockwood>about this when I'm running workshops and maybe not meetings, but many

705
00:44:47.440 --> 00:44:51.255
<v Joanne Lockwood>workshops, is I try and create this story. Because if we're going

706
00:44:51.255 --> 00:44:54.535
<v Joanne Lockwood>on a car journey, we know we're a bit 10 miles away. We know when

707
00:44:54.535 --> 00:44:58.080
<v Joanne Lockwood>we're 20 miles away. We know the path, the route we're taking. So we can

708
00:44:58.080 --> 00:45:01.500
<v Joanne Lockwood>almost our brains become used to that journey. So if we're

709
00:45:01.500 --> 00:45:05.255
<v Joanne Lockwood>surprising everybody with micro bits of knowledge as we go,

710
00:45:05.414 --> 00:45:08.855
<v Joanne Lockwood>their brain can't plan ahead, so they don't know what's happening next. And I think

711
00:45:08.855 --> 00:45:12.694
<v Joanne Lockwood>that's brilliant, the idea that we we create this story and say, well, we're gonna

712
00:45:12.775 --> 00:45:15.670
<v Joanne Lockwood>first of all, we're gonna talk about this. We're gonna show that. I'm gonna do

713
00:45:15.670 --> 00:45:17.510
<v Joanne Lockwood>a bit of this, I'm gonna do a bit of that, and we're gonna talk

714
00:45:17.510 --> 00:45:19.910
<v Joanne Lockwood>again, and we're gonna have some of this. Is that okay? I'm gonna have a

715
00:45:19.910 --> 00:45:23.210
<v Joanne Lockwood>break about there. And so you almost narrate the agenda

716
00:45:23.935 --> 00:45:26.575
<v Joanne Lockwood>and create this sort of kind of shared vision, don't you? I think I think

717
00:45:26.575 --> 00:45:30.095
<v Joanne Lockwood>that's a great idea, just building it into that, the the 6 points at the

718
00:45:30.095 --> 00:45:33.930
<v Joanne Lockwood>beginning, making that part of your routine. And I do it all visually

719
00:45:33.930 --> 00:45:37.690
<v Penny Pollan>and draw it up all over the screen. Just means

720
00:45:37.690 --> 00:45:40.910
<v Penny Pollan>everybody's clear, and visual support is helpful as well.

721
00:45:41.335 --> 00:45:45.015
<v Joanne Lockwood>Yeah. I love that. I love that. So maybe I'm doing this without

722
00:45:45.015 --> 00:45:47.515
<v Joanne Lockwood>thinking, and it's, it's it's actually good practice.

723
00:45:49.980 --> 00:45:52.700
<v Joanne Lockwood>So you've got this new book coming out. Is that is that in the new

724
00:45:52.700 --> 00:45:56.299
<v Joanne Lockwood>book, or is that in the original book? That's in the new book. In fact,

725
00:45:56.299 --> 00:45:59.885
<v Penny Pollan>I think it's in pretty much every book I've written, but, because it just

726
00:45:59.885 --> 00:46:03.265
<v Penny Pollan>works so well. It's one of those things I came up with in

727
00:46:03.725 --> 00:46:07.565
<v Penny Pollan>2007 and thought, oh, you know, next month I'll tweak it. And I haven't tweaked

728
00:46:07.565 --> 00:46:11.339
<v Penny Pollan>it since. But yes, it is in the new book,

729
00:46:11.339 --> 00:46:15.040
<v Penny Pollan>it talks about how to use those 6 steps for planning workshops,

730
00:46:16.055 --> 00:46:18.635
<v Penny Pollan>for running workshops, as well.

731
00:46:19.895 --> 00:46:23.415
<v Penny Pollan>Yeah. And, I do have some little

732
00:46:23.415 --> 00:46:27.020
<v Penny Pollan>cards. If people want a little card, they can get in touch with me,

733
00:46:27.160 --> 00:46:31.000
<v Penny Pollan>and I can point them at a a link to sign

734
00:46:31.000 --> 00:46:33.339
<v Penny Pollan>up to get sent 1 in the post.

735
00:46:35.095 --> 00:46:38.635
<v Joanne Lockwood>So is this is this a a digital age

736
00:46:39.415 --> 00:46:42.890
<v Joanne Lockwood>uplift book? Is this is this a kind of a a 20 year

737
00:46:43.590 --> 00:46:46.810
<v Joanne Lockwood>2021 book, or is this a a different topic to the original one?

738
00:46:48.390 --> 00:46:52.155
<v Penny Pollan>The book I wrote last was Virtual Leadership. So this is all

739
00:46:52.155 --> 00:46:55.694
<v Penny Pollan>about getting things done virtually. I'm updating

740
00:46:55.835 --> 00:46:59.515
<v Penny Pollan>this to include a chapter on hybrid, but the one that's coming out

741
00:46:59.515 --> 00:47:03.240
<v Penny Pollan>shortly is Making Workshops Work.

742
00:47:03.380 --> 00:47:07.220
<v Penny Pollan>And it's about creative collaboration for our time. The title was actually

743
00:47:07.220 --> 00:47:10.885
<v Penny Pollan>decided before this whole COVID stuff kicked off, which I

744
00:47:10.885 --> 00:47:14.405
<v Penny Pollan>think was quite funny. But, and that's

745
00:47:14.405 --> 00:47:17.625
<v Penny Pollan>about how do you run workshops? And because it's

746
00:47:18.180 --> 00:47:21.940
<v Penny Pollan>now, it's for our time, it's how to run workshops, whether

747
00:47:21.940 --> 00:47:25.160
<v Penny Pollan>you're in person, whether you're hybrid, or whether you're virtual.

748
00:47:29.535 --> 00:47:32.815
<v Joanne Lockwood>So we've got more nuggets. Yeah. I know you don't wanna ruin the entire book.

749
00:47:32.815 --> 00:47:35.290
<v Joanne Lockwood>You want people to buy it, but what there's a lot of nuggets have you

750
00:47:35.290 --> 00:47:38.250
<v Joanne Lockwood>got in there that we can you can share? I'm happy to share. So let

751
00:47:38.250 --> 00:47:41.870
<v Penny Pollan>me just I'll give you a feel for the flow, and then

752
00:47:42.010 --> 00:47:45.555
<v Penny Pollan>maybe some nuggets will emerge as we go through. So I

753
00:47:45.555 --> 00:47:48.995
<v Penny Pollan>talk through some of my own horror stories, you know, the

754
00:47:48.995 --> 00:47:52.435
<v Penny Pollan>complete disasters, and I got some other people to share theirs as

755
00:47:52.435 --> 00:47:56.260
<v Penny Pollan>well, But also some

756
00:47:56.260 --> 00:47:59.780
<v Penny Pollan>stories that should be really inspiring, where where things have worked

757
00:47:59.780 --> 00:48:03.525
<v Penny Pollan>out incredibly well through using some of the ideas

758
00:48:03.525 --> 00:48:04.825
<v Penny Pollan>that I talk about later.

759
00:48:07.125 --> 00:48:10.825
<v Penny Pollan>I've got a whole chunk around that bit we were talking about,

760
00:48:12.080 --> 00:48:15.920
<v Penny Pollan>which is about how can you be a a workshop leader or

761
00:48:15.920 --> 00:48:19.700
<v Penny Pollan>facilitator? How do you go from that,

762
00:48:20.105 --> 00:48:23.785
<v Penny Pollan>I've gotta be in control mode to something more productive where you

763
00:48:23.785 --> 00:48:27.545
<v Penny Pollan>have all your brain available to think other than, just

764
00:48:27.545 --> 00:48:30.660
<v Penny Pollan>running around going, ah, I've gotta be in control.

765
00:48:32.000 --> 00:48:35.440
<v Penny Pollan>There's a whole chapter around what makes people tick. So

766
00:48:35.440 --> 00:48:39.275
<v Penny Pollan>that's people in your workshop, but also yourself as a workshop leader.

767
00:48:39.275 --> 00:48:42.954
<v Penny Pollan>So a little bit of neuroscience, social psychology, stuff like that in there as

768
00:48:42.954 --> 00:48:46.560
<v Penny Pollan>well. There's, it then

769
00:48:46.560 --> 00:48:49.920
<v Penny Pollan>goes through the planning, running the

770
00:48:49.920 --> 00:48:53.760
<v Penny Pollan>meeting, well, planning, choosing the activities, then running the

771
00:48:53.760 --> 00:48:57.345
<v Penny Pollan>meeting, getting actions to happen afterwards. There's a whole chapter of all

772
00:48:57.425 --> 00:49:01.125
<v Penny Pollan>lots of complications, and loads of people contributed

773
00:49:01.585 --> 00:49:05.309
<v Penny Pollan>complications that had happened to them. So there's lots of very practical

774
00:49:05.309 --> 00:49:09.150
<v Penny Pollan>stories for both in person, but

775
00:49:09.150 --> 00:49:12.965
<v Penny Pollan>also virtual and hybrid examples. And then it finishes

776
00:49:12.965 --> 00:49:16.565
<v Penny Pollan>off with 3 lovely case studies of people who, are using

777
00:49:16.565 --> 00:49:20.245
<v Penny Pollan>workshops to great effect in very different ways and in very different

778
00:49:20.245 --> 00:49:22.680
<v Penny Pollan>industries. So that's the book.

779
00:49:24.340 --> 00:49:27.960
<v Joanne Lockwood>And that's out in July, is that right? July

780
00:49:28.100 --> 00:49:31.275
<v Penny Pollan>13th, it comes out as a printed book. But,

781
00:49:31.835 --> 00:49:35.355
<v Penny Pollan>on July 12th, just that

782
00:49:35.355 --> 00:49:38.975
<v Penny Pollan>day, not the day after, even if you plead with me,

783
00:49:39.080 --> 00:49:42.760
<v Penny Pollan>because it's all done by the publishers, on

784
00:49:42.760 --> 00:49:46.060
<v Penny Pollan>July 12th, they're going to drop the Kindle price to 99p

785
00:49:46.680 --> 00:49:48.140
<v Penny Pollan>just for one day.

786
00:49:50.915 --> 00:49:54.435
<v Joanne Lockwood>So So that should be about a week after this

787
00:49:54.435 --> 00:49:58.019
<v Joanne Lockwood>podcast episode drops. So put it in your

788
00:49:58.019 --> 00:50:01.859
<v Joanne Lockwood>diary now so that you It's a Monday. It's a Monday. So

789
00:50:01.859 --> 00:50:05.380
<v Joanne Lockwood>this will this it should launch on a Thursday, so 3 days'

790
00:50:05.380 --> 00:50:09.195
<v Joanne Lockwood>time. Okay. Yeah. Yeah. That's right. So the Monday after this,

791
00:50:09.255 --> 00:50:12.855
<v Penny Pollan>Monday 12th July, the 99p offer is

792
00:50:12.855 --> 00:50:15.835
<v Penny Pollan>there. I mean, it's still very good

793
00:50:17.200 --> 00:50:21.040
<v Penny Pollan>for £20, which is the normal price. But I just

794
00:50:21.040 --> 00:50:24.704
<v Penny Pollan>thought people might like, you know, to have that. Or if you fancy the the

795
00:50:24.704 --> 00:50:28.464
<v Joanne Lockwood>paperback and the the the real print, invest in it, or

796
00:50:28.464 --> 00:50:32.145
<v Joanne Lockwood>if you just want a quick preview, read the nice IP version on Kindle.

797
00:50:32.145 --> 00:50:35.610
<v Joanne Lockwood>Yeah. Great bargain. And there will also be a

798
00:50:36.390 --> 00:50:40.150
<v Penny Pollan>a color workbook to download, that you can actually

799
00:50:40.150 --> 00:50:43.625
<v Penny Pollan>write your own stuff in for the whole planning,

800
00:50:45.205 --> 00:50:48.964
<v Penny Pollan>and preparing part, with lots of examples as well of doing things

801
00:50:48.964 --> 00:50:51.305
<v Penny Pollan>very visually, which I hope will be helpful.

802
00:50:53.450 --> 00:50:57.210
<v Joanne Lockwood>Well, I'm looking forward to that. I'm gonna put my diary to

803
00:50:57.210 --> 00:51:01.055
<v Joanne Lockwood>remind myself to, on the on 12th, on the Monday to

804
00:51:01.055 --> 00:51:04.575
<v Joanne Lockwood>have a look at that. Yeah. So so what's your vision for the

805
00:51:04.575 --> 00:51:07.934
<v Joanne Lockwood>future? We we're living in this changing world. We've

806
00:51:07.934 --> 00:51:11.740
<v Joanne Lockwood>got hybrid. We've got in person. We've

807
00:51:11.740 --> 00:51:15.500
<v Joanne Lockwood>got return to the office. Where do you see the world going,

808
00:51:15.500 --> 00:51:19.040
<v Joanne Lockwood>and and how do we adapt and and and

809
00:51:19.565 --> 00:51:23.325
<v Joanne Lockwood>not ignore what we've learned? Oh, we need to not

810
00:51:23.325 --> 00:51:27.005
<v Penny Pollan>ignore what we learned. The thing is this whole thing about how people work

811
00:51:27.005 --> 00:51:30.720
<v Penny Pollan>effectively together, the core is the same, whether you're

812
00:51:30.720 --> 00:51:33.300
<v Penny Pollan>virtual or hybrid or in person,

813
00:51:34.400 --> 00:51:37.140
<v Penny Pollan>it's about helping each person to do their best work.

814
00:51:38.955 --> 00:51:42.735
<v Penny Pollan>That is really dead simple, and it's also really complicated, but

815
00:51:42.795 --> 00:51:46.630
<v Penny Pollan>it is that simple. If we can look at everybody to do their

816
00:51:47.170 --> 00:51:50.930
<v Penny Pollan>own best work and to interrelate with everybody

817
00:51:50.930 --> 00:51:54.605
<v Penny Pollan>else as effectively as they possibly can and work together

818
00:51:54.665 --> 00:51:58.505
<v Penny Pollan>to produce amazing stuff. Doesn't matter if we're

819
00:51:58.505 --> 00:52:02.290
<v Penny Pollan>hybrid or virtual or in person. That's the challenge.

820
00:52:02.345 --> 00:52:05.590
<v Joanne Lockwood>Jo. It it is so obvious. Yeah.

821
00:52:06.130 --> 00:52:09.875
<v Joanne Lockwood>We know the facts don't change people. We know that we shouldn't

822
00:52:09.875 --> 00:52:13.075
<v Joanne Lockwood>drive too fast. We shouldn't eat too much red meat. We shouldn't drink too much.

823
00:52:13.075 --> 00:52:16.675
<v Joanne Lockwood>We still do. And we still don't really

824
00:52:16.675 --> 00:52:20.290
<v Joanne Lockwood>appreciate how to motivate people, to engage people, how to get

825
00:52:20.290 --> 00:52:23.650
<v Joanne Lockwood>people on our side and create that sense of belonging. We still struggle with that,

826
00:52:23.650 --> 00:52:27.355
<v Joanne Lockwood>don't we? And that's I guess that's our own human nature. If everybody

827
00:52:27.355 --> 00:52:29.615
<v Joanne Lockwood>was the same and everybody could do that,

828
00:52:31.195 --> 00:52:33.135
<v Joanne Lockwood>there'd be something else we hadn't considered.

829
00:52:34.690 --> 00:52:38.450
<v Penny Pollan>Well, hope that's probably why I'm using so many

830
00:52:38.450 --> 00:52:41.910
<v Penny Pollan>stories in in the books that I write because I think,

831
00:52:42.115 --> 00:52:45.955
<v Penny Pollan>yes, I can present the facts and I can present checklists and tips and

832
00:52:45.955 --> 00:52:49.715
<v Penny Pollan>all sorts of ways to make it as easy as possible. I think the most

833
00:52:49.715 --> 00:52:53.330
<v Penny Pollan>powerful thing that people remember are the stories

834
00:52:55.070 --> 00:52:58.744
<v Penny Pollan>of the differences can make, and also what happens when it

835
00:52:58.744 --> 00:53:02.345
<v Penny Pollan>all goes horribly wrong. And some of the most horrific stories are

836
00:53:02.345 --> 00:53:05.865
<v Penny Pollan>ones when I was in charge. I actually once shouted at an

837
00:53:05.865 --> 00:53:09.650
<v Penny Pollan>American lawyer in a very high powered meeting

838
00:53:10.270 --> 00:53:14.050
<v Penny Pollan>in Brussels with all these very senior people. I shouted, shut up.

839
00:53:16.105 --> 00:53:19.625
<v Penny Pollan>Anyway, I analyze it in the book, not quite as long as I've analyzed it

840
00:53:19.625 --> 00:53:22.845
<v Penny Pollan>in the past, I think, 15 years or so.

841
00:53:23.970 --> 00:53:27.730
<v Penny Pollan>Anyway, it's not what I advocate. But lots of little things like that

842
00:53:27.730 --> 00:53:29.590
<v Penny Pollan>just bring it to life and make it real.

843
00:53:34.725 --> 00:53:37.545
<v Joanne Lockwood>That must have been kind of horrifying but gratifying.

844
00:53:39.820 --> 00:53:43.520
<v Joanne Lockwood>Did you get did you get looks around the table going, well said?

845
00:53:43.820 --> 00:53:47.395
<v Penny Pollan>I was horrified, and I thought, oh, no. I have

846
00:53:47.395 --> 00:53:50.295
<v Penny Pollan>committed the ultimate sin as a workshop facilitator.

847
00:53:51.155 --> 00:53:54.835
<v Penny Pollan>I can remember looking around and they and what I saw in everybody else's

848
00:53:54.835 --> 00:53:58.300
<v Penny Pollan>faces was relief. We had 60

849
00:53:58.300 --> 00:54:01.740
<v Penny Pollan>minutes, and this guy had spoken for, what, 10 minutes and

850
00:54:01.740 --> 00:54:05.500
<v Penny Pollan>32 seconds, and other people had been trying to say something, and he just carried

851
00:54:05.500 --> 00:54:06.000
<v Penny Pollan>on.

852
00:54:10.735 --> 00:54:13.955
<v Penny Pollan>But but I was so shocked that I'd actually said something so awful

853
00:54:14.590 --> 00:54:17.810
<v Penny Pollan>and been so disrespectful. I was completely flabbergasted.

854
00:54:19.470 --> 00:54:22.585
<v Joanne Lockwood>But we do find those people at our workshops, don't we? But they ask a

855
00:54:22.585 --> 00:54:26.185
<v Joanne Lockwood>question. They actually launch into a huge monologue, which is all

856
00:54:26.185 --> 00:54:29.805
<v Joanne Lockwood>about their opinion or their thoughts on how they would do it differently.

857
00:54:30.105 --> 00:54:33.920
<v Joanne Lockwood>And you wonder where the question is. Yeah. He didn't say anything for

858
00:54:33.920 --> 00:54:37.360
<v Penny Pollan>the rest of the meeting, and I apologize afterwards. But actually, he

859
00:54:37.600 --> 00:54:41.440
<v Penny Pollan>funny enough, he's only really an observer. He wasn't even a core part

860
00:54:41.440 --> 00:54:42.035
<v Penny Pollan>of the

861
00:54:47.395 --> 00:54:50.355
<v Joanne Lockwood>So if people wanna get a hold of you, I mean, we talked about your

862
00:54:50.355 --> 00:54:54.060
<v Joanne Lockwood>book coming out in July, 99 PM Kindle

863
00:54:54.060 --> 00:54:57.260
<v Joanne Lockwood>or or go for the full paperback if you want to with with the downloadable

864
00:54:57.260 --> 00:54:59.920
<v Joanne Lockwood>workbook. But what how do people get ahold of you?

865
00:55:00.845 --> 00:55:04.685
<v Penny Pollan>LinkedIn or website? They can get the workbook if they, if

866
00:55:04.685 --> 00:55:08.525
<v Penny Pollan>they get the Kindle as well. I probably shouldn't be, saying that today. Yeah. If

867
00:55:08.525 --> 00:55:12.270
<v Penny Pollan>people want to get hold of me, Penny Poulan, p u, double

868
00:55:12.270 --> 00:55:15.710
<v Penny Pollan>l, a n, not e n. If you type that anywhere

869
00:55:15.710 --> 00:55:19.555
<v Penny Pollan>into Google or LinkedIn or anything like that, Twitter, I'm the only one,

870
00:55:19.555 --> 00:55:23.075
<v Penny Pollan>as far as I know in the world, may at least the only one

871
00:55:23.075 --> 00:55:24.775
<v Penny Pollan>who's who's really

872
00:55:27.240 --> 00:55:31.080
<v Penny Pollan>producing books and writing and talking. It would be lovely to connect.

873
00:55:31.080 --> 00:55:34.599
<v Penny Pollan>If you want to connect with me though, please do introduce yourself because I get

874
00:55:34.599 --> 00:55:37.965
<v Penny Pollan>loads of connections that, I tend to only

875
00:55:38.265 --> 00:55:40.365
<v Penny Pollan>interact with those who actually say, hi,

876
00:55:42.185 --> 00:55:45.930
<v Penny Pollan>I've heard Joanne's podcast and I've got some questions. If you

877
00:55:46.569 --> 00:55:50.250
<v Penny Pollan>connect like that on LinkedIn or send me an email or leave

878
00:55:50.250 --> 00:55:53.150
<v Penny Pollan>a contact message on my website, which is www.makingprojectswork.co.u

879
00:55:56.715 --> 00:56:00.475
<v Penny Pollan>k. There should be apennypullen.com as well when this

880
00:56:00.475 --> 00:56:04.040
<v Penny Pollan>goes live. So if there isn't, then there's

881
00:56:04.040 --> 00:56:07.740
<v Penny Pollan>Spanner in the works with website presence. But, anyway,

882
00:56:07.800 --> 00:56:11.180
<v Penny Pollan>hopefully, it should be easy for you to find me, and I would love to

883
00:56:11.320 --> 00:56:14.295
<v Penny Pollan>hear what you have to say and to respond.

884
00:56:15.875 --> 00:56:19.335
<v Joanne Lockwood>I can confirm. I have as you were speaking, I have Googled you,

885
00:56:19.715 --> 00:56:23.410
<v Joanne Lockwood>and you do occupy the first page of Twitter almost exclusive

886
00:56:23.490 --> 00:56:27.330
<v Joanne Lockwood>sorry. 1st page of Google almost exclusively. So you are easy

887
00:56:27.330 --> 00:56:30.985
<v Joanne Lockwood>to find. Jo, yeah, p u. A n. Almost

888
00:56:30.985 --> 00:56:34.825
<v Penny Pollan>exclusively. How do you find anyone else with

889
00:56:34.825 --> 00:56:38.585
<v Penny Pollan>the same name? Because I haven't so far, but you never know. There might be

890
00:56:38.585 --> 00:56:41.579
<v Penny Pollan>an n one. You're right. I have there is nobody else on that list. So

891
00:56:41.579 --> 00:56:44.940
<v Joanne Lockwood>the first page, you do own it in various

892
00:56:44.940 --> 00:56:48.000
<v Joanne Lockwood>guises whether it's your book, as a speaker,

893
00:56:48.565 --> 00:56:52.325
<v Joanne Lockwood>on Amazon, or another site. So, yeah, you're quite correct. You

894
00:56:52.325 --> 00:56:55.865
<v Joanne Lockwood>are the only one on the first two pages. So, yeah,

895
00:56:57.319 --> 00:57:01.000
<v Joanne Lockwood>that's it's very handy when you own

896
00:57:01.000 --> 00:57:04.440
<v Joanne Lockwood>your name in terms of marketing and brand and PR, isn't it?

897
00:57:04.440 --> 00:57:07.505
<v Joanne Lockwood>So yeah, you are the only one, which is fantastic.

898
00:57:08.045 --> 00:57:11.885
<v Joanne Lockwood>Easy to find it. Yeah. Yeah. I'm I've got a friend called

899
00:57:11.885 --> 00:57:15.320
<v Penny Pollan>Alison Jones, who's actually the public owner of the publishers of my

900
00:57:15.320 --> 00:57:19.080
<v Penny Pollan>book. And I think there are lots

901
00:57:19.080 --> 00:57:21.660
<v Penny Pollan>of Alison Joneses, whereas Penny Pullen.

902
00:57:22.744 --> 00:57:26.345
<v Penny Pollan>Yeah, thanks to my husband. He Pullen's spelled

903
00:57:26.345 --> 00:57:29.885
<v Penny Pollan>strangely. There is a Penny Pullen, but that's not me.

904
00:57:31.450 --> 00:57:35.070
<v Joanne Lockwood>Jo I've just been to your website, making projects work, and I can see there

905
00:57:35.070 --> 00:57:38.830
<v Joanne Lockwood>your virtual leadership book, your little bio, your search and

906
00:57:38.830 --> 00:57:42.325
<v Joanne Lockwood>case studies. So that's, yeah, good stuff. There's some plenty of information. People want to

907
00:57:42.325 --> 00:57:45.765
<v Joanne Lockwood>find out more about you there or on LinkedIn, or

908
00:57:45.765 --> 00:57:49.140
<v Joanne Lockwood>Twitter. I follow you everywhere. So, yeah, anyone

909
00:57:49.140 --> 00:57:52.740
<v Joanne Lockwood>listening, please do get in contact with Penny. Please do do

910
00:57:52.740 --> 00:57:56.180
<v Joanne Lockwood>buy her book. She'd love that. And then tell her how much you've enjoyed it

911
00:57:56.180 --> 00:57:59.825
<v Joanne Lockwood>and how you put it into practice. I think that's the feedback that every author

912
00:57:59.825 --> 00:58:03.444
<v Joanne Lockwood>wants, isn't it? Or if you disagree if you disagree,

913
00:58:03.505 --> 00:58:07.125
<v Penny Pollan>that'd be great too. Yeah. Absolutely fantastic. Yes.

914
00:58:07.345 --> 00:58:10.630
<v Joanne Lockwood>For sure. So thanks, Penny.

915
00:58:11.490 --> 00:58:15.250
<v Joanne Lockwood>I'm sure the listeners would agree. There's lots of inspiration, lots to

916
00:58:15.250 --> 00:58:19.005
<v Joanne Lockwood>ponder there, and some resources that people can get hold of if they want to

917
00:58:19.005 --> 00:58:22.605
<v Joanne Lockwood>find out more. So huge thanks, to

918
00:58:22.605 --> 00:58:26.120
<v Joanne Lockwood>you, the listeners, for tuning in, for listening, for coming

919
00:58:26.120 --> 00:58:29.420
<v Joanne Lockwood>back. So do subscribe if you're a first timer,

920
00:58:29.720 --> 00:58:33.260
<v Joanne Lockwood>keep updated on future episodes of the Inclusion Bites podcast,

921
00:58:33.320 --> 00:58:36.555
<v Joanne Lockwood>that's B-I-T-E-S. Tell your friends,

922
00:58:36.935 --> 00:58:40.615
<v Joanne Lockwood>tell your colleagues, I'm sure you have some, because I've got a

923
00:58:40.615 --> 00:58:44.440
<v Joanne Lockwood>number of exciting guests. I don't know if they're gonna be more exciting,

924
00:58:44.580 --> 00:58:48.180
<v Joanne Lockwood>but I've got loads more exciting guests come up, and I'm sure you're gonna be

925
00:58:48.180 --> 00:58:51.640
<v Joanne Lockwood>inspired by them over the next few weeks, Please do subscribe.

926
00:58:52.445 --> 00:58:55.485
<v Joanne Lockwood>And of course, if you're listening and you'd love to be a guest, then drop

927
00:58:55.485 --> 00:58:57.505
<v Joanne Lockwood>me a line to jo.lockwood@seechangehappen.co.uk.

928
00:59:01.150 --> 00:59:03.869
<v Joanne Lockwood>Tell me how can improve future shows. Tell me what you like, tell me what

929
00:59:03.869 --> 00:59:07.630
<v Joanne Lockwood>we hate. And finally, my name is Joanne Lockwood, and

930
00:59:07.630 --> 00:59:11.065
<v Joanne Lockwood>it's been an absolute pleasure Diversus podcast for you today.

931
00:59:11.765 --> 00:59:14.185
<v Joanne Lockwood>Catch you next time. Bye.