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<v Joanne Lockwood>Hello, everyone. My name is Joanne Lockwood, and I am your host for

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<v Joanne Lockwood>the Inclusion Bites podcast. In this series, I have interviewed a

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<v Joanne Lockwood>number of amazing people that simply had a conversation about the subject

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<v Joanne Lockwood>of inclusion, belonging, and generally making the world a better

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<v Joanne Lockwood>place for everyone to thrive. If If you'd like to join me in the future,

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<v Joanne Lockwood>then please do drop me a line to jo.lockwood@seechangehappen.co.uk.

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<v Joanne Lockwood>That's S-E-E Change Happen dot co dot uk.

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<v Joanne Lockwood>You can catch up with all of the previous shows on Itunes, Spotify

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<v Joanne Lockwood>and the usual places. So plug in your headphones,

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<v Joanne Lockwood>grab a decaf and let's get going.

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<v Joanne Lockwood>Today is episode 38 with the title,

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<v Joanne Lockwood>secrets from the habitologist. And I have the

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<v Joanne Lockwood>absolute honor and privilege to be joined by Tony Winyard.

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<v Joanne Lockwood>Tony describes himself as someone who helps people create

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<v Joanne Lockwood>habits that become automatic. When I asked Tony to describe

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<v Joanne Lockwood>his superpower, he said, it is the ability to

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<v Joanne Lockwood>assimilate pretty quickly to most places that he goes.

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<v Joanne Lockwood>Hello, Tony. Welcome to the show. Hi, Jo. It's great

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<v Tony Winyard>to be here. So thank you for inviting me. No. It's absolute pleasure. I've been

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<v Joanne Lockwood>looking forward to this, for a long time, meeting some of the, the show

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<v Joanne Lockwood>notes you've put together beforehand that you've had a pretty interesting life and I

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<v Joanne Lockwood>love it. Can't wait to find out more. Jo, Tony, when we

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<v Joanne Lockwood>talked earlier, we talked about, you have a nickname of of the hepatologist.

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<v Joanne Lockwood>And so what are the secrets of a hepatologist?

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<v Tony Winyard>So the reason how that came about was I interviewed

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<v Tony Winyard>someone on my podcast, a few months ago, and they

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<v Tony Winyard>I'm trying to remember what their title was, but their title was somethingologist. It

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<v Tony Winyard>was about something that they did, and it's it's it's gone through my mind. But

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<v Tony Winyard>it stuck me, and I thought that was quite unique. And at the time, I

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<v Tony Winyard>was training to become a tiny habits coach.

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<v Tony Winyard>And and I just played around with the habitologists, and I looked around on

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<v Tony Winyard>Google and see if many anyone was using it. And it originally, it

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<v Tony Winyard>was just something for a bit of fun. And a couple of people said they

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<v Tony Winyard>quite liked it. So I I don't use it often, but I do use it

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<v Tony Winyard>sometimes. That's neat too.

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<v Joanne Lockwood>I mean, when I talk, in the DNI space

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<v Joanne Lockwood>around bringing change, a lot of it is around

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<v Joanne Lockwood>nudges, which I guess are tiny habits, small micro

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<v Joanne Lockwood>changes around process, around beliefs, about

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<v Joanne Lockwood>framing that can have a huge impact. So is that what you

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<v Joanne Lockwood>do in terms of creating these new habits? Yeah.

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<v Tony Winyard>Well, yeah, it very much is. And and how it

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<v Tony Winyard>all came about really was I've been for a few years now I've been immersing

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<v Tony Winyard>myself in studying in various areas of health, so

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<v Tony Winyard>nutrition and sleep and movement and breathing

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<v Tony Winyard>and and so on. And I I found I had a very good

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<v Tony Winyard>knowledge about all of this. And I was able to give people lots of knowledge,

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<v Tony Winyard>but that wasn't really necessarily helping them implement

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<v Tony Winyard>the things I was talking about into their everyday of life

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<v Tony Winyard>and actually maybe eating better or sleeping better or whatever the case

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<v Tony Winyard>was. And when I discovered this book, tiny

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<v Tony Winyard>habits, that was kind of like the missing piece of the puzzle because then I

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<v Tony Winyard>was able to help people make it into a habit to sleep better or into

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<v Tony Winyard>a habit to eat better or whatever the case was.

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<v Joanne Lockwood>We we keep looking for these massive changes in in our lives sometimes, don't we?

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<v Joanne Lockwood>And it becomes unrealistic, unsustainable, unfulfillable.

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<v Joanne Lockwood>We wanna lose all this weight. We wanna become fitter. So we

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<v Joanne Lockwood>always embark on these big ticket programs, which

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<v Joanne Lockwood>don't hit the mark, do they? So tiny habits, a way of achieving a

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<v Joanne Lockwood>goal without investing your life into it. It's just incremental.

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<v Tony Winyard>Yeah. And it has to start small because if you try to start to if

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<v Tony Winyard>you want to run a marathon, you don't start running 20 miles every day because

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<v Tony Winyard>it's you're probably gonna fail. But if you start by running just around the

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<v Tony Winyard>block and then you slowly build up and, you know, and you

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<v Tony Winyard>scale up over time, you're more likely to succeed. And that's the

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<v Tony Winyard>same for anything, really. We it's if we can start very small

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<v Tony Winyard>and it could even be just as small as, well, I'm gonna start

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<v Tony Winyard>running, but I'm not maybe I'm not really so keen on running. You just put

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<v Tony Winyard>your shoes out in front of the door. You're you're running shoes in

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<v Tony Winyard>front of the door. And maybe for the 1st couple of days, you don't even

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<v Tony Winyard>run, but you just see the shoes there and it puts it in your mind.

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<v Tony Winyard>And then you build up from there. But, yeah, if you start off tiny, you're

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<v Tony Winyard>more likely to succeed in whatever behavior you're trying to

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<v Tony Winyard>automate. That's interesting. I I I'm

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<v Joanne Lockwood>most people would probably describe me as unfit, and I I wouldn't disagree with them.

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<v Joanne Lockwood>I need to do something about my activity, and I we moved our house recently

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<v Joanne Lockwood>into the countryside, and I decided that my my new

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<v Joanne Lockwood>habit was gonna be go for cycle ride. So I bought a bicycle,

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<v Joanne Lockwood>and it I I had a

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<v Joanne Lockwood>overambitious expectation of my own physical ability.

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<v Joanne Lockwood>I thought, oh, I can jump on a bike. I said, it can't be that

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<v Joanne Lockwood>difficult. I've I've used to ride a bike every day to school and in

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<v Joanne Lockwood>my I've been to center parks like you do. And I

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<v Joanne Lockwood>suddenly realized that I'm now 56, very

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<v Joanne Lockwood>overweight, and that I'm not as fit as I thought I was. And, my

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<v Joanne Lockwood>first five miles, I think I felt like I needed

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<v Joanne Lockwood>oxygen when I got home and I did it. I made it. I cracked it.

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<v Joanne Lockwood>I went to the place and came back again. But I've now I'm gonna readjust

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<v Joanne Lockwood>my expectations, and I'm gonna do probably a quarter mile

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<v Joanne Lockwood>for a week and then then half a mile that I've got. I know where

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<v Joanne Lockwood>the next lamppost is, and I'm just gonna aim by the lamppost or aim by

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<v Joanne Lockwood>the trees and then try and build it up. So you're you're quite right.

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<v Joanne Lockwood>And I think if I keep holding on to this, I must achieve

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<v Joanne Lockwood>this massive goal. I'd have now I'll never do it, but I think just

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<v Joanne Lockwood>something realistic. 10 minutes is is not a is not a defeatist. It's a

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<v Joanne Lockwood>realism. And I think you're quite right. Well, and another element

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<v Tony Winyard>of what you just said, because by when it sounded from what

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<v Tony Winyard>you were saying, when you did that 5 miles, it wasn't fun. And if it's

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<v Tony Winyard>not fun, you're unlikely to repeat it again. But if you make it very short,

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<v Tony Winyard>you're more likely to enjoy it. And that's a massive part of making

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<v Tony Winyard>something automate, you know, automate. You have to enjoy it.

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<v Joanne Lockwood>Yeah. My goal,

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<v Joanne Lockwood>and this is my vision, is pick up on a Sunday morning,

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<v Joanne Lockwood>cycle to the farm shop, pick up some eggs and bacon, cycle

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<v Joanne Lockwood>home and cook it. So my test cycle was

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<v Joanne Lockwood>to the farm shop and back. But when I got back, I was

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<v Joanne Lockwood>in no fit state to cook anything. Jo so

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<v Joanne Lockwood>that's the bit I gotta work on. It's better get there and back and enjoy

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<v Joanne Lockwood>it and be able to talk when I get home and be able to enjoy

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<v Joanne Lockwood>cooking the food when I bought it. So, yeah, I know I can do it

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<v Joanne Lockwood>now. I know it's within my reach. I just now need to improve that and,

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<v Joanne Lockwood>and go off more regular cycles. But, yeah, so it's really interesting about this habits

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<v Joanne Lockwood>thing, and I think I've already sussed out. I need to develop the habit

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<v Joanne Lockwood>Mhmm. Of looking out the window and going, now I could do 10 minutes while

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<v Joanne Lockwood>I'm thinking. This before, I was thinking, oh, I need to wait. I need to

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<v Joanne Lockwood>find an hour or 2 to do this. Mhmm. I don't. I just need to

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<v Joanne Lockwood>think, like, I think in 10 minute chunks. I can go down to the end

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<v Joanne Lockwood>of the road and back again. Yeah. That's still a win, isn't it? Absolutely. Yeah.

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<v Tony Winyard>It's a much bigger win. It's yeah. Consistency.

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<v Joanne Lockwood>Yeah. Yeah. I mean, you've had a you've had a pretty fantastic

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<v Joanne Lockwood>life where I can read from what you sent me. You've lived in 11

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<v Joanne Lockwood>countries. Yeah. And you're just radio presenting as well in

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<v Joanne Lockwood>your past. That and that sounds really intriguing. Tell me tell me about that.

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<v Tony Winyard>Yeah. I I've worked on radio in a few different countries. And

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<v Tony Winyard>in one of the countries, I was in Indonesia for a few years.

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<v Tony Winyard>And I I was at the time, I was working as a

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<v Tony Winyard>DJ in a nightclub in Indonesia. And the the kind

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<v Tony Winyard>of equivalent of Capitol Radio, I'm from London, so Capitol Radio is

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<v Tony Winyard>my, you know, how are the landmark I would use. And the

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<v Tony Winyard>equivalent of Capital Radio in Jakarta was a station called Tulijayo, and

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<v Tony Winyard>they asked me and the the local DJ I work

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<v Tony Winyard>with to come into their station to interview on their breakfast

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<v Tony Winyard>show. And I'd already worked on radio in some other

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<v Tony Winyard>countries previously. And at the end of the interview, I just

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<v Tony Winyard>I made a couple of comments about the station and some improvements I

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<v Tony Winyard>thought that they might be interested in that would make this show

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<v Tony Winyard>run smoother and and some other things. I can't even remember what it was I

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<v Tony Winyard>suggested. But they turned around to me and say, well, why don't you have your

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<v Tony Winyard>own show? And I was, yeah. Okay. And

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<v Tony Winyard>and then I so I started doing a weekly show, and they gave me

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<v Tony Winyard>complete carte blanche into whatever music I wanted to play because I had a

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<v Tony Winyard>pretty good music knowledge Joanne collection. But the more interesting

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<v Tony Winyard>thing happened was I was the only native English speaker on the station.

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<v Tony Winyard>And Jakarta is a city of 8, 9,000,000 people.

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<v Tony Winyard>And it's quite a a lot of major artists perform

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<v Tony Winyard>in Jakarta on their Asian leg of their tour, like,

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<v Tony Winyard>major, major artists. And so a lot they were often

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<v Tony Winyard>getting interview slots for some of these people. And they

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<v Tony Winyard>started to ask me, would I interview the people? Not because I was any

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<v Tony Winyard>thing special as an interviewer, but because I spoke English as in my native

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<v Tony Winyard>language. And so I got to interview Jon Bon Jovi and

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<v Tony Winyard>Cindy Crawford and Steven Seagull and you be free. All sorts of

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<v Tony Winyard>very famous people. As I said, not because I was anything special, but

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<v Tony Winyard>because I was a native English speaker.

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<v Joanne Lockwood>That's fascinating. I mean, that must have been kind of

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<v Joanne Lockwood>I guess, from the start, you must have had that that the nerves were sort

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<v Joanne Lockwood>of, like, shaky Joanne, wobbly voice. Are you in

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<v Joanne Lockwood>awe? Or did you overcome that pretty quick? Now

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<v Tony Winyard>I'm I wasn't. Now I wasn't in awe.

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<v Tony Winyard>I for some reason, I've never had that I don't get

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<v Tony Winyard>that kind of, starstruck thing. But

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<v Tony Winyard>what I where I did go wrong, and it's

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<v Tony Winyard>actually it's interesting interesting to something that we were talking about before we

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<v Tony Winyard>started recording. You you talked about your style that you like to do to show

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<v Tony Winyard>the kind of conversational style. And at the start of

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<v Tony Winyard>these interviews, I was doing a ton of research on every

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<v Tony Winyard>person I was interviewing. I had all these all this information about them, the

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<v Tony Winyard>things they did and when they'd released records and films and whatever it

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<v Tony Winyard>was. And I was just asked going for a series of questions

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<v Tony Winyard>in these the first few of the, interviews that I did.

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<v Tony Winyard>And it took me a while to realize that there was no flow. It was

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<v Tony Winyard>just a series of questions. And and then I can't

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<v Tony Winyard>remember who it was. But for one interview, I thought what

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<v Tony Winyard>I'm been doing hasn't really been working. Maybe I

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<v Tony Winyard>just need to have a conversation and be confident enough to not

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<v Tony Winyard>have any information on the person and just simply to have a

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<v Tony Winyard>conversation and see how that goes. And it went so much better.

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<v Tony Winyard>And I never knew where the episode was going to go, where the conversation was

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<v Tony Winyard>going to go. And the the interviews were a 100, sometimes better. And

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<v Tony Winyard>I've just always done interviews that way ever since. And that was

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<v Tony Winyard>in in the mid nineties, something like that.

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<v Joanne Lockwood>I mean, I often sort of beat myself up because I feel like I'm winging

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<v Joanne Lockwood>it. But sometimes, winging it is actually more natural, more

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<v Joanne Lockwood>authentic, more interesting when when I don't know where the

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<v Joanne Lockwood>conversation's going, you don't know the conversation's going, and therefore the listener is

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<v Joanne Lockwood>following on that. As you say, if I if I was too prescriptive here and

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<v Joanne Lockwood>I've got your bio out and I ask you all this stuff, it's gonna sound

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<v Joanne Lockwood>quite, you know, almost like fake or or

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<v Joanne Lockwood>prepared. Well, I've done I don't know about you. I've been on

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<v Tony Winyard>some podcasts where I have just been the the the

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<v Tony Winyard>host has just had a series of questions. I I remember one

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<v Tony Winyard>was it was literally just question after question, and there wasn't any

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<v Tony Winyard>connection between the questions. And it was so stunted. There

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<v Tony Winyard>wasn't any flow to it at all. Yeah. I Jo a

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<v Joanne Lockwood>lot of panel shows, for corporate events.

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<v Joanne Lockwood>So they they want me to present or I often try and encourage them to

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<v Joanne Lockwood>interview me live and get the q and a going for the audience.

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<v Joanne Lockwood>And they always want me to give them a whole load of questions or give

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<v Joanne Lockwood>them all the all the things. I said, well, look, can't we just make it

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<v Joanne Lockwood>obviously Jo? But I suppose that requires a confidence

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<v Joanne Lockwood>in the host, doesn't it? And I suppose I've gotta be careful here that I'm

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<v Joanne Lockwood>not imprinting my confidence into somebody else who may not have it.

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<v Joanne Lockwood>So, yeah, it it's it's nice to have a few prepared questions, I

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<v Joanne Lockwood>guess, but it's nice to go off piece quite quickly. Mhmm. Well and

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<v Tony Winyard>and, actually, I I had a couple of comments from some of these,

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<v Tony Winyard>like, mega stars who and they were being interviewed all day long by various

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<v Tony Winyard>radio stations, TV stations, newspapers, and so on.

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<v Tony Winyard>And a couple of times, these conversations, as I say, just went off on a

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<v Tony Winyard>real tangent. And a couple of times, the start the end of the

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<v Tony Winyard>interview would say, wow, I really enjoyed that because we covered some ground.

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<v Tony Winyard>I haven't covered in any every other interview has just been question after

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<v Tony Winyard>question, but we discussed some stuff today that I haven't brought up in

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<v Tony Winyard>any of the interviews. And so that reinforced my

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<v Tony Winyard>confidence to continue doing that.

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<v Joanne Lockwood>Yeah. Brilliant. Is so you worked in 11 countries around the world.

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<v Joanne Lockwood>You did a lot of DJ ing. You met a lot of celebrities, became a

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<v Joanne Lockwood>kind of like a an A list hangar outer.

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<v Joanne Lockwood>And what you came back to the UK after that, after a few years to

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<v Joanne Lockwood>2? Yeah. I'd I mean, it sounds very glamorous. And in some

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<v Tony Winyard>ways, it was. I mean, I was yeah. I worked in all those different countries,

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<v Tony Winyard>and I was being usually the I was working

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<v Tony Winyard>the best club in each of the cities that I was working in. And so

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<v Tony Winyard>the club was usually 4, and it was people wanted to know

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<v Tony Winyard>the DJ. And I was it was good, and it but

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<v Tony Winyard>eventually, I got tired of it. I got tired of virtually living out of

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<v Tony Winyard>a suitcase and going to a country where I didn't know anybody. I'd

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<v Tony Winyard>made lots of good friends. And then there was always a scene at the

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<v Tony Winyard>airport where I've got all these people saying goodbye to me. And I know I'm

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<v Tony Winyard>probably never going to see most of them again. And then I go to another

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<v Tony Winyard>country and I start this whole thing fresh. And after a while,

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<v Tony Winyard>it was a combination of, I got tired of that after a while, but also

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<v Tony Winyard>I'd been away from England for 12 years. I thought, yeah, maybe

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<v Tony Winyard>but the first 10 years, I didn't miss England at all. Whenever anyone said to

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<v Tony Winyard>me, are you gonna go back to London? My reaction was normally, why

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<v Tony Winyard>would I wanna go back there? But then eventually I started to miss

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<v Tony Winyard>things. And plus at the same time, my mom started to

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<v Tony Winyard>lose her eyesight And I thought, okay, now is a good

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<v Tony Winyard>time to go home. So, yeah, after 12 years, I I returned.

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<v Joanne Lockwood>The DJ ing or or something else? Well, and yeah,

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<v Tony Winyard>I I also got fed up with club DJ ing, so

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<v Tony Winyard>I didn't want to continue working as a DJ,

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<v Tony Winyard>but I didn't, I wasn't really qualified to do anything else. And I didn't know

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<v Tony Winyard>what I wanted to do. And my best friend who I'd known since

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<v Tony Winyard>we're, like, we're the same age and we're we're 14 days apart in our

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<v Tony Winyard>birthdays, and we went to the same school and everything, and our parents know each

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<v Tony Winyard>other. And he's he was working as a financial adviser, and he had

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<v Tony Winyard>we had way too many clients. And he said, Artem, why don't you come and

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<v Tony Winyard>work with me? I can't handle all these clients I've got, and I can we

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<v Tony Winyard>can get you trained as a financial adviser. And so I did that. I went

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<v Tony Winyard>forward to train him. And it was such a big mistake

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<v Tony Winyard>because I am just not cut out to do something like that.

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<v Tony Winyard>I I had a ball in having a

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<v Tony Winyard>I I made no money at it because I didn't have any belief in

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<v Tony Winyard>what I was doing. And, but then what happened, I ended

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<v Tony Winyard>up people were offering me DJ work, but this time as a

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<v Tony Winyard>wedding DJ, which is very different to a club DJ. And

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<v Tony Winyard>so I ended up doing that just to make some money because I wasn't making

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<v Tony Winyard>any money in in trying to sell financial services. And so I ended up working

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<v Tony Winyard>as a as a wedding DJ. Wow. That's a

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<v Joanne Lockwood>big difference. So Jo your was it transit van, a load of load of

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<v Joanne Lockwood>amps and speakers and lights on on the on the road kicking it for

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<v Joanne Lockwood>you? Yeah. And it started off. I because

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<v Tony Winyard>I'd been away for so long, I didn't really have a

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<v Tony Winyard>reputation. You know? And and as I say, a wedding DJ, the typical

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<v Tony Winyard>person, a couple who is gonna book you for a wedding, they would never have

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<v Tony Winyard>heard of me as a club DJ, especially I'd been away for so long. So

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<v Tony Winyard>my reputation didn't count for anything as far as weddings were concerned. And so I

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<v Tony Winyard>started off almost at the bottom of the rung earning really poor

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<v Tony Winyard>money and not particularly

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<v Tony Winyard>been respected. I mean, it wasn't a great

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<v Tony Winyard>experience at the beginning.

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<v Joanne Lockwood>But I found that as a professional speaker. You do your first

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<v Joanne Lockwood>your first gigs now. I always think about when I watch the Freddie

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<v Joanne Lockwood>Mercury film and the history of Queen.

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<v Joanne Lockwood>Literally all these mega bands, all these world famous rock stars all

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<v Joanne Lockwood>started off lugging their kit in the back of a transit in a in a

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<v Joanne Lockwood>dirty, dingy, smelly pub somewhere and then moving on to the next

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<v Joanne Lockwood>venue the next night. And I think as performers, whether you're a

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<v Joanne Lockwood>comedian, whether you're a DJ, whether you're a speaker, wherever you are, you've gotta

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<v Joanne Lockwood>break that that ground. You've gotta you've gotta kinda do those backstreet

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<v Joanne Lockwood>venues. Mhmm. Because it's a good test of your metal as well as it it

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<v Joanne Lockwood>is your confidence. You're used to the heckling. You're used to the customer

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<v Joanne Lockwood>service dealing with situations. I think if you just go straight onto stage and get

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<v Joanne Lockwood>it big, you don't have that same depth to your personality, do you?

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<v Tony Winyard>No. And I and I had done all of that kind of

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<v Tony Winyard>mobile DJ. And initially, before I became a club DJ, I'd started

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<v Tony Winyard>off when I was 15, 16, 17, doing that kind of thing.

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<v Tony Winyard>And my goal then was to be a club DJ, and I was doing everything

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<v Tony Winyard>I could to get in clubs, which was very different to working in pubs.

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<v Tony Winyard>And and and so I managed to to get into the club scene, which

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<v Tony Winyard>was a a story in itself. But then when I found myself back into

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<v Tony Winyard>that scene, and I'm now it's 20 years later, and I'm a very

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<v Tony Winyard>different person. But it yeah. It

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<v Tony Winyard>slowly improved. And I I think that the where there was

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<v Tony Winyard>one event where I had this kind of epiphany almost

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<v Tony Winyard>where I was doing a wedding, and, it was in a venue in Old Street

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<v Tony Winyard>in Central London. And the venue owner came up to me, and he was this

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<v Tony Winyard>really tall guy. And he he sort of looked down at me, said, how much

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<v Tony Winyard>do you charge, mate? And I I said, a £150. He said,

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<v Tony Winyard>well, I have DJ's charging double. That will you charge a £150

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<v Tony Winyard>for? And he he said this line that I'll never forget. He said, you're selling

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<v Tony Winyard>a Ferrari for the price of a 4 Cortina, mate. And he said, you wanna

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<v Tony Winyard>up your prices. And so the next day I was thinking, why

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<v Tony Winyard>am I charging 150? And I realized I was charging that because that's

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<v Tony Winyard>what everyone was charging. And so I didn't really think about

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<v Tony Winyard>what I should be charging. I just thought, well, that's what I have to charge

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<v Tony Winyard>because everyone else is charging. I literally doubled my price.

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<v Tony Winyard>And the next time I went to meet someone about doing their wedding, I thought

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<v Tony Winyard>there's no way they're gonna book me. Yeah. When it when I say 300.

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<v Tony Winyard>And I soon found that everyone was still booking me. It didn't make any difference

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<v Tony Winyard>to my booking rate. And then everything changed inside my

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<v Tony Winyard>head because then I realized, oh, I've got control over my prices. And

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<v Tony Winyard>before that, I hadn't given it any thought.

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<v Joanne Lockwood>Yeah. It's I I when you're pricing things,

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<v Joanne Lockwood>you can either work a lot for a little

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<v Joanne Lockwood>or you can work a little for a lot, and it's just changing the

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<v Joanne Lockwood>ratio somewhat, but having that self belief, that value proposition,

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<v Joanne Lockwood>understanding your worth, and then finding the clients that value your

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<v Joanne Lockwood>worth. And she say, you'd rather do

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<v Joanne Lockwood>5 nights at 1 at at at at at 300 than

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<v Joanne Lockwood>10 nights at 1:50. It just makes more sense, doesn't it? Mhmm.

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<v Joanne Lockwood>And often you find that you do the same amount of work

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<v Joanne Lockwood>but earn more money for that work or you earn

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<v Joanne Lockwood>the same money, but do half the work or quarter of the work. And that's

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<v Joanne Lockwood>the ratio and that that's the confidence as you build your business, isn't it?

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<v Tony Winyard>Well and yeah. And once I had that realization that I had a

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<v Tony Winyard>lot more control, I went, I mean, it

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<v Tony Winyard>just a change from 300

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<v Tony Winyard>in and by that was around the early 2000. And by the

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<v Tony Winyard>early, teens, you know, 2012 or

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<v Tony Winyard>13, I was charging probably about

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<v Tony Winyard>8 times that I was in around £2,000 for a wedding.

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<v Tony Winyard>But then I was offering far more because I'd I'd trained myself in many

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<v Tony Winyard>different areas. I trained myself in to be a master of ceremonies.

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<v Tony Winyard>I'd done a lot of public speaking training. I'd and, and I'd done

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<v Tony Winyard>other things that had no connection with DJ Joanne like comedy and improvisation

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<v Tony Winyard>and emotional intelligence and all these other areas

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<v Tony Winyard>which helped me to reach a different type of client.

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<v Joanne Lockwood>Yeah. The value add. None you weren't just nothing

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<v Joanne Lockwood>wrong with being just a DJ, but you you were adding more value, which

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<v Joanne Lockwood>is what the clients perceived. And as you say, you are finding different

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<v Joanne Lockwood>opportunities than you would have before. And I suppose your

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<v Joanne Lockwood>reputation traveled further. Once you're in that different

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<v Joanne Lockwood>market, you don't compete. Yeah. You set you set the standard, don't you,

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<v Joanne Lockwood>at that point? Yeah. Absolutely. Yeah. And it didn't

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<v Tony Winyard>You mentioned emotional intelligence. You mentioned you mentioned

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<v Joanne Lockwood>emotional intelligence, and you said you trained in it. So

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<v Joanne Lockwood>I'm a I'm a great believer in when we when I talk about DNI and

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<v Joanne Lockwood>inclusion around one of the biggest

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<v Joanne Lockwood>anxieties people have is the fear of getting it wrong. How do I have a

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<v Joanne Lockwood>conversation with someone who has a disability? How do I have a conversation with

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<v Joanne Lockwood>black when I'm white? How do I engage with people who are

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<v Joanne Lockwood>different to me? And I always come back to this emotional intelligence. It's

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<v Joanne Lockwood>about knowing how to have a conversation with anybody,

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<v Joanne Lockwood>therefore, everybody is accessible to you. And it's the

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<v Joanne Lockwood>basic skills around reading people, the open

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<v Joanne Lockwood>questions, being able to pick up on empathy, compassion,

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<v Joanne Lockwood>we how how people are reacting to you. It's all of that kind of stuff

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<v Joanne Lockwood>built in, isn't it? So what what where has it taken

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<v Joanne Lockwood>you in that in that sort of experience?

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<v Tony Winyard>Emotional intelligence made quite a big difference because it helped

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<v Tony Winyard>me see things in a very different way. It helped

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<v Tony Winyard>me. It it wasn't actually just in my at the time, I would

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<v Tony Winyard>just dived into studying and reading a lot

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<v Tony Winyard>on all sorts of different subjects. And I'm I remember

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<v Tony Winyard>around that same period as I was learning more about emotional intelligence and

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<v Tony Winyard>how to use it and how that would help me with the people that I

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<v Tony Winyard>was speaking with and trying to find new clients and whatever the case might

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<v Tony Winyard>be. But I also, at the same time, learned not

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<v Tony Winyard>to see myself as a victim. Jo that wasn't so much emotion intelligence. That was

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<v Tony Winyard>some of the psychology stuff I was working. And that up until

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<v Tony Winyard>then, I think I sometimes did see myself as a victim, and it

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<v Tony Winyard>wasn't helping me in any way. So it was a combination of those two things

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<v Tony Winyard>really, really changed my my thinking.

375
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<v Tony Winyard>And, I think I've enjoyed life a lot more since then.

376
00:23:28.700 --> 00:23:32.240
<v Joanne Lockwood>Mind me asking, why did you feel a victim?

377
00:23:32.620 --> 00:23:36.220
<v Joanne Lockwood>What led you to feel that? Well, I was going through

378
00:23:36.220 --> 00:23:39.645
<v Tony Winyard>a difficult separation with my ex, and I

379
00:23:40.105 --> 00:23:42.985
<v Tony Winyard>had to take her to court a few times to see my daughter because she

380
00:23:42.985 --> 00:23:46.669
<v Tony Winyard>wasn't letting me see my daughter. And so I was and there were some

381
00:23:47.130 --> 00:23:50.970
<v Tony Winyard>kind of horrible things that went on, but instead of, yeah, I

382
00:23:50.970 --> 00:23:54.705
<v Tony Winyard>was playing the victim too too much in that whole situation. And

383
00:23:54.705 --> 00:23:58.144
<v Tony Winyard>rather than taking responsibility where I I was at fault as

384
00:23:58.144 --> 00:24:01.800
<v Tony Winyard>well, there she was definitely at fault for some things, but there

385
00:24:01.800 --> 00:24:05.080
<v Tony Winyard>were things where I was down to fault. I I was at fault, and I

386
00:24:05.080 --> 00:24:07.180
<v Tony Winyard>wasn't taking responsibility for that.

387
00:24:09.025 --> 00:24:12.725
<v Joanne Lockwood>Yeah. It I someone taught me

388
00:24:12.865 --> 00:24:15.425
<v Joanne Lockwood>or made me aware of the fact that you have to be accountable for your

389
00:24:15.425 --> 00:24:19.030
<v Joanne Lockwood>own actions, your own footprint, your own impact on the

390
00:24:19.030 --> 00:24:22.570
<v Joanne Lockwood>world. And once you can understand who you are

391
00:24:23.430 --> 00:24:26.855
<v Joanne Lockwood>and how people perceive you, that self awareness, that makes

392
00:24:26.855 --> 00:24:30.635
<v Joanne Lockwood>you a better person in the world because you

393
00:24:31.015 --> 00:24:32.955
<v Joanne Lockwood>have that self awareness and you're

394
00:24:34.730 --> 00:24:38.410
<v Joanne Lockwood>you don't want to be a negative impact on on anybody else because of

395
00:24:38.410 --> 00:24:42.090
<v Joanne Lockwood>that. It's waking up and and appreciating that is a

396
00:24:42.090 --> 00:24:43.470
<v Joanne Lockwood>real awakening, I found.

397
00:24:46.665 --> 00:24:50.505
<v Joanne Lockwood>I I think also and to touch back on earlier, you know, I mentioned about

398
00:24:50.505 --> 00:24:54.350
<v Tony Winyard>when I was working in all those different countries, something that I learned when I

399
00:24:54.350 --> 00:24:58.030
<v Tony Winyard>was doing that whole kind of, you know, I was in working

400
00:24:58.030 --> 00:25:01.090
<v Tony Winyard>around Europe and the Middle East and the Far East and

401
00:25:01.585 --> 00:25:05.365
<v Tony Winyard>which were all very different environments and very different culturally.

402
00:25:05.985 --> 00:25:09.830
<v Tony Winyard>And and I learned for start, initially,

403
00:25:09.830 --> 00:25:13.590
<v Tony Winyard>I had to speak very differently because when I first left London, I had

404
00:25:13.590 --> 00:25:17.429
<v Tony Winyard>quite a strong London accent. And I realized that people couldn't understand

405
00:25:17.429 --> 00:25:21.155
<v Tony Winyard>me. I was talking too fast. I was using slang. And so I

406
00:25:21.155 --> 00:25:24.995
<v Tony Winyard>taught myself to speak much slower, to, you know, get

407
00:25:24.995 --> 00:25:28.780
<v Tony Winyard>rid of the slang. And and then each of the

408
00:25:28.780 --> 00:25:32.460
<v Tony Winyard>countries I was in were were I mean, from some countries that are very

409
00:25:32.460 --> 00:25:36.165
<v Tony Winyard>rich, like Japan and Switzerland, to some countries that are extremely poor, like

410
00:25:36.165 --> 00:25:39.705
<v Tony Winyard>Indonesia and Syria. And so there were some very extremes.

411
00:25:40.245 --> 00:25:44.029
<v Tony Winyard>And I taught myself to how to

412
00:25:44.190 --> 00:25:47.950
<v Tony Winyard>I learned quickly how to adapt to very different situations, you

413
00:25:47.950 --> 00:25:51.255
<v Tony Winyard>know, and the way that I would the people I was meeting and the way

414
00:25:51.255 --> 00:25:54.935
<v Tony Winyard>they were responding to me was very different. So that taught me a

415
00:25:54.935 --> 00:25:58.075
<v Tony Winyard>lot, I think, about emotional intelligence in some ways as well.

416
00:25:59.480 --> 00:26:03.000
<v Joanne Lockwood>That's interesting you mentioned that. I I I travel quite

417
00:26:03.000 --> 00:26:06.840
<v Joanne Lockwood>extensively in my early thirties. I was to work

418
00:26:06.840 --> 00:26:10.504
<v Joanne Lockwood>for an international private bank, which had offices in many

419
00:26:10.504 --> 00:26:14.345
<v Joanne Lockwood>countries, mainly the higher end of the

420
00:26:14.345 --> 00:26:17.245
<v Joanne Lockwood>food chain, so the more affluent market.

421
00:26:18.140 --> 00:26:21.900
<v Joanne Lockwood>And I also also a member of a club which I call my

422
00:26:21.900 --> 00:26:25.420
<v Joanne Lockwood>student being the national president at one point and that was an international club and

423
00:26:25.420 --> 00:26:29.145
<v Joanne Lockwood>I used to go on lots of international trips, staying in people's houses in

424
00:26:29.145 --> 00:26:32.745
<v Joanne Lockwood>various countries Joanne then living with with with the

425
00:26:32.745 --> 00:26:36.205
<v Joanne Lockwood>culture. And I I learned,

426
00:26:36.650 --> 00:26:40.190
<v Joanne Lockwood>this was probably back in the mid to late nineties I started this,

427
00:26:40.490 --> 00:26:44.010
<v Joanne Lockwood>where the level of English spoken by people

428
00:26:44.010 --> 00:26:47.595
<v Joanne Lockwood>who lived in other parts of Europe or other parts of the world wasn't as

429
00:26:47.595 --> 00:26:51.195
<v Joanne Lockwood>advanced as it is today. People were learning English, but not

430
00:26:51.195 --> 00:26:54.770
<v Joanne Lockwood>fluently. And so I I learned pretty quickly that you had to speak with a

431
00:26:54.770 --> 00:26:58.529
<v Joanne Lockwood>rhythm, with a certain pace, be very conscious about the words

432
00:26:58.529 --> 00:27:01.915
<v Joanne Lockwood>that you would use in your language. And I wouldn't say being

433
00:27:01.915 --> 00:27:05.275
<v Joanne Lockwood>patronizing, but being very deliberate about what you were trying to

434
00:27:05.275 --> 00:27:09.029
<v Joanne Lockwood>say in a way that was clear and not as

435
00:27:09.029 --> 00:27:11.850
<v Joanne Lockwood>you drift into Yeah. Localisms or

436
00:27:12.710 --> 00:27:16.390
<v Joanne Lockwood>slang or rolling your words together. So I got very used to

437
00:27:16.390 --> 00:27:19.175
<v Joanne Lockwood>talking in this very understandable way. And

438
00:27:20.355 --> 00:27:24.035
<v Joanne Lockwood>people used to say to me, you're so easy to talk to. You're so easy

439
00:27:24.035 --> 00:27:27.480
<v Joanne Lockwood>to understand. And I've always held that belief

440
00:27:27.480 --> 00:27:31.240
<v Joanne Lockwood>that make yourself easy to understand. If you want to

441
00:27:31.240 --> 00:27:34.955
<v Joanne Lockwood>be heard and truly listened to, take responsibility to make sure

442
00:27:34.955 --> 00:27:38.795
<v Joanne Lockwood>you communicate in a way that people do listen to you. And I

443
00:27:38.795 --> 00:27:41.835
<v Joanne Lockwood>I still hold that dream today and I still find that people give me feedback

444
00:27:41.835 --> 00:27:45.210
<v Joanne Lockwood>and say, I speak in a very clear, very evenly

445
00:27:45.210 --> 00:27:48.730
<v Joanne Lockwood>paced, interesting way, very clear of voice. And I

446
00:27:48.730 --> 00:27:52.085
<v Joanne Lockwood>think, okay, I don't know where that came from, but obviously, over my

447
00:27:52.085 --> 00:27:55.845
<v Joanne Lockwood>lifetime, spending my time in different cultures with different

448
00:27:55.845 --> 00:27:59.385
<v Joanne Lockwood>languages, you get used to communicating in a way that is

449
00:28:00.470 --> 00:28:03.990
<v Joanne Lockwood>less complex maybe or un without

450
00:28:03.990 --> 00:28:05.210
<v Joanne Lockwood>unnecessary complexity.

451
00:28:08.515 --> 00:28:12.115
<v Tony Winyard>And I wonder also if you've well, something that I've it's

452
00:28:12.115 --> 00:28:15.555
<v Tony Winyard>only recently that I realized this because I I guess it I just took it

453
00:28:15.555 --> 00:28:19.350
<v Tony Winyard>for granted from for many years. In the last year

454
00:28:19.350 --> 00:28:22.570
<v Tony Winyard>or last couple of years, there's been a couple of situations where,

455
00:28:24.550 --> 00:28:28.325
<v Tony Winyard>some people, well, I can just think of one example in particular where

456
00:28:28.385 --> 00:28:31.925
<v Tony Winyard>a friend of mine who's doing these online courses, he's creating these courses,

457
00:28:32.065 --> 00:28:35.710
<v Tony Winyard>which have been sold to people in many different countries. And

458
00:28:35.710 --> 00:28:39.550
<v Tony Winyard>he hasn't really traveled that much. And he was asking

459
00:28:39.550 --> 00:28:42.510
<v Tony Winyard>me for feedback on some of the copy he was using and some of the

460
00:28:42.510 --> 00:28:46.095
<v Tony Winyard>things he was signing in the sales videos. And I said to him,

461
00:28:46.095 --> 00:28:49.855
<v Tony Winyard>what these are going to to to Canada. You told me that you've

462
00:28:49.855 --> 00:28:53.695
<v Tony Winyard>got clients in Canada and Mexico and some places in South America.

463
00:28:53.695 --> 00:28:56.850
<v Tony Winyard>And they're not going to understand some of these words you're using.

464
00:28:57.390 --> 00:29:01.070
<v Tony Winyard>And he hadn't even crossed his mind because they were just words that he used

465
00:29:01.070 --> 00:29:04.685
<v Tony Winyard>every day. But I knew from being in all those different countries

466
00:29:04.685 --> 00:29:08.285
<v Tony Winyard>that there were many words that we use on a

467
00:29:08.365 --> 00:29:11.850
<v Tony Winyard>just without even thinking that people in some other

468
00:29:11.850 --> 00:29:15.370
<v Tony Winyard>countries, although they've learned English, they just don't understand some of the

469
00:29:15.370 --> 00:29:19.175
<v Tony Winyard>idioms and phrases that we use. And

470
00:29:19.175 --> 00:29:22.695
<v Joanne Lockwood>we forget. We pick a lot of our common language up from

471
00:29:22.695 --> 00:29:26.455
<v Joanne Lockwood>television, TV, the metaphor, similes, and you say

472
00:29:26.455 --> 00:29:30.220
<v Joanne Lockwood>the idioms we use tend to be very contextual, which

473
00:29:30.220 --> 00:29:33.899
<v Joanne Lockwood>don't translate. And Mhmm. We've gotta be really, really careful that we're not

474
00:29:33.899 --> 00:29:37.575
<v Joanne Lockwood>misinterpreted. It's something we we we think we've said is

475
00:29:37.575 --> 00:29:40.695
<v Joanne Lockwood>clear. And they and I've had people say to me, what do you mean by

476
00:29:40.695 --> 00:29:44.210
<v Joanne Lockwood>that? I go, oh, you're right. There's no context there, is there?

477
00:29:44.990 --> 00:29:48.670
<v Joanne Lockwood>There's no background to that phrase that came

478
00:29:48.670 --> 00:29:52.193
<v Joanne Lockwood>out of a seventies TV program. Jo,

479
00:29:52.375 --> 00:29:55.035
<v Joanne Lockwood>yeah, it's been really, really

480
00:29:55.975 --> 00:29:59.820
<v Joanne Lockwood>sanitizing your language to make it understand understandable, but

481
00:29:59.820 --> 00:30:03.200
<v Joanne Lockwood>you're trying to do that on the fly without sounding patronizing,

482
00:30:03.500 --> 00:30:07.005
<v Joanne Lockwood>without sounding, like you're treating somebody

483
00:30:07.304 --> 00:30:11.145
<v Joanne Lockwood>as the stupid or an idiot, which can come across if you try

484
00:30:11.145 --> 00:30:14.780
<v Joanne Lockwood>too hard, but being very natural and flowing and being

485
00:30:14.780 --> 00:30:18.300
<v Joanne Lockwood>very well paced. And I think speed of talking is very important as

486
00:30:18.300 --> 00:30:21.920
<v Joanne Lockwood>well. Allowing pauses, allowing reflection time,

487
00:30:22.220 --> 00:30:25.775
<v Joanne Lockwood>gaps between words. Again, it not just helps people who

488
00:30:26.015 --> 00:30:29.475
<v Joanne Lockwood>where English is in the first language, but also someone who lip reads,

489
00:30:29.775 --> 00:30:33.620
<v Joanne Lockwood>someone who is is looking for that that clue for maybe

490
00:30:33.620 --> 00:30:37.220
<v Joanne Lockwood>the hard of hearing, whatever that may be, is allowing time to process as

491
00:30:37.220 --> 00:30:40.679
<v Joanne Lockwood>well as not rather than just rush people into the next point.

492
00:30:44.205 --> 00:30:47.885
<v Tony Winyard>Yeah. And and also, I mean, what you just said there reminded me of a

493
00:30:47.885 --> 00:30:51.405
<v Tony Winyard>story about the pause is so important in so many

494
00:30:51.405 --> 00:30:54.980
<v Tony Winyard>different areas of life. I mean, certainly in the situations you were talking

495
00:30:54.980 --> 00:30:58.820
<v Tony Winyard>about, but it also by having that pause and

496
00:30:58.820 --> 00:31:02.565
<v Tony Winyard>slowing the pace down, it allows people to whose net

497
00:31:02.645 --> 00:31:06.485
<v Tony Winyard>who is native language, maybe not English. They've got time to think

498
00:31:06.485 --> 00:31:10.070
<v Tony Winyard>about what it was you're saying and understand what you're saying. But the story

499
00:31:10.070 --> 00:31:13.750
<v Tony Winyard>that it really reminded me of, I was doing I did I dabbled in some

500
00:31:13.750 --> 00:31:17.049
<v Tony Winyard>stand up comedy a few years ago. And I had this little

501
00:31:17.575 --> 00:31:21.415
<v Tony Winyard>some sketch that I'd written or a series of sketches. And I was trying

502
00:31:21.415 --> 00:31:24.055
<v Tony Winyard>my hand in different comedy clubs and I wasn't trying to be a comedian. I

503
00:31:24.055 --> 00:31:27.720
<v Tony Winyard>was just trying to see if I could, I wanted

504
00:31:27.720 --> 00:31:31.240
<v Tony Winyard>to make people laugh because of the speaking I was doing, and I wanted to

505
00:31:31.240 --> 00:31:35.035
<v Tony Winyard>be able to inject more humor into my speaking. So I thought, well, this is

506
00:31:35.035 --> 00:31:38.555
<v Tony Winyard>the true test. If I can make people laugh in a comedy club. Anyway, I

507
00:31:38.555 --> 00:31:42.315
<v Tony Winyard>had all this my my, whole approach

508
00:31:42.315 --> 00:31:45.330
<v Tony Winyard>was mostly story led. I didn't really do sort

509
00:31:46.110 --> 00:31:49.950
<v Tony Winyard>of gags or such. But because I hadn't done this before,

510
00:31:49.950 --> 00:31:53.415
<v Tony Winyard>I wasn't supremely confident that I was a very good

511
00:31:53.415 --> 00:31:57.095
<v Tony Winyard>comedian. And for the first couple of gigs I did, I just

512
00:31:57.095 --> 00:32:00.910
<v Tony Winyard>sort of told a story, bang straight into another story straight. And I didn't

513
00:32:00.910 --> 00:32:04.670
<v Tony Winyard>really leave any time for people to get some of the stories

514
00:32:04.670 --> 00:32:08.465
<v Tony Winyard>that I was saying. And so I wasn't getting many laughs. At the

515
00:32:08.465 --> 00:32:12.225
<v Tony Winyard>4th gig, I don't know why, but I felt more confident

516
00:32:12.225 --> 00:32:15.825
<v Tony Winyard>for some reason. It was a maybe it was a nicer atmosphere or something. There

517
00:32:15.825 --> 00:32:19.480
<v Tony Winyard>was more people. And there was one particular story I had, which was a

518
00:32:19.480 --> 00:32:23.100
<v Tony Winyard>real wordplay. And at the end of this

519
00:32:23.240 --> 00:32:26.380
<v Tony Winyard>story, with the kind of wordplay, I paused

520
00:32:27.195 --> 00:32:30.155
<v Tony Winyard>And the reaction I got, it was only a slight a small pause. And I

521
00:32:30.155 --> 00:32:33.435
<v Tony Winyard>was about to go on to the next story. And I literally had people standing

522
00:32:33.435 --> 00:32:37.250
<v Tony Winyard>up and cheering and giving almost, like, a standard narration. Wow, what a

523
00:32:37.250 --> 00:32:41.090
<v Tony Winyard>difference. Just by pausing for a couple of seconds before moving into

524
00:32:41.090 --> 00:32:44.385
<v Tony Winyard>the next story. That that sold me a huge huge

525
00:32:44.605 --> 00:32:48.125
<v Tony Winyard>amount. I've done a couple of stand ups. I must say a

526
00:32:48.125 --> 00:32:51.840
<v Joanne Lockwood>couple. I've done one routine. I did it 4 or

527
00:32:51.840 --> 00:32:55.679
<v Joanne Lockwood>5 times, and I learned very quickly you

528
00:32:55.679 --> 00:32:59.315
<v Joanne Lockwood>have to let the audience laugh. You have to create space for the audience to

529
00:32:59.315 --> 00:33:02.675
<v Joanne Lockwood>find something funny. Otherwise, as you say, without the

530
00:33:02.675 --> 00:33:06.510
<v Joanne Lockwood>pause, there's no opportunity for someone to for the joke to land,

531
00:33:06.510 --> 00:33:08.770
<v Joanne Lockwood>is there? You have to create that space.

532
00:33:12.030 --> 00:33:15.775
<v Joanne Lockwood>Obviously, Lockwood kicked in and I haven't furthered the stand

533
00:33:15.775 --> 00:33:19.455
<v Joanne Lockwood>up, but I'm not sure I enjoyed it. It's a

534
00:33:19.455 --> 00:33:23.075
<v Joanne Lockwood>bit like we talked at the beginning about these small habits.

535
00:33:25.460 --> 00:33:28.820
<v Joanne Lockwood>I volunteered to do it because it was way outside of my comfort

536
00:33:28.820 --> 00:33:32.660
<v Joanne Lockwood>zone. It was like this big thing that I was scared of. I thought,

537
00:33:32.660 --> 00:33:36.405
<v Joanne Lockwood>well, if I'm scared of it, I've gotta do it. And as a professional

538
00:33:36.405 --> 00:33:39.365
<v Joanne Lockwood>speaker, I'm used to getting up on stage. So it wasn't it wasn't the fear

539
00:33:39.365 --> 00:33:43.059
<v Joanne Lockwood>of the stage. It was just I don't know. It was there was a

540
00:33:43.059 --> 00:33:46.740
<v Joanne Lockwood>fear there that I wasn't happy with. And I remember the Professional

541
00:33:46.740 --> 00:33:50.419
<v Joanne Lockwood>Speaking Association, and each year at the conference, there's a a 5

542
00:33:50.419 --> 00:33:54.205
<v Joanne Lockwood>minute comedy slot where any any member could stand up and and sort of

543
00:33:54.205 --> 00:33:57.965
<v Joanne Lockwood>book a slot, and you get 5 minutes. So I remember sort of the

544
00:33:57.965 --> 00:34:01.780
<v Joanne Lockwood>convention beforehand saying to the person who's organizing it, I'd like a

545
00:34:01.780 --> 00:34:05.460
<v Joanne Lockwood>comedy slot next year. And they said to me, you're in. You're the

546
00:34:05.460 --> 00:34:08.900
<v Joanne Lockwood>first. Tick. Got it. I thought, oh, it's a year

547
00:34:08.900 --> 00:34:12.414
<v Joanne Lockwood>away. No problem at all.

548
00:34:12.414 --> 00:34:16.174
<v Joanne Lockwood>About 48 hours before the night, I thought I need to do something.

549
00:34:16.174 --> 00:34:19.940
<v Joanne Lockwood>I need I need to have a routine. I'm sure other people have rehearsed and

550
00:34:19.940 --> 00:34:23.420
<v Joanne Lockwood>practiced, but that's not my style. I tend to be a kind of a it

551
00:34:23.540 --> 00:34:26.295
<v Joanne Lockwood>what it comes to my head, it pops into my mouth and it goes out.

552
00:34:26.775 --> 00:34:30.534
<v Joanne Lockwood>And I had a whole load of routine. I had I had 4 or 5

553
00:34:30.534 --> 00:34:33.674
<v Joanne Lockwood>stories, which were actually life anecdotes

554
00:34:34.730 --> 00:34:38.570
<v Joanne Lockwood>that I knew individually they were funny. I knew individually I

555
00:34:38.570 --> 00:34:42.190
<v Joanne Lockwood>knew them, so I had a routine. I pieced them together in

556
00:34:42.730 --> 00:34:46.574
<v Joanne Lockwood>a path and a storyline that worked with a big punch line at the

557
00:34:46.574 --> 00:34:50.355
<v Joanne Lockwood>end, you know, the closing punch line, the the big laugh. And

558
00:34:50.770 --> 00:34:54.610
<v Joanne Lockwood>I delivered it to to this this stage, and, I didn't

559
00:34:54.610 --> 00:34:58.204
<v Joanne Lockwood>win the prize that night. I was beaten by a a

560
00:34:58.204 --> 00:35:02.045
<v Joanne Lockwood>semi pro after dinner speaker who was was doing this

561
00:35:02.045 --> 00:35:05.085
<v Joanne Lockwood>routine night in, night out, so I didn't feel too bad about it. But I

562
00:35:05.085 --> 00:35:08.900
<v Joanne Lockwood>felt I held my own against the other competitors. And

563
00:35:08.900 --> 00:35:12.740
<v Joanne Lockwood>then I was traveling to Australia to speak at

564
00:35:12.740 --> 00:35:16.535
<v Joanne Lockwood>a conference over there in Melbourne. And another person, a

565
00:35:16.535 --> 00:35:19.914
<v Joanne Lockwood>friend of mine, who was also traveling to the same conference to speak

566
00:35:20.855 --> 00:35:24.340
<v Joanne Lockwood>mentioned the fact they were gonna do their stand up routine at a comedy

567
00:35:24.340 --> 00:35:28.100
<v Joanne Lockwood>club in Melbourne, downtown Melbourne one night. I just

568
00:35:28.100 --> 00:35:31.180
<v Joanne Lockwood>emailed back and said, any chance, you could give me the details because I I

569
00:35:31.220 --> 00:35:34.725
<v Joanne Lockwood>I'll book a slot at the comedy either. So

570
00:35:34.725 --> 00:35:38.405
<v Joanne Lockwood>however many 1000 miles from home on a Tuesday night and this company club in

571
00:35:38.405 --> 00:35:41.945
<v Joanne Lockwood>Melbourne, I stand up and give my routine again. And,

572
00:35:43.050 --> 00:35:46.270
<v Joanne Lockwood>yeah, the feedback I got from the the MC Booker

573
00:35:46.490 --> 00:35:50.010
<v Joanne Lockwood>organizer was I I I raced it. I think my nerves kicked

574
00:35:50.010 --> 00:35:53.855
<v Joanne Lockwood>in outside my comfort zone. I probably raced it too much.

575
00:35:53.915 --> 00:35:57.595
<v Joanne Lockwood>And also because they give you a finite time, it's gotta be 5 minutes. You're

576
00:35:57.595 --> 00:36:00.875
<v Joanne Lockwood>really conscious about the clock, and I was trying to squeeze it in, squeeze it,

577
00:36:00.875 --> 00:36:04.069
<v Joanne Lockwood>and squeeze it in. I think that was a mistake I made. The next time,

578
00:36:04.069 --> 00:36:07.369
<v Joanne Lockwood>what I'll do is I'll I need to pace it and have less content

579
00:36:08.230 --> 00:36:11.815
<v Joanne Lockwood>and make more of it. And I think that's the mistake. It's trying to and

580
00:36:11.815 --> 00:36:15.035
<v Joanne Lockwood>I think as a speaker, it's the same. You try and put too much in,

581
00:36:15.655 --> 00:36:19.380
<v Joanne Lockwood>then you end up overloading people. So sometimes less is obviously more. And I

582
00:36:19.380 --> 00:36:23.220
<v Joanne Lockwood>think with comedy, 4 or 5 well honed

583
00:36:23.220 --> 00:36:26.835
<v Joanne Lockwood>stories that land are better than 7 or 8 squeezed. I

584
00:36:26.835 --> 00:36:30.355
<v Joanne Lockwood>learned that. And I I delivered a couple more times since. Once a

585
00:36:30.355 --> 00:36:33.955
<v Joanne Lockwood>networking night, in London and once a

586
00:36:34.115 --> 00:36:37.880
<v Joanne Lockwood>at a women's, essential women's day event. I

587
00:36:37.880 --> 00:36:41.720
<v Joanne Lockwood>delivered as well. Yeah. As I say, I'm not sure if I wanna do it

588
00:36:41.720 --> 00:36:45.455
<v Joanne Lockwood>again, but I've done it I've done it a few times. And,

589
00:36:46.315 --> 00:36:49.835
<v Joanne Lockwood>certainly, yeah, learned I learned a lot about

590
00:36:49.835 --> 00:36:53.590
<v Joanne Lockwood>myself and and

591
00:36:53.670 --> 00:36:57.130
<v Joanne Lockwood>yeah. And I can be funny. This is probably the most important thing.

592
00:36:58.905 --> 00:37:02.465
<v Joanne Lockwood>Jo, yeah, I'm a great admirer of anyone who's done to their stand up.

593
00:37:05.299 --> 00:37:08.951
<v Tony Winyard>Using humor is Jo it's the best way to connect with people, isn't it? Jo

594
00:37:09.059 --> 00:37:12.519
<v Tony Winyard>that's why, yeah. It's I I I have enormous

595
00:37:12.819 --> 00:37:16.415
<v Tony Winyard>admiration for some of the, you know,

596
00:37:16.415 --> 00:37:20.095
<v Tony Winyard>comedians on the scene who are constantly every year, they're rewriting their whole

597
00:37:20.095 --> 00:37:23.520
<v Tony Winyard>set and they'd go into Edinburgh each year. They deliver they they

598
00:37:23.520 --> 00:37:27.200
<v Tony Winyard>practice it all year in the lead up to Edinburgh. They deliver it there, and

599
00:37:27.200 --> 00:37:30.715
<v Tony Winyard>then they begin again almost, and they rewrite a whole new set. And then by

600
00:37:30.795 --> 00:37:34.495
<v Tony Winyard>Edinburgh, the following year, they've got a completely new set. That's just an amazing

601
00:37:34.875 --> 00:37:38.655
<v Tony Winyard>ability to be able to do that. Yeah. I used to go and see

602
00:37:39.010 --> 00:37:42.849
<v Joanne Lockwood>acts at the, the Guildhall in Portsmouth near where I live. And I've seen

603
00:37:42.849 --> 00:37:44.230
<v Joanne Lockwood>John Bishop. I've seen,

604
00:37:47.225 --> 00:37:50.985
<v Joanne Lockwood>Mumford. Is it Steve Simon Muff Steven Mumford? Jason Mumford? Jason

605
00:37:50.985 --> 00:37:54.685
<v Tony Winyard>Mumford. Jason Mumford. Jason Mumford. Jason Mumford. Yeah. Is it Jason Mumford? Yeah. John Bishop,

606
00:37:55.520 --> 00:37:59.200
<v Joanne Lockwood>Alan Davis. I saw the would I

607
00:37:59.200 --> 00:38:02.900
<v Joanne Lockwood>lie to you crowd? They did like a little little routine.

608
00:38:03.994 --> 00:38:06.815
<v Joanne Lockwood>So I yeah. I've seen I've seen quite a few of Jimmy Carr.

609
00:38:07.595 --> 00:38:10.954
<v Joanne Lockwood>And it's they they create that show for the year for that tour, don't they?

610
00:38:10.954 --> 00:38:14.770
<v Joanne Lockwood>And they all the gags. One thing I loved about John Bishop was the

611
00:38:14.770 --> 00:38:18.210
<v Joanne Lockwood>way he set up a whole load of stories all the way through. And at

612
00:38:18.210 --> 00:38:22.050
<v Joanne Lockwood>the end, he had a slideshow that actually showed the

613
00:38:22.050 --> 00:38:25.635
<v Joanne Lockwood>stories and actually as they happened, he had this big check about I think it

614
00:38:25.635 --> 00:38:28.115
<v Joanne Lockwood>was about a llama, and there was him and the llama at the end, and

615
00:38:28.115 --> 00:38:31.570
<v Joanne Lockwood>it was kind of the way he Joanne that final close, he

616
00:38:31.570 --> 00:38:34.730
<v Joanne Lockwood>signposted all the way through the just slam dunked at the end. I I was

617
00:38:34.730 --> 00:38:38.530
<v Joanne Lockwood>a great admiration for the the way he he he created that

618
00:38:38.530 --> 00:38:41.915
<v Joanne Lockwood>journey. And, I I think you can learn a lot from comedians about how the

619
00:38:41.915 --> 00:38:45.755
<v Joanne Lockwood>storytelling, how they craft their their their speeches and

620
00:38:45.755 --> 00:38:49.580
<v Joanne Lockwood>talks and that humor. And, yeah, I'm a I'm a

621
00:38:49.580 --> 00:38:52.480
<v Joanne Lockwood>great analyzer of stagecraft and how people speak.

622
00:38:55.714 --> 00:38:59.394
<v Tony Winyard>Yeah. And I agree completely. There's a lot to be learned from

623
00:38:59.394 --> 00:39:03.090
<v Tony Winyard>professional actually, not even just professional comedians because when I

624
00:39:03.090 --> 00:39:06.470
<v Tony Winyard>was doing, I did 20 gigs around London

625
00:39:06.930 --> 00:39:10.684
<v Tony Winyard>and a lot of the people that a lot of places I

626
00:39:10.684 --> 00:39:14.285
<v Tony Winyard>was working in, we were comedians who were starting from the very beginning. But I

627
00:39:14.285 --> 00:39:16.605
<v Tony Winyard>got to know a lot of these guys. And as I went to all these

628
00:39:16.605 --> 00:39:19.579
<v Tony Winyard>different clubs, I got to know some of these comedians on the who would, in

629
00:39:19.579 --> 00:39:23.339
<v Tony Winyard>the beginning of the the circuit, as far out for them. And

630
00:39:23.339 --> 00:39:26.140
<v Tony Winyard>I still am in touch with some of these guys, and that was about 10

631
00:39:26.140 --> 00:39:29.765
<v Tony Winyard>years ago. And now some of the misadams do really well.

632
00:39:30.625 --> 00:39:34.305
<v Tony Winyard>And they're not famous by any means, but they're starting to

633
00:39:34.305 --> 00:39:36.550
<v Tony Winyard>earn some money from it now. But they're they're

634
00:39:43.590 --> 00:39:46.295
<v Joanne Lockwood>a as

635
00:39:47.635 --> 00:39:51.475
<v Joanne Lockwood>a white English guy, how did people take you?

636
00:39:51.475 --> 00:39:54.900
<v Joanne Lockwood>How did people find you? Have you got a different view of

637
00:39:54.900 --> 00:39:58.500
<v Joanne Lockwood>culture, of race, and maybe

638
00:39:58.500 --> 00:40:02.215
<v Joanne Lockwood>inclusion or discrimination in somebody who maybe hasn't maybe experienced that

639
00:40:02.215 --> 00:40:05.475
<v Joanne Lockwood>part of the world.

640
00:40:05.895 --> 00:40:08.855
<v Tony Winyard>Well, yeah. And it's interesting you say as a as a as a white English

641
00:40:08.855 --> 00:40:12.630
<v Tony Winyard>guy, because I'm not actually a white English guy. I don't that's how I look.

642
00:40:13.329 --> 00:40:16.069
<v Tony Winyard>I'm actually mixed race. My my father is black.

643
00:40:17.089 --> 00:40:20.835
<v Tony Winyard>My mother is blonde Irish and but she

644
00:40:20.835 --> 00:40:24.675
<v Tony Winyard>must have strong genes because I don't have any. Well, I said I don't have

645
00:40:24.675 --> 00:40:27.175
<v Tony Winyard>any. Most people who look at me

646
00:40:29.070 --> 00:40:32.590
<v Tony Winyard>believe that I'm just white English because I'm, I've got a very, I've got a

647
00:40:32.590 --> 00:40:36.350
<v Tony Winyard>slightly olive olive skin, but my facial features

648
00:40:36.350 --> 00:40:39.994
<v Tony Winyard>are very kind of European. But as I said, my my father is the

649
00:40:39.994 --> 00:40:43.454
<v Tony Winyard>same shade as, Usain Bolt. You know, he's he's very dark.

650
00:40:44.395 --> 00:40:47.730
<v Tony Winyard>And so it's been it's interesting for me as as I've grown up and as

651
00:40:47.730 --> 00:40:51.270
<v Tony Winyard>I've traveled and I've gone to all these different places. And

652
00:40:52.050 --> 00:40:55.675
<v Tony Winyard>I know that everyone who looks at me looks at me as a

653
00:40:55.675 --> 00:40:59.435
<v Tony Winyard>white English person. But I haven't necessarily grown up

654
00:40:59.435 --> 00:41:03.035
<v Tony Winyard>like that because I've grown up. It's sometimes it's been a bit strange when I

655
00:41:03.035 --> 00:41:06.700
<v Tony Winyard>was growing up because I was very aware that I am mixed

656
00:41:06.700 --> 00:41:10.300
<v Tony Winyard>race and and who my father is and so on.

657
00:41:10.300 --> 00:41:13.835
<v Tony Winyard>But I know it was even times when I'd be in a

658
00:41:13.835 --> 00:41:17.595
<v Tony Winyard>situation where a crowd of guys, maybe some like

659
00:41:17.595 --> 00:41:20.974
<v Tony Winyard>a football crowd sort of thing. And and there were some quite

660
00:41:22.000 --> 00:41:25.760
<v Tony Winyard>racist remarks being made, not to me, just being

661
00:41:25.760 --> 00:41:28.560
<v Tony Winyard>made because they just presumed that I was the same as the rest of them.

662
00:41:28.560 --> 00:41:32.375
<v Tony Winyard>I was a white English guy. And so in some ways, it's allowed me

663
00:41:32.375 --> 00:41:35.835
<v Tony Winyard>to see a different side of racism because I see

664
00:41:36.215 --> 00:41:39.815
<v Tony Winyard>guys who would never be racist in front of someone who was from another

665
00:41:39.815 --> 00:41:43.309
<v Tony Winyard>race. But when they were just other white people, they extremely

666
00:41:43.530 --> 00:41:47.369
<v Tony Winyard>racist and believe in that I was just the same as them. And

667
00:41:47.369 --> 00:41:50.455
<v Tony Winyard>so it's allowed me sometimes to see

668
00:41:51.475 --> 00:41:54.915
<v Tony Winyard>people for who they really are rather than who they pretend to

669
00:41:54.915 --> 00:41:58.430
<v Tony Winyard>be when they're in front of someone who is a different

670
00:41:58.430 --> 00:42:02.109
<v Tony Winyard>race, which is in some ways is good

671
00:42:02.109 --> 00:42:05.955
<v Tony Winyard>because it's allowed me to listen. People I know who who

672
00:42:05.955 --> 00:42:09.635
<v Tony Winyard>don't have no idea that I mix race and who I know are actually

673
00:42:09.635 --> 00:42:13.475
<v Tony Winyard>very racist, inside, but they never show that face when

674
00:42:13.475 --> 00:42:17.230
<v Tony Winyard>they're in front of black or Asian or or whatever it might be.

675
00:42:19.130 --> 00:42:22.965
<v Joanne Lockwood>Yes. Interesting. I mean, I I I obviously

676
00:42:23.105 --> 00:42:26.705
<v Joanne Lockwood>I read the show notes that you sent through, so I was aware about your

677
00:42:26.705 --> 00:42:30.330
<v Joanne Lockwood>father when I asked the question. So I I didn't want to sort of I

678
00:42:30.330 --> 00:42:33.790
<v Joanne Lockwood>wanted you to tell your own story, though. But it is interesting

679
00:42:34.410 --> 00:42:38.190
<v Joanne Lockwood>that you you make assumptions about people around you.

680
00:42:38.565 --> 00:42:42.405
<v Joanne Lockwood>This tip of the iceberg, these these stereotypes we create, we look at someone, we

681
00:42:42.405 --> 00:42:46.085
<v Joanne Lockwood>form these judgments very quickly. And how often do we get to know the

682
00:42:46.085 --> 00:42:49.280
<v Joanne Lockwood>true person, who their family is, who their friends are,

683
00:42:50.140 --> 00:42:52.880
<v Joanne Lockwood>what interest and what their loves and hates are? And

684
00:42:54.195 --> 00:42:58.035
<v Joanne Lockwood>I I talk about this when I do my LGBTQ plus training

685
00:42:58.035 --> 00:43:01.475
<v Joanne Lockwood>all the time. We we don't we can't assume someone's sexuality. We can't assume who

686
00:43:01.475 --> 00:43:05.210
<v Joanne Lockwood>they're someone's married to, but yet we do. We Joanne an

687
00:43:05.210 --> 00:43:08.990
<v Joanne Lockwood>assumption that I I know I've got many gay friends

688
00:43:09.210 --> 00:43:13.055
<v Joanne Lockwood>or or it's always presumed that they're married to a woman or

689
00:43:13.115 --> 00:43:16.655
<v Joanne Lockwood>if if it becomes if if they say they're married to a man

690
00:43:17.035 --> 00:43:20.280
<v Joanne Lockwood>and then they talk about their children. So they get puzzled. How can you have

691
00:43:20.280 --> 00:43:24.040
<v Joanne Lockwood>children if you're if you're a man married to a man? Again, you have to

692
00:43:24.040 --> 00:43:27.735
<v Joanne Lockwood>do all this explaining, and often it's easier

693
00:43:27.735 --> 00:43:31.175
<v Joanne Lockwood>just to pass or cover or blend and not have those

694
00:43:31.175 --> 00:43:34.859
<v Joanne Lockwood>conversations. Just just be a a passing straight white

695
00:43:34.859 --> 00:43:38.540
<v Joanne Lockwood>person if you like without having to explain all these details about your

696
00:43:38.540 --> 00:43:41.900
<v Joanne Lockwood>book. Many people don't have that luxury if they're not a passing

697
00:43:42.300 --> 00:43:45.775
<v Joanne Lockwood>if they're black, they're openly gay and they're happy to be

698
00:43:45.775 --> 00:43:48.435
<v Joanne Lockwood>openly gay, they wear that with pride. And

699
00:43:50.460 --> 00:43:54.299
<v Joanne Lockwood>I can't not be trans. It's kind of obvious to most people.

700
00:43:54.299 --> 00:43:57.905
<v Joanne Lockwood>I don't I don't make a secret of it, but I

701
00:43:57.905 --> 00:44:01.125
<v Joanne Lockwood>can't pack myself away in a box for someone else's convenience.

702
00:44:02.305 --> 00:44:05.765
<v Joanne Lockwood>And the amount of times, you know, like yourself, I've been involved with conversations

703
00:44:06.710 --> 00:44:10.329
<v Joanne Lockwood>prior maybe to my transition that are sexist,

704
00:44:11.029 --> 00:44:14.410
<v Joanne Lockwood>that are racist, that were whatever, all the things you described,

705
00:44:14.630 --> 00:44:18.385
<v Joanne Lockwood>transphobic. And it was eating me up inside. It

706
00:44:18.385 --> 00:44:22.005
<v Joanne Lockwood>really was a struggle to hold that in. And, of course, if I'd snapped

707
00:44:22.145 --> 00:44:25.700
<v Joanne Lockwood>and said something, people look at me like, what's it to

708
00:44:25.700 --> 00:44:29.060
<v Joanne Lockwood>you? Why does it matter? And it's and then you have to kind of

709
00:44:29.060 --> 00:44:32.820
<v Joanne Lockwood>almost you just say because it does. It's not enough sometimes. You have to

710
00:44:32.820 --> 00:44:36.585
<v Joanne Lockwood>almost like it matters because, and then you almost feel obliged

711
00:44:36.645 --> 00:44:39.945
<v Joanne Lockwood>to sort of tell your story, which you don't really wanna

712
00:44:40.405 --> 00:44:41.545
<v Joanne Lockwood>be put in that position.

713
00:44:44.300 --> 00:44:47.740
<v Tony Winyard>Yeah. Yeah. Absolutely. Yeah. Yeah. It's,

714
00:44:48.460 --> 00:44:51.925
<v Tony Winyard>I I struggled with it as a kid because I

715
00:44:51.925 --> 00:44:55.685
<v Tony Winyard>didn't, my mother and my father's divorced or they

716
00:44:55.685 --> 00:44:58.790
<v Tony Winyard>split when I was very young. So I didn't grow up with my father. I

717
00:44:58.790 --> 00:45:01.750
<v Tony Winyard>grew up with the person who I call my dad is is a white guy.

718
00:45:01.750 --> 00:45:05.350
<v Tony Winyard>He's, you know, he's really my stepdad. So I grew up in a very white

719
00:45:05.350 --> 00:45:09.155
<v Tony Winyard>environment, but always aware that I wasn't

720
00:45:09.155 --> 00:45:12.835
<v Tony Winyard>completely white, even though I looked completely white. And the school I

721
00:45:12.835 --> 00:45:16.380
<v Tony Winyard>went to was probably about 50% black. It was a it was quite a

722
00:45:16.380 --> 00:45:19.840
<v Tony Winyard>black area of London. But I always

723
00:45:22.045 --> 00:45:25.725
<v Tony Winyard>I it was it was difficult because I didn't feel I'm African

724
00:45:25.725 --> 00:45:29.565
<v Tony Winyard>black, so my father is African. Most of my school was West Indian black. And

725
00:45:29.565 --> 00:45:33.359
<v Tony Winyard>in the seventies, when I was going to school,

726
00:45:33.980 --> 00:45:37.340
<v Tony Winyard>it was very cool to be West Indian Black. It was not cool to be

727
00:45:37.340 --> 00:45:40.704
<v Tony Winyard>African Black. African blacks were really kind of ridicule ridiculed

728
00:45:41.244 --> 00:45:45.025
<v Tony Winyard>and, you know, a lot of fun made out. And so I would never

729
00:45:46.200 --> 00:45:50.040
<v Tony Winyard>let anyone know that I was actually born in Africa and that my father

730
00:45:50.040 --> 00:45:53.875
<v Tony Winyard>was African because I knew that I would be in for a whole load of,

731
00:45:53.875 --> 00:45:57.235
<v Tony Winyard>you know, people making fun of me and so on. And so

732
00:45:57.235 --> 00:46:00.770
<v Tony Winyard>I it was always and

733
00:46:00.770 --> 00:46:04.610
<v Tony Winyard>I couldn't just come out and say, oh, I'm my dad's black because

734
00:46:04.610 --> 00:46:08.265
<v Tony Winyard>I didn't look black. And so I kind of felt not

735
00:46:08.265 --> 00:46:12.105
<v Tony Winyard>uncomfortable. It was just it was. Yeah, it was kind of strange for me going

736
00:46:12.105 --> 00:46:15.910
<v Tony Winyard>up. I wasn't I was never sure. I just most people just assumed I

737
00:46:15.910 --> 00:46:18.490
<v Tony Winyard>was white, and I never said anything different to most people.

738
00:46:22.445 --> 00:46:26.205
<v Joanne Lockwood>I I was born in Singapore back in the mid sixties. My father

739
00:46:26.205 --> 00:46:29.905
<v Joanne Lockwood>was a naval art officer. My mom,

740
00:46:31.779 --> 00:46:35.460
<v Joanne Lockwood>I suppose a professional mother at the time as

741
00:46:35.460 --> 00:46:39.220
<v Joanne Lockwood>women were in the sixties. So I was born in

742
00:46:39.220 --> 00:46:42.685
<v Joanne Lockwood>Singapore in naval hospital in Singapore

743
00:46:42.825 --> 00:46:45.244
<v Joanne Lockwood>to 2 white middle class English

744
00:46:46.425 --> 00:46:50.250
<v Joanne Lockwood>heritage people. But when I got to a

745
00:46:50.250 --> 00:46:53.549
<v Joanne Lockwood>certain age where I was applying for jobs, CVs, resumes,

746
00:46:54.650 --> 00:46:58.495
<v Joanne Lockwood>passports, whatever. There's always a there's always a nationality and

747
00:46:58.495 --> 00:47:01.935
<v Joanne Lockwood>a place of birth that came up. Now I always put

748
00:47:01.935 --> 00:47:05.650
<v Joanne Lockwood>Singapore, and I always put in brackets afterwards British

749
00:47:05.650 --> 00:47:09.410
<v Joanne Lockwood>Naval Hospital, close brackets, because I was

750
00:47:09.410 --> 00:47:13.055
<v Joanne Lockwood>really, I don't know. I was just keen to say I

751
00:47:13.055 --> 00:47:16.295
<v Joanne Lockwood>am English, really. It was almost like I was

752
00:47:16.575 --> 00:47:19.875
<v Joanne Lockwood>Yeah. Worried that I would be perceived as someone who wasn't

753
00:47:20.200 --> 00:47:23.880
<v Joanne Lockwood>British English by saying I was born in Singapore. And I I

754
00:47:23.880 --> 00:47:27.640
<v Joanne Lockwood>look back on that now, and I would never explain that

755
00:47:27.640 --> 00:47:31.325
<v Joanne Lockwood>again. I never put that. I never put that footnote anymore. I just

756
00:47:31.325 --> 00:47:35.085
<v Joanne Lockwood>say Singapore. But there must have been some bias

757
00:47:35.085 --> 00:47:38.540
<v Joanne Lockwood>in my own head, some prejudice in my own head about being

758
00:47:38.540 --> 00:47:41.040
<v Joanne Lockwood>perceived as as not completely white.

759
00:47:42.140 --> 00:47:45.815
<v Joanne Lockwood>And I still remember that. I I don't I'm not shameful about that feeling,

760
00:47:46.035 --> 00:47:49.875
<v Joanne Lockwood>but I'm very conscious that I felt that way. I've challenged myself on

761
00:47:49.875 --> 00:47:53.670
<v Joanne Lockwood>it since. Mhmm. Because I was conscious that other

762
00:47:53.670 --> 00:47:57.510
<v Joanne Lockwood>people may be biased against me if I put the Singapore down. So

763
00:47:57.510 --> 00:48:01.224
<v Joanne Lockwood>it's very interesting that you you say you kinda pass as

764
00:48:01.765 --> 00:48:05.285
<v Joanne Lockwood>a as a white person, but you're still proud of your your

765
00:48:05.285 --> 00:48:07.224
<v Joanne Lockwood>African heritage where you were born.

766
00:48:10.820 --> 00:48:14.660
<v Tony Winyard>Yeah. And what you just said is so true. I spent Jo the certainly, the

767
00:48:14.660 --> 00:48:17.000
<v Tony Winyard>first half of my life or certainly until my twenties

768
00:48:18.205 --> 00:48:21.885
<v Tony Winyard>playing up or really living up to being British and English

769
00:48:21.885 --> 00:48:25.650
<v Tony Winyard>and told very few people where I was

770
00:48:25.650 --> 00:48:28.630
<v Tony Winyard>born or they, you know, they didn't know anything about my father.

771
00:48:29.250 --> 00:48:33.090
<v Tony Winyard>And I probably really exaggerated my cockney accent

772
00:48:33.090 --> 00:48:36.615
<v Tony Winyard>to to to fit in and and and so on. And I didn't want

773
00:48:36.615 --> 00:48:40.235
<v Tony Winyard>anyone to feel you want to fit in. You want to be like everyone else.

774
00:48:40.615 --> 00:48:44.390
<v Tony Winyard>And I it's only in the last, I think, 10, 15

775
00:48:44.390 --> 00:48:48.230
<v Tony Winyard>years I've become much more comfortable with who I actually am and where I'm

776
00:48:48.230 --> 00:48:52.070
<v Tony Winyard>from and my, you know, my family on my father's side

777
00:48:52.070 --> 00:48:55.545
<v Tony Winyard>as well. Jo you keep in contact with them? Do you

778
00:48:55.545 --> 00:48:59.305
<v Joanne Lockwood>see them? I never actually met my father

779
00:48:59.305 --> 00:49:02.849
<v Tony Winyard>until I was in my mid twenties. And then I met here. And at the

780
00:49:02.849 --> 00:49:06.550
<v Tony Winyard>time I was, well, I was working in Switzerland and I didn't meet

781
00:49:06.690 --> 00:49:10.385
<v Tony Winyard>his family because he'd married again to so he's from

782
00:49:10.385 --> 00:49:14.085
<v Tony Winyard>Sudan. I was born in Sudan, and he married a Sudanese woman

783
00:49:14.385 --> 00:49:17.665
<v Tony Winyard>and moved to Tottenham in North London. I didn't know that when I was growing

784
00:49:17.665 --> 00:49:20.599
<v Tony Winyard>up. And it was when I came back to live in England and I met

785
00:49:20.599 --> 00:49:24.119
<v Tony Winyard>his 4 children, so my half brothers and

786
00:49:24.119 --> 00:49:27.815
<v Tony Winyard>sisters. And I got quite a close relationship with

787
00:49:27.815 --> 00:49:31.655
<v Tony Winyard>2 the your 2 oldest girls, but I didn't have such a

788
00:49:31.655 --> 00:49:35.480
<v Tony Winyard>close relationship with him. He was very deeply religious, and I'm not

789
00:49:35.480 --> 00:49:39.000
<v Tony Winyard>religious at all. And I found it quite difficult to he would try 5 times

790
00:49:39.000 --> 00:49:42.760
<v Tony Winyard>a day, and it just wasn't yeah. And and because we hadn't I

791
00:49:42.760 --> 00:49:45.535
<v Tony Winyard>hadn't grown up with him. I didn't know anything about him as I was growing

792
00:49:45.535 --> 00:49:49.375
<v Tony Winyard>up. It was always a difficult relationship, but it was much easier with

793
00:49:49.375 --> 00:49:51.075
<v Tony Winyard>his with his children.

794
00:49:54.180 --> 00:49:57.940
<v Joanne Lockwood>Yeah. Especially, if you haven't had contact with Joanne estranged

795
00:49:57.940 --> 00:50:01.080
<v Joanne Lockwood>father, it's a really difficult relationship to rebuild, isn't it? Whereas

796
00:50:01.714 --> 00:50:05.234
<v Joanne Lockwood>maybe your siblings is is a far easier, maybe

797
00:50:05.234 --> 00:50:08.855
<v Joanne Lockwood>relatable peer to peer type type level as now, I think.

798
00:50:09.880 --> 00:50:13.500
<v Joanne Lockwood>I've I mean, I haven't had a great relationship with my family for many years.

799
00:50:15.320 --> 00:50:18.924
<v Joanne Lockwood>I'm sorry. Carry on. Well, yeah. And so if right.

800
00:50:18.924 --> 00:50:22.125
<v Tony Winyard>Yeah. There was a slight delay, so I didn't hear you carry on. But, yeah,

801
00:50:22.125 --> 00:50:24.944
<v Tony Winyard>it was funny in some ways because they

802
00:50:26.020 --> 00:50:29.620
<v Tony Winyard>were, both their mother and father were Sudanese. And so they

803
00:50:29.700 --> 00:50:33.434
<v Tony Winyard>my my siblings look black, but they were born in

804
00:50:33.434 --> 00:50:36.974
<v Tony Winyard>London, whereas I look white and I was born in Sudan. So it was

805
00:50:37.275 --> 00:50:41.010
<v Tony Winyard>it was some strange sort of parallel as well as the

806
00:50:41.010 --> 00:50:43.910
<v Tony Winyard>opposite, say, in some ways between us. Mhmm.

807
00:50:45.490 --> 00:50:48.150
<v Joanne Lockwood>I've got some friends who fostered

808
00:50:49.185 --> 00:50:53.025
<v Joanne Lockwood>to white families, which is quite apparently quite common in

809
00:50:53.025 --> 00:50:56.810
<v Joanne Lockwood>the sixties and early part of seventies where black

810
00:50:56.810 --> 00:51:00.510
<v Joanne Lockwood>children were taken from their black parents for various reasons, poverty

811
00:51:01.290 --> 00:51:04.730
<v Joanne Lockwood>or other reasons, and and they were they were homed or fostered or adopted by

812
00:51:04.730 --> 00:51:08.485
<v Joanne Lockwood>white families. And that that led them to a huge identity crisis.

813
00:51:09.425 --> 00:51:13.265
<v Joanne Lockwood>Black raised by white people, understanding their culture.

814
00:51:13.265 --> 00:51:17.109
<v Joanne Lockwood>And I mean, I think all of the

815
00:51:17.109 --> 00:51:20.790
<v Joanne Lockwood>people I know that have told me this have felt very confused about their

816
00:51:20.790 --> 00:51:24.465
<v Joanne Lockwood>identity and had a lot of conflict around that racism

817
00:51:26.205 --> 00:51:29.585
<v Joanne Lockwood>and find trying to find out who they truly are. It must be

818
00:51:30.350 --> 00:51:34.190
<v Joanne Lockwood>really kind of I don't know. I I I can't even think of how

819
00:51:34.190 --> 00:51:35.330
<v Joanne Lockwood>that makes you feel.

820
00:51:38.005 --> 00:51:41.365
<v Tony Winyard>Well and there's also and I don't know. I mean, obviously, I can't speak for

821
00:51:41.365 --> 00:51:45.200
<v Tony Winyard>the situations you're talking about, but I know for myself, growing up

822
00:51:45.200 --> 00:51:48.340
<v Tony Winyard>in London in in the seventies eighties, it was quite

823
00:51:48.800 --> 00:51:51.150
<v Tony Winyard>especially from the police, it was quite a racist

824
00:51:53.015 --> 00:51:56.855
<v Tony Winyard>atmosphere. And a lot of my friends were being picked up regularly

825
00:51:56.855 --> 00:51:59.755
<v Tony Winyard>by the police on the the SAS laws at the time.

826
00:52:00.450 --> 00:52:04.289
<v Tony Winyard>And and I was never arrested by the police. And I was

827
00:52:04.289 --> 00:52:07.650
<v Tony Winyard>wearing the same clothes as these guys, and I was doing the same things and

828
00:52:07.650 --> 00:52:11.305
<v Tony Winyard>in the same you know, but I was never ever just

829
00:52:11.305 --> 00:52:14.665
<v Tony Winyard>stopped for for suss, whereas all my friends were

830
00:52:14.665 --> 00:52:18.430
<v Tony Winyard>always, always being stopped for suss. And so they became I

831
00:52:18.430 --> 00:52:21.730
<v Tony Winyard>almost, in some ways, kind of felt guilty. I thought, well, I am actually

832
00:52:22.110 --> 00:52:25.915
<v Tony Winyard>half black. And if the if these police officers had known

833
00:52:25.915 --> 00:52:29.675
<v Tony Winyard>now, I probably would have been stopped more often, but I was never literally

834
00:52:29.675 --> 00:52:33.215
<v Tony Winyard>never stopped. And yet they were all my friends were always being stopped.

835
00:52:36.280 --> 00:52:39.800
<v Joanne Lockwood>Yeah. That must be really,

836
00:52:39.800 --> 00:52:43.635
<v Joanne Lockwood>really kind of I don't know. In one way, you feel lucky,

837
00:52:43.695 --> 00:52:47.235
<v Joanne Lockwood>but in another way, you feel disappointed for your friends

838
00:52:48.415 --> 00:52:51.715
<v Joanne Lockwood>because you could see that overt racism at play.

839
00:52:56.430 --> 00:53:00.035
<v Tony Winyard>Yeah. There was a feeling of guilt in some sometimes because I was

840
00:53:00.515 --> 00:53:04.355
<v Tony Winyard>I realized I was really, really lucky that I was not being subjected

841
00:53:04.355 --> 00:53:08.150
<v Tony Winyard>to what my friends were being subjected to. And that was

842
00:53:08.150 --> 00:53:11.910
<v Tony Winyard>just purely by the luck of not having a darker

843
00:53:11.910 --> 00:53:15.270
<v Tony Winyard>complexion. I mean, my my best friend was also mixed race, and he was a

844
00:53:15.430 --> 00:53:19.015
<v Tony Winyard>his father was black and his mum was white, but he looked very

845
00:53:19.715 --> 00:53:23.315
<v Tony Winyard>black. You know, his his hair was more sort of Afro and so on,

846
00:53:23.315 --> 00:53:26.790
<v Tony Winyard>whereas, you know, my hair is not. And and we were

847
00:53:26.790 --> 00:53:30.250
<v Tony Winyard>subjected to such different experiences. And yet we were

848
00:53:30.309 --> 00:53:32.809
<v Tony Winyard>basically the same in some ways. You know,

849
00:53:41.260 --> 00:53:44.160
<v Joanne Lockwood>I'm I'm kinda lost for words because

850
00:53:45.020 --> 00:53:48.480
<v Joanne Lockwood>that situation for me, I've got no reference point of that

851
00:53:48.645 --> 00:53:52.405
<v Joanne Lockwood>that conflict of identity or that conflict of of history in my

852
00:53:52.405 --> 00:53:56.085
<v Joanne Lockwood>life. So it's hear your story and hear your story of other people

853
00:53:56.085 --> 00:53:59.520
<v Joanne Lockwood>I've I've spoken to. It yeah. It's

854
00:54:00.220 --> 00:54:03.420
<v Joanne Lockwood>it really takes me into a different position of thinking, you know, about how that

855
00:54:03.420 --> 00:54:07.119
<v Joanne Lockwood>can happen and how it does uncover racism, uncovers

856
00:54:07.525 --> 00:54:10.964
<v Joanne Lockwood>the social constructs and the the

857
00:54:10.964 --> 00:54:14.645
<v Joanne Lockwood>systemic problems we have in society in some cases with the with the police, with

858
00:54:14.645 --> 00:54:18.190
<v Joanne Lockwood>the stop and search, with discrimination employment,

859
00:54:19.050 --> 00:54:22.030
<v Joanne Lockwood>in in benefits, aggravated by things like Grenfell,

860
00:54:22.490 --> 00:54:26.204
<v Joanne Lockwood>Windrush, and now, what appears to

861
00:54:26.204 --> 00:54:29.724
<v Joanne Lockwood>be a racial bias to death, to dying as a result of

862
00:54:29.724 --> 00:54:33.424
<v Joanne Lockwood>COVID often due to how people live,

863
00:54:34.099 --> 00:54:37.800
<v Joanne Lockwood>the societies, the communities they grow up with, multiple generations

864
00:54:37.859 --> 00:54:41.595
<v Joanne Lockwood>and families living in the same property. There's a whole lot

865
00:54:41.595 --> 00:54:45.295
<v Joanne Lockwood>of sort of structural reasons why black, brown,

866
00:54:45.515 --> 00:54:49.110
<v Joanne Lockwood>or non white people are disproportionately affected by COVID, and it's not

867
00:54:49.190 --> 00:54:52.790
<v Joanne Lockwood>about vitamin d and it's not about the color of skin. It's about the

868
00:54:52.790 --> 00:54:56.570
<v Joanne Lockwood>societal constructs that we've created around those communities.

869
00:54:56.630 --> 00:54:59.744
<v Joanne Lockwood>And it's, as a white person,

870
00:55:00.444 --> 00:55:03.105
<v Joanne Lockwood>I'm really shielded from that. And

871
00:55:06.320 --> 00:55:08.420
<v Joanne Lockwood>I'm spending a lot of time educating myself

872
00:55:10.800 --> 00:55:14.535
<v Joanne Lockwood>on on making sure I understand what's going on in society. And yeah, it

873
00:55:14.535 --> 00:55:17.935
<v Joanne Lockwood>it it is. And, for you to be in that kind of halfway

874
00:55:17.935 --> 00:55:21.555
<v Joanne Lockwood>house where you you pass

875
00:55:21.855 --> 00:55:25.460
<v Joanne Lockwood>as white, but have that black heritage, it's yeah. It must be

876
00:55:25.460 --> 00:55:29.220
<v Joanne Lockwood>quite a a conflict. But I'm not saying a bad conflict,

877
00:55:29.220 --> 00:55:32.665
<v Joanne Lockwood>but a something that you have to work with in your

878
00:55:32.665 --> 00:55:33.165
<v Joanne Lockwood>life.

879
00:55:37.390 --> 00:55:39.570
<v Tony Winyard>Yeah. And I. Yeah, it was.

880
00:55:41.470 --> 00:55:44.770
<v Tony Winyard>I guess it was more I just felt because my friends were.

881
00:55:46.665 --> 00:55:50.505
<v Tony Winyard>Suffering quite badly and, you know, being beaten up and stuff and sometimes.

882
00:55:50.505 --> 00:55:54.265
<v Tony Winyard>And so I just I was very aware of how how lucky I

883
00:55:54.265 --> 00:55:58.080
<v Tony Winyard>was. But but but there was

884
00:55:58.080 --> 00:55:59.700
<v Tony Winyard>an element of guilt about that.

885
00:56:03.305 --> 00:56:06.025
<v Joanne Lockwood>I mean, one of the when I when I do my training, I do my

886
00:56:06.025 --> 00:56:09.245
<v Joanne Lockwood>talking. I talk about how a lot of biases

887
00:56:09.785 --> 00:56:13.619
<v Joanne Lockwood>come from media. And I noticed in part of your

888
00:56:13.619 --> 00:56:17.460
<v Joanne Lockwood>bio, you say you don't own a television and you haven't read a

889
00:56:17.460 --> 00:56:21.125
<v Joanne Lockwood>newspaper in decades. So a

890
00:56:21.125 --> 00:56:24.725
<v Joanne Lockwood>lot of the biases that are prevalent in today's society are really fed by the

891
00:56:24.725 --> 00:56:28.405
<v Joanne Lockwood>media. Do you feel shielded from them or do you feel cut off or

892
00:56:28.405 --> 00:56:31.640
<v Joanne Lockwood>how how do you keep in touch with society?

893
00:56:35.540 --> 00:56:38.980
<v Tony Winyard>I don't feel the need to. I feel and

894
00:56:38.980 --> 00:56:42.565
<v Tony Winyard>I I I have very little stress in my life, and I believe that's one

895
00:56:42.565 --> 00:56:46.245
<v Tony Winyard>of the reasons is because I don't feel that I have to

896
00:56:46.245 --> 00:56:49.385
<v Tony Winyard>keep in touch with everything that's going on and be

897
00:56:50.230 --> 00:56:53.670
<v Tony Winyard>have to know what's happened yesterday in

898
00:56:53.670 --> 00:56:57.270
<v Tony Winyard>Westminster or what the Daily Mail have made up or or

899
00:56:57.270 --> 00:56:58.665
<v Tony Winyard>whatever the case may be.

900
00:57:00.745 --> 00:57:04.425
<v Tony Winyard>I I mean, I I'm I'm very aware of what's going on if

901
00:57:04.505 --> 00:57:07.940
<v Tony Winyard>well, just from being on social media, from

902
00:57:07.940 --> 00:57:11.320
<v Tony Winyard>using things like Facebook and and whatever platforms.

903
00:57:12.100 --> 00:57:15.320
<v Tony Winyard>If there I see a lot of people talking about a particular story,

904
00:57:16.345 --> 00:57:19.785
<v Tony Winyard>depending on the context and the sort of things they're saying, then I'm

905
00:57:20.025 --> 00:57:23.545
<v Tony Winyard>it may lead me to go and discover more about what that story is. So

906
00:57:23.545 --> 00:57:27.290
<v Tony Winyard>I may look at certain websites to find out more about that story. But

907
00:57:27.290 --> 00:57:29.950
<v Tony Winyard>half the time, I can see from the different,

908
00:57:30.970 --> 00:57:34.105
<v Tony Winyard>comments that are being made by lots of different people that I know

909
00:57:34.905 --> 00:57:38.665
<v Tony Winyard>who are white, black, Asian and whatever. Sometimes I feel, well, actually,

910
00:57:38.665 --> 00:57:41.930
<v Tony Winyard>I don't want to know anything about that story because it's clearly I can see

911
00:57:41.930 --> 00:57:45.770
<v Tony Winyard>it's not actually helping people by the views that they're expressing. So

912
00:57:45.770 --> 00:57:48.270
<v Tony Winyard>I'm quite content not knowing anything about that story.

913
00:57:49.595 --> 00:57:53.275
<v Joanne Lockwood>Do self select and research as as you feel you want to

914
00:57:53.275 --> 00:57:56.795
<v Joanne Lockwood>and is necessary at the time? Oh, good. Yeah. I think we are sucked

915
00:57:56.795 --> 00:57:59.970
<v Joanne Lockwood>into this. I need to be fed with information

916
00:58:00.830 --> 00:58:04.350
<v Joanne Lockwood>on our phones, on the news, on our media. We kinda get addicted to it.

917
00:58:04.350 --> 00:58:08.164
<v Joanne Lockwood>It must be, I'd say, quite cathartic. And did you say very

918
00:58:08.164 --> 00:58:11.145
<v Joanne Lockwood>relaxing not to have this this pressure

919
00:58:11.924 --> 00:58:15.065
<v Joanne Lockwood>of of media intrusion into your life at the time?

920
00:58:18.089 --> 00:58:21.470
<v Tony Winyard>And and the reason it came about was because when I was living

921
00:58:21.609 --> 00:58:24.990
<v Tony Winyard>abroad for a long time and I came back to England for a friend's

922
00:58:25.675 --> 00:58:29.355
<v Tony Winyard>wedding in 96. So I'd been away about 10

923
00:58:29.355 --> 00:58:32.795
<v Tony Winyard>years at that point. And I had been reading,

924
00:58:33.275 --> 00:58:36.680
<v Tony Winyard>I've been getting a weekly paper called the International Express, which was

925
00:58:36.680 --> 00:58:40.440
<v Tony Winyard>like a the last 7 days main stories from the

926
00:58:40.440 --> 00:58:44.005
<v Tony Winyard>Daily Express. And I'd been receiving this for a few

927
00:58:44.005 --> 00:58:47.685
<v Tony Winyard>years, and that was the only touch point I had with Ringling

928
00:58:47.685 --> 00:58:51.390
<v Tony Winyard>because this was, you know, pre Internet and so on. And I

929
00:58:51.390 --> 00:58:55.150
<v Tony Winyard>didn't realize, but I was believing all these sensational stories in

930
00:58:55.230 --> 00:58:58.750
<v Tony Winyard>you know, that they have in The Daily Express on a regular basis. And when

931
00:58:58.750 --> 00:59:02.494
<v Tony Winyard>I came back to England, I was there's a couple of times

932
00:59:02.494 --> 00:59:05.454
<v Tony Winyard>about I was with different groups of friends, and we will be we will be

933
00:59:05.454 --> 00:59:08.250
<v Tony Winyard>going to a different places. And I was saying, oh, we we surely we don't

934
00:59:08.250 --> 00:59:10.970
<v Tony Winyard>want to go there. It's really dangerous there. And my friends were sort of looking

935
00:59:10.970 --> 00:59:14.650
<v Tony Winyard>at me and what are you talking about? And this happened on a few different

936
00:59:14.650 --> 00:59:18.185
<v Tony Winyard>occasions. And I realized as I was on a plane going back to

937
00:59:18.185 --> 00:59:21.085
<v Tony Winyard>Indonesia, it occurred to me that

938
00:59:21.705 --> 00:59:25.100
<v Tony Winyard>my whole, thoughts about

939
00:59:25.100 --> 00:59:28.620
<v Tony Winyard>England had been completely shaped about how England

940
00:59:28.620 --> 00:59:32.355
<v Tony Winyard>was by by the Daily Express over the previous few years

941
00:59:32.355 --> 00:59:36.115
<v Tony Winyard>because I hadn't actually seen England. I'd only been all I knew about

942
00:59:36.115 --> 00:59:39.790
<v Tony Winyard>England now was what I was reading in the Daily Express. And that was why

943
00:59:39.790 --> 00:59:43.150
<v Tony Winyard>I was being so fearful about going to places like Ealing and and

944
00:59:43.150 --> 00:59:46.765
<v Tony Winyard>Islington and other places, which I would never have had

945
00:59:46.765 --> 00:59:50.385
<v Tony Winyard>second thought about going to when I was growing up. But now I was suddenly

946
00:59:50.685 --> 00:59:54.465
<v Tony Winyard>fearful about going to these places because I'd been kind of

947
00:59:54.950 --> 00:59:58.650
<v Tony Winyard>conditioned in that way by reading the express every day.

948
00:59:58.789 --> 01:00:02.549
<v Tony Winyard>And on the on the plane going back, I thought, well, I'm not buying that

949
01:00:02.549 --> 01:00:06.325
<v Tony Winyard>paper anymore. And that slowly turned into I just have never

950
01:00:06.325 --> 01:00:07.705
<v Tony Winyard>bought a newspaper since.

951
01:00:10.700 --> 01:00:13.900
<v Joanne Lockwood>I'm honest. I don't think the only time I've bought a newspaper in the last

952
01:00:13.900 --> 01:00:17.579
<v Joanne Lockwood>10 years is when I was in it. I

953
01:00:17.579 --> 01:00:21.405
<v Joanne Lockwood>wanted to check the article I wrote or the story about me. But no.

954
01:00:21.405 --> 01:00:24.525
<v Joanne Lockwood>I I don't I don't buy newspapers, but I I do click on links on

955
01:00:24.525 --> 01:00:26.945
<v Joanne Lockwood>social media, and I probably consume a bit online,

956
01:00:28.440 --> 01:00:31.000
<v Joanne Lockwood>BBC news, that kind of stuff. But, yeah, no, I don't think I bought a

957
01:00:31.000 --> 01:00:34.760
<v Joanne Lockwood>newspaper or read a newspaper for many,

958
01:00:34.760 --> 01:00:38.405
<v Joanne Lockwood>many years either. So but you're so right about how

959
01:00:38.405 --> 01:00:42.085
<v Joanne Lockwood>we form these biases and prejudices and based on

960
01:00:42.085 --> 01:00:45.800
<v Joanne Lockwood>somebody else's commentary. And I've never

961
01:00:45.800 --> 01:00:49.480
<v Joanne Lockwood>been to China myself, but I'm hearing all this about the

962
01:00:49.480 --> 01:00:53.185
<v Joanne Lockwood>Uighur population and the way that the Chinese culture. I've

963
01:00:53.185 --> 01:00:57.025
<v Joanne Lockwood>never been to some most of Africa and my whole life is

964
01:00:57.025 --> 01:01:00.725
<v Joanne Lockwood>view of Africa is clouded by what I see on the television.

965
01:01:01.280 --> 01:01:04.640
<v Joanne Lockwood>I've never been to any parts of the Middle East. So how I perceive the

966
01:01:04.640 --> 01:01:08.160
<v Joanne Lockwood>Middle East, the people from that territory and region, again, all

967
01:01:08.160 --> 01:01:11.955
<v Joanne Lockwood>clouded by the media. And I'm always very conscious about my biases

968
01:01:12.494 --> 01:01:16.015
<v Joanne Lockwood>about because we often see lots of

969
01:01:16.015 --> 01:01:19.859
<v Joanne Lockwood>stories where there's a war or conflict or poverty

970
01:01:20.720 --> 01:01:24.480
<v Joanne Lockwood>or or something we disagree with going on in that region. That's all we

971
01:01:24.480 --> 01:01:28.079
<v Joanne Lockwood>ever hear, and we don't really get to to experience the

972
01:01:28.079 --> 01:01:31.885
<v Joanne Lockwood>people. And I was watching the other day, I can't remember which country it

973
01:01:31.885 --> 01:01:35.665
<v Joanne Lockwood>was, they just had a major earthquake or it's had a major disaster.

974
01:01:36.525 --> 01:01:40.220
<v Joanne Lockwood>And they were interviewing these people, but the people they

975
01:01:40.220 --> 01:01:44.060
<v Joanne Lockwood>were interviewing were covered in mud and rubble because they just

976
01:01:44.060 --> 01:01:47.500
<v Joanne Lockwood>had their they'd had their lives blown away by what disaster had

977
01:01:47.500 --> 01:01:51.165
<v Joanne Lockwood>happened. I thought it's already made them

978
01:01:51.165 --> 01:01:54.705
<v Joanne Lockwood>seem more primitive, less

979
01:01:54.765 --> 01:01:58.580
<v Joanne Lockwood>capable, less intelligent. My biases were building up

980
01:01:58.580 --> 01:02:02.340
<v Joanne Lockwood>big time. I thought, oh, these people have jobs, they have

981
01:02:02.340 --> 01:02:05.595
<v Joanne Lockwood>families, they have a bank account, they have money, they drive a car,

982
01:02:06.075 --> 01:02:09.915
<v Joanne Lockwood>They they have a position in society that is that delivers a

983
01:02:09.915 --> 01:02:13.515
<v Joanne Lockwood>service to other people. But all we're being shown is this

984
01:02:13.515 --> 01:02:17.300
<v Joanne Lockwood>poor, broken family, not

985
01:02:17.300 --> 01:02:20.900
<v Joanne Lockwood>who they I wanna know who they were all about Jo I could film a

986
01:02:20.900 --> 01:02:24.575
<v Joanne Lockwood>true impression of of of the context. And that's

987
01:02:24.575 --> 01:02:28.035
<v Joanne Lockwood>all all we see. We we only see the disaster view of these people,

988
01:02:28.735 --> 01:02:32.575
<v Joanne Lockwood>which dehumanizes in a way and just reduces them to a a hard

989
01:02:32.575 --> 01:02:36.240
<v Joanne Lockwood>luck story. Whereas yeah. And there's

990
01:02:36.240 --> 01:02:40.080
<v Tony Winyard>also the agenda that the the channels have. Jo, I mean, I can there's

991
01:02:40.080 --> 01:02:43.755
<v Tony Winyard>one particular story I have where, again, while I was in

992
01:02:43.755 --> 01:02:47.595
<v Tony Winyard>Indonesia, in Jakarta, and there was a riot happening in

993
01:02:47.595 --> 01:02:51.400
<v Tony Winyard>North Jakarta, in in Kota, a place in Chinatown. And I was at

994
01:02:51.400 --> 01:02:55.080
<v Tony Winyard>the time living in South Jakarta. And Jakarta is a huge place. It's not as

995
01:02:55.080 --> 01:02:58.860
<v Tony Winyard>big as London. It's not far off. And so if you can imagine, if you're

996
01:02:59.160 --> 01:03:02.775
<v Tony Winyard>in, say, somewhere like Wandsworth and there's a riot

997
01:03:02.775 --> 01:03:06.315
<v Tony Winyard>happening in Sauternum, well, you're not affected at all because it's so far away.

998
01:03:06.695 --> 01:03:10.500
<v Tony Winyard>Well, so we I was share I was at a friend's house at the

999
01:03:10.500 --> 01:03:14.340
<v Tony Winyard>time, another English guy. And we happened to have just walked

1000
01:03:14.340 --> 01:03:17.625
<v Tony Winyard>down the road to the local pizza place, and we bought a pizza. And we're

1001
01:03:17.625 --> 01:03:21.464
<v Tony Winyard>back in his house, and we're eating the pizza. And we're watching CNN,

1002
01:03:21.464 --> 01:03:24.204
<v Tony Winyard>who were reporting on this riot in Jakarta.

1003
01:03:25.040 --> 01:03:28.640
<v Tony Winyard>And the reporter said all the expats are

1004
01:03:28.640 --> 01:03:32.320
<v Tony Winyard>barricaded in their houses because the thing things are so bad. And we've looked

1005
01:03:32.320 --> 01:03:34.845
<v Tony Winyard>at each other and, well, we've just walked down the road to get a pizza.

1006
01:03:34.845 --> 01:03:38.685
<v Tony Winyard>What are you talking about? The expats are barricaded. But everyone who was outside

1007
01:03:38.685 --> 01:03:42.200
<v Tony Winyard>of Indonesia and couldn't see what the situation was would obviously

1008
01:03:42.200 --> 01:03:45.640
<v Tony Winyard>believe what this reporter was selling them. And that

1009
01:03:45.800 --> 01:03:49.515
<v Tony Winyard>again, that and that wasn't long after that story with the whole newspaper

1010
01:03:49.515 --> 01:03:53.035
<v Tony Winyard>thing as well. And I I just started realizing these newspapers and media

1011
01:03:53.035 --> 01:03:56.630
<v Tony Winyard>have they've got this agenda which they want to make

1012
01:03:56.630 --> 01:04:00.470
<v Tony Winyard>people believe. And if you're not a there to see that actually that's not

1013
01:04:00.470 --> 01:04:02.730
<v Tony Winyard>the situation, then you're going to believe that.

1014
01:04:04.655 --> 01:04:08.495
<v Joanne Lockwood>Yeah. I think if you like, from a DNI of

1015
01:04:08.495 --> 01:04:12.095
<v Joanne Lockwood>this podcast, you know, into business, and that's a real perspective. So we wanna maybe

1016
01:04:12.095 --> 01:04:15.800
<v Joanne Lockwood>leave people with a question what you're being fed by

1017
01:04:15.800 --> 01:04:18.860
<v Joanne Lockwood>the media, question their motives, and

1018
01:04:19.640 --> 01:04:22.895
<v Joanne Lockwood>seek out your own truth. A bit like you're saying, you do you do the

1019
01:04:22.895 --> 01:04:26.335
<v Joanne Lockwood>selective research, targeted research to get uncover the real

1020
01:04:26.335 --> 01:04:30.015
<v Joanne Lockwood>story. I think that's really, really important. And as a as a takeaway,

1021
01:04:30.015 --> 01:04:33.640
<v Joanne Lockwood>that could be that's the nugget I'd like to leave people with here is about

1022
01:04:34.980 --> 01:04:38.340
<v Joanne Lockwood>understanding your biases, understanding what you've been fed, understanding the

1023
01:04:38.340 --> 01:04:42.045
<v Joanne Lockwood>perspectives you have, and how to challenge those and be

1024
01:04:42.045 --> 01:04:45.885
<v Joanne Lockwood>really active about learning about some of about people,

1025
01:04:45.885 --> 01:04:48.865
<v Joanne Lockwood>about new situations, cultural, emotional intelligence.

1026
01:04:49.680 --> 01:04:53.380
<v Joanne Lockwood>That's why I always encourage people to do it. Well, Tony, we've been speaking for

1027
01:04:53.680 --> 01:04:57.385
<v Joanne Lockwood>just over an hour. I'm sure we could both carry on for

1028
01:04:57.385 --> 01:05:00.585
<v Joanne Lockwood>another couple of hours, Esther, and I look forward to meeting out with you in

1029
01:05:00.585 --> 01:05:04.299
<v Joanne Lockwood>the real world one day. So thanks, Tony. How do

1030
01:05:04.299 --> 01:05:07.900
<v Joanne Lockwood>our listeners get in touch with you to to speak about your website, what you're

1031
01:05:07.900 --> 01:05:08.400
<v Joanne Lockwood>doing?

1032
01:05:11.475 --> 01:05:15.315
<v Tony Winyard>So I I touched upon it. Yeah. I dive with the whole habit thing. And

1033
01:05:15.315 --> 01:05:18.035
<v Tony Winyard>and as I said, the way that the habits came about is because I've been

1034
01:05:18.035 --> 01:05:21.079
<v Tony Winyard>immersing myself in health for quite a few years now.

1035
01:05:22.440 --> 01:05:26.200
<v Tony Winyard>And I help people to improve their sleep, their

1036
01:05:26.200 --> 01:05:29.865
<v Tony Winyard>nutrition, their breathing, their movement, and their mindset. And

1037
01:05:29.865 --> 01:05:33.625
<v Tony Winyard>I I call my business habits and health. And so there's

1038
01:05:33.625 --> 01:05:37.359
<v Tony Winyard>the ways people can get more information about me. My website is

1039
01:05:37.359 --> 01:05:41.200
<v Tony Winyard>tonywinyard.com. Winyard is W-I-N-Y-A-R-D. I've

1040
01:05:41.200 --> 01:05:44.640
<v Tony Winyard>got a quiz. You can find out whether you're in control of your habits or

1041
01:05:44.640 --> 01:05:47.845
<v Tony Winyard>your habits are in control of you. Just switch is tony bueno.com/

1042
01:05:48.465 --> 01:05:52.305
<v Tony Winyard>habits. I've got a free 5 day program, which I kinda

1043
01:05:52.305 --> 01:05:55.745
<v Tony Winyard>coach people through improving their habits and how to create a

1044
01:05:55.745 --> 01:05:59.310
<v Tony Winyard>habit from whatever behavior it is you want. Maybe it's to

1045
01:05:59.930 --> 01:06:03.770
<v Tony Winyard>to do press ups on a regular basis or to floss your teeth or whatever

1046
01:06:03.770 --> 01:06:07.135
<v Tony Winyard>it might be. I've got this free 5 day program, is just tonywinyard.com/

1047
01:06:08.075 --> 01:06:11.755
<v Tony Winyard>habits. I saw the quiz. I

1048
01:06:11.755 --> 01:06:15.349
<v Tony Winyard>I think I get no. The the quiz is habits hyphen

1049
01:06:15.410 --> 01:06:18.050
<v Tony Winyard>health dot com. I think I gave the wrong URL before. I forget what it

1050
01:06:18.050 --> 01:06:21.410
<v Tony Winyard>was I said. But yeah. And I I've got I do I coach people in

1051
01:06:21.410 --> 01:06:25.145
<v Tony Winyard>this, and I also have some group online programs in this where it's

1052
01:06:25.145 --> 01:06:28.905
<v Tony Winyard>usually 8 to 10 people. And there's a there's that kind

1053
01:06:28.905 --> 01:06:32.690
<v Tony Winyard>of hive mind where by people telling their stories about how

1054
01:06:32.690 --> 01:06:36.370
<v Tony Winyard>they're having problems maybe with their sleep or or respiratory issues or

1055
01:06:36.370 --> 01:06:40.105
<v Tony Winyard>whatever the case may be. And when I'm able to help that one person,

1056
01:06:40.105 --> 01:06:43.305
<v Tony Winyard>I'm also helping other people in the room or or the story that one other

1057
01:06:43.305 --> 01:06:47.130
<v Tony Winyard>person is telling is talking about is helpful to the other people in the

1058
01:06:47.130 --> 01:06:50.970
<v Tony Winyard>room as well. And I know I have a podcast which we touched

1059
01:06:50.970 --> 01:06:53.390
<v Tony Winyard>upon. Yeah. I've got podcast called Habits and Health.

1060
01:06:54.555 --> 01:06:58.315
<v Joanne Lockwood>Fantastic. I'm gonna go check my habits and see see what I've got.

1061
01:06:58.315 --> 01:07:01.915
<v Joanne Lockwood>And I'm I'm definitely gonna build up my my cycling habit. That's that's one thing

1062
01:07:01.915 --> 01:07:05.580
<v Joanne Lockwood>I've taken away from talking to that. I need to break into that

1063
01:07:05.580 --> 01:07:09.360
<v Joanne Lockwood>habit, make a positive habit out of cycling, not, ignoring the bike.

1064
01:07:09.660 --> 01:07:12.380
<v Joanne Lockwood>Although I can see the bike every time I look out the kitchen window, it's

1065
01:07:12.380 --> 01:07:16.135
<v Joanne Lockwood>staring at me saying, ride me. Ride me. So I I haven't hidden it. So

1066
01:07:16.135 --> 01:07:19.734
<v Joanne Lockwood>it's in my thoughts. So amazing. Thank you for your time. Thank you for your

1067
01:07:19.734 --> 01:07:23.420
<v Joanne Lockwood>contribution. Been really good to chat to you. And a huge thanks,

1068
01:07:23.799 --> 01:07:27.559
<v Joanne Lockwood>to you, my listener. Thank you for tuning in. Thank you for listening. Thank

1069
01:07:27.559 --> 01:07:31.135
<v Joanne Lockwood>you for getting to the end. If you want to hear more, please do

1070
01:07:31.135 --> 01:07:34.975
<v Joanne Lockwood>subscribe to keep updates on future episodes of the Inclusion

1071
01:07:34.975 --> 01:07:38.640
<v Joanne Lockwood>Bites podcast at B-I-T-E-S. Tell your friends. I'm

1072
01:07:38.640 --> 01:07:42.339
<v Joanne Lockwood>sure you have a few. Tell your colleagues. Probably got some of those as well.

1073
01:07:42.880 --> 01:07:46.065
<v Joanne Lockwood>I've got a number of other exciting guests lined up that I was sure you'll

1074
01:07:46.065 --> 01:07:49.425
<v Joanne Lockwood>be inspired by over the next few weeks months. So

1075
01:07:49.425 --> 01:07:53.105
<v Joanne Lockwood>please, please, please, if you'd like to also, if you'd like to be a

1076
01:07:53.105 --> 01:07:56.290
<v Joanne Lockwood>guest, get in contact with me. I'd love to have you on the show.

1077
01:07:56.670 --> 01:08:00.430
<v Joanne Lockwood>And as always, I'd like feedback, suggestions for future shows on how I

1078
01:08:00.430 --> 01:08:03.265
<v Joanne Lockwood>can improve to jo.lockwood@seechangehappen.co.uk.

1079
01:08:05.085 --> 01:08:08.845
<v Joanne Lockwood>And finally, my name is Joanne Lockwood. It's been a pleasure to

1080
01:08:08.845 --> 01:08:12.065
<v Joanne Lockwood>host this podcast for you today. Catch you next time.

1081
01:08:15.654 --> 01:08:16.154
<v Joanne Lockwood>Bye.