WEBVTT

00:00:00.330 --> 00:00:04.126
<v Joanne Lockwood>Hello, everyone. My name is Joanne Lockwood and I am your host for the

00:00:04.148 --> 00:00:07.886
<v Joanne Lockwood>Inclusion Bites podcast. In this series, I have interviewed a

00:00:07.908 --> 00:00:11.726
<v Joanne Lockwood>number of amazing people and simply had a conversation around the subject of

00:00:11.748 --> 00:00:15.582
<v Joanne Lockwood>inclusion, belonging, and generally making the world a better place

00:00:15.636 --> 00:00:19.342
<v Joanne Lockwood>for everyone to. If you'd like to join me in the future, then

00:00:19.396 --> 00:00:21.294
<v Joanne Lockwood>please do drop me a line to

00:00:21.332 --> 00:00:25.458
<v Joanne Lockwood>jo.lockwood@seechangehappen.co.uk.

00:00:25.554 --> 00:00:28.710
<v Joanne Lockwood>That's S-E-~E Change Happen dot Co dot UK. You

00:00:28.780 --> 00:00:32.214
<v Joanne Lockwood>can catch up with all of the previous shows on iTunes, Spotify

00:00:32.252 --> 00:00:35.334
<v Joanne Lockwood>and the usual places.

00:00:36.418 --> 00:00:40.214
<v Joanne Lockwood>So plug in your headphones, grab a decaf, and let's

00:00:40.262 --> 00:00:43.030
<v Joanne Lockwood>get going. Today is episode

00:00:43.110 --> 00:00:46.602
<v Joanne Lockwood>103 with the title"Dressing the

00:00:46.656 --> 00:00:50.090
<v Joanne Lockwood>Part"", and I have the absolute honour and privilege to welcome

00:00:50.240 --> 00:00:53.614
<v Joanne Lockwood>Kay caution. Kay is a stylist for

00:00:53.652 --> 00:00:57.374
<v Joanne Lockwood>speakers, and when I asked Kay to describe her superpower, she said,

00:00:57.492 --> 00:01:00.942
<v Joanne Lockwood>knowing how to make someone shine through the way they

00:01:00.996 --> 00:01:04.782
<v Joanne Lockwood>look. Hello, Kay. Welcome to the show. Hi, Jo. I'm so happy

00:01:04.836 --> 00:01:08.454
<v Kay Korsh>to be here. It's a pleasure. Pleasure, Kay,

00:01:08.522 --> 00:01:12.306
<v Joanne Lockwood>you've got an interesting background. Tell me a bit about how

00:01:12.328 --> 00:01:16.146
<v Joanne Lockwood>we got here today. Tell me a bit about yourself. Shall

00:01:16.178 --> 00:01:17.640
<v Kay Korsh>I go all the way back?

00:01:19.530 --> 00:01:23.186
<v Kay Korsh>I grew up in Ukraine during Perestroika,

00:01:23.298 --> 00:01:26.902
<v Kay Korsh>and I've always been obsessed with style, and

00:01:26.956 --> 00:01:30.762
<v Kay Korsh>I'm not sure where it came from because no one in my family is

00:01:30.816 --> 00:01:34.346
<v Kay Korsh>into style. I was doing anything creative at all and there

00:01:34.368 --> 00:01:38.074
<v Kay Korsh>wasn't much fashion going on in Ukraine, but I

00:01:38.112 --> 00:01:41.514
<v Kay Korsh>was always thinking about it. And when I was about ten years

00:01:41.552 --> 00:01:45.326
<v Kay Korsh>old, my mom and I were watching tv at home and we had two

00:01:45.348 --> 00:01:49.182
<v Kay Korsh>tvs, black and white, one in the kitchen and the colour one in the living

00:01:49.236 --> 00:01:53.006
<v Kay Korsh>room. And we were watching this movie and I asked my mom, what did this

00:01:53.028 --> 00:01:56.818
<v Kay Korsh>woman in the red dress say? And she looked at me and was like,

00:01:56.904 --> 00:02:00.322
<v Kay Korsh>this is a black and white tv. And both of us ran into the living

00:02:00.376 --> 00:02:04.050
<v Kay Korsh>room and switched it on, and she was wearing a red dress.

00:02:04.550 --> 00:02:08.150
<v Kay Korsh>So I always kind of had this thing about

00:02:08.220 --> 00:02:11.926
<v Kay Korsh>style. And anyway, then I grew up and I moved to the

00:02:11.948 --> 00:02:15.670
<v Kay Korsh>UK in the early two thousand s, and I started building

00:02:15.740 --> 00:02:19.402
<v Kay Korsh>my career working with celebrities and high end

00:02:19.456 --> 00:02:23.306
<v Kay Korsh>brands. And I loved doing that. And one of

00:02:23.328 --> 00:02:27.146
<v Kay Korsh>the most important things I learned was paying a lot

00:02:27.168 --> 00:02:30.782
<v Kay Korsh>of attention to detail because those people are

00:02:30.836 --> 00:02:34.430
<v Kay Korsh>constantly being scrutinised by the media and

00:02:34.580 --> 00:02:38.366
<v Kay Korsh>they are public figures, so everybody judges them by the

00:02:38.388 --> 00:02:41.902
<v Kay Korsh>way they look. So it's really important to get that look

00:02:42.036 --> 00:02:45.854
<v Kay Korsh>right and as near to perfect as possible, isn't

00:02:45.902 --> 00:02:49.506
<v Kay Korsh>it? So that was really exciting and

00:02:49.608 --> 00:02:53.342
<v Kay Korsh>I love doing that. But also, another part of me always felt

00:02:53.406 --> 00:02:57.234
<v Kay Korsh>that fashion is really superficial, and I think it's my soviet

00:02:57.282 --> 00:03:00.600
<v Kay Korsh>background, because I didn't grow up with much, and

00:03:01.210 --> 00:03:04.040
<v Kay Korsh>a lot of the stuff which fashion stands for,

00:03:06.810 --> 00:03:10.134
<v Kay Korsh>I don't find useful and necessary, and I don't

00:03:10.182 --> 00:03:13.978
<v Kay Korsh>understand all the overconsumption and buying lots of

00:03:13.984 --> 00:03:17.738
<v Kay Korsh>stuff and producing lots of stuff. So I wanted to create something

00:03:17.824 --> 00:03:21.534
<v Kay Korsh>more useful. So four years ago, I started my

00:03:21.572 --> 00:03:25.214
<v Kay Korsh>own company called mind over fashion, and I

00:03:25.252 --> 00:03:29.022
<v Kay Korsh>combined style with my other

00:03:29.156 --> 00:03:32.906
<v Kay Korsh>passion, which is learning about human behaviour and

00:03:32.948 --> 00:03:36.706
<v Kay Korsh>how our minds work, because whether we want it or not,

00:03:36.808 --> 00:03:40.466
<v Kay Korsh>we are being judged and stereotyped by the way we

00:03:40.488 --> 00:03:44.210
<v Kay Korsh>look, even before we speak. So I help

00:03:44.360 --> 00:03:48.070
<v Kay Korsh>speakers to connect with their audience and

00:03:48.140 --> 00:03:51.366
<v Kay Korsh>to use their style and their look as a

00:03:51.388 --> 00:03:54.790
<v Kay Korsh>powerful tool to change the narrative.

00:03:55.610 --> 00:03:58.380
<v Joanne Lockwood>There's a lot in there. Absolutely. Wow.

00:03:59.390 --> 00:04:02.890
<v Joanne Lockwood>Do you mind if I just talk about your early part of your life? So

00:04:02.960 --> 00:04:06.554
<v Joanne Lockwood>you mentioned you grew up in the era of

00:04:06.672 --> 00:04:10.246
<v Joanne Lockwood>the Soviet Union. Yeah. So pre Berlin

00:04:10.278 --> 00:04:13.578
<v Joanne Lockwood>Wall, pre glass, it was Glasgow and

00:04:13.584 --> 00:04:17.370
<v Joanne Lockwood>perestroika, those words would be using. It was Gorbachev,

00:04:17.450 --> 00:04:21.006
<v Joanne Lockwood>we had Poland, we had the solidarity movement, we had

00:04:21.028 --> 00:04:23.440
<v Joanne Lockwood>lekvoenza, all those kind of things.

00:04:25.170 --> 00:04:28.914
<v Joanne Lockwood>You mentioned you grew up in the Soviet Union, where you'd be used

00:04:28.952 --> 00:04:32.786
<v Joanne Lockwood>to having, or you'd be used to not over consuming because

00:04:32.808 --> 00:04:36.626
<v Joanne Lockwood>of availability, because that was the environment you grew up in. Yes. Do

00:04:36.648 --> 00:04:39.958
<v Joanne Lockwood>you mind sharing a bit of how was your life back in those days? I'm

00:04:39.964 --> 00:04:43.622
<v Joanne Lockwood>sure you were happy, but it was different. Was so, you know,

00:04:43.676 --> 00:04:47.414
<v Kay Korsh>we always see the world when we grow up. We see the world just from

00:04:47.452 --> 00:04:51.194
<v Kay Korsh>that perspective. So this was the world to me.

00:04:51.232 --> 00:04:55.002
<v Kay Korsh>I didn't really know much about how it can be different.

00:04:55.136 --> 00:04:58.986
<v Kay Korsh>I remember going as an exchange student for a couple of weeks

00:04:59.088 --> 00:05:02.698
<v Kay Korsh>to the US when I was about 16. So now we're well

00:05:02.784 --> 00:05:06.578
<v Kay Korsh>into potentially just past peristroic.

00:05:06.614 --> 00:05:10.094
<v Kay Korsh>I was born in 1981 and I

00:05:10.132 --> 00:05:13.982
<v Kay Korsh>remember sitting at a maths lesson in America,

00:05:14.046 --> 00:05:17.762
<v Kay Korsh>and the students by the teacher were asked,

00:05:17.896 --> 00:05:21.666
<v Kay Korsh>you can ask these exchange students any questions you

00:05:21.688 --> 00:05:25.042
<v Kay Korsh>like. And the questions we got were, are there any

00:05:25.096 --> 00:05:28.774
<v Kay Korsh>genes in Ukraine? And is there Coca Cola in Ukraine? And it was

00:05:28.812 --> 00:05:32.370
<v Kay Korsh>really funny because by that stage there were genes and Coca Cola,

00:05:32.450 --> 00:05:36.262
<v Kay Korsh>but obviously they still probably remembered or

00:05:36.316 --> 00:05:40.038
<v Kay Korsh>heard what was happening before Peristoica, where

00:05:40.124 --> 00:05:43.803
<v Kay Korsh>there wasn't anything, which was when I was very,

00:05:43.803 --> 00:05:47.498
<v Kay Korsh>very young. So if we go back to more

00:05:47.584 --> 00:05:51.238
<v Kay Korsh>when my mom was my age, probably, but

00:05:51.424 --> 00:05:55.198
<v Kay Korsh>saying that for many years after that. So

00:05:55.284 --> 00:05:57.934
<v Kay Korsh>I moved to the UK in 2005,

00:05:57.972 --> 00:06:01.742
<v Kay Korsh>and when I was still living in Ukraine, to me,

00:06:01.876 --> 00:06:05.554
<v Kay Korsh>the way I felt it when I was on the underground and

00:06:05.592 --> 00:06:09.362
<v Kay Korsh>just walking around is that everything was grey. And I think

00:06:09.416 --> 00:06:12.420
<v Kay Korsh>for me, because I'm a very visual person and

00:06:13.990 --> 00:06:17.618
<v Kay Korsh>my energy feeds off looking at other people. And

00:06:17.704 --> 00:06:21.382
<v Kay Korsh>I get creative when I see different people

00:06:21.516 --> 00:06:25.334
<v Kay Korsh>of different cultures and different styles. And

00:06:25.372 --> 00:06:28.690
<v Kay Korsh>I didn't have any of that. It was all very bland.

00:06:28.850 --> 00:06:32.698
<v Kay Korsh>So when I moved to the UK, imagine this scene in

00:06:32.704 --> 00:06:36.538
<v Kay Korsh>the wizard ofoz where they are walking through grey and then all of a

00:06:36.544 --> 00:06:40.086
<v Kay Korsh>sudden everything is coloured and becomes more

00:06:40.128 --> 00:06:43.886
<v Kay Korsh>vibrant. So this is the way I felt when I came to

00:06:43.908 --> 00:06:47.486
<v Kay Korsh>London. And this is the thing which I absolutely

00:06:47.588 --> 00:06:51.358
<v Kay Korsh>love about London and other multicultural big

00:06:51.444 --> 00:06:55.294
<v Kay Korsh>cities and capitals, is that you have so much culture

00:06:55.342 --> 00:06:59.010
<v Kay Korsh>and so many different things to look at. And

00:06:59.080 --> 00:07:01.700
<v Kay Korsh>for me, as a creative person, it's really important.

00:07:02.390 --> 00:07:05.954
<v Joanne Lockwood>So you were in Ukraine

00:07:06.082 --> 00:07:09.734
<v Joanne Lockwood>in 1986 when reactor number four in

00:07:09.772 --> 00:07:13.318
<v Joanne Lockwood>Chernobyl broke down. And there's that huge, obviously,

00:07:13.404 --> 00:07:17.110
<v Joanne Lockwood>nuclear disaster in Chernobyl. You were in the country

00:07:17.180 --> 00:07:20.762
<v Joanne Lockwood>at that time. What was that like? Yes, I was

00:07:20.816 --> 00:07:24.522
<v Kay Korsh>very little. I was just under six

00:07:24.656 --> 00:07:28.346
<v Kay Korsh>years old. But I heard a lot from

00:07:28.448 --> 00:07:31.840
<v Kay Korsh>my parents when I was older talking about this. So

00:07:32.370 --> 00:07:36.080
<v Kay Korsh>I was born in Odessa, so we were quite far away from

00:07:37.010 --> 00:07:40.522
<v Kay Korsh>Chernobyl, so we weren't affected as much. Although

00:07:40.586 --> 00:07:44.286
<v Kay Korsh>they know that the puddles in

00:07:44.308 --> 00:07:47.790
<v Kay Korsh>the street were kind of. Imagine if there is oil

00:07:47.870 --> 00:07:51.554
<v Kay Korsh>spilled in the puddle. That's the way puddles looked. So we

00:07:51.592 --> 00:07:55.322
<v Kay Korsh>were affected, but not as much as a lot of other places.

00:07:55.486 --> 00:07:59.314
<v Kay Korsh>But I think the biggest thing and shock

00:07:59.362 --> 00:08:02.422
<v Kay Korsh>about this whole situation is obviously the fact that it was

00:08:02.476 --> 00:08:06.182
<v Kay Korsh>hidden from people for a long time by

00:08:06.316 --> 00:08:09.420
<v Kay Korsh>the government. But these are things which

00:08:10.110 --> 00:08:13.866
<v Kay Korsh>I generally don't talk about politics or things like

00:08:13.888 --> 00:08:17.238
<v Kay Korsh>this. I'm interested from the psychological perspective

00:08:17.334 --> 00:08:20.854
<v Kay Korsh>why they were done. But I'm very

00:08:20.912 --> 00:08:24.238
<v Kay Korsh>channelled in my interests. Yeah, of course.

00:08:24.404 --> 00:08:28.126
<v Joanne Lockwood>And I'm just curious about, say, you as a little girl

00:08:28.228 --> 00:08:31.998
<v Joanne Lockwood>at that time, what the impact on you

00:08:32.004 --> 00:08:35.434
<v Joanne Lockwood>was. And if you say you were in Odessa, which is Ukraine is a big

00:08:35.492 --> 00:08:38.180
<v Joanne Lockwood>country, so you can be a long way away

00:08:39.270 --> 00:08:43.026
<v Joanne Lockwood>from Chernobyl, I understand that. So I just wonder, and I think what you

00:08:43.048 --> 00:08:46.806
<v Joanne Lockwood>said there was, you weren't aware of it because of the secrecy or because of

00:08:46.828 --> 00:08:49.720
<v Joanne Lockwood>the lack of political broadcast of these things.

00:08:50.890 --> 00:08:54.390
<v Joanne Lockwood>The world knew about it, but I guess the people didn't. Yeah.

00:08:54.540 --> 00:08:58.342
<v Kay Korsh>And that's obviously absolutely crazy to think about

00:08:58.396 --> 00:09:02.134
<v Kay Korsh>it. Yeah. You say you

00:09:02.252 --> 00:09:05.466
<v Joanne Lockwood>moved out or emigrated in. What did you say?

00:09:05.488 --> 00:09:09.066
<v Joanne Lockwood>2001, early? Two thousand s. Two thousand and five. Two thousand and

00:09:09.088 --> 00:09:12.686
<v Joanne Lockwood>five. So you still have

00:09:12.708 --> 00:09:15.790
<v Joanne Lockwood>family there. And I was in Kiev

00:09:16.210 --> 00:09:19.566
<v Joanne Lockwood>in 2019, and I heard the

00:09:19.588 --> 00:09:22.238
<v Joanne Lockwood>stories of the revolution in 2014

00:09:22.244 --> 00:09:25.630
<v Joanne Lockwood>and the snipers from the rooftops

00:09:25.710 --> 00:09:29.358
<v Joanne Lockwood>who murdered, assassinated, shot

00:09:29.534 --> 00:09:33.218
<v Joanne Lockwood>people in the square, almost like randomly. And I seen the

00:09:33.384 --> 00:09:37.206
<v Joanne Lockwood>revolution Square with all of the people's faces on the boards and the

00:09:37.228 --> 00:09:40.946
<v Joanne Lockwood>memorials there. And I was absolutely stunned

00:09:41.058 --> 00:09:44.786
<v Joanne Lockwood>and tearful just being in that place and hearing

00:09:44.818 --> 00:09:48.566
<v Joanne Lockwood>the stories. And this was five years previously. And I

00:09:48.588 --> 00:09:52.314
<v Joanne Lockwood>felt a sense of real sadness and loss about

00:09:52.352 --> 00:09:56.138
<v Joanne Lockwood>that could happen in a modern society. And then we wind the clock forward

00:09:56.224 --> 00:09:59.986
<v Joanne Lockwood>and what's going on in Ukraine now, it's devastating.

00:10:00.118 --> 00:10:03.440
<v Joanne Lockwood>It's devastating. What I knew before this.

00:10:04.850 --> 00:10:08.286
<v Joanne Lockwood>You must still have people over there that you keep in touch with. It must

00:10:08.308 --> 00:10:09.950
<v Joanne Lockwood>be hugely impactful.

00:10:11.810 --> 00:10:15.566
<v Kay Korsh>It's incredibly sad on so many levels.

00:10:15.678 --> 00:10:19.122
<v Kay Korsh>I managed to get my parents to

00:10:19.176 --> 00:10:22.834
<v Kay Korsh>persuade, with a lot of persuasion, and managed to get

00:10:22.872 --> 00:10:26.322
<v Kay Korsh>them to the UK. And they were one of the first people to

00:10:26.456 --> 00:10:30.166
<v Kay Korsh>arrive. Although to me it felt like months and months. In reality, it

00:10:30.188 --> 00:10:33.702
<v Kay Korsh>was only ten days, but they really didn't want to

00:10:33.756 --> 00:10:37.570
<v Kay Korsh>move. They're very happy now, and they live very close to us

00:10:37.660 --> 00:10:41.194
<v Kay Korsh>here in London. I still have some

00:10:41.232 --> 00:10:44.874
<v Kay Korsh>family and friends there. And what is incredible, actually,

00:10:44.992 --> 00:10:48.060
<v Kay Korsh>is how when I talk to my friend,

00:10:48.510 --> 00:10:52.302
<v Kay Korsh>how they react to it and how humans get

00:10:52.356 --> 00:10:55.918
<v Kay Korsh>used to, no matter what conditions they live in.

00:10:56.004 --> 00:10:59.326
<v Kay Korsh>So their reality now is that

00:10:59.508 --> 00:11:03.230
<v Kay Korsh>pretty much every night there are still sirens going on and

00:11:03.300 --> 00:11:06.962
<v Kay Korsh>there is always fear that something can

00:11:07.016 --> 00:11:10.338
<v Kay Korsh>happen and then it can be two streets away.

00:11:10.504 --> 00:11:14.258
<v Kay Korsh>And they would come. Every time there is a siren, they would have to come

00:11:14.344 --> 00:11:18.130
<v Kay Korsh>in the middle of the night to their neighbours and sit in the porch

00:11:18.290 --> 00:11:22.066
<v Kay Korsh>in their neighbor's flat because they don't have a basement

00:11:22.178 --> 00:11:25.606
<v Kay Korsh>in their building. So they would just sit there for hours

00:11:25.708 --> 00:11:29.262
<v Kay Korsh>and obviously wouldn't get much sleep.

00:11:29.426 --> 00:11:33.254
<v Kay Korsh>And when I don't get much sleep on one night, I can't

00:11:33.302 --> 00:11:36.826
<v Kay Korsh>operate. So I'm not sure how they can do this, but

00:11:37.008 --> 00:11:39.994
<v Kay Korsh>yet there is so much kind of

00:11:40.032 --> 00:11:43.854
<v Kay Korsh>normality in the way they talk about this, which

00:11:43.892 --> 00:11:47.534
<v Kay Korsh>is absolutely crazy. Yeah. Are they still living or were

00:11:47.572 --> 00:11:50.880
<v Joanne Lockwood>living in the Odessa areas? Is that where your family were?

00:11:51.890 --> 00:11:55.682
<v Kay Korsh>My. Yes, exactly. So my friend, who I'm talking about

00:11:55.736 --> 00:11:59.106
<v Kay Korsh>now, who keeps me informed the most. They live in

00:11:59.128 --> 00:12:02.834
<v Joanne Lockwood>Odessa because we see it on the news. That's not

00:12:02.872 --> 00:12:06.010
<v Joanne Lockwood>far from Kerzon. It's on the Black Sea.

00:12:06.190 --> 00:12:09.462
<v Joanne Lockwood>It's right in the heart, really, of the front

00:12:09.516 --> 00:12:13.366
<v Joanne Lockwood>line of the problems and the war and the

00:12:13.388 --> 00:12:17.014
<v Joanne Lockwood>atrocities that occurring. That's not on the

00:12:17.052 --> 00:12:20.620
<v Joanne Lockwood>west, out of the trouble. This is right in the sort of

00:12:21.230 --> 00:12:24.982
<v Joanne Lockwood>southern eastern area. Yeah. So Odessa, compared

00:12:25.046 --> 00:12:28.742
<v Kay Korsh>to some of the other places wasn't affected nearly

00:12:28.806 --> 00:12:32.554
<v Kay Korsh>as still. So I just

00:12:32.592 --> 00:12:35.680
<v Kay Korsh>described to you their life. So it's definitely

00:12:36.370 --> 00:12:38.400
<v Kay Korsh>terrible. And

00:12:40.050 --> 00:12:43.738
<v Kay Korsh>a few days ago there was an explosion and a

00:12:43.764 --> 00:12:47.602
<v Kay Korsh>whole building was exploded and people died. But yet

00:12:47.656 --> 00:12:51.186
<v Kay Korsh>compared to some other places, it's safer place

00:12:51.288 --> 00:12:55.102
<v Kay Korsh>to be, if we can even imagine that.

00:12:55.256 --> 00:12:58.360
<v Kay Korsh>So Odessa is a very strategic place

00:12:58.730 --> 00:13:02.150
<v Kay Korsh>because it's a port and this is how they

00:13:02.220 --> 00:13:05.878
<v Kay Korsh>transport. So

00:13:06.044 --> 00:13:09.574
<v Kay Korsh>actually in the beginning of the war, we were surprised that Odessa was

00:13:09.612 --> 00:13:13.338
<v Kay Korsh>untouched and we don't untouched compared to

00:13:13.344 --> 00:13:16.666
<v Kay Korsh>other places and we don't know why. But anyway, at the

00:13:16.688 --> 00:13:20.518
<v Kay Korsh>moment, I don't really know when. Nobody knows

00:13:20.614 --> 00:13:23.360
<v Kay Korsh>when it's going to end. And there is no end.

00:13:24.930 --> 00:13:28.590
<v Joanne Lockwood>No, no. I think that is the sad thing. And

00:13:28.740 --> 00:13:32.462
<v Joanne Lockwood>it's a war of attrition. It's a war of wearing the ukrainian people

00:13:32.516 --> 00:13:36.194
<v Joanne Lockwood>down. I think there seems to be a belief that if Russia keep

00:13:36.232 --> 00:13:40.066
<v Joanne Lockwood>going long enough, the world will lose interest and Ukraine will run out of

00:13:40.088 --> 00:13:43.474
<v Joanne Lockwood>resources. And it's just Russia just taking the long game.

00:13:43.512 --> 00:13:47.246
<v Joanne Lockwood>They'll keep doing this for 20 years if they have to. And that's

00:13:47.278 --> 00:13:50.854
<v Joanne Lockwood>the destroying the culture, destroying the people,

00:13:50.892 --> 00:13:54.262
<v Joanne Lockwood>destroying the economy. And so sad. So sad. And also,

00:13:54.316 --> 00:13:57.814
<v Kay Korsh>unfortunately, as there are

00:13:57.852 --> 00:14:01.066
<v Kay Korsh>obviously things move on, there are different things happening in the

00:14:01.088 --> 00:14:04.602
<v Kay Korsh>world. Media kind of moves on from

00:14:04.656 --> 00:14:08.506
<v Kay Korsh>Ukraine and that's a massive part of it because that's kind

00:14:08.528 --> 00:14:12.206
<v Kay Korsh>of a driving force. If people are talking about something, that's what

00:14:12.308 --> 00:14:15.774
<v Kay Korsh>people want to help. And now, because it's not

00:14:15.812 --> 00:14:19.630
<v Kay Korsh>been spoken as much about, Ukraine doesn't get

00:14:19.700 --> 00:14:23.486
<v Kay Korsh>as much help nearly as it did in the beginning of the

00:14:23.508 --> 00:14:26.994
<v Kay Korsh>war. Yeah, I can completely relate to that.

00:14:27.192 --> 00:14:30.450
<v Joanne Lockwood>There are other things going on now, aren't there? That we've got the Middle east,

00:14:30.870 --> 00:14:34.562
<v Joanne Lockwood>we've got issues going on with our government

00:14:34.616 --> 00:14:38.238
<v Joanne Lockwood>in the UK. And the Americans bombing, was it hoofy

00:14:38.254 --> 00:14:41.926
<v Joanne Lockwood>revels? I can't remember how you pronounce it now. But there's another thing going on

00:14:41.948 --> 00:14:45.698
<v Joanne Lockwood>here. We've got UK general election, we've got the american general election coming up. There's

00:14:45.714 --> 00:14:49.266
<v Joanne Lockwood>a whole load of other world politics that are just diverting the

00:14:49.308 --> 00:14:53.066
<v Joanne Lockwood>media. And Ukraine is no longer news, is it? More

00:14:53.088 --> 00:14:56.780
<v Joanne Lockwood>people have been bombed, more people have been killed. It's the same

00:14:57.550 --> 00:15:00.894
<v Joanne Lockwood>going on. And that's the worst place to be in this

00:15:00.932 --> 00:15:04.142
<v Joanne Lockwood>stalemate situation where no one's winning either

00:15:04.196 --> 00:15:07.680
<v Joanne Lockwood>way. There's no news. There's no news in that

00:15:08.370 --> 00:15:11.994
<v Joanne Lockwood>every time that ukrainian army pushes back, that becomes

00:15:12.042 --> 00:15:15.598
<v Joanne Lockwood>news. They've got ground, they've taken another village, they've taken another town,

00:15:15.694 --> 00:15:19.442
<v Joanne Lockwood>there's something to report on. But now it's just people on the front line

00:15:19.576 --> 00:15:23.298
<v Joanne Lockwood>living in really poor, cold, wet, miserable conditions, trying to

00:15:23.304 --> 00:15:27.142
<v Joanne Lockwood>defend their country. And the thing is that going back

00:15:27.196 --> 00:15:30.918
<v Kay Korsh>to the brain, we can only take on

00:15:31.004 --> 00:15:33.926
<v Kay Korsh>as much. We only have certain amount of

00:15:33.948 --> 00:15:37.366
<v Kay Korsh>capacity. And that's why when

00:15:37.468 --> 00:15:40.886
<v Kay Korsh>people move on, because they can't take on

00:15:41.068 --> 00:15:44.842
<v Kay Korsh>any of that as much as they did, and they have to move

00:15:44.896 --> 00:15:48.730
<v Kay Korsh>on. And for people who are still in that crisis, they also

00:15:48.800 --> 00:15:52.622
<v Kay Korsh>need to process it. It's like the same as people

00:15:52.676 --> 00:15:56.046
<v Kay Korsh>in concentration camps where they had to

00:15:56.068 --> 00:15:59.866
<v Kay Korsh>survive, so they had to kind of find mechanisms

00:15:59.978 --> 00:16:02.800
<v Kay Korsh>in their brain how to do this.

00:16:03.250 --> 00:16:06.000
<v Joanne Lockwood>Yeah, I'm sure anyone listening to this,

00:16:07.490 --> 00:16:11.106
<v Joanne Lockwood>my heart reaches out to you and the people of Ukraine. Still, whilst you may

00:16:11.128 --> 00:16:13.986
<v Joanne Lockwood>not be in the front of my mind anymore, you're still there. And I still

00:16:14.008 --> 00:16:17.806
<v Joanne Lockwood>have that compassion and empathy. But should we go back to talking

00:16:17.848 --> 00:16:21.414
<v Joanne Lockwood>about that black and white tv with the lady in a red dress and

00:16:21.532 --> 00:16:25.366
<v Joanne Lockwood>those early kind of. Some people see patterns in

00:16:25.388 --> 00:16:29.238
<v Joanne Lockwood>clouds, some people hear music, some people have a rhythm, some have a beat.

00:16:29.334 --> 00:16:32.794
<v Joanne Lockwood>You have a perception for style and colour and

00:16:32.832 --> 00:16:36.586
<v Joanne Lockwood>dress. So tell me more about how you built that

00:16:36.608 --> 00:16:40.346
<v Joanne Lockwood>passion and built that way of thinking. So I

00:16:40.368 --> 00:16:43.438
<v Kay Korsh>didn't have to build it, it just was always

00:16:43.524 --> 00:16:47.150
<v Kay Korsh>there. But of course, as years go

00:16:47.220 --> 00:16:50.878
<v Kay Korsh>on, I always learn more and more and more. And

00:16:51.044 --> 00:16:54.690
<v Kay Korsh>the interesting thing is, when I was working behind the scenes,

00:16:58.550 --> 00:17:01.362
<v Kay Korsh>I did a lot on intuition and

00:17:01.496 --> 00:17:05.182
<v Kay Korsh>observing latest trends and latest

00:17:05.246 --> 00:17:08.838
<v Kay Korsh>catalogues. But the interesting thing was, when I started

00:17:08.924 --> 00:17:12.582
<v Kay Korsh>my own company and I had to teach people, because

00:17:12.636 --> 00:17:15.910
<v Kay Korsh>now I have a community for speakers and they run

00:17:15.980 --> 00:17:19.786
<v Kay Korsh>programmes, and they need to explain to my one to

00:17:19.808 --> 00:17:23.450
<v Kay Korsh>one clients as well, why I say certain

00:17:23.520 --> 00:17:27.334
<v Kay Korsh>things. Why do I think they need to wear this shape?

00:17:27.382 --> 00:17:30.734
<v Kay Korsh>Why do I think that is the particular colour which works for

00:17:30.772 --> 00:17:34.160
<v Kay Korsh>them? So I created the whole

00:17:34.770 --> 00:17:38.158
<v Kay Korsh>system around it, which I walk people

00:17:38.244 --> 00:17:42.094
<v Kay Korsh>through in understanding why they

00:17:42.132 --> 00:17:45.874
<v Kay Korsh>need to look a certain way and wear certain things. So I had

00:17:45.912 --> 00:17:49.586
<v Kay Korsh>to dig deep on our friend Google

00:17:49.688 --> 00:17:53.426
<v Kay Korsh>and search for different systems which are already out there.

00:17:53.448 --> 00:17:57.282
<v Kay Korsh>And then based on that, I developed my own materials.

00:17:57.426 --> 00:18:01.026
<v Kay Korsh>So I always walk people through five stages,

00:18:01.138 --> 00:18:04.870
<v Kay Korsh>and we always start with their existing stuff, and then

00:18:04.940 --> 00:18:08.726
<v Kay Korsh>looking at that existing stuff, we look at

00:18:08.748 --> 00:18:12.154
<v Kay Korsh>the shapes which work for them. So we first look at their shapes, then we

00:18:12.192 --> 00:18:15.802
<v Kay Korsh>move on and look at the colours. And then I

00:18:15.856 --> 00:18:19.610
<v Kay Korsh>always ask a lot of questions and make them

00:18:19.680 --> 00:18:22.942
<v Kay Korsh>think about who is their audience. Because

00:18:22.996 --> 00:18:26.702
<v Kay Korsh>I normally work with speakers, so it's people

00:18:26.836 --> 00:18:30.542
<v Kay Korsh>who are the front of their brand, right? And they

00:18:30.596 --> 00:18:34.258
<v Kay Korsh>have their own voice. So I always ask them

00:18:34.344 --> 00:18:38.194
<v Kay Korsh>who their audience is and what is their tone of voice and

00:18:38.232 --> 00:18:41.906
<v Kay Korsh>what their values are as a business and as a

00:18:41.928 --> 00:18:45.702
<v Kay Korsh>speaker. And when we go through all of these

00:18:45.756 --> 00:18:49.414
<v Kay Korsh>questions, we then start thinking how

00:18:49.452 --> 00:18:53.174
<v Kay Korsh>we can apply what already works for them, just as

00:18:53.212 --> 00:18:56.934
<v Kay Korsh>a person, just with their shape and their colour. And then we

00:18:56.972 --> 00:19:00.394
<v Kay Korsh>apply it to their audience and to their business.

00:19:00.592 --> 00:19:04.250
<v Kay Korsh>And the main reason why it's so important is that we

00:19:04.320 --> 00:19:08.042
<v Kay Korsh>are stereotyped straight away. So I

00:19:08.096 --> 00:19:11.674
<v Kay Korsh>teach people how to use that as a helpful

00:19:11.722 --> 00:19:15.422
<v Kay Korsh>tool and as a powerful tool. So it's like

00:19:15.476 --> 00:19:19.102
<v Kay Korsh>when you, for example, prepare a presentation or a

00:19:19.156 --> 00:19:22.560
<v Kay Korsh>speech, you have your slides and you think about,

00:19:23.010 --> 00:19:26.798
<v Kay Korsh>I'm going to use these metaphors as a tool to connect, I'm

00:19:26.814 --> 00:19:30.466
<v Kay Korsh>going to use the jokes, the slides. So these

00:19:30.488 --> 00:19:34.274
<v Kay Korsh>are all your different tools to connect to your audience and to make sure that

00:19:34.312 --> 00:19:37.778
<v Kay Korsh>they absorb the material you're talking about faster.

00:19:37.874 --> 00:19:41.606
<v Kay Korsh>So I'm teaching speakers how to use their style and

00:19:41.628 --> 00:19:44.902
<v Kay Korsh>their look as another additional tool to help

00:19:44.956 --> 00:19:48.394
<v Kay Korsh>them pick up. On what you're saying. So you're talking about the

00:19:48.432 --> 00:19:51.690
<v Joanne Lockwood>judgement and you talked about that's human behaviour.

00:19:52.670 --> 00:19:56.506
<v Joanne Lockwood>We have a very prehistoric view

00:19:56.608 --> 00:20:00.234
<v Joanne Lockwood>on judgement. Friend or foe, who's going to look after me?

00:20:00.352 --> 00:20:04.074
<v Joanne Lockwood>It's not going to look after me. People who look different to me, sound

00:20:04.112 --> 00:20:07.194
<v Joanne Lockwood>different to me, come from a different place, are probably going to be a threat.

00:20:07.242 --> 00:20:10.366
<v Joanne Lockwood>Therefore I don't see them as part of my team sort of thing. And we

00:20:10.388 --> 00:20:14.094
<v Joanne Lockwood>also have sort of congruence, isn't it, where, how you look, how you

00:20:14.132 --> 00:20:17.360
<v Joanne Lockwood>sound, they have to kind of align with the message.

00:20:18.070 --> 00:20:21.826
<v Joanne Lockwood>If you turn up in a scruffy t shirt with stains on it and

00:20:21.848 --> 00:20:25.170
<v Joanne Lockwood>jeans and trainers and you want to talk about business,

00:20:25.320 --> 00:20:28.914
<v Joanne Lockwood>something people aren't going to necessarily

00:20:29.042 --> 00:20:32.390
<v Joanne Lockwood>take you as seriously unless you've got that personal brand

00:20:33.370 --> 00:20:37.142
<v Joanne Lockwood>where you can get away with dressing down, because

00:20:37.196 --> 00:20:40.940
<v Joanne Lockwood>that's who you are and people kind of expect it. And when we think about

00:20:41.550 --> 00:20:44.730
<v Joanne Lockwood>some of the. Was it the founder of Apple,

00:20:45.550 --> 00:20:49.094
<v Joanne Lockwood>Steve Jobs? Yeah, Steve Jobs. He got a black t shirt.

00:20:49.142 --> 00:20:52.650
<v Joanne Lockwood>And we see other people now who are tech startup

00:20:52.810 --> 00:20:56.474
<v Joanne Lockwood>geniuses with trainers and that kind of modern

00:20:56.602 --> 00:21:00.414
<v Joanne Lockwood>grungy look, that's kind of how they're expecting. That's how

00:21:00.532 --> 00:21:04.074
<v Joanne Lockwood>tech leaders are supposed to dress now, isn't it? That's kind of like the uniform.

00:21:04.202 --> 00:21:08.026
<v Joanne Lockwood>You don't look smart. You look kind of have to, you

00:21:08.068 --> 00:21:11.586
<v Joanne Lockwood>have to work into that. You can't just put jeans and t shirt on and

00:21:11.608 --> 00:21:15.170
<v Joanne Lockwood>say, hey, I'm here now. The Mark Zuckerberg got away with it as well.

00:21:15.320 --> 00:21:18.950
<v Kay Korsh>Well, actually, a lot of the time I help people

00:21:19.020 --> 00:21:22.774
<v Kay Korsh>understand that they don't necessarily have to wear a blazer and

00:21:22.812 --> 00:21:26.418
<v Kay Korsh>look super sharp, because a lot of speakers

00:21:26.514 --> 00:21:29.820
<v Kay Korsh>think that when they go to speak at a

00:21:30.190 --> 00:21:33.450
<v Kay Korsh>corporate firm, for example, and everybody

00:21:33.600 --> 00:21:37.146
<v Kay Korsh>is dressed smartly and for an

00:21:37.168 --> 00:21:40.922
<v Kay Korsh>office, that they need to go there and respect them

00:21:40.976 --> 00:21:44.686
<v Kay Korsh>and wear similar clothes to what their audience wears. And what I

00:21:44.708 --> 00:21:48.494
<v Kay Korsh>always talk about is that you come there with your story and

00:21:48.532 --> 00:21:51.886
<v Kay Korsh>they are there to listen to your story and to listen to who you

00:21:51.908 --> 00:21:55.614
<v Kay Korsh>are so you can bring that into your

00:21:55.652 --> 00:21:59.282
<v Kay Korsh>look. So a lot of the times, actually finding that unique look,

00:21:59.336 --> 00:22:02.914
<v Kay Korsh>which is not necessarily very sharp and very strict, is much

00:22:02.952 --> 00:22:06.230
<v Kay Korsh>better. And I had this in the past with clients where they actually

00:22:06.300 --> 00:22:09.480
<v Kay Korsh>landed their biggest client themselves

00:22:09.850 --> 00:22:13.554
<v Kay Korsh>when they changed from wearing a blazer to finding

00:22:13.602 --> 00:22:17.382
<v Kay Korsh>that niche, what they are comfortable with and also

00:22:17.436 --> 00:22:21.178
<v Kay Korsh>what aligns with what they're talking about. And they always say,

00:22:21.264 --> 00:22:24.986
<v Kay Korsh>you start with your own comfort, what you are comfortable with, because we

00:22:25.008 --> 00:22:27.690
<v Kay Korsh>all have our comfort zone.

00:22:28.590 --> 00:22:32.222
<v Kay Korsh>It can be physical limitations or it can be just

00:22:32.276 --> 00:22:35.834
<v Kay Korsh>our preferences. Some people prefer to wear

00:22:35.962 --> 00:22:39.694
<v Kay Korsh>kind of more structured fabrics because when they put

00:22:39.732 --> 00:22:43.582
<v Kay Korsh>it on, they feel like, now I'm a speaker, now I'm here

00:22:43.636 --> 00:22:47.310
<v Kay Korsh>to speak. But other people prefer something looser

00:22:47.390 --> 00:22:50.594
<v Kay Korsh>and they like moving around and they like to be

00:22:50.632 --> 00:22:54.226
<v Kay Korsh>comfortable. So you always need to think about that comfort first,

00:22:54.328 --> 00:22:57.686
<v Kay Korsh>and then you move on to thinking about your audience and how you

00:22:57.708 --> 00:23:01.302
<v Kay Korsh>can marry it all together so that they

00:23:01.356 --> 00:23:05.126
<v Kay Korsh>understand you. But also you feel comfortable, because otherwise you're not going

00:23:05.148 --> 00:23:08.794
<v Kay Korsh>to be able to be 100% authentic when you speak

00:23:08.832 --> 00:23:12.460
<v Kay Korsh>to them. I completely get that.

00:23:12.910 --> 00:23:16.620
<v Joanne Lockwood>I think for me, it's how do I feel first?

00:23:17.470 --> 00:23:21.258
<v Joanne Lockwood>And then what looks good for where I'm going to

00:23:21.264 --> 00:23:25.110
<v Joanne Lockwood>be. I've got some dresses. I've got some outfits that I

00:23:25.120 --> 00:23:28.654
<v Joanne Lockwood>would never wear on stage, even though I love wearing them. They bring me

00:23:28.692 --> 00:23:31.840
<v Joanne Lockwood>joy casually, but I would never wear them on stage. I think

00:23:32.690 --> 00:23:35.118
<v Joanne Lockwood>the dress is a little bit too short. I need a little bit on the

00:23:35.124 --> 00:23:38.594
<v Joanne Lockwood>knee or below the knee or if I'm going to be walking around on

00:23:38.632 --> 00:23:42.466
<v Joanne Lockwood>stage. I love these shoes, but they don't work on stage. I need

00:23:42.488 --> 00:23:46.146
<v Joanne Lockwood>something I can maybe flats or certainly don't want

00:23:46.248 --> 00:23:48.838
<v Joanne Lockwood>heels if I'm going to be standing up all day. I don't want to be

00:23:48.844 --> 00:23:52.534
<v Joanne Lockwood>wearing something that is, I can't walk after about 4

00:23:52.572 --> 00:23:55.800
<v Joanne Lockwood>hours. So you're thinking about the entire day. And

00:23:57.530 --> 00:24:01.162
<v Joanne Lockwood>I find it. There's a lot more thought goes into

00:24:01.216 --> 00:24:04.666
<v Joanne Lockwood>how I dress, how I look, how I feel as a

00:24:04.688 --> 00:24:08.326
<v Joanne Lockwood>woman than I ever had in the past where I would just tend

00:24:08.358 --> 00:24:11.980
<v Joanne Lockwood>to, pair of shoes, pair of trousers, shirt. Does it fit?

00:24:12.350 --> 00:24:15.726
<v Joanne Lockwood>Does the tie work with a jacket? Put a jacket on. That was kind of

00:24:15.748 --> 00:24:19.598
<v Joanne Lockwood>like it was off the peg. Now there's so many dynamics I have to

00:24:19.604 --> 00:24:23.450
<v Joanne Lockwood>think about as a woman that are completely different. And it's

00:24:23.530 --> 00:24:27.074
<v Joanne Lockwood>all these different combinations you have to think about, isn't it? And it's so

00:24:27.112 --> 00:24:30.786
<v Kay Korsh>true. It's harder for women in terms of exactly. There is

00:24:30.808 --> 00:24:34.466
<v Kay Korsh>more choice and it's easier to get lost. For

00:24:34.488 --> 00:24:38.214
<v Kay Korsh>men, the main thing is that it's cut well and

00:24:38.252 --> 00:24:42.102
<v Kay Korsh>it fits well, and the fabrics are good quality and things like this,

00:24:42.156 --> 00:24:45.654
<v Kay Korsh>even when it comes to casual. But for women, it's more

00:24:45.692 --> 00:24:49.302
<v Kay Korsh>about finding that style. And I think what

00:24:49.356 --> 00:24:52.220
<v Kay Korsh>I help with when I work with somebody is

00:24:52.670 --> 00:24:56.506
<v Kay Korsh>widening their horizons. Because people tend to kind of get in the

00:24:56.528 --> 00:25:00.326
<v Kay Korsh>rut of wearing the same thing over and over again. And because style

00:25:00.358 --> 00:25:03.934
<v Kay Korsh>is not something which is their specialty or

00:25:03.972 --> 00:25:07.614
<v Kay Korsh>something what they're interested in, they just don't have as

00:25:07.652 --> 00:25:11.246
<v Kay Korsh>much imagery in their head of different possibilities as I do.

00:25:11.348 --> 00:25:15.042
<v Kay Korsh>So when we start working together, I start telling them, okay,

00:25:15.096 --> 00:25:18.610
<v Kay Korsh>you can look into this and you can look into that, and you can still

00:25:18.680 --> 00:25:22.270
<v Kay Korsh>keep your comfort zone, but expand

00:25:22.430 --> 00:25:25.906
<v Kay Korsh>into different things you haven't tried before. I had my

00:25:25.928 --> 00:25:29.686
<v Joanne Lockwood>colours done okay, four or five years ago, and it was

00:25:29.708 --> 00:25:33.206
<v Joanne Lockwood>a fascinating day with a friend, and she was

00:25:33.228 --> 00:25:36.918
<v Joanne Lockwood>always like, napkin hankies, and put them on my shoulder and put them around my

00:25:36.924 --> 00:25:40.694
<v Joanne Lockwood>neck and see how my face changed and trying to get my skin tones.

00:25:40.822 --> 00:25:43.740
<v Joanne Lockwood>And I really enjoyed the day, but

00:25:44.670 --> 00:25:48.506
<v Joanne Lockwood>my brain didn't switch in to what she was

00:25:48.528 --> 00:25:52.026
<v Joanne Lockwood>trying to say. She has so much passion about make me look good and how

00:25:52.048 --> 00:25:55.550
<v Joanne Lockwood>I. But I just went, this sounds like too much effort.

00:25:56.290 --> 00:25:59.946
<v Joanne Lockwood>I've now got all these rules I have to follow, and my brain

00:25:59.978 --> 00:26:03.434
<v Joanne Lockwood>wasn't ready for that at the time. I suppose being a queer

00:26:03.482 --> 00:26:06.874
<v Joanne Lockwood>woman, part of that gives me empowerment

00:26:07.002 --> 00:26:10.734
<v Joanne Lockwood>to be queer, which doesn't always follow rules,

00:26:10.782 --> 00:26:13.954
<v Joanne Lockwood>has a different rule set, I guess. Not that I don't want to look good,

00:26:13.992 --> 00:26:17.394
<v Joanne Lockwood>not that I don't want to wear stuff that makes me feel comfortable

00:26:17.442 --> 00:26:20.834
<v Joanne Lockwood>and resonates with the audience, but I felt

00:26:20.962 --> 00:26:24.706
<v Joanne Lockwood>having just spent a big part of my life fitting

00:26:24.738 --> 00:26:28.566
<v Joanne Lockwood>into a rule set that I've broken out of. I didn't want to go suddenly

00:26:28.598 --> 00:26:31.980
<v Joanne Lockwood>into another rule set before I'd found myself completely.

00:26:34.350 --> 00:26:37.946
<v Joanne Lockwood>I've wore some colours and I often wear a

00:26:37.968 --> 00:26:41.754
<v Joanne Lockwood>silk scarf, which is a kind of an orangey yellow colour.

00:26:41.792 --> 00:26:45.630
<v Joanne Lockwood>And every time I wear it, people go, wow, that is your colour, that really

00:26:45.700 --> 00:26:49.182
<v Joanne Lockwood>you up? And that, I'm sure is one of the colours I was

00:26:49.316 --> 00:26:52.686
<v Joanne Lockwood>told I should encourage. So that I do know

00:26:52.868 --> 00:26:56.706
<v Joanne Lockwood>people do say things to me when I get it right, I

00:26:56.728 --> 00:27:00.386
<v Joanne Lockwood>get it. So what happened to you on that day is

00:27:00.488 --> 00:27:04.162
<v Kay Korsh>the reason why I structured my business the way I did.

00:27:04.296 --> 00:27:07.954
<v Kay Korsh>I don't believe in quick transformations. I don't think you can just

00:27:07.992 --> 00:27:11.798
<v Kay Korsh>click your fingers, go shopping with somebody for 2 hours and tell them

00:27:11.964 --> 00:27:15.718
<v Kay Korsh>a set of rules of things, and then they're going to completely

00:27:15.804 --> 00:27:19.590
<v Kay Korsh>agree with you and get transformed. Because we're all set in our

00:27:19.660 --> 00:27:23.322
<v Kay Korsh>own ways and we are used to the way we are.

00:27:23.376 --> 00:27:27.066
<v Kay Korsh>And it takes time for me to get to know you and for you to

00:27:27.088 --> 00:27:30.854
<v Kay Korsh>get to know me and for you to get to know yourself. So

00:27:30.992 --> 00:27:34.206
<v Kay Korsh>I always give a long time for that

00:27:34.228 --> 00:27:37.854
<v Kay Korsh>transformation. And that's why I have a community which is an

00:27:37.892 --> 00:27:41.534
<v Kay Korsh>ongoing process and goes from month to month on

00:27:41.572 --> 00:27:45.258
<v Kay Korsh>different topics. And that's why I work with one to one clients

00:27:45.354 --> 00:27:48.530
<v Kay Korsh>over three month period of time,

00:27:48.600 --> 00:27:52.162
<v Kay Korsh>because you need time to get

00:27:52.216 --> 00:27:55.794
<v Kay Korsh>there and I need time to get there as well, and to

00:27:55.832 --> 00:27:59.654
<v Kay Korsh>find that kind of middle ground where we

00:27:59.692 --> 00:28:03.542
<v Kay Korsh>agree on what works. Because you're absolutely right. If somebody

00:28:03.596 --> 00:28:07.334
<v Kay Korsh>just reads you a set of rules or tells you you should do

00:28:07.372 --> 00:28:11.066
<v Kay Korsh>this and you should do that, it is overwhelming, especially if

00:28:11.088 --> 00:28:14.682
<v Kay Korsh>it's not your expertise and you don't know much about

00:28:14.736 --> 00:28:18.362
<v Kay Korsh>it. I think part of it was I'd already

00:28:18.416 --> 00:28:22.266
<v Joanne Lockwood>found some colours I liked and some styles I liked. And

00:28:22.288 --> 00:28:25.694
<v Joanne Lockwood>I was almost being told that everything I kind of

00:28:25.892 --> 00:28:29.726
<v Joanne Lockwood>got comfortable with didn't work for me. And I thought, hang on a minute, I

00:28:29.748 --> 00:28:33.374
<v Joanne Lockwood>like them. There was no migration or

00:28:33.412 --> 00:28:37.214
<v Joanne Lockwood>halfway house or actually, you can still wear that blue, but

00:28:37.252 --> 00:28:40.946
<v Joanne Lockwood>if you're going to wear that blue, make sure you pair it with this. A

00:28:40.968 --> 00:28:44.402
<v Joanne Lockwood>brighter colour or something to light the face up or something like that. Or yes,

00:28:44.456 --> 00:28:48.054
<v Joanne Lockwood>wear it lower down your body, but up higher in your body where you're trying

00:28:48.092 --> 00:28:51.798
<v Joanne Lockwood>to bring your face out and illuminate. Then think about these sort of colours. And

00:28:51.804 --> 00:28:55.350
<v Joanne Lockwood>I go, okay, because I like

00:28:55.420 --> 00:28:59.226
<v Joanne Lockwood>silver based jewellery and I was told that my colour was I should

00:28:59.248 --> 00:29:03.094
<v Joanne Lockwood>be wearing more gold. I don't like wearing gold.

00:29:03.142 --> 00:29:06.986
<v Joanne Lockwood>Jewellery. I'm not going to throw all my earrings away

00:29:07.008 --> 00:29:10.846
<v Joanne Lockwood>and all my rings away and start going gold because

00:29:10.868 --> 00:29:14.286
<v Joanne Lockwood>I prefer silver. So, yeah, it's trying to find that

00:29:14.308 --> 00:29:17.918
<v Joanne Lockwood>marriage of comfort of what I want

00:29:18.004 --> 00:29:21.198
<v Joanne Lockwood>versus what looks fantastic and people resonate with.

00:29:21.284 --> 00:29:24.160
<v Kay Korsh>Yeah, and that takes time.

00:29:24.850 --> 00:29:28.260
<v Joanne Lockwood>This is a podcast, people are listening, they can't see. You've got amazing

00:29:28.790 --> 00:29:32.526
<v Joanne Lockwood>auburn hair, haven't you? I don't know how you would describe

00:29:32.558 --> 00:29:35.910
<v Joanne Lockwood>the colour, but it's a beautiful, thick, curly,

00:29:36.730 --> 00:29:39.480
<v Joanne Lockwood>reddish auburn colour.

00:29:41.450 --> 00:29:44.822
<v Joanne Lockwood>You are a minority, if you like, in society, so you must find

00:29:44.876 --> 00:29:48.386
<v Joanne Lockwood>it harder to find compliments or

00:29:48.428 --> 00:29:52.134
<v Joanne Lockwood>complementary colours for your hair and makeup

00:29:52.182 --> 00:29:55.446
<v Joanne Lockwood>and style, where your hair is not the typical,

00:29:55.638 --> 00:29:59.466
<v Joanne Lockwood>actually. So this is not my natural hair colour. I try to

00:29:59.488 --> 00:30:03.214
<v Kay Korsh>keep it as natural as possible, and normally people think

00:30:03.252 --> 00:30:07.002
<v Kay Korsh>it's natural, but my natural colour is kind of like mousy

00:30:07.066 --> 00:30:10.522
<v Kay Korsh>brown. But having red hair

00:30:10.586 --> 00:30:14.230
<v Kay Korsh>suits me. I don't like wearing much makeup,

00:30:14.330 --> 00:30:18.034
<v Kay Korsh>so if I do wear makeup, it's very little. As you can see

00:30:18.072 --> 00:30:21.714
<v Kay Korsh>today, I don't have any makeup on, but when I have

00:30:21.752 --> 00:30:25.506
<v Kay Korsh>my hair this colour, it's easier. Then I

00:30:25.528 --> 00:30:28.982
<v Kay Korsh>don't really need much because it works with my complexion and that

00:30:29.036 --> 00:30:32.646
<v Kay Korsh>feeds back into how important it is to wear the

00:30:32.668 --> 00:30:36.454
<v Kay Korsh>colours which work for you. Because I have something which is called

00:30:36.492 --> 00:30:39.930
<v Kay Korsh>warm undertone, so we all have either warm or cool

00:30:40.000 --> 00:30:43.754
<v Kay Korsh>or neutral undertone, so I have warm undertone, which

00:30:43.792 --> 00:30:47.322
<v Kay Korsh>means this warm red tone works

00:30:47.456 --> 00:30:51.230
<v Kay Korsh>for me. So I kind of made it work for me and made my job

00:30:51.300 --> 00:30:54.622
<v Kay Korsh>easier by doing my hair this colour.

00:30:54.756 --> 00:30:58.542
<v Kay Korsh>And it's not difficult because then also I

00:30:58.596 --> 00:31:01.866
<v Kay Korsh>wear warm tones in my clothes because these are the tones

00:31:01.898 --> 00:31:05.666
<v Kay Korsh>which suit me. So it kind of supports the

00:31:05.688 --> 00:31:09.358
<v Kay Korsh>colour of my hair, supports the colours that wear in my clothes. That's

00:31:09.454 --> 00:31:12.260
<v Joanne Lockwood>fascinating. So I had no idea, obviously,

00:31:13.030 --> 00:31:16.334
<v Joanne Lockwood>why should I? I think it is striking, as you say, your

00:31:16.392 --> 00:31:20.022
<v Joanne Lockwood>complexion and you dress for it. It works

00:31:20.076 --> 00:31:23.766
<v Joanne Lockwood>so well for who you are and it is you. So, yeah, I

00:31:23.788 --> 00:31:26.726
<v Joanne Lockwood>guess you are living proof of your own

00:31:26.748 --> 00:31:29.480
<v Joanne Lockwood>methodology. Thank you.

00:31:30.250 --> 00:31:33.990
<v Joanne Lockwood>Your hair and the way you dress, your complexion all align.

00:31:34.070 --> 00:31:37.866
<v Joanne Lockwood>So, yeah, it does work. I suppose that's the other thing. As a

00:31:37.888 --> 00:31:40.838
<v Joanne Lockwood>woman, I now have my hair styled, I now have my hair dyed, I have

00:31:40.864 --> 00:31:44.510
<v Joanne Lockwood>colour put in it. That's another outfit, isn't it?

00:31:44.660 --> 00:31:48.414
<v Joanne Lockwood>Your hair is another outfit? Yes, 100%. And

00:31:48.452 --> 00:31:51.998
<v Kay Korsh>you can think of it either as a con

00:31:52.084 --> 00:31:55.854
<v Kay Korsh>or as a pro, because if you think about it as a positive,

00:31:55.982 --> 00:31:59.474
<v Kay Korsh>you kind of can use it again to help

00:31:59.592 --> 00:32:03.266
<v Kay Korsh>people around you, to connect with you for men. I guess it's more

00:32:03.288 --> 00:32:07.022
<v Kay Korsh>limiting. And it is. I hate spending

00:32:07.086 --> 00:32:10.454
<v Kay Korsh>time on the way I look. If it was up to me, I would

00:32:10.492 --> 00:32:14.214
<v Kay Korsh>just go out in my pjs and not worry about

00:32:14.252 --> 00:32:17.110
<v Kay Korsh>it. Surprisingly. I know it's very surprising,

00:32:18.590 --> 00:32:22.138
<v Kay Korsh>but I look at these people

00:32:22.224 --> 00:32:25.610
<v Kay Korsh>who say, for example, if I attend a

00:32:25.680 --> 00:32:29.402
<v Kay Korsh>workshop or a master class by a man, and

00:32:29.456 --> 00:32:33.194
<v Kay Korsh>they obviously didn't have to think about their hair and

00:32:33.232 --> 00:32:36.974
<v Kay Korsh>their makeup, and I think to myself, I have to keep

00:32:37.012 --> 00:32:40.542
<v Kay Korsh>it to minimum. I have to work it out in a way that I actually

00:32:40.596 --> 00:32:44.226
<v Kay Korsh>spend as little amount of time as possible because I

00:32:44.248 --> 00:32:47.460
<v Kay Korsh>don't want to spend my time

00:32:47.910 --> 00:32:51.506
<v Kay Korsh>on getting ready. I want to spend it on something more

00:32:51.528 --> 00:32:55.282
<v Kay Korsh>useful. So I think that's, again, a big

00:32:55.336 --> 00:32:59.174
<v Kay Korsh>part of learning how to do this. And when I work with

00:32:59.212 --> 00:33:02.934
<v Kay Korsh>clients, the majority of people are frustrated with the amount of time

00:33:02.972 --> 00:33:06.786
<v Kay Korsh>they have to spend. This is one of their pain points. They want to minimise

00:33:06.898 --> 00:33:10.522
<v Kay Korsh>that process. So how do you cut off

00:33:10.576 --> 00:33:14.330
<v Kay Korsh>the unnecessary bites and just concentrate on making

00:33:14.400 --> 00:33:18.154
<v Kay Korsh>that change? So the reason I dye my hair this

00:33:18.192 --> 00:33:21.838
<v Kay Korsh>way is to make a visible, positive change,

00:33:21.924 --> 00:33:25.374
<v Kay Korsh>which will help me without actually doing much on

00:33:25.412 --> 00:33:28.480
<v Kay Korsh>everyday basis. Yeah, I'm one of these people that

00:33:29.090 --> 00:33:32.574
<v Joanne Lockwood>I often don't know what I'm going to wear until

00:33:32.692 --> 00:33:36.446
<v Joanne Lockwood>I put it on and then I go, yes, this

00:33:36.468 --> 00:33:38.878
<v Joanne Lockwood>is what I'm thinking. So maybe I have an idea in it, or maybe I'll

00:33:38.884 --> 00:33:42.346
<v Joanne Lockwood>wear that dress, or maybe I'll wear that dress, which is awkward. If I'm travelling

00:33:42.378 --> 00:33:44.898
<v Joanne Lockwood>away, I'm staying in a hotel. I need to take about four or five dresses

00:33:44.954 --> 00:33:48.358
<v Joanne Lockwood>with me because I don't know how I'm going to feel when I wake up.

00:33:48.444 --> 00:33:52.118
<v Joanne Lockwood>And if I could see the night before, I will wear that. I wake up

00:33:52.124 --> 00:33:55.126
<v Joanne Lockwood>in the morning, go, no, I don't feel that. That doesn't feel right to me

00:33:55.148 --> 00:33:58.486
<v Joanne Lockwood>today. This is the one that I want to wear today. So it's almost like

00:33:58.508 --> 00:34:02.314
<v Joanne Lockwood>it comes in that moment. There's that alignment of how

00:34:02.352 --> 00:34:05.994
<v Joanne Lockwood>I feel, what I'm doing, and I need to have that

00:34:06.032 --> 00:34:09.738
<v Joanne Lockwood>choice at that moment rather than just take one option and then I

00:34:09.744 --> 00:34:11.840
<v Joanne Lockwood>go, I wish I bought the other one now.

00:34:14.290 --> 00:34:17.902
<v Joanne Lockwood>Does it fit into that as well? Am I unique there? This

00:34:17.956 --> 00:34:21.802
<v Joanne Lockwood>feeling about what you are definitely. Not unique because I'm

00:34:21.866 --> 00:34:25.102
<v Kay Korsh>myself the same. And okay, with clothes, it doesn't work.

00:34:25.156 --> 00:34:28.834
<v Kay Korsh>Exactly. It's not as hard for me because I obviously think

00:34:28.872 --> 00:34:32.594
<v Kay Korsh>about it all the time and stuff like this, but it reminded me of my

00:34:32.632 --> 00:34:36.254
<v Kay Korsh>way of social media and how people always teach us

00:34:36.312 --> 00:34:39.910
<v Kay Korsh>how we need to batch create and we need to prepare our

00:34:39.980 --> 00:34:43.766
<v Kay Korsh>posts on Monday for the whole week. And I

00:34:43.788 --> 00:34:47.542
<v Kay Korsh>can never do this. I'm a very spontaneous person.

00:34:47.676 --> 00:34:51.194
<v Kay Korsh>I prefer to do this on the day and do as I

00:34:51.232 --> 00:34:55.018
<v Kay Korsh>wish and have this creativity spark where all

00:34:55.024 --> 00:34:58.714
<v Kay Korsh>of a sudden I write this amazing post or what I

00:34:58.752 --> 00:35:02.526
<v Kay Korsh>think sounds amazing, right? But in terms of

00:35:02.548 --> 00:35:06.254
<v Kay Korsh>the clothes, what I normally suggest, and it

00:35:06.292 --> 00:35:09.966
<v Kay Korsh>does take time. So you kind of have to

00:35:09.988 --> 00:35:13.758
<v Kay Korsh>decide to spend time on it, is to try everything

00:35:13.844 --> 00:35:17.170
<v Kay Korsh>on what you have and take pictures of yourself, just

00:35:17.320 --> 00:35:20.962
<v Kay Korsh>selfies in the mirror so that, you know, this is the way

00:35:21.016 --> 00:35:24.478
<v Kay Korsh>it looks on you and there won't be any surprises.

00:35:24.654 --> 00:35:28.294
<v Kay Korsh>And also this is the time where you

00:35:28.332 --> 00:35:31.922
<v Kay Korsh>can just play around and try it with different footwear,

00:35:31.986 --> 00:35:35.622
<v Kay Korsh>different layering. So this process

00:35:35.756 --> 00:35:38.934
<v Kay Korsh>is really helpful to spark that

00:35:38.972 --> 00:35:42.490
<v Kay Korsh>creativity in you and actually to understand what is also

00:35:42.560 --> 00:35:46.362
<v Kay Korsh>worth keeping and what is worth giving away. Because

00:35:46.496 --> 00:35:50.154
<v Kay Korsh>you need that space in your wardrobe, because that will create space in

00:35:50.192 --> 00:35:53.838
<v Kay Korsh>your head as well. So it will be less overwhelming when you open the

00:35:53.844 --> 00:35:57.310
<v Kay Korsh>wardrobe if you have less stuff in it and don't need the stuff which actually

00:35:57.380 --> 00:36:01.006
<v Kay Korsh>works. So I really highly recommend to

00:36:01.188 --> 00:36:04.706
<v Kay Korsh>either do it by yourself, put some music on and just spend a couple of

00:36:04.728 --> 00:36:08.466
<v Kay Korsh>hours going through everything and taking pictures, or do

00:36:08.488 --> 00:36:12.290
<v Kay Korsh>it with your family member or a friend because that

00:36:12.360 --> 00:36:15.634
<v Kay Korsh>exercise really opens your eyes

00:36:15.832 --> 00:36:19.266
<v Kay Korsh>on things. Why are you laughing? Sorry, I'm not sticking

00:36:19.298 --> 00:36:22.918
<v Joanne Lockwood>away. I could just see my wife indulging me for a

00:36:22.924 --> 00:36:26.566
<v Joanne Lockwood>day when I twelve lots of outfits and she takes photographs. I think

00:36:26.748 --> 00:36:29.226
<v Joanne Lockwood>I might be able to get her to take one or two, but I'm not

00:36:29.248 --> 00:36:31.820
<v Joanne Lockwood>sure I could get her to do a photo shoot for

00:36:34.830 --> 00:36:37.930
<v Joanne Lockwood>her. She's not into clothes.

00:36:39.150 --> 00:36:42.894
<v Joanne Lockwood>Who knows what she is? I just think she might find that a little bit

00:36:42.932 --> 00:36:46.720
<v Joanne Lockwood>overindulging for me. But no, I could do selfies. And

00:36:47.090 --> 00:36:50.874
<v Joanne Lockwood>I often use Facebook and post things on Facebook

00:36:50.922 --> 00:36:54.654
<v Joanne Lockwood>and I find myself using this

00:36:54.692 --> 00:36:58.066
<v Joanne Lockwood>time last year, this time two years ago, this time three years ago. And I

00:36:58.088 --> 00:37:01.842
<v Joanne Lockwood>look at those sometimes those time hop type posts and think, oh,

00:37:01.976 --> 00:37:04.306
<v Joanne Lockwood>I love that dress. I wonder where that dress is. What have I done with

00:37:04.328 --> 00:37:07.940
<v Joanne Lockwood>that outfit? All those shoes. I like those shoes. So sometimes I remind myself

00:37:08.470 --> 00:37:12.134
<v Joanne Lockwood>of what was in my head three or four years ago and I go,

00:37:12.252 --> 00:37:15.942
<v Joanne Lockwood>yeah, I've evolved away from that, but that was great. I love that.

00:37:15.996 --> 00:37:19.206
<v Joanne Lockwood>I go back to the wardrobe and I go, where is that? Oh yeah, bring

00:37:19.228 --> 00:37:23.018
<v Joanne Lockwood>it out and start wearing it again. The danger of that is I end

00:37:23.024 --> 00:37:26.586
<v Joanne Lockwood>up wearing the same outfit on the same day each year

00:37:26.688 --> 00:37:30.266
<v Joanne Lockwood>because it pops up from last year to go, I like that. And I've done

00:37:30.288 --> 00:37:33.114
<v Joanne Lockwood>that before. I've looked back and gone last year, the year before, the year before

00:37:33.152 --> 00:37:36.718
<v Joanne Lockwood>that, I'm wearing the same outfit because it's reminded me of the outfit. And I

00:37:36.724 --> 00:37:40.334
<v Joanne Lockwood>go, oh, I really want to wear that again. What you can

00:37:40.372 --> 00:37:44.046
<v Kay Korsh>do, even before you do the exercise, which I told you

00:37:44.068 --> 00:37:47.730
<v Kay Korsh>about, is go through those pictures and save them on your phone

00:37:47.800 --> 00:37:51.554
<v Kay Korsh>in a folder, so you have an album on your phone. And

00:37:51.592 --> 00:37:55.406
<v Kay Korsh>then when you think about you're going to go to a conference

00:37:55.438 --> 00:37:59.014
<v Kay Korsh>or something where you need four or five outfits, you will have that

00:37:59.052 --> 00:38:02.898
<v Kay Korsh>folder to spark your memory and creativity.

00:38:03.074 --> 00:38:06.806
<v Kay Korsh>And that will be a good start because you will look at it and you

00:38:06.828 --> 00:38:10.006
<v Kay Korsh>will remember, this is what it looks. This is good for the panel, or this

00:38:10.028 --> 00:38:13.562
<v Kay Korsh>is good for standing up or different

00:38:13.616 --> 00:38:17.418
<v Kay Korsh>occasions. Yeah, some of these are just me going to Sainsbury's, me going for

00:38:17.424 --> 00:38:20.234
<v Joanne Lockwood>a coffee. So this is kind of casual stuff as well. So it's just t

00:38:20.272 --> 00:38:23.934
<v Joanne Lockwood>shirts or a dress or, I don't know, pair of trains or something.

00:38:23.972 --> 00:38:27.178
<v Joanne Lockwood>But yeah, it's interesting. And I also noticed,

00:38:27.354 --> 00:38:31.006
<v Joanne Lockwood>because I'm a stage speaker, I stand up in front of people. And inevitably, when

00:38:31.028 --> 00:38:34.798
<v Joanne Lockwood>you're on stage, people take photographs, or you ask people to take photographs, you've

00:38:34.814 --> 00:38:38.594
<v Joanne Lockwood>got video, you got footage. So I'm really conscious about making

00:38:38.632 --> 00:38:42.050
<v Joanne Lockwood>sure I'm wearing something different often, because

00:38:42.120 --> 00:38:45.922
<v Joanne Lockwood>otherwise, every stock photograph you ever have of you, every social media

00:38:45.976 --> 00:38:49.638
<v Joanne Lockwood>post, you're wearing the same thing, even though I like it. So

00:38:49.724 --> 00:38:53.414
<v Joanne Lockwood>I am really hyper focused on making sure I have a change of

00:38:53.452 --> 00:38:57.158
<v Joanne Lockwood>outfits. And I will think, what did I wear this week? What did I

00:38:57.164 --> 00:39:00.998
<v Joanne Lockwood>wear last week? What sort of event is it? Am I going to

00:39:01.004 --> 00:39:04.746
<v Joanne Lockwood>get photographed? Am I going to get videoed? What do I want out of this

00:39:04.768 --> 00:39:08.122
<v Joanne Lockwood>from a marketing perspective? So that's another

00:39:08.176 --> 00:39:10.800
<v Joanne Lockwood>dimension, isn't it, to what we talk about, how we plan?

00:39:12.290 --> 00:39:15.374
<v Joanne Lockwood>Is this outfit overexposed already?

00:39:15.572 --> 00:39:19.262
<v Kay Korsh>So another way to be organised, and that's for people

00:39:19.316 --> 00:39:22.030
<v Kay Korsh>out there who like being organised.

00:39:23.570 --> 00:39:27.054
<v Kay Korsh>Another thing which I recommend is to take lay flat

00:39:27.102 --> 00:39:30.878
<v Kay Korsh>pictures of what you own. So, for example, if it's

00:39:30.894 --> 00:39:34.562
<v Kay Korsh>a dress, it might be just a standalone outfit, just a dress. But obviously

00:39:34.616 --> 00:39:38.418
<v Kay Korsh>you need to think about the shoes as well. Or it could be trousers,

00:39:38.514 --> 00:39:42.070
<v Kay Korsh>plus top and blazer or whatever it is.

00:39:42.220 --> 00:39:46.022
<v Kay Korsh>And what I recommend is to take pictures of every

00:39:46.076 --> 00:39:49.626
<v Kay Korsh>single item you have in your wardrobe and then

00:39:49.808 --> 00:39:53.434
<v Kay Korsh>you can use either canva to remove the

00:39:53.472 --> 00:39:57.290
<v Kay Korsh>background. And a lot of people who have their own businesses, they

00:39:57.360 --> 00:40:00.874
<v Kay Korsh>use canva to create graphics for social media. So

00:40:00.912 --> 00:40:04.494
<v Kay Korsh>it's likely that you know what I'm talking about and you can

00:40:04.532 --> 00:40:07.870
<v Kay Korsh>remove the background of all of those things and then you can have

00:40:08.020 --> 00:40:11.614
<v Kay Korsh>different pages in the document on

00:40:11.652 --> 00:40:15.266
<v Kay Korsh>canva of different occasions. So you could, for

00:40:15.288 --> 00:40:18.020
<v Kay Korsh>example, create a page about

00:40:18.950 --> 00:40:22.194
<v Kay Korsh>workshops you run or about big

00:40:22.312 --> 00:40:26.040
<v Kay Korsh>speeches in front of 2000 people or 5000 people.

00:40:26.890 --> 00:40:30.534
<v Kay Korsh>So kind of create different outfits for

00:40:30.572 --> 00:40:34.118
<v Kay Korsh>different occasions and then it will be very visual. And the reason why

00:40:34.204 --> 00:40:37.586
<v Kay Korsh>it's better in that case to take lay flat

00:40:37.618 --> 00:40:41.082
<v Kay Korsh>images rather than selfies is that you can then

00:40:41.136 --> 00:40:44.954
<v Kay Korsh>drag the same top with, say, for example,

00:40:44.992 --> 00:40:48.410
<v Kay Korsh>you have the same pair of trousers and five different tops. So you can create

00:40:48.480 --> 00:40:51.910
<v Kay Korsh>five outfits like that. So this is

00:40:52.000 --> 00:40:55.582
<v Kay Korsh>another way where you can then again, if you are

00:40:55.636 --> 00:40:59.294
<v Kay Korsh>organised and it helps you, you can then

00:40:59.332 --> 00:41:03.134
<v Kay Korsh>sit down and think, okay, I have a conference to go to next week

00:41:03.172 --> 00:41:06.974
<v Kay Korsh>and they need five different outfits. And then you can look through those outfits

00:41:07.022 --> 00:41:10.814
<v Kay Korsh>and decide on which day what you are going to wear, depending

00:41:10.862 --> 00:41:14.562
<v Kay Korsh>on what you are doing at the conference on that day. I started

00:41:14.616 --> 00:41:18.302
<v Joanne Lockwood>doing that and I think it's part of my evolution

00:41:18.366 --> 00:41:22.086
<v Joanne Lockwood>as a speaker and as a woman to recognise that you can't wear the same

00:41:22.108 --> 00:41:25.910
<v Joanne Lockwood>thing twice. You have to accessorise, you have to have mix and match,

00:41:26.060 --> 00:41:29.858
<v Joanne Lockwood>turn one outfit into three outfits by just swapping one part

00:41:29.884 --> 00:41:33.418
<v Joanne Lockwood>of it, sort of thing. So yeah, it is. And

00:41:33.584 --> 00:41:37.146
<v Joanne Lockwood>when we go to using the professional speaking association conference as an

00:41:37.168 --> 00:41:40.858
<v Joanne Lockwood>example, that's kind of a four day event. By the time you've got the

00:41:40.864 --> 00:41:44.574
<v Joanne Lockwood>pre, so you've got a couple of dinners, you've got a posh night, you've got

00:41:44.612 --> 00:41:48.234
<v Joanne Lockwood>some stage time, you've also got some casual nights, you've got some meet and greet

00:41:48.282 --> 00:41:51.834
<v Joanne Lockwood>stuff. So yeah, there's a whole load of different scenarios you're dressing

00:41:51.882 --> 00:41:55.486
<v Joanne Lockwood>for, whereas being on stage is just maybe one of

00:41:55.508 --> 00:41:59.106
<v Joanne Lockwood>those scenarios. The rest of it is the networking, the

00:41:59.128 --> 00:42:02.946
<v Joanne Lockwood>mixing, socialising and all the other stuff. So being an audience member, so

00:42:02.968 --> 00:42:06.758
<v Joanne Lockwood>you got to try and think about all those different dynamics again, we talked about

00:42:06.764 --> 00:42:10.386
<v Joanne Lockwood>the beginning, about being comfortable and relaxed,

00:42:10.578 --> 00:42:14.150
<v Joanne Lockwood>thinking about the temperature, the air conditioning,

00:42:14.570 --> 00:42:18.246
<v Joanne Lockwood>the amount of time on your feet, going to the

00:42:18.268 --> 00:42:22.006
<v Joanne Lockwood>toilet. You think, I can't take all this off every five minutes if I'm wearing

00:42:22.038 --> 00:42:24.906
<v Joanne Lockwood>a nice jumpsuit. I've got to think about all those kind of things as well,

00:42:24.928 --> 00:42:28.778
<v Joanne Lockwood>isn't it? So there's a huge amount of stuff going on here,

00:42:28.864 --> 00:42:32.606
<v Joanne Lockwood>let alone has it look, has it fit? What's the

00:42:32.628 --> 00:42:35.966
<v Joanne Lockwood>colour and what does it say about me? It's a

00:42:35.988 --> 00:42:39.726
<v Joanne Lockwood>minefield. Wow. I'm just being blown away here. Yes. I

00:42:39.748 --> 00:42:43.442
<v Kay Korsh>think the one where you actually get on stage is the most

00:42:43.496 --> 00:42:47.106
<v Kay Korsh>important, because you are kind of centre of attention. You need to make

00:42:47.128 --> 00:42:50.034
<v Kay Korsh>sure that there are not many

00:42:50.152 --> 00:42:53.922
<v Kay Korsh>unnecessary creases and the outfit fits well.

00:42:54.056 --> 00:42:57.574
<v Kay Korsh>But with the rest of it, it can be more casual or more

00:42:57.612 --> 00:43:01.302
<v Kay Korsh>playful, depending on what you're doing. So,

00:43:01.436 --> 00:43:05.186
<v Kay Korsh>yeah, I think that organisational tools

00:43:05.218 --> 00:43:08.934
<v Kay Korsh>which I described, definitely, I see

00:43:08.972 --> 00:43:12.682
<v Kay Korsh>a lot of success with people who are using that and that they find

00:43:12.736 --> 00:43:16.586
<v Kay Korsh>it helpful. So let me just flip over

00:43:16.608 --> 00:43:20.458
<v Joanne Lockwood>to the other side. So you see a lot of success. Where does it

00:43:20.464 --> 00:43:23.806
<v Joanne Lockwood>go badly wrong? What are typical mistakes people might make?

00:43:23.908 --> 00:43:27.358
<v Joanne Lockwood>Maybe talk about people who, maybe men, maybe women. What are the

00:43:27.364 --> 00:43:31.134
<v Joanne Lockwood>mistakes that people often make? So, for

00:43:31.172 --> 00:43:34.578
<v Kay Korsh>men, as I mentioned before, it's really important to

00:43:34.744 --> 00:43:38.190
<v Kay Korsh>get it neat. It has to be neat.

00:43:38.270 --> 00:43:41.902
<v Kay Korsh>And exactly as I mentioned just now, the way I describe,

00:43:42.046 --> 00:43:45.842
<v Kay Korsh>what does it mean that something fits you? Well? It means that there are

00:43:45.896 --> 00:43:49.526
<v Kay Korsh>as little unnecessary lines when you look at yourself as

00:43:49.548 --> 00:43:53.094
<v Kay Korsh>possible. So it's very important that if you are going on

00:43:53.132 --> 00:43:56.886
<v Kay Korsh>stage, whenever you are preparing your outfit to go

00:43:56.908 --> 00:44:00.586
<v Kay Korsh>on stage, you need to try this outfit in front of a

00:44:00.608 --> 00:44:04.346
<v Kay Korsh>full length mirror. And if you haven't got a full length mirror and you're a

00:44:04.368 --> 00:44:08.186
<v Kay Korsh>public professional speaker, you have to get one, because

00:44:08.288 --> 00:44:11.802
<v Kay Korsh>you need to see, head to toe, what you're wearing.

00:44:11.946 --> 00:44:15.390
<v Kay Korsh>So making sure there are no stains, making

00:44:15.460 --> 00:44:18.974
<v Kay Korsh>sure that nothing can be undone by

00:44:19.012 --> 00:44:22.850
<v Kay Korsh>accident. So I have this example I quite often show

00:44:22.920 --> 00:44:26.302
<v Kay Korsh>at my workshops of a woman

00:44:26.366 --> 00:44:29.826
<v Kay Korsh>wearing a blouse with a

00:44:29.848 --> 00:44:33.394
<v Kay Korsh>string which got undone. So what I always talk

00:44:33.432 --> 00:44:36.914
<v Kay Korsh>about is make sure that what you're wearing can't, by

00:44:36.952 --> 00:44:40.566
<v Kay Korsh>accident, get undone and go wrong. So maybe

00:44:40.668 --> 00:44:44.326
<v Kay Korsh>it's better to avoid something with the string which might get undone. And

00:44:44.348 --> 00:44:48.086
<v Kay Korsh>it's not to say that you have to wear something super minimalist, because for

00:44:48.108 --> 00:44:51.242
<v Kay Korsh>some people, they like expressing themselves through

00:44:51.296 --> 00:44:55.146
<v Kay Korsh>clothes and you can play around so much. There are

00:44:55.168 --> 00:44:58.794
<v Kay Korsh>loads of different ways to play around with your outfit, but just making sure that

00:44:58.832 --> 00:45:02.474
<v Kay Korsh>it can't go wrong by accident or you missed

00:45:02.522 --> 00:45:06.062
<v Kay Korsh>something. Like, for example, another time,

00:45:06.196 --> 00:45:10.026
<v Kay Korsh>what happened is somebody shared this with me where the speaker

00:45:10.058 --> 00:45:13.854
<v Kay Korsh>was on stage and they had the prop in their pocket, so they took

00:45:13.892 --> 00:45:17.474
<v Kay Korsh>the prop out of the pocket and then the lining of the pocket came out

00:45:17.592 --> 00:45:21.282
<v Kay Korsh>and then everything. What people were looking at was

00:45:21.336 --> 00:45:24.834
<v Kay Korsh>that pocket lining. They weren't listening to him.

00:45:24.872 --> 00:45:28.678
<v Kay Korsh>Anymore. Right. So it's these things which

00:45:28.764 --> 00:45:32.454
<v Kay Korsh>matter even before I start talking about the

00:45:32.492 --> 00:45:36.274
<v Kay Korsh>shapes and the colours which work for you is try the outfit

00:45:36.322 --> 00:45:40.134
<v Kay Korsh>before, make sure there are no stains, that it's ironed.

00:45:40.182 --> 00:45:43.306
<v Kay Korsh>Also, you kind of need to go for

00:45:43.408 --> 00:45:47.126
<v Kay Korsh>fabrics which don't crease as much. And I learned

00:45:47.158 --> 00:45:50.678
<v Kay Korsh>this as I start speaking more in front of the

00:45:50.704 --> 00:45:54.334
<v Kay Korsh>audiences, that I need to think a lot about it. And there

00:45:54.372 --> 00:45:57.182
<v Kay Korsh>are brands out there which specifically are

00:45:57.236 --> 00:46:01.022
<v Kay Korsh>designed fantastically well, which use fabrics which

00:46:01.076 --> 00:46:04.866
<v Kay Korsh>don't crease as much. So I would always recommend

00:46:04.968 --> 00:46:08.706
<v Kay Korsh>to go for those, because it's just straight away when your

00:46:08.728 --> 00:46:12.190
<v Kay Korsh>look is untidy, unexpectedly

00:46:12.270 --> 00:46:16.062
<v Kay Korsh>untidy. Especially around the kind of hips and waist

00:46:16.206 --> 00:46:19.586
<v Joanne Lockwood>where you sort of stretch when you sit down, you end up with those

00:46:19.608 --> 00:46:23.302
<v Joanne Lockwood>horizontal lines exactly around your middle if you're not careful, don't you?

00:46:23.436 --> 00:46:27.014
<v Kay Korsh>Exactly. Yeah. I think we're both at the same

00:46:27.052 --> 00:46:30.762
<v Joanne Lockwood>meeting on Saturday, the professional speaker association meeting in London. And one

00:46:30.816 --> 00:46:34.474
<v Joanne Lockwood>thing that sparked from a conversation as a result of that

00:46:34.512 --> 00:46:38.186
<v Joanne Lockwood>was microphone radio packs that

00:46:38.208 --> 00:46:41.962
<v Joanne Lockwood>we speakers. You put your lav mic on, you have a mic pack

00:46:42.016 --> 00:46:45.350
<v Joanne Lockwood>somewhere, and you've got to think about where you're going to hang it as a

00:46:45.360 --> 00:46:48.686
<v Joanne Lockwood>man. You can put it in your pocket, maybe clip it to your belt. And

00:46:48.708 --> 00:46:52.414
<v Joanne Lockwood>I noticed one of the speakers on Saturday had it clipped in the top

00:46:52.452 --> 00:46:55.658
<v Joanne Lockwood>of her knee length boots, which I always find is a great place to clip

00:46:55.674 --> 00:46:58.706
<v Joanne Lockwood>it in the back of your boots. It's always a sound place to put your

00:46:58.728 --> 00:47:02.434
<v Joanne Lockwood>mic back, but, yeah, sometimes it's clipped to your back of your

00:47:02.472 --> 00:47:06.318
<v Joanne Lockwood>bra, your shapewear or your back of your dress, under your hair,

00:47:06.334 --> 00:47:08.818
<v Joanne Lockwood>at the back of your neck. But, yeah, you got to think about that as

00:47:08.824 --> 00:47:12.646
<v Joanne Lockwood>well, because the weight of that also pulled down.

00:47:12.668 --> 00:47:15.522
<v Joanne Lockwood>So if you've kind of got it in your suit pocket or a breast pocket,

00:47:15.666 --> 00:47:19.338
<v Joanne Lockwood>it will create that imbalance as well, won't it? Yeah. So you just mentioned

00:47:19.424 --> 00:47:22.666
<v Kay Korsh>loads of ways where to do it. So you mentioned

00:47:22.768 --> 00:47:26.182
<v Kay Korsh>boots, bra strap, belt pocket.

00:47:26.326 --> 00:47:29.894
<v Kay Korsh>One other thing, which I heard from another speaker, which I thought

00:47:29.952 --> 00:47:33.630
<v Kay Korsh>was fantastic, is that they cut off

00:47:33.700 --> 00:47:37.386
<v Kay Korsh>the PJs, belt line, so the elastic

00:47:37.418 --> 00:47:41.130
<v Kay Korsh>of an old pjs, which they wear under the dress,

00:47:41.210 --> 00:47:45.010
<v Kay Korsh>and they put the transmitter in there,

00:47:45.160 --> 00:47:48.994
<v Kay Korsh>hook it in there, and then that's another place where

00:47:49.032 --> 00:47:52.242
<v Kay Korsh>you can put it if you don't have a belt or any other

00:47:52.376 --> 00:47:55.854
<v Kay Korsh>places to do it. So I think that's

00:47:55.902 --> 00:47:59.654
<v Kay Korsh>definitely 100% a very important point as well, to think about when

00:47:59.692 --> 00:48:02.760
<v Kay Korsh>you prepare your outfit. Yeah.

00:48:03.290 --> 00:48:06.886
<v Joanne Lockwood>And when you're starting on speaking circuit, you don't always think about

00:48:06.908 --> 00:48:09.766
<v Joanne Lockwood>it. The person comes up to you say, where am I going to clip this?

00:48:09.948 --> 00:48:13.574
<v Joanne Lockwood>I was lucky. I took part in a tv documentary

00:48:13.622 --> 00:48:17.386
<v Joanne Lockwood>about six, seven years ago and we did it for about

00:48:17.408 --> 00:48:20.166
<v Joanne Lockwood>three years. And I was always having a mic pack put on me in various

00:48:20.198 --> 00:48:23.866
<v Joanne Lockwood>different casual outfits. I'm quite used to someone lifting my dress

00:48:23.898 --> 00:48:27.326
<v Joanne Lockwood>up, pulling my top up, just letting someone put it on me. But as a

00:48:27.348 --> 00:48:30.638
<v Joanne Lockwood>speaker, you got to get prepared to have the Av

00:48:30.724 --> 00:48:34.506
<v Joanne Lockwood>tech just putting a bites on you and disrupting

00:48:34.538 --> 00:48:38.274
<v Joanne Lockwood>you. So if you've got everything really together, you're in a little room

00:48:38.312 --> 00:48:41.358
<v Joanne Lockwood>and someone's going to be wiring you up, you got to think about how you're

00:48:41.374 --> 00:48:44.786
<v Joanne Lockwood>going to handle that. Yeah, it definitely all comes with experience.

00:48:44.968 --> 00:48:48.374
<v Kay Korsh>And you can have a checklist of

00:48:48.412 --> 00:48:52.166
<v Kay Korsh>things, what you need to do in order to

00:48:52.188 --> 00:48:55.734
<v Kay Korsh>prepare. I think I saw a post of yours on LinkedIn the other week

00:48:55.772 --> 00:48:59.186
<v Joanne Lockwood>around trouser length on men,

00:48:59.308 --> 00:49:02.954
<v Joanne Lockwood>making sure that it doesn't bunch up on the top of your

00:49:02.992 --> 00:49:06.790
<v Joanne Lockwood>shoe. Because that, again, can look scruffy

00:49:06.950 --> 00:49:10.606
<v Joanne Lockwood>or you haven't taken the time to have your trousers taken up a couple of

00:49:10.628 --> 00:49:13.950
<v Joanne Lockwood>inches. Yes. And it applies to women as well.

00:49:14.100 --> 00:49:17.854
<v Kay Korsh>And the majority of the time, you have to do something about

00:49:17.892 --> 00:49:20.000
<v Kay Korsh>the stuff which you buy, because

00:49:21.970 --> 00:49:25.458
<v Kay Korsh>if you're buying it off a shelf in a store,

00:49:25.624 --> 00:49:29.438
<v Kay Korsh>they are making it, obviously, for mass production. So it doesn't matter if it's

00:49:29.454 --> 00:49:32.450
<v Kay Korsh>a high end brand or high street brand,

00:49:33.030 --> 00:49:36.542
<v Kay Korsh>it's very likely that you are going to do some adjustments

00:49:36.686 --> 00:49:40.326
<v Kay Korsh>to this. And the length of the trousers is a very common one,

00:49:40.428 --> 00:49:44.226
<v Kay Korsh>which you need to do something about. And it's

00:49:44.258 --> 00:49:47.754
<v Kay Korsh>just knowing how crucially important it is, because it can

00:49:47.792 --> 00:49:51.578
<v Kay Korsh>literally rack up the whole look, if you will look

00:49:51.664 --> 00:49:54.954
<v Kay Korsh>frumpy and untidy if the trousers are too

00:49:54.992 --> 00:49:58.730
<v Kay Korsh>long. My pet hate on people. We talk about judgement.

00:49:59.870 --> 00:50:03.566
<v Joanne Lockwood>When I judge people, it's generally around the

00:50:03.588 --> 00:50:07.390
<v Joanne Lockwood>front of someone's shirt or top, where the buttons are under

00:50:07.460 --> 00:50:11.054
<v Joanne Lockwood>tension. There's too much belly or too much

00:50:11.092 --> 00:50:14.858
<v Joanne Lockwood>boob, if you like, creating that gape. And

00:50:14.964 --> 00:50:18.146
<v Joanne Lockwood>that's my pet hate is a shirt that's too tight or a blouse that's too

00:50:18.168 --> 00:50:21.300
<v Joanne Lockwood>tight. Yes. So I always recommend

00:50:21.750 --> 00:50:25.598
<v Kay Korsh>to go one size bigger than one size smaller.

00:50:25.694 --> 00:50:29.494
<v Kay Korsh>And we don't want to let go of that size, don't we?

00:50:29.532 --> 00:50:33.302
<v Kay Korsh>We don't want to go one size up. Because it's like, if I

00:50:33.356 --> 00:50:36.726
<v Kay Korsh>admit to myself that I am one size bigger than I

00:50:36.748 --> 00:50:40.354
<v Kay Korsh>was, it's the end of the world. In reality, it's

00:50:40.402 --> 00:50:43.798
<v Kay Korsh>actually, you're going to look bigger if the item

00:50:43.974 --> 00:50:47.450
<v Kay Korsh>is too tight on you. So I always recommend to go one size

00:50:47.520 --> 00:50:51.354
<v Kay Korsh>bigger and sometimes we are between sizes,

00:50:51.402 --> 00:50:54.686
<v Kay Korsh>in which case we need to take it to the tailors or a

00:50:54.708 --> 00:50:57.962
<v Kay Korsh>seamstress to adjust with men's

00:50:58.026 --> 00:51:01.626
<v Kay Korsh>shirts. I do recommend to wear a vest

00:51:01.738 --> 00:51:05.506
<v Kay Korsh>under a shirt to avoid that situation, apart from the

00:51:05.528 --> 00:51:09.106
<v Kay Korsh>fact that it might. So just first make sure that it's not

00:51:09.208 --> 00:51:12.942
<v Kay Korsh>too tight and it doesn't gape. And then wearing

00:51:13.006 --> 00:51:16.646
<v Kay Korsh>a vest also helps, just in case. And sometimes some

00:51:16.668 --> 00:51:20.406
<v Kay Korsh>shirts are a little bit too transparent. And for women,

00:51:20.588 --> 00:51:24.214
<v Kay Korsh>actually, a lot of the time, you might want to

00:51:24.252 --> 00:51:27.782
<v Kay Korsh>try different types of blouses which don't even have those

00:51:27.836 --> 00:51:31.626
<v Kay Korsh>buttons. That might be helpful. If somebody has a big

00:51:31.648 --> 00:51:35.478
<v Kay Korsh>bust, it's quite often a problem that it's going to gap, even if it's

00:51:35.574 --> 00:51:38.938
<v Kay Korsh>the correct size. Or if you found a

00:51:38.944 --> 00:51:42.030
<v Kay Korsh>blouse which is your classic blouse with

00:51:42.180 --> 00:51:45.950
<v Kay Korsh>buttons and you do want to wear it. And there are

00:51:46.020 --> 00:51:49.742
<v Kay Korsh>also ways which measures you can take

00:51:49.796 --> 00:51:53.154
<v Kay Korsh>to avoid this problem. One of the things you can do

00:51:53.192 --> 00:51:56.942
<v Kay Korsh>is put tiny little poppers between the buttons

00:51:57.006 --> 00:52:00.786
<v Kay Korsh>so that there is more support in the middle where the

00:52:00.808 --> 00:52:04.494
<v Kay Korsh>buttons are. You could even, depending

00:52:04.542 --> 00:52:08.374
<v Kay Korsh>on the structure of the bites, sometimes you get things which have

00:52:08.412 --> 00:52:12.022
<v Kay Korsh>buttons in the back and buttons at the front, for example, and the front

00:52:12.076 --> 00:52:15.702
<v Kay Korsh>ones are just for show or something, so you can even

00:52:15.756 --> 00:52:19.570
<v Kay Korsh>stitch it together. So it depends on the actual item and

00:52:19.580 --> 00:52:23.370
<v Kay Korsh>you kind of need to look at it one by one. But I really

00:52:23.440 --> 00:52:26.986
<v Kay Korsh>highly recommend to have your trusted seamstress or a

00:52:27.008 --> 00:52:30.858
<v Kay Korsh>tailor which you can take the bites to after you bought it,

00:52:30.944 --> 00:52:34.682
<v Kay Korsh>if you think that something is wrong and then ask them for their opinion,

00:52:34.746 --> 00:52:38.494
<v Kay Korsh>what you think can be done to fix that. I think we were saying

00:52:38.532 --> 00:52:42.382
<v Joanne Lockwood>earlier is use that full length mirror and also recognise, no matter

00:52:42.436 --> 00:52:45.818
<v Joanne Lockwood>how much you like that outfit or that top or how much it resonates and

00:52:45.844 --> 00:52:48.306
<v Joanne Lockwood>makes you feel good, you have to be honest and look in the mirror and

00:52:48.328 --> 00:52:52.098
<v Joanne Lockwood>say, actually, this doesn't work today, I'll wear it a

00:52:52.184 --> 00:52:55.614
<v Joanne Lockwood>different day, or maybe not in this scenario,

00:52:55.662 --> 00:52:59.442
<v Joanne Lockwood>or just start choosing outfits with more lycra in them

00:52:59.496 --> 00:53:03.222
<v Joanne Lockwood>so there's more give. That's my friend, making

00:53:03.276 --> 00:53:06.790
<v Joanne Lockwood>sure that the outfit itself has a bit of give. Talking

00:53:06.860 --> 00:53:09.914
<v Kay Korsh>about stretchy fabrics, I think

00:53:10.112 --> 00:53:13.914
<v Kay Korsh>stretchy can be good, but it's also really important that it

00:53:13.952 --> 00:53:17.306
<v Kay Korsh>does hold shape. So I never recommend kind

00:53:17.328 --> 00:53:20.506
<v Kay Korsh>of thin jersey or thin

00:53:20.538 --> 00:53:24.222
<v Kay Korsh>knitwear, because it just shows everything

00:53:24.356 --> 00:53:28.126
<v Kay Korsh>and that's not what you want as a speaker. Right. You

00:53:28.148 --> 00:53:31.994
<v Kay Korsh>don't want people to see your underwear

00:53:32.122 --> 00:53:34.660
<v Kay Korsh>lines under the clothes. And

00:53:35.750 --> 00:53:38.900
<v Kay Korsh>again, it distracts from the message. So

00:53:39.270 --> 00:53:42.670
<v Kay Korsh>even if your general look is more relaxed,

00:53:42.750 --> 00:53:46.294
<v Kay Korsh>and I always encourage that if that's where you want to go,

00:53:46.492 --> 00:53:50.242
<v Kay Korsh>you can find things which are made out of substantial

00:53:50.306 --> 00:53:53.894
<v Kay Korsh>fabric which keep that shape and just look more

00:53:53.932 --> 00:53:57.426
<v Kay Korsh>premium, and you will look more respected to the

00:53:57.468 --> 00:54:01.174
<v Kay Korsh>audience. Or just wear really reinforced shapewear underneath

00:54:01.222 --> 00:54:04.966
<v Joanne Lockwood>and create that smooth line. Yes, but it's

00:54:04.998 --> 00:54:08.438
<v Kay Korsh>also not for everybody. Some people find it really uncomfortable.

00:54:08.534 --> 00:54:12.054
<v Kay Korsh>And again, if somebody doesn't want to do that, I don't

00:54:12.102 --> 00:54:15.902
<v Kay Korsh>encourage that. That's very personal. And again, there are

00:54:15.956 --> 00:54:19.694
<v Kay Korsh>lots of different shapes you can find to find

00:54:19.732 --> 00:54:23.582
<v Kay Korsh>that middle ground where you are comfortable. And also you look presentable.

00:54:23.726 --> 00:54:26.994
<v Joanne Lockwood>Yeah. No, I completely agree. That's great

00:54:27.032 --> 00:54:30.802
<v Joanne Lockwood>advice, Kay. It's been fascinating. We've been chatting now

00:54:30.856 --> 00:54:33.874
<v Joanne Lockwood>for over an hour, right, from talking about your

00:54:33.912 --> 00:54:36.946
<v Joanne Lockwood>childhood in the soviet era, Ukraine and

00:54:36.968 --> 00:54:40.434
<v Joanne Lockwood>Odessa through to some of the conflict today, and then your passion

00:54:40.562 --> 00:54:44.306
<v Joanne Lockwood>for style and helping people look fantastic,

00:54:44.418 --> 00:54:47.654
<v Joanne Lockwood>how can people get hold of you? They want to find more about your

00:54:47.692 --> 00:54:51.466
<v Joanne Lockwood>services or just say hi on some of that. How do people get hold of

00:54:51.488 --> 00:54:55.306
<v Joanne Lockwood>you? I would love for people to connect with me on LinkedIn, and it's very

00:54:55.328 --> 00:54:58.778
<v Kay Korsh>easy to find me. You just put in my name, Kay

00:54:58.864 --> 00:55:02.526
<v Kay Korsh>Korsh, and you will find me. And please connect

00:55:02.628 --> 00:55:06.046
<v Kay Korsh>and ask me any questions. And I am

00:55:06.228 --> 00:55:09.742
<v Kay Korsh>working with men and women, and

00:55:09.876 --> 00:55:13.502
<v Kay Korsh>I am also growing a community of like

00:55:13.556 --> 00:55:16.978
<v Kay Korsh>minded women speakers where I support them and

00:55:17.064 --> 00:55:20.850
<v Kay Korsh>they can talk to each other and ask questions as well

00:55:20.920 --> 00:55:24.706
<v Kay Korsh>about style. And we all go through the style journey together. And

00:55:24.728 --> 00:55:28.374
<v Kay Korsh>this is something which I'm really passionate about at the moment. So if you

00:55:28.412 --> 00:55:32.070
<v Kay Korsh>want to hear more news about it, find me on LinkedIn and

00:55:32.140 --> 00:55:35.846
<v Kay Korsh>let's chat. Awesome. And just so people know

00:55:35.868 --> 00:55:38.498
<v Joanne Lockwood>it, K-A-Y Kosh

00:55:38.594 --> 00:55:42.326
<v Joanne Lockwood>K-O-R-S-H. And I'll put all the details in the show notes

00:55:42.358 --> 00:55:45.674
<v Joanne Lockwood>as well, how to get hold of you. Kay, fascinating. Thank you so

00:55:45.712 --> 00:55:49.530
<v Joanne Lockwood>much. Thank you very much. I really, really appreciate you having

00:55:49.600 --> 00:55:52.874
<v Kay Korsh>me. Here, and maybe one day I'll ask you and be brave enough to find

00:55:52.912 --> 00:55:56.586
<v Joanne Lockwood>out if I'm getting it right or getting it wrong. But let's save that conversation

00:55:56.618 --> 00:56:00.062
<v Joanne Lockwood>for another day. But thank you. And also, thank you to you,

00:56:00.196 --> 00:56:03.978
<v Joanne Lockwood>the listeners, for tuning in, for listening to the end. I really

00:56:04.084 --> 00:56:07.410
<v Joanne Lockwood>value your support on this channel, on this podcast. Please

00:56:07.480 --> 00:56:11.186
<v Joanne Lockwood>do subscribe follow like to keep in

00:56:11.208 --> 00:56:14.366
<v Joanne Lockwood>touch with future episodes of the Inclusion Bites podcast. That's

00:56:14.398 --> 00:56:18.094
<v Joanne Lockwood>B-I-T-E-S bites. Tell your friends, tell your colleagues.

00:56:18.222 --> 00:56:21.734
<v Joanne Lockwood>And if you feel minded, why not leave a review or share this on

00:56:21.772 --> 00:56:25.254
<v Joanne Lockwood>LinkedIn or some other platform? Because other people would love to hear

00:56:25.292 --> 00:56:29.126
<v Joanne Lockwood>this. And remember. Also, if you'd like to be a guest, then please let

00:56:29.148 --> 00:56:32.902
<v Joanne Lockwood>me know. And I also welcome comments, feedbacks, and suggestions to

00:56:33.036 --> 00:56:37.190
<v Joanne Lockwood>jo.Lockwood@seechangehappen.co.uk

00:56:37.610 --> 00:56:41.338
<v Joanne Lockwood>how can we improve? So finally, my name is Joanne

00:56:41.354 --> 00:56:45.166
<v Joanne Lockwood>Lockwood and it's been an absolute pleasure to host this podcast for you

00:56:45.188 --> 00:56:47.050
<v Joanne Lockwood>today. Catch you next time. Bye.
