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<v Joanne Lockwood>Welcome to Inclusion Bites, your sanctuary

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<v Joanne Lockwood>for bold conversations that spark change. I'm Joanne Lockwood,

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<v Joanne Lockwood>your guide on this journey of exploration into the heart of inclusion,

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<v Joanne Lockwood>belonging, and societal transformation. Ever

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<v Joanne Lockwood>wondered what it truly takes to create a world where everyone not

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<v Joanne Lockwood>only belongs but thrives? You're not

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<v Joanne Lockwood>alone. Join me as we uncover the unseen,

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<v Joanne Lockwood>challenge the status quo, and share stories that resonate

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<v Joanne Lockwood>deep within. Ready to dive in? Whether you're

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<v Joanne Lockwood>sipping your morning coffee or winding down after a long day, let's

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<v Joanne Lockwood>connect, reflect, and inspire action

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<v Joanne Lockwood>together. Don't forget, you can be part of the conversation

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<v Joanne Lockwood>too. Reach out to

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<v Joanne Lockwood>jo.lockwood@seechangehappen.co.uk to

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<v Joanne Lockwood>share your insights or to join me on the show.

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<v Joanne Lockwood>So adjust your earbuds and settle in. It's time to

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<v Joanne Lockwood>ignite the spark of inclusion with Inclusion Bites.

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<v Joanne Lockwood>And today is episode 160

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<v Joanne Lockwood>with the title, the power of honest storytelling.

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<v Joanne Lockwood>I like it. Absolute honor and privilege to welcome Nick Elston.

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<v Joanne Lockwood>Nick is a keynote speaker, a transformational speaking

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<v Joanne Lockwood>coach, and founder of Forging People. And

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<v Joanne Lockwood>he's dedicated to empowering individuals to embrace their voice, share their

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<v Joanne Lockwood>stories, and foster meaningful connections through authentic

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<v Joanne Lockwood>communication. When I asked Nick to describe his superpower,

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<v Joanne Lockwood>he said that it is turning vulnerability into a

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<v Joanne Lockwood>powerful tool for connection and transformation.

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<v Joanne Lockwood>Hello, Nick. Welcome to the show. Hey, Joe. It's great to be here. Thank you

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<v Nick Elston>for asking me. Yeah. And we were just chatting just now, and,

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<v Joanne Lockwood>we worked out that we'd, we both write for HR's own and

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<v Joanne Lockwood>ask how how we connected. Yeah. We do. Great

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<v Nick Elston>publication, and great to have met you along the way as well.

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<v Nick Elston>18, we worked out from the from the LinkedIn connection buttons. A

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<v Nick Elston>long time in the making, but I sure will make this worth it.

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<v Joanne Lockwood>We'll figure it out. Yes. I I think back in the early days when I

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<v Joanne Lockwood>I just started in this field, I was clicking and connect on everybody that you

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<v Joanne Lockwood>can find. So, yeah, there's probably a Well, I'm gonna pop you a random button.

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<v Joanne Lockwood>Yeah. I now use AI tools too for me, so I don't have to worry

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<v Joanne Lockwood>about it. Yeah. Yeah. We've called this episode the power of honest

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<v Joanne Lockwood>storytelling and, you know, looking at your what you do and your

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<v Joanne Lockwood>superpower. How is the the storytelling

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<v Joanne Lockwood>being built for you, and what's the authenticity and the

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<v Joanne Lockwood>vulnerability? Yeah. Yeah. How do you use that as a strength? I think for me,

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<v Nick Elston>it comes from my own my own personal journey. So for context, the the nutshell

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<v Nick Elston>version, I have mental illness. I have obsessive compulsive disorder,

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<v Nick Elston>which largely is managed nowadays, but I developed it back in my

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<v Nick Elston>childhood. And as I got older, left pretty much untreated because I am that

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<v Nick Elston>old. It was wasn't something that was treated the way it would be now. It

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<v Nick Elston>then morphed into something called generalized anxiety disorder or GAD.

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<v Nick Elston>And as I got older, it started to kind of really take over my life.

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<v Nick Elston>In my professional career, I was running for around a decade at

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<v Nick Elston>a really high state of burnout. And then I had a breakdown in

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<v Nick Elston>02/2012. And it was at that point I started to use

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<v Nick Elston>speaking as a therapy. And what I found was,

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<v Nick Elston>being able to share your experiences and your story and your

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<v Nick Elston>thoughts and your insights. And bearing in mind, I did this initially

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<v Nick Elston>in a professional environment. We didn't do that in

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<v Nick Elston>02/2012. What I found was, despite what you hear on the

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<v Nick Elston>news and popular media and social media, humans are essentially good. Go figure. Who

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<v Nick Elston>knew? Humans do wanna support you if you only tell them what you need.

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<v Nick Elston>And what I found was by sharing my experiences with them in a, again, in

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<v Nick Elston>a professional environment, people started sharing their stuff with me. And

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<v Nick Elston>I think for me, that's kinda where I learned that speaking without the

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<v Nick Elston>filter, speaking with authenticity and vulnerability, and why has that been hugely

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<v Nick Elston>hijacked since, to be fair? It builds a bridge of trust and connection

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<v Nick Elston>and depth with people far more than any superficial message

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<v Nick Elston>were ever trained to deliver in professional environments for sure.

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<v Nick Elston>That's where it started for me. I started to speak more and more about my

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<v Nick Elston>experiences. The rooms got bigger. The audiences got bigger. I started to travel the world

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<v Nick Elston>doing this stuff, and the rest, they say, is history. But along the way, and

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<v Nick Elston>in this spirit of honesty, you can only spend so long speaking about your

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<v Nick Elston>story, especially professionally when it really took off before your

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<v Nick Elston>story starts to own you again. And that's when I started to coach other people

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<v Nick Elston>to share their stories. And that's really what's thrown me into the world that

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<v Nick Elston>you operate in, into the realm of other people's experiences and

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<v Nick Elston>how we can be defined by those stories as a

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<v Nick Elston>negative force, or actually we they can be a catalyst for positive change, and that's

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<v Nick Elston>where it started for me. I hear you what you're saying there in terms of

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<v Joanne Lockwood>if you keep telling that story, it becomes all of you. If you don't care

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<v Joanne Lockwood>for it, you end up living in the past because often these stories are

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<v Joanne Lockwood>historical. And there's a an old adage, isn't it? You speak from the scar, not

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<v Joanne Lockwood>from the wound, so you have to be kind of in a good place to

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<v Joanne Lockwood>talk about it. Yep. But I I go through phases of of telling my story,

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<v Joanne Lockwood>my journey, my canon, if you like, you know, where I came from and how

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<v Joanne Lockwood>I'm who I am, who I am. And over time, if you're not careful,

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<v Joanne Lockwood>it it does. It drags you back ten years.

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<v Joanne Lockwood>And sometimes it's hard to remember the story of the inaccuracy,

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<v Joanne Lockwood>so you have to use a facsimile of your story that

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<v Joanne Lockwood>is relevant to the audience without necessarily being the

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<v Joanne Lockwood>whole truth and nothing about the truth. A good illustration, and

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<v Joanne Lockwood>you're pulling out key points, aren't you? So You're That's the challenge for people, I

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<v Joanne Lockwood>guess. It is a challenge. And don't get me wrong. I still very much

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<v Nick Elston>use my platform, whether it be from the stage or from writing,

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<v Nick Elston>as therapy. It makes HR people very nervous, but it's very

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<v Nick Elston>real. I will share what's going through my head right now in front of a

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<v Nick Elston>live audience. I think it's a really healthy thing. But that being said, as

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<v Nick Elston>you say, actually, the further you come away from your story, your experiences,

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<v Nick Elston>especially if it's a, it's a real kind of big, kind of

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<v Nick Elston>powerful, impactful moment in your life, you do see it very differently. The

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<v Nick Elston>context kind of changes. I think also because our lives have

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<v Nick Elston>other parts and players as well. So when you first start sharing your experiences, you're

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<v Nick Elston>kind of respectful of other people's thoughts on these things, that the

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<v Nick Elston>story can impact other people. That changes too the more that we

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<v Nick Elston>get used to being more vulnerable. I guess my rule of thumb on

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<v Nick Elston>this is to treat your story as an evolution.

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<v Nick Elston>So the same story that I told as therapy

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<v Nick Elston>in 2,012 is the same story I get paid to speak

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<v Nick Elston>all over the world delivering now. The one difference is it's changed with time. It's

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<v Nick Elston>changed with me. It's changed with experiences, with learnings, with connections.

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<v Nick Elston>So if we start to see our story as a work in progress, we're not

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<v Nick Elston>constantly kind of reaffirming the story that we told initially. Yeah.

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<v Joanne Lockwood>No. I I yeah. It it it's also hard to keep telling the it could

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<v Joanne Lockwood>be quite boring telling the same story. You take oh, here we go again. Here's

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<v Joanne Lockwood>my life. You know? I wanna spice it up a bit, or this time I'll

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<v Joanne Lockwood>put that in there. Sometimes it depends on who you're talking to and and why

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<v Joanne Lockwood>you're there and what they wanna hear, doesn't it? It does. And I think this

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<v Nick Elston>is the thing you see, that, no one cares as much as we think they

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<v Nick Elston>do. And I mean that in the nicest possible way, that you could be the

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<v Nick Elston>most exciting a list celebrity, but after fifteen minutes of talking

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<v Nick Elston>to an audience, they're gonna wanna know what's in it for them. And I think

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<v Nick Elston>that's kind of the thing, really, is you're when you're when you're telling your

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<v Nick Elston>story, it's about it's about showcasing the

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<v Nick Elston>value of your experiences, not just your experiences. So,

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<v Nick Elston>for example, whether it's through mental illness, transitioning, whatever

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<v Nick Elston>your experience has been in life, people don't really wanna be walked through those

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<v Nick Elston>things, really. What they do wanna know is how did it impact you, how did

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<v Nick Elston>it inspire you, how did it affect other people. They wanna have the

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<v Nick Elston>experience of going through those challenges without having to relive the the bits that

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<v Nick Elston>are already paying for in that sense. And I think once we start to do

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<v Nick Elston>that, and I like to see it as if you were to write the story

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<v Nick Elston>of your life, about 14 sides of a

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<v Nick Elston>four is a fifty minute keynote. And 14 sides of a

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<v Nick Elston>four is 14 chapters, 14 chapters as a book, a book as a business. You

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<v Nick Elston>never know when this stuff goes. But a great exercise for all of your kind

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<v Nick Elston>of viewers and listeners right now, write the story of your life. But I

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<v Nick Elston>don't want you to write it from a first person perspective, not I did this

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<v Nick Elston>and this happened to me. I want you to write it as if Morgan Freeman

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<v Nick Elston>were narrating your life. And how cool would that be, by the way? So

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<v Nick Elston>as if a narrator were were actually kind of speaking about you, then

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<v Nick Elston>you start to see the value of your experiences to your audience, and that's for

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<v Nick Elston>me, it's the difference. That also protects you emotionally as well. So

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<v Nick Elston>many people decide to share their story, and it's so vulnerable, and

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<v Nick Elston>it's so painful for that person to deliver it because they're not doing it from

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<v Nick Elston>an audience perspective. They're doing it purely from a first person

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<v Nick Elston>perspective. And I like that. And I think that tunes

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<v Nick Elston>into something my nan used to tell me growing up that if everybody put their

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<v Nick Elston>problems into the middle of the room, you'd end up picking your own back because

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<v Nick Elston>you never know what other stuff what other stuff is going on with other people.

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<v Nick Elston>And especially in professional environments because we mask it. How are you? Great. Thanks.

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<v Nick Elston>How are you? Tell people to try telling people you feel rubbish.

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<v Nick Elston>See how fast they run. Well, I think I've noticed in the, in the space,

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<v Joanne Lockwood>the EDI space, the speaking space, whatever, you know, where we both coexist,

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<v Joanne Lockwood>is that having a story or having a back you know, having a canon or

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<v Joanne Lockwood>whatever is an end to the club because

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<v Joanne Lockwood>I've realized that people have I'm far more willing to share their

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<v Joanne Lockwood>vulnerability, their their deepest secrets, their their pain points, everything,

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<v Joanne Lockwood>really authentically and really vulnerably because I

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<v Joanne Lockwood>I come with my own membership card to that

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<v Joanne Lockwood>club. I was, you know, in the past, you know, you you described

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<v Joanne Lockwood>yourself as a 47 year old white man at the beginning of this show or

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<v Joanne Lockwood>or just before we went online. I I was in that

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<v Joanne Lockwood>position thirteen years ago. I'm now a a 60 year old woman

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<v Joanne Lockwood>with a trans history and a previous existence. And

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<v Joanne Lockwood>in my old life, I didn't have a membership card to the vulnerability

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<v Joanne Lockwood>sort of power. Yeah. People would I I'd just be seen as

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<v Joanne Lockwood>a voyeur. But now I meet people, and I understand marginalization. I

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<v Joanne Lockwood>understand the frustration of not having access to things, being

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<v Joanne Lockwood>denied things, being picked on, being bullied or abused or

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<v Joanne Lockwood>whatever it may be. And I can relate to someone who is a person of

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<v Joanne Lockwood>color, black, some person with disability. Obviously, I don't have their

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<v Joanne Lockwood>story. I I have that empathy bridge where I can go, I

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<v Joanne Lockwood>get it. I get what you mean by vulnerability. They look back at me. They

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<v Joanne Lockwood>go, I know you get it. So that shared experience, isn't it? It

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<v Nick Elston>is. I think that the first ten seconds of any interaction with

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<v Nick Elston>anybody, the two things that people strive for are commonality and community.

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<v Nick Elston>Why are you like me? Even if you seem completely worlds apart, why are you

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<v Nick Elston>like me? And what value is it gonna be for us to have this

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<v Nick Elston>conversation, this talk, this keynote, whatever that thing is? I think that's a really important

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<v Nick Elston>thing to master, and I think you're quite right. There is a there's a common

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<v Nick Elston>thread between a lot of issues that we experience in life, whether it

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<v Nick Elston>be mental illness or pronouns, identity, transitioning,

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<v Nick Elston>race, culture, sexuality. There's so many things that make us diverse and

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<v Nick Elston>varied in life. The common fact factor for me is belonging,

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<v Nick Elston>And it's essentially kind of a big reason why I do what I do

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<v Nick Elston>now is that it affects our sense of belonging enough to feel that

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<v Nick Elston>we're marginalized enough to not have a platform, to not have a voice, to

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<v Nick Elston>not feel that we can step up. So for me, belonging is a common

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<v Nick Elston>thread in all this. People that have not always had the platform to

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<v Nick Elston>speak. And we can break this down into even just into the

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<v Nick Elston>the the man woman approach as well that why is it that Find Your Voice,

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<v Nick Elston>the the conference that I run, that 80 to 90% are

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<v Nick Elston>women, but then when we turn up at the conference events where it's

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<v Nick Elston>stadium and conference hall events, still most of the speakers are

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<v Nick Elston>90% male. There are disconnects everywhere.

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<v Nick Elston>And the only way that we correct disconnects is by stepping

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<v Nick Elston>up, creating a platform, and finding our voices. So more

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<v Nick Elston>power to your elbow, to the other people that speak about culture and race and

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<v Nick Elston>sexuality and all these other things that other people need to know about. But I

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<v Nick Elston>think there's a there's a real big fear that we are losing

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<v Nick Elston>the ability to ask questions from those people as well. So

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<v Nick Elston>people that are not through going through the experiences that

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<v Nick Elston>other people have gone through, I think fueled by cancel culture and something we

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<v Nick Elston>spoke briefly about before we hit record on this. I think we're really afraid of

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<v Nick Elston>asking questions for the fear of being canceled or being ashamed or or just saying

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<v Nick Elston>the wrong thing. And I think that's something we we need to

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<v Nick Elston>maintain, the ability to ask better questions. I guarantee you

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<v Nick Elston>that so much I don't understand in this world because it's just not been my

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<v Nick Elston>experience. So you either blindly agree, not

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<v Nick Elston>knowing what you're agreeing with, or you blindly disagree where all your

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<v Nick Elston>old generational biases run wild. Both are equally

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<v Nick Elston>damaging. For me, the bit in the middle is find people that have lived this,

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<v Nick Elston>find people that know this stuff, and ask them for a genuine need to

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<v Nick Elston>educate or to be curious. And I guarantee, Joe, I've not been punched

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<v Nick Elston>once. So that's a good sign. There's thousands of conversations about where people that are

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<v Nick Elston>not like me not been punched once. So that's my recommendation to everybody. I

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<v Joanne Lockwood>mean, I'm I'm I'm the first to admit I have an opinion on most things,

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<v Joanne Lockwood>but I also realized that my opinion isn't always safe. I appreciate

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<v Joanne Lockwood>that it's my opinion. And there are certain things I I don't want to have

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<v Joanne Lockwood>an opinion on, and it frustrates the the pajesus out of people. When I

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<v Joanne Lockwood>I say, I'm sorry. I don't really have an opinion on that. And they say,

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<v Joanne Lockwood>well, you must have an opinion. You must have thought. I said, well, I do

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<v Joanne Lockwood>have some biases. I have some stereotypes, and I have some stories I could tell

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<v Joanne Lockwood>you about it. But, really, I persuade me to give me give me

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<v Joanne Lockwood>your thoughts. I I don't have a strong enough view to wanna express it

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<v Joanne Lockwood>to anybody. I think what happens in the world at the moment is

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<v Joanne Lockwood>everybody is just feels licensed to express their opinions whether

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<v Joanne Lockwood>they're safe or not. I think you're right. I think there's it's the

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<v Nick Elston>reason I'm not on Facebook. I'm not on Instagram. I'm not on Twitter stroke x,

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<v Nick Elston>whatever it's called at the moment. I'm only on LinkedIn, and that's kind of where

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<v Nick Elston>I hang out. Because of that very reason, I think there's so many

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<v Nick Elston>platforms, which and it was interesting. There was a Harvard study done this many

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<v Nick Elston>years ago that between 18 and 29 year olds, social media was the biggest source

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<v Nick Elston>of anxiety. But in the same survey with the same demographic demographic

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<v Nick Elston>from a mental health perspective, it was a bigger source of positive community for mental

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<v Nick Elston>health. So, actually, it's not the platforms per se. It's our immersion,

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<v Nick Elston>our engagement in those platforms. People don't immerse well. They

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<v Nick Elston>will end up doomscrolling or feeling worse. And that's why I left in

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<v Nick Elston>May 2020. I decided to leave social media. This was

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<v Nick Elston>just after the pandemic and everything else, had started. And people that I

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<v Nick Elston>knew for decades were falling out on a public timeline, and there were really strong

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<v Nick Elston>opinions flying around everywhere. I thought, I'm out. If you pick up your phone and

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<v Nick Elston>twenty minutes later feel worse, that's not a good place to be. And I

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<v Nick Elston>never went back. And I still exist commercially and personally, which is a

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<v Nick Elston>good thing. People think you don't exist if you're not on those things. But I

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<v Nick Elston>think you're right. It gives people a platform to share opinions that

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<v Nick Elston>okay. People are people are, I guess, entitled to an opinion.

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<v Nick Elston>But it's how we decide to immerse in those things. If we feel

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<v Nick Elston>sensitive about something, we will immerse ourselves in that

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<v Nick Elston>thing, and we damage ourselves. Or the other effect is

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<v Nick Elston>the echo chamber effect where we just surround ourselves with people like us and take

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<v Nick Elston>that approach that you're either with me or against me kind of mentality, which to

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<v Nick Elston>me, again, is equally damaging. So social media is an interesting one for sure.

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<v Joanne Lockwood>Yeah. I'll take your opinion on something because,

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<v Joanne Lockwood>I don't know if you noticed but or realized, but I I I do some

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<v Joanne Lockwood>guest appearances on GB News, which is I did all know that.

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<v Joanne Lockwood>Yeah. Well, it's it's kind of as toxic as you as you get from a

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<v Joanne Lockwood>from a an EDI professional, from a trans woman's perspective. And people

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<v Joanne Lockwood>criticize me for feeding the beast, if you like.

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<v Joanne Lockwood>My my view is that if I'm not in the room,

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<v Joanne Lockwood>they can have that conversation anyway. Am I adding credibility to it being

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<v Joanne Lockwood>there, or am I taking the opportunity to say, hang on a

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<v Joanne Lockwood>minute. Here's another alternative opinion. And that's my view.

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<v Joanne Lockwood>So my my view is always go into the room, be a voice of

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<v Joanne Lockwood>alternative in a very measured, very balanced, very calm, very

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<v Joanne Lockwood>rational way just to counteract the myths because my rationalization

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<v Joanne Lockwood>is I'll I'll go anywhere toxic if I'm given a microphone and

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<v Joanne Lockwood>and and will be heard, even if I'm shouted down or abused while I'm on

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<v Joanne Lockwood>the stage, which has happened, just purely because

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<v Joanne Lockwood>there are people in the room who aren't

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<v Joanne Lockwood>hard right, hard left, hard ingrained, and

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<v Joanne Lockwood>they they're open to hearing a different view. And I think we we owe it

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<v Joanne Lockwood>to those people to give them another voice, and that that's that's why I do

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<v Joanne Lockwood>it. So I don't know if you you've ever been in that situation where you've,

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<v Joanne Lockwood>had to walk away. Firstly, I admire your strength and resilience

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<v Nick Elston>because in the spirit of honesty, the and, again, we spoke about it before for

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<v Nick Elston>a publication I used to write for. It was it was an extremely

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<v Nick Elston>kind of toxic forum to the extent of our post around mental

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<v Nick Elston>health, and somebody would say, I don't believe in mental health. I mean, what the

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<v Nick Elston>hell does that mean? I mean, that's all something we haven't got time to go

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<v Nick Elston>through right now. But but it's, and I withdrew myself from that. So, actually, I

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<v Nick Elston>I would say this was many years ago, but I admire your strength and courage

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<v Nick Elston>to do that. I personally I would say, like, I'm a reformed people pleaser, but

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<v Nick Elston>I still get quite sensitive. And I think because I've built a business that's

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<v Nick Elston>based on me, my personal story and stuff, I'm quite sensitive to

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<v Nick Elston>that. But I do agree there are environments that are, I

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<v Nick Elston>would say, comparable to what you're doing, whereas I will go and work for a

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<v Nick Elston>large organization, get asked to speak to their teams and staff.

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<v Nick Elston>And I know they're doing it as a tick box exercise. I know there will

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<v Nick Elston>be pushback. I know there will be people in that room that are usually and

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<v Nick Elston>again, without stereotyping, but generally, it's true. It's the the kind

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<v Nick Elston>of the the middle aged, or just older than me, maybe male suited,

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<v Nick Elston>booted, arms folded at the back. They're gonna be the people that are

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<v Nick Elston>gonna say we don't wanna engage in this stuff. But I'd like you were saying,

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<v Nick Elston>I'd much rather be there affecting potentially one person than not

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<v Nick Elston>be there at all. And I think that's that's the bit that you're doing brilliantly

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<v Nick Elston>well is that you're actually staying in that space.

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<v Nick Elston>But interestingly, those arms folded, middle aged white guys

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<v Nick Elston>usually, will come up to be afterwards and be the first people to open up

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<v Nick Elston>about their challenges. They don't wanna talk an open forum, but they very much wanna

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<v Nick Elston>talk in a private format. But I think that comes from vulnerability as well that

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<v Nick Elston>if you share your experiences and your insights and your stories

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<v Nick Elston>unfiltered with honesty, you build trust and rapport with

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<v Nick Elston>people instantly to the extent that I can walk in, and an hour later, I've

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<v Nick Elston>got somebody opening up about their life experiences to me. It's an amazing thing. So

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<v Nick Elston>I think that's where, again, my vulnerability rocks, and you will be impacting

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<v Nick Elston>people by what you do on TV news. Yeah. And

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<v Joanne Lockwood>I echo what you're saying about the the arms folded people in the

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<v Joanne Lockwood>room. And I've I've had clients brief me beforehand saying, oh, you got

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<v Joanne Lockwood>this person, this person, and this person. They're they're really kind of hard to deal

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<v Joanne Lockwood>with, and, you know, they're gonna be really argumentative and pushback, doubting

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<v Joanne Lockwood>all this. Okay. That's fine. Is it you you know what I was? No.

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<v Joanne Lockwood>No. No. No. Because in my experience, what I found is, as you said,

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<v Joanne Lockwood>these people are the ones that wear change you know, you turn on lights. And

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<v Joanne Lockwood>I always frame my my training, my talking is I I'm never here to tell

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<v Joanne Lockwood>you what to do, what to think, what to say. That's for you. Change has

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<v Joanne Lockwood>to occur in you. All I wanna do is turn some lights on, push the

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<v Joanne Lockwood>button, and encourage you to think. And if that if you come away from it

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<v Joanne Lockwood>thinking that you don't agree with me, that's fine. I don't have to be right.

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<v Joanne Lockwood>I talk about perspectives and opinions, and I'm very honest to say that what

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<v Joanne Lockwood>I'm trying to do now is sell you my opinion. You have the right to

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<v Joanne Lockwood>choose to to adopt it or not adopt it. So I can't tell you to

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<v Joanne Lockwood>challenge your own views and opinions than by telling you mine.

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<v Joanne Lockwood>And you find that these people warm to you, and I'd say the the most

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<v Joanne Lockwood>the people you think are gonna be the most the toughest audience are actually the

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<v Joanne Lockwood>pussycats. Or if if they aren't entrenched,

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<v Joanne Lockwood>they do some of my job for me because they asked these pretty direct off

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<v Joanne Lockwood>off the wall questions. And the whole room's going, blimey. I'm glad

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<v Joanne Lockwood>I'm not I'm glad I'm more enlightened than they are. Yeah. And so

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<v Joanne Lockwood>sometimes they do my job for me by by coming out with those tough questions.

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<v Joanne Lockwood>But, no, I've always found that most people, as you say, set off

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<v Joanne Lockwood>by being kind. Nobody grows up or wants to be a dick. And, generally, they

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<v Joanne Lockwood>don't wanna look like a dick in the middle of the room. Exactly. And they

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<v Joanne Lockwood>do come up afterwards and say, thank you. I've really learned something. Because

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<v Nick Elston>you're talking about something which is either sensitive to them or

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<v Nick Elston>something which even can be considered as a taboo. There's so much generational

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<v Nick Elston>stuff that's been handed down to us as taboo. I mean, even things like grief.

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<v Nick Elston>I mean, later on today, I'm running a webinar with a a counselor on

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<v Nick Elston>on grief. And even with things like grief in the workplace, it's still

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<v Nick Elston>taboo. Why is grief a a taboo element? And the only way that you tackle

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<v Nick Elston>these taboos is what you're doing is you're going in, sharing a story, sharing experiences.

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<v Nick Elston>And I love the fact that what you're saying is very much like myself. You're

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<v Nick Elston>not solution focused in the way that you've got to do this. This is gonna

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<v Nick Elston>help you. This is gonna fix you. This is gonna make you understand. You're giving

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<v Nick Elston>people the ammunition to ask better questions of themselves. And I

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<v Nick Elston>think that's where it stems from. As you say, nobody kind of grows nobody

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<v Nick Elston>grows up as a clean slate with that intention to be a dick to people,

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<v Nick Elston>but that's usually been handed handed down just a generational belief.

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<v Nick Elston>And, also, it doesn't mean to say that they're wrong. It just needs to they

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<v Nick Elston>need to change the way that they think and feel and understand other

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<v Nick Elston>people's experiences and not like theirs. I have people sort of come up

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<v Joanne Lockwood>to me and say, I I I don't get trans. I don't get

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<v Joanne Lockwood>non binary. And I go, that's okay. I don't either. I don't understand.

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<v Joanne Lockwood>If I could explain it and bottle it, I could flog it, but I

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<v Joanne Lockwood>don't understand it. All I can do is rationalize and say, I just am. I

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<v Joanne Lockwood>don't understand what it's like to be transmasculine. I don't understand what it's like to

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<v Joanne Lockwood>be non binary because that's not my lived experience. I can tell you how I

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<v Joanne Lockwood>feel about me. You know? A sample size of one, I

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<v Joanne Lockwood>can't argue about whether it's right, wrong, indifferent

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<v Joanne Lockwood>I can't give you a medical explanation. All I can say is there's some sort

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<v Joanne Lockwood>of neurodivergence where my brain is wired, and this makes sense.

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<v Joanne Lockwood>I can't expect any further than that. So I think when people try and

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<v Joanne Lockwood>ask me to prove, I go, well, there is no proof. It it just is.

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<v Joanne Lockwood>Like many things, there's no How they kinda come to you kind of they come

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<v Nick Elston>to you to feel that, right, okay, prove me wrong, kind

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<v Nick Elston>of mentality. It's like kind of very often if I take to the stage, like,

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<v Nick Elston>they look at me like, okay, beardy boy, entertain me. Woah.

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<v Nick Elston>Hopefully, I will, but that's not exactly what I meant, just to entertain you. I

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<v Nick Elston>think it's but I think that's an expectation thing. And and

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<v Nick Elston>also, I like to explore, and I like the dynamics

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<v Nick Elston>of delivering at a mandatory session as

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<v Nick Elston>opposed to one that people of of their food choice. That's an interesting

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<v Nick Elston>dynamic twist as well. Because actually what you find is that you

373
00:23:29.650 --> 00:23:33.515
<v Nick Elston>have to I used to run pubs and clubs back in the day, and I

374
00:23:33.515 --> 00:23:37.295
<v Nick Elston>was always told to train in my security training, go for the biggest guy first.

375
00:23:38.475 --> 00:23:42.255
<v Nick Elston>So I I kinda take that same same approach now to to audiences.

376
00:23:42.649 --> 00:23:45.210
<v Nick Elston>So if there is that one Gobby one or the one that's shouting at you

377
00:23:45.210 --> 00:23:48.169
<v Nick Elston>a day or the one that they aren't folded, I go for them first. Then

378
00:23:48.169 --> 00:23:51.769
<v Nick Elston>kind of everyone settles down a little bit then. But the mandatory one makes me

379
00:23:51.769 --> 00:23:55.049
<v Nick Elston>laugh so much because, actually, you can tell that they just don't wanna be there.

380
00:23:55.049 --> 00:23:59.044
<v Nick Elston>They all be swerving at the fact that you're talking about such a personal experience

381
00:23:59.105 --> 00:24:02.945
<v Nick Elston>because it's been an experience of them. Even a fan is certainly I was

382
00:24:02.945 --> 00:24:06.885
<v Nick Elston>working with, American Express with their, diversity team

383
00:24:07.424 --> 00:24:11.184
<v Nick Elston>a few years ago now. We were talking about this very thing that actually very

384
00:24:11.184 --> 00:24:14.810
<v Nick Elston>often why people come into these roles of representing a

385
00:24:15.030 --> 00:24:18.550
<v Nick Elston>section of society or section of humanity is because they have

386
00:24:18.550 --> 00:24:22.410
<v Nick Elston>either experienced that directly or indirectly themselves.

387
00:24:23.110 --> 00:24:26.950
<v Nick Elston>But by nature, you then become more sensitive to

388
00:24:26.950 --> 00:24:30.875
<v Nick Elston>take on the burdens and the challenges of everybody else. So,

389
00:24:30.875 --> 00:24:34.795
<v Nick Elston>actually, what it does, it increases the pressure on your own emotional well-being because

390
00:24:34.795 --> 00:24:38.555
<v Nick Elston>you are flying the flag. So, actually, if you look at mental health

391
00:24:38.555 --> 00:24:42.470
<v Nick Elston>champions, for example, that by the time they get home, they

392
00:24:42.470 --> 00:24:46.390
<v Nick Elston>have not only supported themselves, but 20 other people, and that's before they even get

393
00:24:46.390 --> 00:24:49.130
<v Nick Elston>home. Home is not always a good place.

394
00:24:50.630 --> 00:24:53.529
<v Nick Elston>So I think that people like ourselves that are actually out there

395
00:24:54.304 --> 00:24:57.924
<v Nick Elston>championing things, trying to create thought leadership and

396
00:24:58.304 --> 00:25:01.905
<v Nick Elston>stuff, there's an element of we do need to be more selfish as well. We

397
00:25:01.905 --> 00:25:05.745
<v Nick Elston>need to make sure that we protect our own energy before we put

398
00:25:05.745 --> 00:25:09.445
<v Nick Elston>ourselves into those situations. And I think for me, that's why

399
00:25:10.090 --> 00:25:14.009
<v Nick Elston>I know my kind of resilience threshold when it comes to pushback. I

400
00:25:14.009 --> 00:25:18.009
<v Nick Elston>don't get that much, to be honest, but, I'm in true admiration of you, Joe,

401
00:25:18.009 --> 00:25:21.929
<v Nick Elston>for having a a lot higher threshold to put yourself in these situations. I mean,

402
00:25:21.929 --> 00:25:25.745
<v Nick Elston>just GB News generally, that's that is an amazing place for you to go

403
00:25:25.745 --> 00:25:29.365
<v Nick Elston>into. I've got a tune in now. I've got, links.

404
00:25:29.745 --> 00:25:33.184
<v Joanne Lockwood>I I capture the video. I've recorded myself, and I've got I've got all the

405
00:25:33.184 --> 00:25:36.565
<v Joanne Lockwood>shows on. I've got I I got a greatest hits collection, and

406
00:25:37.039 --> 00:25:40.820
<v Joanne Lockwood>I actually you I did a speaker show reel for pride last year. Yeah.

407
00:25:41.520 --> 00:25:44.880
<v Joanne Lockwood>I clipped all of the intros. I'd like to welcome Joanne Lockwood. I'd like to

408
00:25:44.880 --> 00:25:48.320
<v Joanne Lockwood>welcome Joanne Lockwood. I had Jacob Rees Mogg. I had Al Widdicombe. I had,

409
00:25:48.640 --> 00:25:52.315
<v Joanne Lockwood>Patrick Christie's. I had all the kind of main presenters welcoming Joanne

410
00:25:52.315 --> 00:25:56.175
<v Joanne Lockwood>Lockwood, and I thought it was a great little, pride showreel

411
00:25:56.235 --> 00:26:00.235
<v Joanne Lockwood>intro. And then I posted you know, like, people post

412
00:26:00.235 --> 00:26:03.935
<v Joanne Lockwood>testimonials on their showreels. I posted all the testimonials

413
00:26:04.075 --> 00:26:07.970
<v Joanne Lockwood>from x, all the negative testimonials. I was like, who does

414
00:26:07.970 --> 00:26:11.650
<v Joanne Lockwood>this bloke think he is with that deep voice? This bloke is wrecking

415
00:26:11.650 --> 00:26:15.330
<v Joanne Lockwood>society. This bloke is killing our children. I posted those as

416
00:26:15.570 --> 00:26:18.150
<v Nick Elston>Some big old week, guys. On on my showreels.

417
00:26:19.465 --> 00:26:22.505
<v Joanne Lockwood>Because, you know, if if you're gonna dance for the devil, you you're gonna you're

418
00:26:22.505 --> 00:26:25.945
<v Joanne Lockwood>gonna get you're gonna hit your ass put. This is it. I I I'm trying

419
00:26:25.945 --> 00:26:29.465
<v Nick Elston>to understand that rational leap between transitioning and you are killing our

420
00:26:29.465 --> 00:26:33.420
<v Nick Elston>children. Mutilating them, drugging them, ruining

421
00:26:33.480 --> 00:26:37.480
<v Joanne Lockwood>their their future, sterilizing them. Really? I I don't remember

422
00:26:37.480 --> 00:26:41.240
<v Joanne Lockwood>advocating with that. Friend of mine, Ollie, he's he's a

423
00:26:41.240 --> 00:26:44.600
<v Nick Elston>techie. So he he kind of thinks this way anyway. He's kinda very much lost

424
00:26:44.600 --> 00:26:48.505
<v Nick Elston>in AI completely. But, he has this kind of phrase, if I say anything

425
00:26:48.505 --> 00:26:51.625
<v Nick Elston>that people do that are just weird, he says people are idiots. So I will

426
00:26:51.625 --> 00:26:55.144
<v Nick Elston>caveat that some people are idiots. And like I said, there's a lot of people

427
00:26:55.144 --> 00:26:59.000
<v Nick Elston>that really don't deserve to have a voice, let alone find it. Well, the the

428
00:26:59.000 --> 00:27:02.760
<v Joanne Lockwood>thing is, you've got to respect the fact that people who we think are

429
00:27:02.760 --> 00:27:06.279
<v Joanne Lockwood>idiots don't think they're they're idiots themselves. You know, you you live within your own

430
00:27:06.279 --> 00:27:10.039
<v Joanne Lockwood>sense of self and your own echo chamber. I'm putting myself out of here, but

431
00:27:10.039 --> 00:27:14.025
<v Nick Elston>people saying that you're killing their children, that's a pretty idiotic move, to

432
00:27:14.025 --> 00:27:17.945
<v Nick Elston>be fair. Well, the equation which is actually killing children, and

433
00:27:17.945 --> 00:27:21.304
<v Nick Elston>a podcast would be a great way to come out with that. Yeah. Yeah. I'm

434
00:27:21.304 --> 00:27:25.065
<v Joanne Lockwood>advocating for it. I've had I've had people write me posted letters. They've somehow

435
00:27:25.065 --> 00:27:28.360
<v Joanne Lockwood>tracked me down, worked out where I live or my accountant,

436
00:27:28.900 --> 00:27:32.360
<v Joanne Lockwood>put a stamp on the envelope, and written it and and post it to me.

437
00:27:32.419 --> 00:27:35.539
<v Joanne Lockwood>And then, you know, oh, great. That's really lovely. Thank you. Or they find my

438
00:27:35.539 --> 00:27:38.419
<v Joanne Lockwood>email address, and I get it in my info box every so often. This is

439
00:27:38.419 --> 00:27:41.775
<v Joanne Lockwood>a kind of, yeah, this kind of hate mail. But, yeah, it's

440
00:27:42.415 --> 00:27:46.255
<v Joanne Lockwood>Interesting. The way I box it off is I treat it as

441
00:27:46.255 --> 00:27:49.695
<v Joanne Lockwood>graffiti. You know, you're driving through a rough part of town, and there's spray paint

442
00:27:49.695 --> 00:27:53.055
<v Joanne Lockwood>on all the walls, and it's got swear words. It's got this. It's got

443
00:27:53.539 --> 00:27:57.299
<v Joanne Lockwood>you go home, and you're this. And you just put your foot down and just

444
00:27:57.299 --> 00:28:00.820
<v Joanne Lockwood>keep driving. So as far as I'm concerned, all these concerts, they're just graffiti. They're

445
00:28:00.820 --> 00:28:04.419
<v Joanne Lockwood>not at me. They're just shouting at the world. I just happen to be the

446
00:28:04.419 --> 00:28:08.260
<v Joanne Lockwood>wall they're spraying it on. And they just wipe it off and go, well, you

447
00:28:08.260 --> 00:28:12.205
<v Joanne Lockwood>don't know me. Yeah. You've got no idea who I am. No fact

448
00:28:12.205 --> 00:28:16.205
<v Joanne Lockwood>in what you've said is so I can detach because it's not

449
00:28:16.205 --> 00:28:20.205
<v Joanne Lockwood>personal. They think it's personal, but it's not because it's it's

450
00:28:20.205 --> 00:28:24.070
<v Joanne Lockwood>sprayed on the wall as far as I'm concerned. Interesting. Can I ask you a

451
00:28:24.070 --> 00:28:26.710
<v Nick Elston>question? I appreciate it. This is your show. Yeah. No. No. That's what I have.

452
00:28:26.710 --> 00:28:30.230
<v Nick Elston>I get curious, you see. Would you say that the biggest

453
00:28:30.230 --> 00:28:34.169
<v Nick Elston>challenge, what to to you personally

454
00:28:34.309 --> 00:28:37.049
<v Nick Elston>was actual the the decision to transition

455
00:28:41.684 --> 00:28:44.105
<v Nick Elston>or the the announcing of that transition to

456
00:28:45.365 --> 00:28:48.885
<v Nick Elston>family society and the muggles that are out there right

457
00:28:48.885 --> 00:28:52.500
<v Nick Elston>now. And, again, I'm a big party lots of fans. I use the muggles very

458
00:28:52.500 --> 00:28:56.340
<v Nick Elston>positively, by the way. Yeah. The the toughest thing was, I think, coming

459
00:28:56.340 --> 00:28:59.480
<v Joanne Lockwood>out to myself, so accepting and realizing

460
00:29:00.500 --> 00:29:04.265
<v Joanne Lockwood>who I and working out when it was

461
00:29:04.265 --> 00:29:07.865
<v Joanne Lockwood>necessary. So I always say that when it became

462
00:29:07.865 --> 00:29:11.865
<v Joanne Lockwood>necessary, it became necessary. Before it was necessary, it

463
00:29:11.865 --> 00:29:15.705
<v Joanne Lockwood>was manageable. So it was that point when it became necessary.

464
00:29:15.705 --> 00:29:19.640
<v Joanne Lockwood>And then at that point there, I didn't

465
00:29:19.640 --> 00:29:23.640
<v Joanne Lockwood>so much transition. The world had to. So I'm

466
00:29:23.640 --> 00:29:27.160
<v Joanne Lockwood>still kind of the eyes still see the same as everybody

467
00:29:27.160 --> 00:29:31.125
<v Joanne Lockwood>else, but it was my brother, other mother in

468
00:29:31.125 --> 00:29:34.405
<v Joanne Lockwood>laws, or my friends, or my reputation, or my career. Those are the people that

469
00:29:34.405 --> 00:29:38.085
<v Joanne Lockwood>I kinda got used to me. So, you know, you talk about we talk about

470
00:29:38.085 --> 00:29:42.085
<v Joanne Lockwood>the the social model or the medical model of disability, it's society that

471
00:29:42.085 --> 00:29:45.770
<v Joanne Lockwood>is the problem. And and for me, it was the world

472
00:29:46.309 --> 00:29:49.670
<v Joanne Lockwood>that had to realign its perspective of me, and all I had to do was

473
00:29:49.670 --> 00:29:53.110
<v Joanne Lockwood>just try try and keep being the best me I could so the world would

474
00:29:53.110 --> 00:29:56.150
<v Joanne Lockwood>align in the way I want it to realign around me and to shift it

475
00:29:56.150 --> 00:30:00.105
<v Joanne Lockwood>by one eighty or something. So, yeah, that that was the challenge. So

476
00:30:00.105 --> 00:30:03.705
<v Joanne Lockwood>coming out initially, I I did when I was drunk on

477
00:30:03.705 --> 00:30:07.705
<v Joanne Lockwood>Facebook. We talked about social media. So that kind

478
00:30:07.705 --> 00:30:11.005
<v Joanne Lockwood>of was ripping the sticky parts off pretty quick, and I then just

479
00:30:11.659 --> 00:30:15.100
<v Joanne Lockwood>woke up in the morning and then owned it. And, yeah, I simplify it, but

480
00:30:15.100 --> 00:30:19.100
<v Joanne Lockwood>that's that's that's the headline, the jovial kind of get the audience laughing type

481
00:30:19.100 --> 00:30:23.020
<v Joanne Lockwood>headline. But, yeah, my what what I realized very early

482
00:30:23.020 --> 00:30:26.575
<v Joanne Lockwood>on was the challenge wasn't me. It was the impact on my

483
00:30:26.575 --> 00:30:30.575
<v Joanne Lockwood>family, close family. That that was the hardest bit where I thought it was all

484
00:30:30.575 --> 00:30:34.414
<v Joanne Lockwood>about me, but, actually, I realized it wasn't it was all about everybody else. And

485
00:30:34.414 --> 00:30:38.414
<v Joanne Lockwood>they needed more help than I did. And, because you

486
00:30:38.414 --> 00:30:41.540
<v Joanne Lockwood>know, you see these things. You know? The first one is very good at this,

487
00:30:41.540 --> 00:30:45.540
<v Joanne Lockwood>you know, YOLO. If they're not with you, they're against you. You gotta get

488
00:30:45.540 --> 00:30:48.740
<v Joanne Lockwood>on with life and bugger them. If they're not up for it, you just walk

489
00:30:48.740 --> 00:30:52.180
<v Joanne Lockwood>away. It's toxic. And I can see people who've done who've taken that attitude, and

490
00:30:52.180 --> 00:30:56.175
<v Joanne Lockwood>they've they're walking alone. Whereas I I decide, well, I

491
00:30:56.175 --> 00:30:59.775
<v Joanne Lockwood>I didn't want to walk alone. I wanted to be selfish and have what I

492
00:30:59.775 --> 00:31:03.535
<v Joanne Lockwood>had. And when that's your objective, you take a

493
00:31:03.535 --> 00:31:06.095
<v Joanne Lockwood>different approach. Now I always say, in order to be liked, you have to be

494
00:31:06.095 --> 00:31:08.760
<v Joanne Lockwood>likeable. In order to be loved, you have to be lovable. In In order to

495
00:31:08.760 --> 00:31:12.680
<v Joanne Lockwood>be respected, you have to be worthy of that respect. And all that

496
00:31:12.680 --> 00:31:16.060
<v Joanne Lockwood>was I had the power in my in myself

497
00:31:16.680 --> 00:31:20.440
<v Joanne Lockwood>to be likable, lovable, and and worthy of respect. Not anybody

498
00:31:20.440 --> 00:31:23.085
<v Joanne Lockwood>else. Everybody else could then take me.

499
00:31:24.424 --> 00:31:27.544
<v Joanne Lockwood>I've used this depression several times, like, escape to where the puck is going, not

500
00:31:27.544 --> 00:31:31.245
<v Joanne Lockwood>to where it is. If that's where I wanna be, that's where I go ahead.

501
00:31:31.705 --> 00:31:35.465
<v Joanne Lockwood>And don't expect people to come to me and just accept me for who I

502
00:31:35.465 --> 00:31:39.000
<v Joanne Lockwood>was. So that that was the important lesson, but a lot of that was for

503
00:31:39.000 --> 00:31:42.700
<v Joanne Lockwood>the epiphanies and and realizations based on

504
00:31:43.720 --> 00:31:47.260
<v Joanne Lockwood>the feedback from my my wife, feedback from my daughter, especially,

505
00:31:47.400 --> 00:31:50.200
<v Joanne Lockwood>who who gave me a a bit of a a mental slap around the face

506
00:31:50.200 --> 00:31:53.715
<v Joanne Lockwood>and said wake up and smell the coffee. You're a dick.

507
00:31:55.215 --> 00:31:58.515
<v Joanne Lockwood>If you want us to see you differently, behave differently. Yeah.

508
00:31:59.215 --> 00:32:03.135
<v Joanne Lockwood>Interesting. Thank you for sharing that, by the way. I appreciate that. No. As

509
00:32:03.135 --> 00:32:07.059
<v Joanne Lockwood>we started diving a bit deeper, can I You mentioned your mental

510
00:32:07.059 --> 00:32:11.059
<v Joanne Lockwood>health challenges? You mentioned your OCD. OCD is a is a is a a

511
00:32:11.059 --> 00:32:14.899
<v Joanne Lockwood>term that's bathed around often. You you have people, oh, I

512
00:32:14.899 --> 00:32:18.674
<v Joanne Lockwood>gotta keep it there. Oh, it's my OCD. Oh, it's my OCD. Yeah. And,

513
00:32:18.674 --> 00:32:22.595
<v Joanne Lockwood>yeah, we obviously appreciate there's a difference between people stealing

514
00:32:22.595 --> 00:32:25.875
<v Joanne Lockwood>that phrase for for the just that they don't wanna move their pencil two inches.

515
00:32:25.875 --> 00:32:29.815
<v Joanne Lockwood>So I like it to have their pen sway and align with align with something.

516
00:32:30.034 --> 00:32:33.700
<v Joanne Lockwood>But on what you had, can you just tell me or tell the

517
00:32:33.700 --> 00:32:37.540
<v Joanne Lockwood>listeners, what is OCD Yep. From your perspective? I

518
00:32:37.540 --> 00:32:41.540
<v Nick Elston>think o so obsessive compulsive disorder. So OCD, I think much trivia

519
00:32:41.540 --> 00:32:44.895
<v Nick Elston>managed due to channel four is OCD cleaners, as you say, or I'm a little

520
00:32:44.895 --> 00:32:48.655
<v Nick Elston>bit OCD. It doesn't kinda work that way. It's very painful, frustrating condition. It's,

521
00:32:49.215 --> 00:32:52.975
<v Nick Elston>so I developed at the age of seven, and I'm after witnessing a a family

522
00:32:52.975 --> 00:32:56.895
<v Nick Elston>accident. And it was I think anybody's experienced any

523
00:32:56.895 --> 00:33:00.790
<v Nick Elston>form of mental illness very often. It can be chemical, of course, but very often,

524
00:33:00.790 --> 00:33:04.790
<v Nick Elston>it comes from a very severe action, produces a very severe reaction.

525
00:33:04.790 --> 00:33:07.530
<v Nick Elston>So OCD is the ultimate pursuit of the uncontrollable.

526
00:33:08.550 --> 00:33:12.470
<v Nick Elston>So how it manifested was I started to check gas, which is in sets of

527
00:33:12.470 --> 00:33:16.255
<v Nick Elston>three, light switches in sets of three, locks in sets of three with that feeling

528
00:33:16.255 --> 00:33:20.255
<v Nick Elston>of comfort is the desired outcome. But the other outcome

529
00:33:20.255 --> 00:33:23.455
<v Nick Elston>was and it's the fear that drives you is that if I didn't do these

530
00:33:23.455 --> 00:33:27.390
<v Nick Elston>things, I would bring harm or even kill my family because the the

531
00:33:27.630 --> 00:33:31.090
<v Nick Elston>situation was family related. So therefore, it's kinda assumed

532
00:33:31.390 --> 00:33:35.070
<v Nick Elston>protection of the family through going through these checks and measures, which

533
00:33:35.070 --> 00:33:38.930
<v Nick Elston>sounds hugely irrational to to people that have not experienced that. But

534
00:33:39.230 --> 00:33:43.005
<v Nick Elston>I think there's something in that. The rationality goes out the window when obsession and

535
00:33:43.005 --> 00:33:46.845
<v Nick Elston>compulsion are thrown into the mix. So, so it's kinda like a routine you have

536
00:33:46.845 --> 00:33:50.385
<v Nick Elston>to do, and it kind of it fuels high anxiety.

537
00:33:50.685 --> 00:33:54.429
<v Nick Elston>So through education, into my kind of teams,

538
00:33:54.889 --> 00:33:58.889
<v Nick Elston>I was fueled by high anxiety. I I think that's the kicker though, really, that

539
00:33:58.889 --> 00:34:02.090
<v Nick Elston>you can you see this a lot in professional life, and I write, like, a

540
00:34:02.090 --> 00:34:05.129
<v Nick Elston>lot about this in in kind of HR publications such as yourself and,

541
00:34:06.505 --> 00:34:10.105
<v Nick Elston>that we can be highly successful and highly performing fueled by

542
00:34:10.105 --> 00:34:14.025
<v Nick Elston>anxiety, but you can only run for so long until you stop, and therein

543
00:34:14.025 --> 00:34:17.945
<v Nick Elston>lies the problem. I also think that it's taught me a lot

544
00:34:17.945 --> 00:34:21.545
<v Nick Elston>about the way I speak, and like yourself in what you just said, I'm not

545
00:34:21.545 --> 00:34:25.039
<v Nick Elston>solution focused. So, actually, I don't share what anxiety

546
00:34:25.420 --> 00:34:29.420
<v Nick Elston>and and obsession compulsion is. I share what it does. So do you

547
00:34:29.420 --> 00:34:33.279
<v Nick Elston>constantly ruminate on things that have gone wrong before, past relationships,

548
00:34:33.500 --> 00:34:37.385
<v Nick Elston>past conversations, past decisions, and you replay them with a very real and

549
00:34:37.385 --> 00:34:41.385
<v Nick Elston>very current feeling of guilt and remorse and regret. And what

550
00:34:41.385 --> 00:34:44.985
<v Nick Elston>it does, it changes your narrative enough to start to then catastrophize what's to

551
00:34:44.985 --> 00:34:48.425
<v Nick Elston>come. So, again, you wake up that feeling of fear and dread of everything that

552
00:34:48.425 --> 00:34:52.340
<v Nick Elston>you're doing. It's all gonna go wrong. And I think that's why in

553
00:34:52.340 --> 00:34:56.180
<v Nick Elston>my current life, and I focus so much on one thing, I don't coach

554
00:34:56.180 --> 00:34:59.880
<v Nick Elston>presentation skills. That's not really my thing. What I coach is transformation

555
00:34:59.940 --> 00:35:03.940
<v Nick Elston>through speaking. You change your narrative. You change your experience. But it

556
00:35:03.940 --> 00:35:07.865
<v Nick Elston>came from OCD. And I think there's something in that and and

557
00:35:07.865 --> 00:35:10.925
<v Nick Elston>from what you've brilliantly shared as well, Joe, that from

558
00:35:12.985 --> 00:35:16.665
<v Nick Elston>ultimate chaos can come magic. From the biggest of

559
00:35:16.665 --> 00:35:20.559
<v Nick Elston>adversities can come the most exciting things. But let's

560
00:35:20.559 --> 00:35:24.400
<v Nick Elston>not beat around the bush here. Both of those things could have easily destroyed somebody

561
00:35:24.400 --> 00:35:28.160
<v Nick Elston>as well. And I think there's something in that that you the same thing that

562
00:35:28.160 --> 00:35:31.220
<v Nick Elston>can be the destructive force in somebody's life

563
00:35:32.175 --> 00:35:35.455
<v Nick Elston>can also be the catalyst for positive change if we only use it in the

564
00:35:35.455 --> 00:35:39.055
<v Nick Elston>right way. And that's why I focus so much on narrative. Because I think for

565
00:35:39.055 --> 00:35:43.055
<v Nick Elston>me, OCD is fueled by negative narrative. It's fueled

566
00:35:43.055 --> 00:35:46.675
<v Nick Elston>by high anxiety, but also there's a word I'm struggling for here, intrusive

567
00:35:46.815 --> 00:35:48.680
<v Nick Elston>thoughts. Are you are you aware

568
00:35:50.500 --> 00:35:53.480
<v Joanne Lockwood>that it is a false

569
00:35:54.580 --> 00:35:58.340
<v Joanne Lockwood>belief? Are you aware that you you you're you're trying to doubt

570
00:35:58.340 --> 00:36:01.515
<v Joanne Lockwood>yourself all the time going, I know this is wrong, but I can't stop myself.

571
00:36:01.515 --> 00:36:05.515
<v Joanne Lockwood>Is it a feeling of powerlessness that you can't override it? Yeah. I think certainly

572
00:36:05.595 --> 00:36:09.434
<v Nick Elston>and it has to be said with professional help, certainly in later

573
00:36:09.434 --> 00:36:13.355
<v Nick Elston>years. It actually makes you kinda question

574
00:36:13.355 --> 00:36:16.780
<v Nick Elston>everything in that sense. I always say to people now, one of the best things

575
00:36:16.780 --> 00:36:20.060
<v Nick Elston>we can do is set out on a mission to prove ourselves wrong and actually

576
00:36:20.060 --> 00:36:23.839
<v Nick Elston>realize that most of the things that we get anxious anxious about

577
00:36:24.380 --> 00:36:28.380
<v Nick Elston>never happen. I mean, I use the example in 02/2012 after my

578
00:36:28.380 --> 00:36:31.905
<v Nick Elston>breakdown. I kept something called a worry journal. It sounds weird, but go with me.

579
00:36:31.905 --> 00:36:35.505
<v Nick Elston>It's a really, like, messed up version of a gratitude journal. I wrote down everything

580
00:36:35.505 --> 00:36:39.025
<v Nick Elston>that made me highly anxious or the byproducts of high anxiety, so, like, defensive and

581
00:36:39.025 --> 00:36:42.705
<v Nick Elston>aggressive behavior. Jealousy and insecurity were huge in my world.

582
00:36:42.705 --> 00:36:46.640
<v Nick Elston>Erratic behavior, sedgy lack of energy. And on day one, there

583
00:36:46.640 --> 00:36:50.240
<v Nick Elston>were a 28 entries. And two weeks later welcome to

584
00:36:50.240 --> 00:36:54.160
<v Nick Elston>OCD. Two weeks later, I I kind of checked back on day

585
00:36:54.160 --> 00:36:57.760
<v Nick Elston>one, and of those of those a 28 things, absolutely none of them

586
00:36:57.760 --> 00:37:00.875
<v Nick Elston>happened. And the more that I started to prove myself wrong,

587
00:37:01.895 --> 00:37:05.815
<v Nick Elston>when that pattern starts to come in, I can then

588
00:37:05.815 --> 00:37:08.775
<v Nick Elston>start to change the narrative enough to say, actually, no, because it didn't it didn't

589
00:37:08.775 --> 00:37:11.670
<v Nick Elston>happen last time. It's the same as,

590
00:37:12.630 --> 00:37:16.070
<v Nick Elston>I'm sure everybody here has had that feeling that they left the other on, they

591
00:37:16.070 --> 00:37:20.070
<v Nick Elston>left the door unlocked. It's kind of like that on repeat in that sense. But

592
00:37:20.070 --> 00:37:23.750
<v Nick Elston>the more that we start to kinda check these things if I'm tired and stressed,

593
00:37:23.750 --> 00:37:27.484
<v Nick Elston>and the reason I say I have OCD even now, it it never goes.

594
00:37:27.785 --> 00:37:31.785
<v Nick Elston>If I'm tired enough, stressed enough, shocked enough, I actually developed it again

595
00:37:31.785 --> 00:37:34.744
<v Nick Elston>after after having a road accident a few years ago, but I come back very

596
00:37:34.744 --> 00:37:38.585
<v Nick Elston>quickly. If I check something more than twice, I have to physically stop myself because

597
00:37:38.585 --> 00:37:42.580
<v Nick Elston>I will fall back into that routine. I do a roadshow with an amazing,

598
00:37:42.900 --> 00:37:46.840
<v Nick Elston>what I called my neuroboffin, Ellen. She she says that when we create anxiety

599
00:37:46.900 --> 00:37:50.820
<v Nick Elston>about things, we damage ourselves mentally, physically, spiritually, and

600
00:37:50.820 --> 00:37:54.734
<v Nick Elston>emotionally as if it were actually happening anyway. So we're

601
00:37:54.734 --> 00:37:58.734
<v Nick Elston>kind of damaging ourselves multiple times about the same situation. So one of the

602
00:37:58.734 --> 00:38:02.734
<v Nick Elston>the main kind of points of what I speak about now is to fact

603
00:38:02.734 --> 00:38:06.255
<v Nick Elston>check our anxieties. And, actually, is this

604
00:38:06.255 --> 00:38:10.240
<v Nick Elston>fact, or is it the story that we're telling ourselves? And is

605
00:38:10.240 --> 00:38:14.240
<v Nick Elston>it if it is the story that we're telling ourselves, we can change that

606
00:38:14.240 --> 00:38:17.460
<v Nick Elston>story. And if it's facts, go for closure.

607
00:38:18.560 --> 00:38:22.465
<v Nick Elston>I always use the example of the text message. So if you've

608
00:38:22.465 --> 00:38:25.905
<v Nick Elston>ever had a row with somebody really close to you by text message, iMessage, or

609
00:38:25.905 --> 00:38:29.744
<v Nick Elston>WhatsApp, the three dots causes far more anxiety than the

610
00:38:29.744 --> 00:38:33.744
<v Nick Elston>actual end of that conversation. And what about the disappearing three dots?

611
00:38:33.744 --> 00:38:37.510
<v Nick Elston>So much anxiety. But the end of that conversation is never that bad.

612
00:38:37.510 --> 00:38:41.030
<v Nick Elston>And and this is the thing. We we were constantly assuming worst case outcomes.

613
00:38:41.030 --> 00:38:44.950
<v Nick Elston>So my advice to to people listening and watching this today, set

614
00:38:44.950 --> 00:38:48.310
<v Nick Elston>out on a mission to prove yourself wrong. You'll be surprised at how little actually

615
00:38:48.310 --> 00:38:52.065
<v Nick Elston>happens. Yeah. So I I I use that kind of

616
00:38:52.065 --> 00:38:56.065
<v Joanne Lockwood>expression. There's a a forecaster called Paul Saffo, and he coined the phrase

617
00:38:56.065 --> 00:39:00.065
<v Joanne Lockwood>strong opinions are weakly held. And part of that is, yes, you're allowed

618
00:39:00.065 --> 00:39:03.490
<v Joanne Lockwood>your opinions, but go out to the world

619
00:39:04.109 --> 00:39:07.790
<v Joanne Lockwood>believing you're wrong and and and try to prove you're

620
00:39:07.790 --> 00:39:11.790
<v Joanne Lockwood>wrong rather than start believing you're right, try to prove you're right. It's a

621
00:39:11.790 --> 00:39:14.590
<v Joanne Lockwood>bit like that's what scientists do. They put a theory out there and they try

622
00:39:14.590 --> 00:39:18.485
<v Joanne Lockwood>and prove each other wrong, and they they welcome criticism and peer reviews, and everyone

623
00:39:18.485 --> 00:39:22.405
<v Joanne Lockwood>who's done a PhD has to justify their opinions with people

624
00:39:22.405 --> 00:39:26.085
<v Joanne Lockwood>saying you're wrong. They have to stand up and defend it. So, yeah, most

625
00:39:26.085 --> 00:39:30.025
<v Joanne Lockwood>people wanna be right. Most conversations are about selling my opinion

626
00:39:30.165 --> 00:39:33.890
<v Joanne Lockwood>to you, even if it's just, it's nice weather. I'm selling you that

627
00:39:33.890 --> 00:39:37.590
<v Joanne Lockwood>belief that the weather's nice, and you're gonna go, well, it's a bit cloudy.

628
00:39:37.730 --> 00:39:41.650
<v Joanne Lockwood>So you're you're you're giving me your opinion back. And you try and analyze a

629
00:39:41.650 --> 00:39:45.510
<v Joanne Lockwood>conversation that doesn't have an opinion or a belief in it. Does that happen?

630
00:39:45.810 --> 00:39:49.555
<v Nick Elston>Yeah. Very true. I mean, it's important to say that I I I do share

631
00:39:49.555 --> 00:39:53.555
<v Nick Elston>what I call lived experience playbook tips. So they're kind of they're not advised

632
00:39:53.555 --> 00:39:57.475
<v Nick Elston>by any stretch and not solutions. If you are having

633
00:39:57.475 --> 00:40:00.375
<v Nick Elston>thoughts which are intrusive or causes you pain or frustration,

634
00:40:01.180 --> 00:40:05.040
<v Nick Elston>absolutely reach out for professional help. I would strongly recommend that, of course,

635
00:40:05.420 --> 00:40:09.420
<v Nick Elston>as a clear morality and also for insurance purposes. That's that's

636
00:40:09.420 --> 00:40:12.940
<v Nick Elston>my disclaimer. But I think there's again, there's something in that with what we both

637
00:40:12.940 --> 00:40:16.000
<v Nick Elston>do. We're we're there to share lived experience.

638
00:40:16.785 --> 00:40:20.785
<v Nick Elston>I think for me, lived experience I was speaking at the

639
00:40:20.785 --> 00:40:24.704
<v Nick Elston>CIPD workplace well-being conference last week in London, and one of the

640
00:40:24.704 --> 00:40:28.625
<v Nick Elston>main drivers of the message there was lived experience being the perfect vehicle to

641
00:40:28.625 --> 00:40:32.230
<v Nick Elston>drive engagement to help or to solutions or insights or

642
00:40:32.230 --> 00:40:36.069
<v Nick Elston>community, but it's not the answer. I think the worrying

643
00:40:36.069 --> 00:40:39.750
<v Nick Elston>thing for me is I see a lot of people, especially in a mental health

644
00:40:39.750 --> 00:40:43.670
<v Nick Elston>space, because that's a space I I'm in mainly. They're taking on that

645
00:40:43.670 --> 00:40:47.245
<v Nick Elston>responsibility. We're helping people at their most vulnerable without the

646
00:40:47.245 --> 00:40:50.945
<v Nick Elston>qualifications, training, or skills to actually help that person.

647
00:40:51.325 --> 00:40:55.325
<v Nick Elston>I think for me, it's really about communicating our

648
00:40:55.325 --> 00:40:58.925
<v Nick Elston>niche and our, the reason why we're

649
00:40:58.925 --> 00:41:02.610
<v Nick Elston>there. And, obviously, for both of us, it's kind of what we do. We

650
00:41:02.750 --> 00:41:06.430
<v Nick Elston>give people our experiences. We give people our lived experience. We share what

651
00:41:06.430 --> 00:41:10.430
<v Nick Elston>works, what hasn't worked. And I think people really like that, but it's just a

652
00:41:10.430 --> 00:41:13.470
<v Nick Elston>vehicle to reach out for help. Our role is to get people to a point

653
00:41:13.470 --> 00:41:17.234
<v Nick Elston>of engaging in, for me, certainly, the the

654
00:41:17.234 --> 00:41:20.454
<v Nick Elston>proper solutions. And for you, it was actually changing

655
00:41:21.714 --> 00:41:24.935
<v Nick Elston>thoughts, changing minds. I mean, one of the things that I find

656
00:41:25.474 --> 00:41:29.390
<v Nick Elston>people that have been through experiences in their lives find most

657
00:41:29.390 --> 00:41:33.390
<v Nick Elston>difficult to start with is trying to engage with people that

658
00:41:33.390 --> 00:41:36.770
<v Nick Elston>don't think like them and actually quite bluntly and

659
00:41:37.870 --> 00:41:41.310
<v Nick Elston>and sometimes, as you say, abusively don't agree with them as well. That could be

660
00:41:41.310 --> 00:41:45.224
<v Nick Elston>really challenging sometimes. How do you deal with that? How do you deal with

661
00:41:45.305 --> 00:41:48.345
<v Nick Elston>you've mentioned kind of, like, the the letters and stuff that you get, but how

662
00:41:48.345 --> 00:41:51.665
<v Nick Elston>do you deal with the kind of the what I call the low level toxicity,

663
00:41:51.665 --> 00:41:55.224
<v Nick Elston>you know, the the little pushbacks that you get? Do you ever get that in

664
00:41:55.224 --> 00:41:58.300
<v Nick Elston>person as well? I know this is your show, but I'm also very curious about

665
00:41:58.300 --> 00:42:01.820
<v Joanne Lockwood>it. No. No. I'm I I work I work on the the question. I

666
00:42:01.820 --> 00:42:05.119
<v Joanne Lockwood>mean, out of all of my experience, I've only ever had

667
00:42:06.300 --> 00:42:09.020
<v Joanne Lockwood>one or two occasions where someone was

668
00:42:10.145 --> 00:42:13.765
<v Joanne Lockwood>made a point in one of my training sessions. They objected

669
00:42:14.065 --> 00:42:17.685
<v Joanne Lockwood>to me using the word cis as a prefix.

670
00:42:17.825 --> 00:42:21.345
<v Joanne Lockwood>Cis is obviously a trans. And they got

671
00:42:21.345 --> 00:42:25.210
<v Joanne Lockwood>really empty about that word. And the fact that

672
00:42:25.210 --> 00:42:29.130
<v Joanne Lockwood>I used gender identity or gender when I should have been talking

673
00:42:29.130 --> 00:42:33.130
<v Joanne Lockwood>about sex and the Equality Act, and and they said, I don't have a gender

674
00:42:33.130 --> 00:42:36.090
<v Joanne Lockwood>identity. I said, that's great. I've got a lot of my friends who are non

675
00:42:36.090 --> 00:42:39.955
<v Joanne Lockwood>binary who don't subscribe to gender either. Fine. That really blew their brains

676
00:42:39.955 --> 00:42:42.035
<v Joanne Lockwood>out. You know? I was agreeing with them in a in a way. But they

677
00:42:42.035 --> 00:42:45.635
<v Joanne Lockwood>caught me unawares, and I'll admit now that I had to go out and

678
00:42:45.635 --> 00:42:49.315
<v Joanne Lockwood>have a have a bit of a toilet break and recompose myself

679
00:42:49.315 --> 00:42:53.250
<v Joanne Lockwood>because I was not used to dealing with that hostility. But

680
00:42:53.250 --> 00:42:56.850
<v Joanne Lockwood>what disappointed me most was in a room full of

681
00:42:56.850 --> 00:42:59.830
<v Joanne Lockwood>people, nobody spoke up.

682
00:43:00.530 --> 00:43:03.730
<v Joanne Lockwood>Nobody said anything. And afterwards, they all came up to me and said, oh, you

683
00:43:03.730 --> 00:43:07.285
<v Joanne Lockwood>you okay? Were you okay? Then they they told me this person

684
00:43:07.285 --> 00:43:11.125
<v Joanne Lockwood>was opinionated or awkward. They had a lot of trouble in the organization. I

685
00:43:11.125 --> 00:43:15.125
<v Joanne Lockwood>thought someone could have briefed me. Someone could have just mentioned that. Someone could

686
00:43:15.125 --> 00:43:18.345
<v Joanne Lockwood>have pointed it out. Someone you know, the senior people in that room,

687
00:43:19.070 --> 00:43:23.070
<v Joanne Lockwood>could have addressed that with that person, and I felt hung out to dry a

688
00:43:23.070 --> 00:43:27.070
<v Joanne Lockwood>bit. So, yeah, it has happened. But I suppose I'm better prepared because I always

689
00:43:27.070 --> 00:43:30.990
<v Joanne Lockwood>go into spaces. It's it's the there's a percentage of

690
00:43:30.990 --> 00:43:34.925
<v Joanne Lockwood>15%. Fifteen % of people have racist have sexist

691
00:43:34.925 --> 00:43:38.785
<v Joanne Lockwood>views other than have views that are are off main kilter.

692
00:43:39.005 --> 00:43:42.445
<v Joanne Lockwood>Look at the bell curve inimality. There's always gonna be the 15% top,

693
00:43:42.445 --> 00:43:46.140
<v Joanne Lockwood>15% bottom. So I I always expect getting on a bus.

694
00:43:46.140 --> 00:43:49.260
<v Joanne Lockwood>There's 15% of the people not gonna like me. Walk into a room, I have

695
00:43:49.260 --> 00:43:52.780
<v Joanne Lockwood>a hundred people, 15 people in that room are not gonna like me. So I

696
00:43:52.780 --> 00:43:56.780
<v Joanne Lockwood>go home with that kind of defense mechanism preprimed. And

697
00:43:56.780 --> 00:44:00.715
<v Joanne Lockwood>most of the time, 99% of the time, it's it's the anxiety that

698
00:44:00.715 --> 00:44:04.475
<v Joanne Lockwood>that never occurs. And I so I don't let it scare me. I

699
00:44:04.475 --> 00:44:08.075
<v Joanne Lockwood>manage that anxiety by just knowing that I've got my plan b in my back

700
00:44:08.075 --> 00:44:11.835
<v Joanne Lockwood>pocket if it happens. Right? Now I can show you my plan b card. I

701
00:44:11.835 --> 00:44:15.760
<v Joanne Lockwood>know how to deal with that. I've got an exit strategy. And, generally, my

702
00:44:15.760 --> 00:44:19.760
<v Joanne Lockwood>exit strategy is don't engage the trolls. You know, if you feed the troll, the

703
00:44:19.760 --> 00:44:23.760
<v Joanne Lockwood>the troll grows. If you give it oxygen, which is what I'm

704
00:44:23.760 --> 00:44:25.220
<v Joanne Lockwood>saying on TV news sometimes.

705
00:44:27.535 --> 00:44:30.835
<v Joanne Lockwood>No. One on one, people people don't. I had an incident where someone

706
00:44:31.615 --> 00:44:35.215
<v Joanne Lockwood>door stopped me. I suppose he was a politician term at a at

707
00:44:35.215 --> 00:44:39.215
<v Joanne Lockwood>a a festival conference. They wanted my opinion on

708
00:44:39.215 --> 00:44:43.109
<v Joanne Lockwood>trans people in sport. I'm not a sports person. I don't do

709
00:44:43.109 --> 00:44:47.050
<v Joanne Lockwood>elite. I don't run. I maybe go do recreational swimming,

710
00:44:47.190 --> 00:44:50.950
<v Joanne Lockwood>go for, a bit of gym work, but I'm not a sports person. I don't

711
00:44:50.950 --> 00:44:54.790
<v Joanne Lockwood>have a a strong opinion on on trans competition at

712
00:44:54.790 --> 00:44:58.435
<v Joanne Lockwood>all. I realize it's polarized. I realized there

713
00:44:58.435 --> 00:45:01.795
<v Joanne Lockwood>are it's I can produce a report that says this, and you can produce a

714
00:45:01.795 --> 00:45:05.795
<v Joanne Lockwood>report that says that. And we're arguing scientific reports, and

715
00:45:05.795 --> 00:45:09.095
<v Joanne Lockwood>I don't know which is best. So this person wanted me to

716
00:45:09.950 --> 00:45:12.990
<v Joanne Lockwood>acquiesce to their view that it was all wrong. It was cheating. I said, well,

717
00:45:12.990 --> 00:45:15.809
<v Joanne Lockwood>look. I don't wanna argue with you. I it's not my specialist subject.

718
00:45:17.390 --> 00:45:21.150
<v Joanne Lockwood>There's there's there's balance of a view here. They go, please. They were

719
00:45:21.150 --> 00:45:24.475
<v Joanne Lockwood>determined to have an argument with the artist. I don't owe you an argument, I'm

720
00:45:24.475 --> 00:45:28.315
<v Joanne Lockwood>afraid. I'm sorry. And, talk about something else, but I don't owe you an

721
00:45:28.315 --> 00:45:31.115
<v Joanne Lockwood>argument, and I'm not gonna argue on this. So, yeah, that that's how I would

722
00:45:31.275 --> 00:45:35.195
<v Joanne Lockwood>You need to answer on behalf of everybody, isn't it? Sorry. You broke

723
00:45:35.195 --> 00:45:38.270
<v Joanne Lockwood>up. It's it's kind of like they want you to answer on behalf of the

724
00:45:38.270 --> 00:45:42.190
<v Nick Elston>whole community. Yeah. You represent every single trans person in the

725
00:45:42.190 --> 00:45:45.710
<v Joanne Lockwood>world. And, yeah, every every person that you've experienced is different, and it's in the

726
00:45:45.710 --> 00:45:49.630
<v Joanne Lockwood>same way, your your anxiety or OCD is unique to you,

727
00:45:49.630 --> 00:45:53.494
<v Joanne Lockwood>how you experienced it. It must have been immensely frustrating for people who

728
00:45:53.494 --> 00:45:57.414
<v Joanne Lockwood>loved and cared for you or knew you, having a a rational view of

729
00:45:57.414 --> 00:46:01.335
<v Joanne Lockwood>what you're doing saying, come on, Nick. Can't you see this is

730
00:46:01.494 --> 00:46:05.250
<v Joanne Lockwood>you know, can't you just hold your breath and try and cure your hiccups? Can't

731
00:46:05.250 --> 00:46:09.010
<v Joanne Lockwood>you just do everyone everyone's got a cure, haven't they? They have. And I

732
00:46:09.010 --> 00:46:12.770
<v Nick Elston>think has to be said. I come from a very loving family. I'm very lucky

733
00:46:12.770 --> 00:46:16.545
<v Nick Elston>that way. Interestingly, my memory isn't great. I,

734
00:46:19.085 --> 00:46:22.765
<v Nick Elston>I had to look back on NHS records to see kinda, like, the date of

735
00:46:22.765 --> 00:46:25.885
<v Nick Elston>diagnosis and everything else that happened along the way, and I was speaking to my

736
00:46:25.885 --> 00:46:29.645
<v Nick Elston>my mom and everything else. So growing up day to day, I can't remember actually

737
00:46:29.645 --> 00:46:33.450
<v Nick Elston>how it felt. But as I came into the late teens, I I do very

738
00:46:33.450 --> 00:46:37.370
<v Nick Elston>much remember that because, obviously, it's a very memorable period. But they

739
00:46:37.370 --> 00:46:40.970
<v Nick Elston>were great. But interestingly, I think, societally, which is why I asked you the question

740
00:46:40.970 --> 00:46:44.835
<v Nick Elston>about kind of societal kind of expectations, you get labeled

741
00:46:44.835 --> 00:46:48.835
<v Nick Elston>as something. And we do this, especially with kids. He's a warrior. He's

742
00:46:48.835 --> 00:46:52.595
<v Nick Elston>sensitive. And, of course, that reaffirms then the belief that I am like that

743
00:46:52.595 --> 00:46:56.035
<v Nick Elston>anyway. So it becomes kind of just part of the norm and part of what

744
00:46:56.035 --> 00:46:59.630
<v Nick Elston>you do. When I first started to address this and and, again, for a

745
00:46:59.630 --> 00:47:03.549
<v Nick Elston>professional help, I actually had to kind of speak to everybody and say, look.

746
00:47:03.549 --> 00:47:06.930
<v Nick Elston>If I ask you for reassurance once, answer me.

747
00:47:07.470 --> 00:47:11.170
<v Nick Elston>If I ask you for reassurance again, don't answer me.

748
00:47:12.464 --> 00:47:16.164
<v Nick Elston>Because if anybody here has had experiences of OCD,

749
00:47:16.385 --> 00:47:20.325
<v Nick Elston>you'll know that reassurance lasts for about twenty minutes. So

750
00:47:20.704 --> 00:47:24.704
<v Nick Elston>I think people family have always been very supportive. Obviously, I

751
00:47:24.704 --> 00:47:28.680
<v Nick Elston>got Teresa, got counseling, everything else in my childhood. But I think it wasn't

752
00:47:28.680 --> 00:47:32.520
<v Nick Elston>addressed because of just the way that the medical services were not lined up then.

753
00:47:32.520 --> 00:47:36.440
<v Nick Elston>I mean, I'm 47 now, so this is a long time ago. It was only

754
00:47:36.440 --> 00:47:39.880
<v Nick Elston>really when I started to address this in 02/2012, I started to make real kind

755
00:47:39.880 --> 00:47:43.355
<v Nick Elston>of inroads using current day therapy,

756
00:47:43.655 --> 00:47:47.255
<v Nick Elston>CBT, and lots of other things that are available now that just weren't available mainstream

757
00:47:47.255 --> 00:47:51.175
<v Nick Elston>then. Do you perceive it was already innate within you and

758
00:47:51.175 --> 00:47:53.995
<v Joanne Lockwood>there was a trigger event that set it off, or do you think it was

759
00:47:54.295 --> 00:47:58.240
<v Joanne Lockwood>a alert behavior later in life from a trigger event? Or do you

760
00:47:58.240 --> 00:48:01.920
<v Joanne Lockwood>think some of your anxiety, some of your upbringing has kind of made you

761
00:48:01.920 --> 00:48:05.619
<v Joanne Lockwood>vulnerable to to developing this kind of mental health

762
00:48:06.160 --> 00:48:08.880
<v Joanne Lockwood>challenge? Great question. The trigger point was,

763
00:48:10.305 --> 00:48:14.305
<v Nick Elston>as I understand it well, obviously, I can't remember before that. But as I

764
00:48:14.305 --> 00:48:18.224
<v Nick Elston>understand it, the trigger point was the the accident with my my sister and and

765
00:48:18.224 --> 00:48:22.065
<v Nick Elston>seeing that happen. I would say

766
00:48:22.065 --> 00:48:25.890
<v Nick Elston>that the the what I call flare ups since in a major

767
00:48:26.350 --> 00:48:30.110
<v Nick Elston>way have always happened at high points of stress. So there's an element of me

768
00:48:30.110 --> 00:48:34.110
<v Nick Elston>which kind of feels that maybe that's my default setting that I go straight

769
00:48:34.110 --> 00:48:37.630
<v Nick Elston>back to that point. It's but it's kind of like the you're trying to control

770
00:48:37.630 --> 00:48:41.375
<v Nick Elston>everything. And I think, again, that links in with just general

771
00:48:41.375 --> 00:48:45.315
<v Nick Elston>anxiety. And everybody that, that has that level of anxiety,

772
00:48:45.695 --> 00:48:49.375
<v Nick Elston>you try and control everything and everyone, and that only compains the level of

773
00:48:49.375 --> 00:48:53.250
<v Nick Elston>anxiety you're experiencing because you cannot control anybody or anything, and

774
00:48:53.250 --> 00:48:57.170
<v Nick Elston>the pursuit of doing so will only create extra damage. So it's a

775
00:48:57.170 --> 00:49:01.170
<v Nick Elston>really interesting one. Maybe that is my default setting. I kind of reference them

776
00:49:01.170 --> 00:49:05.125
<v Nick Elston>now as Indiana Jones mining cart tracks. They're always there. But if I

777
00:49:05.125 --> 00:49:08.325
<v Nick Elston>get shunted back onto them, I know it's come back quicker. I say Indiana Jones.

778
00:49:08.325 --> 00:49:11.045
<v Nick Elston>I mean, I'm back to the exit now. Is that what you're saying? It's like

779
00:49:11.045 --> 00:49:14.485
<v Joanne Lockwood>a a nineteen eighties computer game where you're trying to wander around trying to find

780
00:49:14.485 --> 00:49:17.285
<v Joanne Lockwood>the exit, and you know where the exit is. You turn left, turn right, turn

781
00:49:17.285 --> 00:49:20.230
<v Joanne Lockwood>left, turn right, and there it is. Yeah. I love that reference, Joe. I'm a

782
00:49:20.230 --> 00:49:23.590
<v Nick Elston>big gamer myself, so I do love that reference. It's really cool. Is that I

783
00:49:23.590 --> 00:49:26.310
<v Joanne Lockwood>I I was just thinking about my own sort of the way I would handle

784
00:49:26.310 --> 00:49:30.150
<v Joanne Lockwood>things. And I think over my life, I may have gone through moments in my

785
00:49:30.150 --> 00:49:34.105
<v Joanne Lockwood>life where I was acquiring stress and pressure, and everything was

786
00:49:34.105 --> 00:49:37.305
<v Joanne Lockwood>doom and gloom. There's no way out. How do I cope with this? And then

787
00:49:37.305 --> 00:49:40.665
<v Joanne Lockwood>I think I didn't do what you did, which is write down all these things

788
00:49:40.665 --> 00:49:43.705
<v Joanne Lockwood>that you worry about and then realize they hadn't happened. I I think my brain

789
00:49:43.705 --> 00:49:47.600
<v Joanne Lockwood>just was able to go, that's not real. That's not real. That's not

790
00:49:47.600 --> 00:49:51.520
<v Joanne Lockwood>real. And I I think I've recalibrated my pressure valve, whereas it used to

791
00:49:51.520 --> 00:49:55.440
<v Joanne Lockwood>have a high tolerance for pressure. And now it it blows really, really quickly. I

792
00:49:55.440 --> 00:49:59.360
<v Joanne Lockwood>go, not worth it. It's like sticking a knife in a car tire. It just

793
00:49:59.360 --> 00:50:03.175
<v Joanne Lockwood>deflates quickly, and I'm I have a quick I have a fucking yeah.

794
00:50:03.175 --> 00:50:06.935
<v Joanne Lockwood>Don't care. I'm out. Just poof. Not playing. And

795
00:50:06.935 --> 00:50:10.775
<v Joanne Lockwood>it's, it's, allows me to sort of deescalate things very

796
00:50:10.775 --> 00:50:14.615
<v Joanne Lockwood>quickly. Yeah. I love that. That's really cool. A friend of mine, Zoe,

797
00:50:14.615 --> 00:50:17.790
<v Nick Elston>she she says, I put it in front of the itty bitty shitty committee.

798
00:50:20.570 --> 00:50:24.570
<v Joanne Lockwood>And The brain is doing the Got a

799
00:50:24.570 --> 00:50:27.130
<v Joanne Lockwood>jar of fucks to give, which I I can't get one of them. That's pretty

800
00:50:27.130 --> 00:50:30.250
<v Nick Elston>cool. I've only got so many, and it's like, for special people, I have a

801
00:50:30.250 --> 00:50:32.785
<v Joanne Lockwood>a jar of hugs though, as well. So, you know, these are things I wanna

802
00:50:32.785 --> 00:50:36.065
<v Joanne Lockwood>get. Big fan of hugs. I'm I'm a big fan of that. That's cool. I

803
00:50:36.065 --> 00:50:39.905
<v Joanne Lockwood>love it. Yeah. I think put it in context that you, you know, when

804
00:50:39.905 --> 00:50:43.425
<v Joanne Lockwood>you wanna use fucks or spoons or whatever it is, you've only got so much

805
00:50:43.425 --> 00:50:47.060
<v Joanne Lockwood>you can give without it eating into you, isn't it? You know? I I'm not

806
00:50:47.060 --> 00:50:50.740
<v Joanne Lockwood>prepared to give you that fuck, I'm afraid. Sorry. It's not

807
00:50:50.740 --> 00:50:54.660
<v Joanne Lockwood>yours. I don't want it. It's mine. Yeah. There is. But

808
00:50:54.660 --> 00:50:58.120
<v Nick Elston>I think that takes a level of confidence and self esteem.

809
00:50:58.625 --> 00:51:02.625
<v Nick Elston>I think when people go through an adversity or a huge period

810
00:51:02.625 --> 00:51:06.625
<v Nick Elston>of change, I think that actually two of the things that are impacted for a

811
00:51:06.625 --> 00:51:10.385
<v Nick Elston>lot of people are self esteem and confidence, that not feeling they have the right

812
00:51:10.385 --> 00:51:14.320
<v Nick Elston>to reserve your fucks in this sense. There's something really empowering about finding

813
00:51:14.320 --> 00:51:18.160
<v Nick Elston>your voice. I think there's something really empowering about being able to own your story

814
00:51:18.160 --> 00:51:21.840
<v Nick Elston>in a way that you've taken control of the narrative in that sense.

815
00:51:22.800 --> 00:51:26.645
<v Nick Elston>I love that. I think that's such a cool thing. And when combined

816
00:51:26.645 --> 00:51:30.565
<v Nick Elston>with seeing what the value is in your story to other people

817
00:51:30.645 --> 00:51:34.425
<v Nick Elston>because actually, interestingly, the values of other people may not be something you consider important.

818
00:51:34.965 --> 00:51:38.165
<v Nick Elston>Maybe it's such a small part of your journey, but when you start to see

819
00:51:38.165 --> 00:51:41.750
<v Nick Elston>it from an audience perspective, there's something in your experiences, Joe, which really

820
00:51:41.750 --> 00:51:45.589
<v Nick Elston>resonates with people. And interestingly and, again, this came up in

821
00:51:45.589 --> 00:51:49.430
<v Nick Elston>conversation yesterday with, with a client that I could deliver the same

822
00:51:49.430 --> 00:51:52.730
<v Nick Elston>talk to the same audience four times

823
00:51:53.265 --> 00:51:57.105
<v Nick Elston>and have four different outcomes because if that one person in the

824
00:51:57.105 --> 00:52:00.625
<v Nick Elston>audience is going through a marital problem, they're gonna pick up on the bit when

825
00:52:00.625 --> 00:52:04.464
<v Nick Elston>I talk about personal relationships. Next time around, it could be a professional

826
00:52:04.464 --> 00:52:08.289
<v Nick Elston>problem, and they'll pick up they'll ignore the other bit. So it's it's not about

827
00:52:08.289 --> 00:52:12.210
<v Nick Elston>what we say to people. Trying to shatter our egos here. It's

828
00:52:12.210 --> 00:52:15.250
<v Nick Elston>about the receiver. It's about where they are and actually what they wanna pick up

829
00:52:15.250 --> 00:52:19.089
<v Nick Elston>from there. Yeah. How you make people feel? Yes. Yes. How you

830
00:52:19.089 --> 00:52:22.575
<v Joanne Lockwood>move them from a to b. It is. And I'm I think I'm the same

831
00:52:22.575 --> 00:52:26.335
<v Joanne Lockwood>as you. I I stand on the stage, and I've got a start and end,

832
00:52:26.335 --> 00:52:29.135
<v Joanne Lockwood>and I've got a rough map of how I'm gonna get from start to end.

833
00:52:29.135 --> 00:52:31.935
<v Joanne Lockwood>Yeah. A lot of it just depends on who smiles at me. If I say

834
00:52:31.935 --> 00:52:35.180
<v Joanne Lockwood>something and someone smiles at me, I go, okay. We'll just go into that a

835
00:52:35.180 --> 00:52:37.660
<v Joanne Lockwood>bit more. I'll talk to you for a bit. And I love that. Someone else

836
00:52:37.660 --> 00:52:40.940
<v Joanne Lockwood>will smile, and I'll talk to them for a bit. And it's Yeah. Different people

837
00:52:40.940 --> 00:52:44.380
<v Joanne Lockwood>will smile at different times or not, and you just feed off the audience. And

838
00:52:44.380 --> 00:52:47.275
<v Joanne Lockwood>I think that's the important thing. If I've got if I know I've got one

839
00:52:47.275 --> 00:52:51.115
<v Joanne Lockwood>person listening, I'm gonna keep talking to that one person. Yeah. I think it's

840
00:52:51.115 --> 00:52:54.715
<v Nick Elston>it's a musician thing. It's like you riff with your content. You you know what's

841
00:52:54.715 --> 00:52:57.960
<v Nick Elston>allowed in, so you stay in that. And I love that. That's really cool. I

842
00:52:57.960 --> 00:53:01.720
<v Nick Elston>love that. Yeah. I mean, I've I've I've never done a

843
00:53:01.720 --> 00:53:05.720
<v Joanne Lockwood>TEDx because you have to learn it off by heart and practice

844
00:53:05.720 --> 00:53:09.720
<v Joanne Lockwood>it and demo it. I don't do the same talk twice. I mean, I've

845
00:53:09.720 --> 00:53:12.599
<v Joanne Lockwood>I've got the same themes. I've got my LEGO bricks that I can make a

846
00:53:12.599 --> 00:53:15.935
<v Joanne Lockwood>fire station out of. But today, I might wanna make a racing car. You know?

847
00:53:15.935 --> 00:53:19.775
<v Joanne Lockwood>It's still the same bricks. Yeah. Yeah. Exactly. TED TED's an interesting

848
00:53:19.775 --> 00:53:23.535
<v Nick Elston>one. As a disclaimer, I do I do enjoy TED TED Talks, TEDx Talks, but

849
00:53:23.535 --> 00:53:27.055
<v Nick Elston>they do, as you say, follow the same kind of format and the same kind

850
00:53:27.055 --> 00:53:30.900
<v Nick Elston>of outcome and stuff. I prefer more free flowing. So in the same way

851
00:53:30.900 --> 00:53:34.900
<v Nick Elston>that people like Toastmasters have an amazing space in the world for presentation skills and

852
00:53:34.900 --> 00:53:38.500
<v Nick Elston>stuff, for me, it's it's finding somebody's voice and

853
00:53:38.500 --> 00:53:42.485
<v Nick Elston>amplifying them. It's not about kind of this conveyor belt of

854
00:53:42.485 --> 00:53:45.845
<v Nick Elston>making rinse and repeat speakers and and the way that they deliver and the way

855
00:53:45.845 --> 00:53:49.605
<v Nick Elston>that they format. I'm very much like you, Joe, that I'll have a big

856
00:53:49.605 --> 00:53:52.325
<v Nick Elston>image behind me on the screen, and then I'll work out where I'm gonna go

857
00:53:52.325 --> 00:53:55.349
<v Nick Elston>with this when I'm actually in front of people. And I think there's something in

858
00:53:55.349 --> 00:53:58.710
<v Nick Elston>it as well that you you've probably had the same experience. So there's things in

859
00:53:58.710 --> 00:54:01.750
<v Nick Elston>my head. Do a lot of thinking when I'm traveling and then creating, like, new

860
00:54:01.750 --> 00:54:05.269
<v Nick Elston>talks and stuff. And there's something I think this is gonna be brilliant. When I

861
00:54:05.269 --> 00:54:08.650
<v Nick Elston>say this, it's gonna be such a laugh. Be rolling in the oils. Nothing.

862
00:54:09.234 --> 00:54:13.234
<v Nick Elston>Tumbleweeds everywhere. And there's things that I've tripped over on the stage, which just

863
00:54:13.234 --> 00:54:17.234
<v Nick Elston>work because that it just on the and that stays in. So

864
00:54:17.234 --> 00:54:21.155
<v Nick Elston>that's why I always say that your story is an evolution, that it evolves

865
00:54:21.155 --> 00:54:24.960
<v Nick Elston>with you and the world and the audience and society and Donald Trump

866
00:54:24.960 --> 00:54:28.400
<v Nick Elston>and everything else is experiencing in the world right now. They're they're all has an

867
00:54:28.400 --> 00:54:32.400
<v Nick Elston>element of it changes the way that our story is told. Doesn't make your

868
00:54:32.400 --> 00:54:36.100
<v Nick Elston>your story wrong. It doesn't make your story disingenuous

869
00:54:36.560 --> 00:54:40.495
<v Nick Elston>or not original. It just means that you're adapting it

870
00:54:40.495 --> 00:54:44.415
<v Nick Elston>to where you where your beliefs and where your thoughts and insights are coming from

871
00:54:44.415 --> 00:54:48.415
<v Nick Elston>there. Yeah. My brain's I I think in in pictures and

872
00:54:48.415 --> 00:54:51.855
<v Joanne Lockwood>metaphors, which work in my head, they're not always working on people's heads. But I

873
00:54:51.855 --> 00:54:55.799
<v Joanne Lockwood>I think I was on stage once, and someone asked me this question. So how

874
00:54:55.799 --> 00:54:57.980
<v Joanne Lockwood>do you handle it when people are

875
00:54:59.319 --> 00:55:03.160
<v Joanne Lockwood>overenthusiastic or whatever whatever the phrase was? And I said,

876
00:55:03.160 --> 00:55:06.299
<v Joanne Lockwood>well, I'd rather ride a bucking bronco than drag a nag.

877
00:55:07.155 --> 00:55:10.515
<v Joanne Lockwood>So at least with a bucking bronco, you've got some energy. You could you can

878
00:55:10.515 --> 00:55:13.555
<v Joanne Lockwood>work with it. You can tame it. You can you can direct the energy. With

879
00:55:13.555 --> 00:55:16.675
<v Joanne Lockwood>a nag, just towing it along, you you're doing all the work. It doesn't wanna

880
00:55:16.675 --> 00:55:20.515
<v Joanne Lockwood>be there. People come up to me after someone and someone, oh, I've written that

881
00:55:20.515 --> 00:55:24.100
<v Joanne Lockwood>down and drag you know, don't remember my a dragon egg. And it's just something

882
00:55:24.100 --> 00:55:27.940
<v Joanne Lockwood>that popped into my head when someone asked me a question, and, it's become something

883
00:55:27.940 --> 00:55:31.700
<v Joanne Lockwood>I I I've used often. I like that. It's not not a

884
00:55:31.700 --> 00:55:34.035
<v Nick Elston>quote I thought I was gonna get today, but I like those.

885
00:55:35.795 --> 00:55:39.714
<v Joanne Lockwood>And I don't know about you, but you find yourself using these quotes. You think

886
00:55:39.714 --> 00:55:43.635
<v Joanne Lockwood>you've made them up, and then other people use them. Have you listened to my

887
00:55:43.635 --> 00:55:46.275
<v Joanne Lockwood>stuff, or have I listened to your stuff, or was it just a a really

888
00:55:46.275 --> 00:55:50.080
<v Joanne Lockwood>good conversation? I I quite openly own own my,

889
00:55:50.400 --> 00:55:54.400
<v Nick Elston>kind of complete copying because they're usually country music songs. I'm a

890
00:55:54.400 --> 00:55:58.400
<v Nick Elston>huge country music fan. It's kind of my thing. I love, kind of, Nashville and

891
00:55:58.400 --> 00:56:02.215
<v Nick Elston>everything else. And, so a lot of my quotes and

892
00:56:02.275 --> 00:56:06.115
<v Nick Elston>talk titles are country music songs. I think, actually, by owning it, I know

893
00:56:06.115 --> 00:56:09.635
<v Nick Elston>that I'm not certainly not playing any copy of somebody else I've listened to. But

894
00:56:09.635 --> 00:56:13.635
<v Nick Elston>I think you're right. I think that so the quote that I I love is

895
00:56:13.635 --> 00:56:17.463
<v Nick Elston>every storm runs out of rain, and and I use that the end of every

896
00:56:17.463 --> 00:56:21.251
<v Nick Elston>talk. But I kind of make a joke of the fact it's

897
00:56:21.251 --> 00:56:25.040
<v Nick Elston>not mine. I just it's a great country song by Gary

898
00:56:25.040 --> 00:56:28.829
<v Nick Elston>Allen. Check it out. But I I think you can have 10

899
00:56:28.829 --> 00:56:32.525
<v Nick Elston>speakers sharing the same sentiment from the stage and have 10 different impacts

900
00:56:32.745 --> 00:56:36.745
<v Nick Elston>because it's not about what we say. It's about how we make people feel and

901
00:56:36.745 --> 00:56:40.525
<v Nick Elston>how you deliver it. And the genuine, authentic,

902
00:56:41.400 --> 00:56:45.339
<v Nick Elston>vulnerable Joe that's sharing that statement will be very different from

903
00:56:45.720 --> 00:56:49.720
<v Nick Elston>somebody else. I always kinda liken it to scripted sales calls. No. It's

904
00:56:49.720 --> 00:56:53.079
<v Nick Elston>just in general. She don't buy into it. You you just you treat her with

905
00:56:53.079 --> 00:56:55.980
<v Nick Elston>the respect it deserves. Like, usually, you pull the cable out the wall.

906
00:56:58.865 --> 00:57:02.565
<v Nick Elston>Or you see an amazingly polished speaker at a conference.

907
00:57:02.945 --> 00:57:06.945
<v Nick Elston>Politicians are great in this. Amazingly polished, but you can't buy into it.

908
00:57:06.945 --> 00:57:10.809
<v Nick Elston>You can't emotionally buy into it because you just know it's kind of, or

909
00:57:10.809 --> 00:57:14.170
<v Nick Elston>you see that kind of cell speaker at a conference, and they'll give you an

910
00:57:14.170 --> 00:57:17.450
<v Nick Elston>amazingly polished talk. They'll run to the back of the room now. There's only 10,000

911
00:57:17.450 --> 00:57:21.369
<v Nick Elston>pounds. They've lost you because it's disingenuous. And I think

912
00:57:21.369 --> 00:57:25.230
<v Nick Elston>that's the bit that we need to explore more people like you, Joe, where

913
00:57:25.625 --> 00:57:29.625
<v Nick Elston>you are leading I call it emotional leadership and emotional

914
00:57:29.625 --> 00:57:33.224
<v Nick Elston>storytelling. You're taking people on a journey through

915
00:57:33.224 --> 00:57:37.145
<v Nick Elston>feeling what you're saying, not hearing the words per se. I

916
00:57:37.145 --> 00:57:40.845
<v Nick Elston>think people will very rarely remember what I've said,

917
00:57:41.440 --> 00:57:44.960
<v Nick Elston>but they'll know how I make them feel. And that's the bit that sticks with

918
00:57:44.960 --> 00:57:48.820
<v Nick Elston>people. I don't get a secret. I very rarely rarely remember what I've said myself.

919
00:57:50.160 --> 00:57:54.160
<v Joanne Lockwood>It's it just it it comes out of a bit. My brain

920
00:57:54.160 --> 00:57:56.994
<v Joanne Lockwood>comes out of my mouth, but it doesn't go through the memory part. And it's

921
00:57:56.994 --> 00:58:00.835
<v Joanne Lockwood>just, I've taken to recording. I've got a mic I clip

922
00:58:00.835 --> 00:58:04.275
<v Joanne Lockwood>onto my lapel sometimes on my dress when I'm speaking, and I I transcribe it

923
00:58:04.275 --> 00:58:06.595
<v Joanne Lockwood>after, so I can look back and go, oh, that was actually some good stuff

924
00:58:06.595 --> 00:58:10.050
<v Nick Elston>in there, wasn't it? Something like that. It's a great idea. Because usually I just

925
00:58:10.050 --> 00:58:13.810
<v Nick Elston>end up slipping the videographer a couple of hundred quid to get the raw

926
00:58:13.810 --> 00:58:16.930
<v Nick Elston>footage. Actually, re recording my own is a good shout. That's a that's a great

927
00:58:16.930 --> 00:58:20.130
<v Nick Elston>tip. Yeah. I've got an app on my phone, and I've got a little mic.

928
00:58:20.130 --> 00:58:23.484
<v Joanne Lockwood>I just clip it on and and just get my phone to record. And then

929
00:58:23.484 --> 00:58:26.925
<v Joanne Lockwood>I I upload it into AI, and it transcribes it. It comes up with takeaways.

930
00:58:26.925 --> 00:58:30.765
<v Joanne Lockwood>And I I often give my That's that. Speaker booker I said, you know, I

931
00:58:30.765 --> 00:58:34.685
<v Joanne Lockwood>I not only talk. I'll give you, an FAQ, a a

932
00:58:34.685 --> 00:58:38.525
<v Joanne Lockwood>terminology, and a and a and an output, a takeaways from this from my

933
00:58:38.525 --> 00:58:42.500
<v Joanne Lockwood>talk. Yeah. Go back, drag and drop, puff cut it and paste it into Word,

934
00:58:42.500 --> 00:58:46.360
<v Joanne Lockwood>PDF it, and send off the speaker book. Yeah. Yeah. Send it to your audience.

935
00:58:46.500 --> 00:58:50.500
<v Nick Elston>But that's because you're creating an experience. You're not

936
00:58:50.500 --> 00:58:54.445
<v Nick Elston>just giving a talk. You're creating an experience where people get

937
00:58:54.445 --> 00:58:58.365
<v Nick Elston>genuine value from that. But, again, you see I mean, you I'm sure you've been

938
00:58:58.365 --> 00:59:01.565
<v Nick Elston>at these conferences speaking as well. You see so many speakers that just kinda like

939
00:59:01.565 --> 00:59:05.325
<v Nick Elston>come on and do the slides and the whole Chris Whitty thing and then go

940
00:59:05.325 --> 00:59:09.319
<v Nick Elston>again. And it's like what actually happened there. But we don't we can't remember

941
00:59:09.319 --> 00:59:12.519
<v Nick Elston>what he said or what was covered. But, okay, who's next? And I think that's

942
00:59:12.519 --> 00:59:16.519
<v Nick Elston>why when you get somebody with genuine emotion comes on, it really

943
00:59:16.519 --> 00:59:20.435
<v Nick Elston>enlivens the room. It really wakes people up because, actually, what you're

944
00:59:20.435 --> 00:59:24.195
<v Nick Elston>talking about is a human experience. And not people that have had the same

945
00:59:24.195 --> 00:59:28.055
<v Nick Elston>experience as you very often, but people that want they're just intrigued

946
00:59:28.115 --> 00:59:31.875
<v Nick Elston>by We have been brought up and

947
00:59:31.875 --> 00:59:35.370
<v Nick Elston>for generations on storytelling, good and bad, but

948
00:59:38.490 --> 00:59:40.410
<v Nick Elston>But it's the stories that we tell people. And I think your ability to change

949
00:59:40.410 --> 00:59:44.110
<v Nick Elston>the dynamic in the room is is absolutely a superpower because

950
00:59:45.290 --> 00:59:48.730
<v Nick Elston>you know it's true. When we've been in the open plan office and that really

951
00:59:48.730 --> 00:59:52.655
<v Nick Elston>angry person walks in, that stuff ripples. When really happy person walks in, that

952
00:59:52.655 --> 00:59:56.655
<v Nick Elston>stuff ripples. You can change the environment with your words immediately, but it's

953
00:59:56.655 --> 01:00:00.335
<v Nick Elston>the emotion that really people tune into. That's what they feel. Yeah. I can't wait

954
01:00:00.335 --> 01:00:03.695
<v Nick Elston>to see one of your talks, no joke. Well, when we when we hang up

955
01:00:03.695 --> 01:00:07.270
<v Joanne Lockwood>this, we'll have to exchange some notes. Maybe we'll collaborate on something. Sounds good. Do

956
01:00:07.270 --> 01:00:11.110
<v Nick Elston>talk about that. Yeah. Nick, it's been an absolutely

957
01:00:11.110 --> 01:00:14.950
<v Joanne Lockwood>fascinating chat in a way, and, Love that. Thank you. It's nice to find a

958
01:00:14.950 --> 01:00:18.330
<v Joanne Lockwood>kindred spirit, and Yeah. We share a lot of common

959
01:00:18.870 --> 01:00:22.724
<v Joanne Lockwood>values, beliefs, and thoughts. And, yeah,

960
01:00:22.724 --> 01:00:26.724
<v Joanne Lockwood>and thank you for going deep on your mental health and your OCD. And I've

961
01:00:26.885 --> 01:00:30.805
<v Joanne Lockwood>I have to admit, I was a bit curious, and I I I thank

962
01:00:30.805 --> 01:00:34.484
<v Joanne Lockwood>your vulnerability for sharing it with me and the audience. So, yeah, thank

963
01:00:34.484 --> 01:00:37.760
<v Joanne Lockwood>you. Bye bye. Likewise, Joe. Thank you. Lovely to meet you as well, and and

964
01:00:37.760 --> 01:00:41.600
<v Nick Elston>thanks to everybody else for tuning in as well. Who can get ahold of you?

965
01:00:41.600 --> 01:00:45.440
<v Nick Elston>Nice and simple, just like me. B w w nick elston dot com. You'll find

966
01:00:45.440 --> 01:00:48.880
<v Nick Elston>everything on there. I'm not on Facebook, Twitter, or Instagram. Just if you are on

967
01:00:48.880 --> 01:00:52.655
<v Nick Elston>LinkedIn, you can connect me with me on there for sure. And also

968
01:00:52.655 --> 01:00:56.575
<v Joanne Lockwood>look up your articles on HR's own training zone and publications such as that. Yeah.

969
01:00:56.575 --> 01:00:59.535
<v Nick Elston>Absolutely. Yeah. Stay tuned for those, and I'll be digging a bit deeper into your

970
01:00:59.535 --> 01:01:03.075
<v Nick Elston>archive as well. So I really like the cut of your chip.

971
01:01:05.540 --> 01:01:09.000
<v Joanne Lockwood>Excellent. Let's get to easy turn as well. Carry on, Phil. Nick,

972
01:01:09.540 --> 01:01:13.460
<v Joanne Lockwood>thank you. Thank you. As we bring this

973
01:01:13.460 --> 01:01:17.080
<v Joanne Lockwood>conversation to a close, I want to express my deepest

974
01:01:17.140 --> 01:01:21.085
<v Joanne Lockwood>gratitude to you, our listener, for lending your ear

975
01:01:21.085 --> 01:01:24.765
<v Joanne Lockwood>and heart to the cause of inclusion. If

976
01:01:24.765 --> 01:01:28.285
<v Joanne Lockwood>today's discussion struck a chord, consider subscribing to

977
01:01:28.285 --> 01:01:31.965
<v Joanne Lockwood>Inclusion Bites and become part of our ever growing

978
01:01:31.965 --> 01:01:35.660
<v Joanne Lockwood>community, driving real change. Share this journey with

979
01:01:35.660 --> 01:01:39.040
<v Joanne Lockwood>friends, family, and colleagues. Let's amplify the voices

980
01:01:39.500 --> 01:01:43.420
<v Joanne Lockwood>that matter. Got thoughts, stories, or a vision

981
01:01:43.420 --> 01:01:46.335
<v Joanne Lockwood>to share? I'm all ears. Reach out to

982
01:01:46.335 --> 01:01:50.195
<v Joanne Lockwood>jo.lockwood@seechangehappen.co.uk,

983
01:01:50.255 --> 01:01:54.255
<v Joanne Lockwood>and let's make your voice heard. Until next time. This is

984
01:01:54.255 --> 01:01:58.015
<v Joanne Lockwood>Joanne Lockwood signing off with a promise to return with

985
01:01:58.015 --> 01:02:01.540
<v Joanne Lockwood>more enriching narratives that challenge, inspire,

986
01:02:01.760 --> 01:02:05.460
<v Joanne Lockwood>and unite us all. Here's to fostering a more inclusive world,

987
01:02:05.520 --> 01:02:08.660
<v Joanne Lockwood>one episode at a time. Catch you on the next bite.