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<v Pippa O'Brien>Foreign.

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<v Joanne Lockwood>Welcome to Inclusion Bites, your sanctuary

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<v Joanne Lockwood>for bold conversations that spark change. I'm Joanne Lockwood,

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<v Joanne Lockwood>your guide on this journey of exploration into the heart of

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<v Joanne Lockwood>inclusion, belonging and societal transformation.

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<v Joanne Lockwood>Ever wondered what it truly takes to create a world? Remember, everyone

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<v Joanne Lockwood>not only belongs, but thrives. You're not alone.

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<v Joanne Lockwood>Join me as we uncover the unseen, challenge

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<v Joanne Lockwood>the status quo and share stories that resonate

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<v Joanne Lockwood>deep within. Ready to dive in? Whether you're

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<v Joanne Lockwood>sipping your morning coffee or winding down after a long day, let's

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<v Joanne Lockwood>connect, reflect and inspire action together.

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<v Joanne Lockwood>Don't forget, you can be part of the conversation too. Reach out

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<v Joanne Lockwood>to jo.lockwood@seechangehappen.co.uk

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<v Joanne Lockwood>to share your insights or to join me on the show.

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<v Joanne Lockwood>So adjust your earbuds and settle in. It's time to

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<v Joanne Lockwood>ignite the spark of inclusion with Inclusion Bites.

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<v Joanne Lockwood>And today is episode 175

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<v Joanne Lockwood>with the title Brave Learning, Bold Leadership.

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<v Joanne Lockwood>And I have the absolute honour and privilege to welcome Pippa O'Brien.

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<v Joanne Lockwood>Pippa is a learning innovator and founder of Proda,

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<v Joanne Lockwood>transforming how frontline teams experience inclusion through immersive

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<v Joanne Lockwood>drama and authentic conversations. And when I asked Pippa

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<v Joanne Lockwood>to describe her superpower, she said, it is turning everyday people

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<v Joanne Lockwood>into empowered learners to through real world storytelling.

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<v Joanne Lockwood>Hello, Pippa. Welcome to the show. Thank you so much for

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<v Pippa O'Brien>inviting me. I feel really privileged and honoured to be the

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<v Pippa O'Brien>guest on episode 175. I'm in very safe

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<v Pippa O'Brien>hands, clearly. And looking at your nails, I think

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<v Pippa O'Brien>beautifully manicured. Safe hands as well. Mine are under the table

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<v Pippa O'Brien>for a reason. Not so manicured. Right? Beautiful.

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<v Joanne Lockwood>Oh, thank you. We met probably 18 months

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<v Joanne Lockwood>ago. Must be to work with Tallis, wasn't it? We did a

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<v Joanne Lockwood>storytelling. I was one of your protagonists in a

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<v Joanne Lockwood>story, wasn't I? Yes, definitely. And then we took that input

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<v Pippa O'Brien>and we used it for some drama where we

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<v Pippa O'Brien>showcased what allyship should and could look like and

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<v Pippa O'Brien>involved the learners in feeding lines to the

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<v Pippa O'Brien>actors so they could be really fully immersed and involved in

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<v Pippa O'Brien>the story as well. Well, yeah, and it was all around transgender

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<v Joanne Lockwood>inclusion, if I remember rightly, with. And my wife Marie was involved and we. We

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<v Joanne Lockwood>did a kind of a dual perspective on workplace and how she

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<v Joanne Lockwood>felt and how I felt, which is quite powerful, wasn't it? It was really powerful.

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<v Pippa O'Brien>And I think one of the lessons that that organisation took from that

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<v Pippa O'Brien>session was, yes, it could be transgender, it could be

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<v Pippa O'Brien>any other situation that somebody is facing in their life

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<v Pippa O'Brien>and that there's no playbook out there that covers every possible

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<v Pippa O'Brien>scenario that could be going on. In somebody's life. And actually the

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<v Pippa O'Brien>using your and Marie's story, if you like, to set the

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<v Pippa O'Brien>scene was so powerful and really thought provoking.

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<v Pippa O'Brien>And then in the drama we flipped it and we had

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<v Pippa O'Brien>the actor from memory. The scenario that I'd written was a

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<v Pippa O'Brien>gay couple where one of the members of

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<v Pippa O'Brien>the one partner in that partnership was wanted to transition.

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<v Pippa O'Brien>That was the way that we flipped it. And actually

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<v Pippa O'Brien>you never know what's going on for people. People show up for work,

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<v Pippa O'Brien>they do the best that they can in the moment and what's under

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<v Pippa O'Brien>the surface is like this massive iceberg that you just don't see. But it

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<v Pippa O'Brien>comes out through people's behaviour. It's what they say and what they do that

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<v Pippa O'Brien>gives clues to what's going on to the surface. And quite often that's the

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<v Pippa O'Brien>time when somebody needs to reach out and say, when what's happening? Tell me.

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<v Pippa O'Brien>And doing so from a position of

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<v Pippa O'Brien>where there's trust between the two people and the leadership

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<v Pippa O'Brien>behaviour then is really around not just trust, but the

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<v Pippa O'Brien>integrity piece as well. Like, I need you to

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<v Pippa O'Brien>trust me and I'm going to trust you, but actually I need

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<v Pippa O'Brien>you to treat that information with integrity and

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<v Pippa O'Brien>be there to support me as a person. Really, that's. That's kind of the

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<v Pippa O'Brien>message that I wanted to come out from that session. Because we hear

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<v Joanne Lockwood>that lived experience talking and stories are

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<v Joanne Lockwood>really, really powerful. And they are, yeah. But in my experience,

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<v Joanne Lockwood>the learning doesn't always occur. I. I don't go

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<v Joanne Lockwood>and watch a Netflix or go to the cinema and hear these powerful

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<v Joanne Lockwood>stories, whether they're real drama or

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<v Joanne Lockwood>interpreted, and always take learning away from them. So

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<v Joanne Lockwood>what we're going to try and do is take a two dimensional story

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<v Joanne Lockwood>and create rumination, creating

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<v Joanne Lockwood>firing points in our brains. And that's where the experiential,

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<v Joanne Lockwood>the storytelling with interaction kicks in, isn't it? Totally.

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<v Pippa O'Brien>And that's really what we've done with a programme that we've been running

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<v Pippa O'Brien>quite recently. And this is, this is

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<v Pippa O'Brien>something that was really a little bit of a. Well, I'm going to

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<v Pippa O'Brien>suggest this, this is a bit out there, if you know what I mean. And

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<v Pippa O'Brien>I was really expecting the client to come back and go, oh, no, that's. Well,

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<v Pippa O'Brien>we couldn't do that. And actually they didn't. They went, okay, let's do it. And

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<v Pippa O'Brien>I was okay. So a bit surprised, but also really honoured

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<v Pippa O'Brien>that they had trusted me to do a great job for them. And

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<v Pippa O'Brien>not just me, but my whole team, the whole team here at Poda and

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<v Pippa O'Brien>though their population and workforce,

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<v Pippa O'Brien>although there's a number of them who are really highly

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<v Pippa O'Brien>qualified professionals, the bulk of their workforce is

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<v Pippa O'Brien>people who are really skilled but they're manual workers. So they do

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<v Pippa O'Brien>manual work outside in all weathers. That's pretty

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<v Pippa O'Brien>unpleasant at times. I'll be honest. The average reading age

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<v Pippa O'Brien>for a lot of these operatives is 11.

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<v Pippa O'Brien>Age 11. So when I was designing something

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<v Pippa O'Brien>I had to be really mindful that

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<v Pippa O'Brien>for whatever reason they had this lower literacy

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<v Pippa O'Brien>level but that could be caused by a number of different reasons. But

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<v Pippa O'Brien>whatever for, but for whatever reason school had failed them

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<v Pippa O'Brien>in some way or another or education had failed them. So

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<v Pippa O'Brien>putting them in a classroom environment with. And here's slide

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<v Pippa O'Brien>199 which just describes the

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<v Pippa O'Brien>Equality act of 2010 probably wasn't going to be

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<v Pippa O'Brien>the real way forward for this audience. So what we

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<v Pippa O'Brien>designed was a programme where from the

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<v Pippa O'Brien>moment they arrived they were immersed into a real life

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<v Pippa O'Brien>drama, if you want to call it that. We had the characters in the drama

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<v Pippa O'Brien>welcoming them. Oh dear, my words got a little bit mumbled up there,

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<v Pippa O'Brien>mumbled up, inviting them and welcoming them

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<v Pippa O'Brien>and I still can't say it, welcoming them to the session and

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<v Pippa O'Brien>then allowing them to observe a meeting where

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<v Pippa O'Brien>there was some extremes of opinion being expressed.

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<v Pippa O'Brien>Okay. And what we asked them to do was just listen and then talk about

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<v Pippa O'Brien>it afterwards. Okay, so what did they notice? What behaviours

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<v Pippa O'Brien>did they notice, what words did they hear and what did that mean for them?

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<v Pippa O'Brien>So how did that resonate with them and their own personal experiences.

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<v Pippa O'Brien>So the lived experiences then came from within the room

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<v Pippa O'Brien>as much as anything. And we, we really wanted people

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<v Pippa O'Brien>who were maybe of a generation,

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<v Pippa O'Brien>I think Gen Z, I think is a, is a, is one way to describe

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<v Pippa O'Brien>them, to talk about how people have made assumptions about them and what they were

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<v Pippa O'Brien>capable of based on their age. We wanted people to talk about gender. We

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<v Pippa O'Brien>wanted to talk about people who had and really explore a

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<v Pippa O'Brien>whole range of labels really which that people give other

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<v Pippa O'Brien>people that are really, that are really about bias, aren't they? You know,

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<v Pippa O'Brien>there's, there's nothing else to describe it. Oh, there are this, there are that, that's

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<v Pippa O'Brien>a label and actually the label is the bias and it can be positive or

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<v Pippa O'Brien>not so positive. But equally there's something here around

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<v Pippa O'Brien>challenging those biases and really reminding people that

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<v Pippa O'Brien>actually as individuals and as human beings we're always looking

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<v Pippa O'Brien>to confirm biases unless we actively are challenged on them.

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<v Pippa O'Brien>So the data that sticks is the data that confirms the

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<v Pippa O'Brien>biases that we already hold and the opinions that we already hold. So. And

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<v Pippa O'Brien>that's kind of linked to also. And then with these people we were talking about,

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<v Pippa O'Brien>well why is that then? And they were talking about, well, it's social media in

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<v Pippa O'Brien>it. You know, we had some great discussions around social media,

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<v Pippa O'Brien>the role of the press and then moving into allyship and how

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<v Pippa O'Brien>to challenge and how to challenge up. And we used our drama team

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<v Pippa O'Brien>to role play like a more senior member of staff and then how they could

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<v Pippa O'Brien>challenge that in a way that was going to be non threatening for

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<v Pippa O'Brien>them individually. And we had some great outcomes from that. Really great,

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<v Pippa O'Brien>some really great conversations. You've got some people that go, no, he's right,

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<v Pippa O'Brien>he's wrong and that was it. But everybody else in the room was saying, you

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<v Pippa O'Brien>don't think that, do you? Well, yes, I do. And that's great because you're bringing

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<v Pippa O'Brien>it all out into the open in one go. The only way we could do

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<v Pippa O'Brien>that was to create a really safe environment where people felt they could

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<v Pippa O'Brien>genuinely say what they believe

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<v Pippa O'Brien>and to be prepared to be challenged by other people in a way that was

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<v Pippa O'Brien>appropriate. Okay, yeah, we're really pleased with that one. It

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<v Pippa O'Brien>landed well. And you can see from my face that we actually really

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<v Pippa O'Brien>enjoy doing it as well. And I'm doing it this week for a company down

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<v Pippa O'Brien>in Winchester. So I'm quite excited about that. It's one that I love doing.

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<v Joanne Lockwood>Yeah, I found, you know, I've run a lot of training sessions on inclusive recruitment.

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<v Joanne Lockwood>Inclusive best practise, whatever it may be. And sometimes you walk into the room and

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<v Joanne Lockwood>you can see people with their arms folded. You know, I don't want to be

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<v Joanne Lockwood>here. This is all a bunch of woke nonsense. And they have

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<v Joanne Lockwood>that face on, don't they? And then you do the introductions in a room. Yeah.

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<v Joanne Lockwood>And I said, what are you hoping to get out today? And this person's always

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<v Joanne Lockwood>kind of making some sort of remark about whatever because I have to be

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<v Joanne Lockwood>whatever and. But I find that those people do two

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<v Joanne Lockwood>things. One is they enlighten the rest of the room as to the importance

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<v Joanne Lockwood>of why we're here today. Because they're doing my job there. They're saying, well, I

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<v Joanne Lockwood>haven't got to say the anti pushback on this. There's already that person's in the

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<v Joanne Lockwood>room. But the second thing that happens is this person becomes

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<v Joanne Lockwood>enlightened. Their change in them is far

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<v Joanne Lockwood>greater than the change in people who actually get it. So I always

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<v Joanne Lockwood>come at the end of it. I've had these people come out to me or

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<v Joanne Lockwood>at the end of the day, so what have we got out of it? Oh,

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<v Joanne Lockwood>I've seen a new perspective and I never really thought about this. And it's like,

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<v Joanne Lockwood>you think, wow, I've made a

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<v Joanne Lockwood>immeasurable difference in this one person. My job is done.

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<v Joanne Lockwood>Everybody else got it already. All I've done is nudge them a bit. This person

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<v Joanne Lockwood>here went from being uninformed to being embracing it. You think,

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<v Joanne Lockwood>wow, how powerful is that? And I think that's what frustrates me.

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<v Joanne Lockwood>Sometimes when we have these conversations, we always end up with the echo

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<v Joanne Lockwood>chamber in the room, not the people who should be in the room, but who

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<v Joanne Lockwood>aren't. Do you find it's easier to get people in the room

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<v Joanne Lockwood>when you're doing the storytelling and this is role playing, than it would be through

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<v Joanne Lockwood>traditional training? 100%. And that's regardless

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<v Pippa O'Brien>of the organisational level, if you

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<v Pippa O'Brien>like, it's just as powerful at exec level.

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<v Pippa O'Brien>For example, if we were looking at a DEI programme,

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<v Pippa O'Brien>then we would start at the top, obviously, and really explore,

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<v Pippa O'Brien>well, why is this so important?

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<v Pippa O'Brien>But with that team, and then obviously bring in

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<v Pippa O'Brien>some data at that point. But also, more importantly, do something around

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<v Pippa O'Brien>allyship, because that's their role, that's what they should be doing every single day,

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<v Pippa O'Brien>is being the ally for people in their organisation

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<v Pippa O'Brien>and making sure that their organisations reflect the communities

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<v Pippa O'Brien>and the organisations that they serve as well. And when I see so

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<v Pippa O'Brien>many people who. I'm going to use example here of back to the

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<v Pippa O'Brien>office, you know, going back to the office and you hear so many people

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<v Pippa O'Brien>at exec level that are saying, everybody should work from the office. This

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<v Pippa O'Brien>is, you know, the people. And actually, when you look at them, there's a certain

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<v Pippa O'Brien>demographic that says that, and typically they would be

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<v Pippa O'Brien>male, white, probably over 50

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<v Pippa O'Brien>now. Yes. For them, I'm sure that going to the office is

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<v Pippa O'Brien>structure, it's routine. And then when they get home, there's

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<v Pippa O'Brien>somebody who's made sure that their shirts are ready for the next day, that they've

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<v Pippa O'Brien>got everything that they need to be for them to be successful, if

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<v Pippa O'Brien>you see what I mean, on the. Table, the kids are looked after. Yeah.

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<v Joanne Lockwood>The cat has been fed everything else. Yeah, yeah, you're right. And

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<v Pippa O'Brien>when you. When you look at people who, during

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<v Pippa O'Brien>lockdown, who were loving it, were the people who had that flexibility

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<v Pippa O'Brien>of being able to. To do a bit of work, look after

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<v Pippa O'Brien>their children, be the best person that they could be for their families, do things

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<v Pippa O'Brien>like the school pickup and the things that they just didn't have a chance to

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<v Pippa O'Brien>do. And I did a bit of research for a company at the back end

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<v Pippa O'Brien>of lockdown around whether going back to work was,

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<v Pippa O'Brien>was really the way to go, or whether they could actually consider

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<v Pippa O'Brien>closing down some of their sites and going to a fully remote model, but

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<v Pippa O'Brien>with some hubs where go for meetings, you know, face to face meetings

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<v Pippa O'Brien>if needed. I ran some focus groups for them and

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<v Pippa O'Brien>universally there was a demographic that was like,

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<v Pippa O'Brien>this is brilliant, I love this. I can get up, I can do two hours

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<v Pippa O'Brien>work, I get the kids packed, lunches in the bags, I get them to school,

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<v Pippa O'Brien>I come back, I do more. And it's. For them, it was just what they've

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<v Pippa O'Brien>always needed and just what they've always needed to be able

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<v Pippa O'Brien>to be the best person that they can be at work and also

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<v Pippa O'Brien>the best person that they can be for their family as well.

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<v Pippa O'Brien>Surely that's what organisations need to

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<v Pippa O'Brien>ensure is available, is people to have

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<v Pippa O'Brien>the flexibility of what works for them, but also make sure that

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<v Pippa O'Brien>they are. They know how to manage people in

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<v Pippa O'Brien>a completely different environment. Because I think a lot of people tried to manage people

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<v Pippa O'Brien>as they always had done from home and it didn't

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<v Pippa O'Brien>work. So they've all got to come back to the office. Not what we do

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<v Pippa O'Brien>needs to change, but. Or the way that we do this needs to change, but

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<v Pippa O'Brien>let's just take away all the bits that work for a good

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<v Pippa O'Brien>percentage of the workforce and impose bits that don't work, you know,

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<v Pippa O'Brien>so it's like, for me, it's a real fundamental of

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<v Pippa O'Brien>flexibility, is that you trust people to do a great job, you

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<v Pippa O'Brien>explain the why and you're the leader that

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<v Pippa O'Brien>they need in order to be the best that they can be. It's quite

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<v Pippa O'Brien>simple in my opinion. Yeah. When

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<v Joanne Lockwood>I was doing some events, some roundtable type discussions around

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<v Joanne Lockwood>the time where we were just about to take our face masks off on

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<v Joanne Lockwood>trains, you know, sort of that early stage, remember back in that time, back in

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<v Joanne Lockwood>that history, and I remember that lots of big companies were trying to

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<v Joanne Lockwood>sell their culture. We need to get you back in the office because we've got

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<v Joanne Lockwood>our culture, we've got our way of talking, we've got our way of being,

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<v Joanne Lockwood>we've got a fantastic culture, we want to. I

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<v Joanne Lockwood>took a step back and said, well, hang on a minute, what you're trying to

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<v Joanne Lockwood>do me is exchange culture for commute is what you're saying.

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<v Joanne Lockwood>You give me, I commute for you and then you give me a culture. And

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<v Joanne Lockwood>I said, now, hang on a minute. I want my culture, like my pension.

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<v Joanne Lockwood>It's a personal pension, I could take it anywhere. So when I leave you, I

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<v Joanne Lockwood>take it with me and go somewhere else. So my personal culture, my family

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<v Joanne Lockwood>culture, my community culture should be first. And

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<v Joanne Lockwood>your culture is this something I borrow while I'm here. I have

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<v Joanne Lockwood>to like it, I have to fit in with it. But I would rather you

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<v Joanne Lockwood>encourage me to build community links, to co work in my local

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<v Joanne Lockwood>community to have more family time so that my

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<v Joanne Lockwood>culture is now my own. And we

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<v Joanne Lockwood>meet because your culture and my culture meet. But don't tell

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<v Joanne Lockwood>me that I have to have your culture because, yeah, you may

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<v Joanne Lockwood>have this belief that your culture is amazing, but actually my family is

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<v Joanne Lockwood>amazing, my friends are amazing, my hobbies

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<v Joanne Lockwood>and I want that time back. I don't want to give you two and a

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<v Joanne Lockwood>half hours of commute each direction because that's my time that

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<v Joanne Lockwood>I'm giving you for free. 100%. I completely agree with that. And I

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<v Pippa O'Brien>think that's where having values and actually within an

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<v Pippa O'Brien>organisation can bridge that gap. Because if you

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<v Pippa O'Brien>make values meaningful in people's daily behaviour

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<v Pippa O'Brien>in an organisation, that's one way of bridging the gap between

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<v Pippa O'Brien>the culture and like personal culture

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<v Pippa O'Brien>and organisational culture, if you want to call it that, because it's making

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<v Pippa O'Brien>sure that, for example, if you've got a

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<v Pippa O'Brien>innovation as a value, which a lot of organisations

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<v Pippa O'Brien>do, then if somebody asks a great idea, oh, I've got an idea, the

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<v Pippa O'Brien>hand goes out and then you get, no, that's not going to work. Or really.

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<v Pippa O'Brien>Or no, then it's. I would

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<v Pippa O'Brien>liken that to that whack a mole game. You know, that you get in the

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<v Pippa O'Brien>fun fair with the hammer and you get the little mole and you stick your

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<v Pippa O'Brien>chin up like that, that's my mole impression for the morning. And then the

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<v Pippa O'Brien>manager's there with a hammer, whacking it down. After a while, that mole's going to

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<v Pippa O'Brien>go, I'm nice and warm and cosy in my hole. I'm not going to get

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<v Pippa O'Brien>up because if I stick my head up, I'm going to get whacked on the

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<v Pippa O'Brien>head with a hammer. So that whack a mole culture,

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<v Pippa O'Brien>where people say, oh, we believe in innovation. No,

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<v Pippa O'Brien>they don't. You've got. If somebody comes up with an idea, then you need to

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<v Pippa O'Brien>give it the airtime, explore it. It might not work in that

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<v Pippa O'Brien>circumstance, but you've got to be really clear with the person, why not? Rather

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<v Pippa O'Brien>than just that dismissal piece because the one

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<v Pippa O'Brien>idea that that little mole may have in the future, that could be the

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<v Pippa O'Brien>salvation of whatever, that you're never going to hear it because they're never going to

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<v Pippa O'Brien>tell you. And that's what I mean about living values and

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<v Pippa O'Brien>bringing values to life. Yeah, it's not always a bad idea. Because

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<v Joanne Lockwood>if you were to enlighten the person who came up with that thought that

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<v Joanne Lockwood>didn't work for whatever reason as to the reasons why right

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<v Joanne Lockwood>now it doesn't work, then they go, I get that now let me have

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<v Joanne Lockwood>small thinking. Correct. Because one person's thought isn't always one

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<v Joanne Lockwood>person's thought. A lot of people are often thinking the same thing. I mean,

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<v Joanne Lockwood>I look at what the government do and think that's crazy. Why are they doing

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<v Joanne Lockwood>that? I look at what's going on across the water in the States, I think

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<v Joanne Lockwood>that's crazy why they're doing that. Maybe there's information, I don't

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<v Joanne Lockwood>know, the media, the military,

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<v Joanne Lockwood>there's data, there's awareness, there's briefings that politicians

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<v Joanne Lockwood>have, there's big think tanks going on. And my

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<v Joanne Lockwood>bias says I know better because I'm more intelligent, I'm cleverer. That's

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<v Joanne Lockwood>not a bias I have. We all have that. So we're almost saying, well, that

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<v Joanne Lockwood>they don't know what they're doing. They must be less intelligent than me.

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<v Joanne Lockwood>But we've got to accept that they have some good ideas as well. That I

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<v Joanne Lockwood>don't know is why they think that. And that's what I need to know if

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<v Joanne Lockwood>they tell me. Actually, Joe, the reason we're doing this, the reason we're

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<v Joanne Lockwood>invading that country and it looks to be a little bit one sided here, is

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<v Joanne Lockwood>because there's some threat intelligence that we see that you

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<v Joanne Lockwood>don't. Okay, now I get it. So

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<v Joanne Lockwood>if we listen to people's ideas and dismissing them, we need to give them the

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<v Joanne Lockwood>why. Because if you tell me the why, I can challenge your why with,

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<v Joanne Lockwood>huh, how about this? And maybe that's what people don't want. They don't want the

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<v Joanne Lockwood>debate, do they? They don't want the debate. And I think also there's this

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<v Pippa O'Brien>I know better than you syndrome as well, which goes back to trust.

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<v Pippa O'Brien>And I think, I think I know nothing about government, please,

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<v Pippa O'Brien>but accept what I see and hear and read like everybody else.

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<v Pippa O'Brien>But equally what I do know is I struggle to trust

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<v Pippa O'Brien>people that don't do what they say they're going to do. And if,

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<v Pippa O'Brien>if you want people to, to accept what you

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<v Pippa O'Brien>say because you know facts and information that can't be revealed, whether

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<v Pippa O'Brien>that's within an organisation or. Or nationally or

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<v Pippa O'Brien>internationally. Globally. You have to prove that you are trustworthy

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<v Pippa O'Brien>because why would you trust somebody that says one thing and then does something else?

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<v Pippa O'Brien>Okay, so it's around building a culture that's based

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<v Pippa O'Brien>on trust. And then people might not

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<v Pippa O'Brien>like what you do. They may not fully understand the reasons,

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<v Pippa O'Brien>but if they trust that you are a leader with integrity,

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<v Pippa O'Brien>then they will go with it and they'll buy into it.

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<v Joanne Lockwood>Because I think worse than being told there's a reason, I can't tell you.

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<v Joanne Lockwood>It's like, oh, so I'm not worthy of

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<v Joanne Lockwood>that. I'm aloof here. I've got stuff you don't

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<v Joanne Lockwood>know. So I guess sometimes you can't be told that you don't know something

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<v Joanne Lockwood>you don't know. It's trying to sell that, as you say in a trust.

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<v Joanne Lockwood>I look at the government in opposition or the

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<v Joanne Lockwood>potential government, all the politicians sit there going, making these

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<v Joanne Lockwood>really wacky statements about, oh, yeah, we cut this, we do this and we do

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<v Joanne Lockwood>that. When they get into power, they go, actually, now, now we've got the books

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<v Joanne Lockwood>open, we see the data. Actually, we know we can't now, but we can't say

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<v Joanne Lockwood>we didn't. Yeah, yeah, we can't tell. That's really difficult as well. And I

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<v Pippa O'Brien>think often when you look at. When you observe, think,

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<v Pippa O'Brien>particularly the UK Parliament, I

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<v Pippa O'Brien>find it's not about debate, it's just about mudslinging

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<v Pippa O'Brien>and almost playground behaviours as well, which I think devalues

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<v Pippa O'Brien>the whole process. There's no. There's no structured debate. It's

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<v Pippa O'Brien>just who can slag the other party off with the greatest

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<v Pippa O'Brien>panache in the moment. You know, it's like, it's point scoring but

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<v Pippa O'Brien>not real points, if. If you see what I mean, it's not about the topic,

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<v Pippa O'Brien>it's about. It's about visibility.

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<v Pippa O'Brien>That's my perception. Public school debate society of the past, isn't it?

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<v Pippa O'Brien>Yeah, yeah, it is. And it's. And

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<v Joanne Lockwood>I think our media don't help either. The media, the mainstream media, social

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<v Joanne Lockwood>media, they like this polarisation because polarisation creates tribes.

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<v Joanne Lockwood>Tribes create revenue and advertising and clicks and

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<v Joanne Lockwood>discussions and people get fired up because unless we have emotion

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<v Joanne Lockwood>attached to a thought, it doesn't happen, does it? You know, we have to.

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<v Joanne Lockwood>Negative or positive emotions, they mean. He knows that negative emotions

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<v Joanne Lockwood>are stronger than positive emotions. So it drives. It drives

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<v Joanne Lockwood>engagement. This is it. And if you look at a technique, say, like transactional

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<v Pippa O'Brien>analysis where you've got, you know, people that are behaving adult to adult, which is

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<v Pippa O'Brien>rational, listening, giving and giving. It doesn't make for

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<v Pippa O'Brien>great tv. Let's be fair. It's when you've got people who are acting

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<v Pippa O'Brien>as like the critical parent with the finger out or where you've got

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<v Pippa O'Brien>people who have been in child. I don't like this. That under foot stamping

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<v Pippa O'Brien>that's what makes for good watching. Anything in the middle ground is just.

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<v Pippa O'Brien>Is sensible, rational and maybe not so

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<v Pippa O'Brien>appealing. Yeah, there's a couple of. An

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<v Joanne Lockwood>author I quite enjoy reading is Ricker Bregman. He's

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<v Joanne Lockwood>done two books that I really found inspiring. One is Utopia for Realists which is

369
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<v Joanne Lockwood>a great read if you've not read it. Humankind.

370
00:23:45.520 --> 00:23:49.450
<v Joanne Lockwood>Humankind is. It's about analysing the human being

371
00:23:49.450 --> 00:23:53.330
<v Joanne Lockwood>and the human psyche. It really summed up the whole idea

372
00:23:53.330 --> 00:23:57.250
<v Joanne Lockwood>of reality TV and what happens is in these scenarios, you know, who

373
00:23:57.250 --> 00:24:01.250
<v Joanne Lockwood>wants to be. I'm sorry to get me out of here. Big Brother or Love

374
00:24:01.250 --> 00:24:04.810
<v Joanne Lockwood>Island. What they found was these would be very

375
00:24:04.810 --> 00:24:08.810
<v Joanne Lockwood>benign, very controlled. If you just put a

376
00:24:08.810 --> 00:24:12.170
<v Joanne Lockwood>group of people in the room, they'll get on largely they'll get on, they'll have

377
00:24:12.170 --> 00:24:15.890
<v Joanne Lockwood>a good time. They'll start forming little communes and Kumbaya and sitting around the

378
00:24:15.890 --> 00:24:19.260
<v Joanne Lockwood>campfire. You say not great telly. So what they have to do is they have

379
00:24:19.260 --> 00:24:23.220
<v Joanne Lockwood>to starve them. They have to put a. A grenade in there like a. A.

380
00:24:23.220 --> 00:24:26.540
<v Joanne Lockwood>A rogue personality who's going to disrupt. They're gonna have to create a love interest,

381
00:24:27.020 --> 00:24:30.860
<v Joanne Lockwood>a power base, create a. Create a leader who has power that

382
00:24:30.860 --> 00:24:34.460
<v Joanne Lockwood>others don't like. Suddenly you've got. You've got this disrupted human

383
00:24:34.620 --> 00:24:38.620
<v Joanne Lockwood>environment that creates great telly and then so they have to prod the bear

384
00:24:38.700 --> 00:24:42.620
<v Joanne Lockwood>and the beast to make it. To make it interesting. Otherwise

385
00:24:42.620 --> 00:24:46.160
<v Joanne Lockwood>people will just go so what we assume that people are

386
00:24:46.480 --> 00:24:50.240
<v Joanne Lockwood>antagonistic and aggressive towards each other, but that's manufactured by the media.

387
00:24:51.040 --> 00:24:54.640
<v Pippa O'Brien>Agree. And I think in most cases I think yes and

388
00:24:54.800 --> 00:24:58.800
<v Pippa O'Brien>I think I would say that manufactured by the media. But I think

389
00:24:58.800 --> 00:25:02.800
<v Pippa O'Brien>in face to face, 100% I agree. I think the challenge

390
00:25:02.800 --> 00:25:06.720
<v Pippa O'Brien>comes now with social media where people say. Feel that they can

391
00:25:06.720 --> 00:25:10.640
<v Pippa O'Brien>say all sorts of chisel, which is a technical term,

392
00:25:10.880 --> 00:25:14.800
<v Pippa O'Brien>all sorts of chisel with. Under the COVID of. Of. Of being a

393
00:25:14.800 --> 00:25:18.560
<v Pippa O'Brien>keyboard warrior and they don't have to actually sit in front of somebody

394
00:25:18.560 --> 00:25:21.840
<v Pippa O'Brien>and say well I think this, that and the other because in the real life

395
00:25:21.840 --> 00:25:24.520
<v Pippa O'Brien>they wouldn't actually Risk that

396
00:25:24.600 --> 00:25:28.520
<v Pippa O'Brien>antagonistic behaviour because it could be risky for them.

397
00:25:28.520 --> 00:25:32.480
<v Pippa O'Brien>It's the old who's the bigger dog in the pack type scenario. You know,

398
00:25:32.480 --> 00:25:36.080
<v Pippa O'Brien>they might get bitten back, but on a keyboard they can be as unpleasant as

399
00:25:36.080 --> 00:25:40.080
<v Pippa O'Brien>they wish. Yeah, I mean, we're recording this on 31 March 2025, which

400
00:25:40.080 --> 00:25:43.750
<v Joanne Lockwood>is trans day of visibility. And as a,

401
00:25:43.990 --> 00:25:47.710
<v Joanne Lockwood>As a trans woman myself, I'm well aware that people have

402
00:25:47.710 --> 00:25:51.710
<v Joanne Lockwood>opinions against trans people in the whole. Not

403
00:25:51.710 --> 00:25:55.190
<v Joanne Lockwood>necessarily against me specifically, but against people like me.

404
00:25:55.990 --> 00:25:59.950
<v Joanne Lockwood>But there's no accountability to those views and often it's born out

405
00:25:59.950 --> 00:26:03.830
<v Joanne Lockwood>of tropes around, oh, we're protecting women and girls, or it's just

406
00:26:03.830 --> 00:26:07.510
<v Joanne Lockwood>unnatural. It's like there's only two sexes. It says so in

407
00:26:07.590 --> 00:26:11.370
<v Joanne Lockwood>my biology book or the Bible or something. And

408
00:26:11.370 --> 00:26:14.970
<v Joanne Lockwood>people can go unrestrained, as you say,

409
00:26:14.970 --> 00:26:18.530
<v Joanne Lockwood>keyboard warriors, because there's no human at the end of their

410
00:26:18.530 --> 00:26:22.410
<v Joanne Lockwood>keyboard, it's electrons. And when

411
00:26:22.410 --> 00:26:26.169
<v Joanne Lockwood>people meet you face to face, they hear your story, they listen to you, it

412
00:26:26.169 --> 00:26:30.090
<v Joanne Lockwood>becomes powerful. But again, as I said earlier, hearing a two dimensional

413
00:26:30.090 --> 00:26:34.010
<v Joanne Lockwood>story doesn't necessarily create change. You've actually got to have that engagement, the

414
00:26:34.010 --> 00:26:37.730
<v Joanne Lockwood>why? Fill my soul, fill my heart, feel my

415
00:26:37.730 --> 00:26:41.490
<v Joanne Lockwood>pain, feel my family for my wife's pain. And that's where what

416
00:26:41.490 --> 00:26:45.290
<v Joanne Lockwood>you're doing with stories and acting brings it out, doesn't it?

417
00:26:46.890 --> 00:26:50.810
<v Pippa O'Brien>Sometimes I'm really humbled by little old me, and I

418
00:26:50.810 --> 00:26:54.570
<v Pippa O'Brien>mean that sincerely. Little. Well, not that little, but older me. It's

419
00:26:55.610 --> 00:26:59.170
<v Pippa O'Brien>people that can. I've written that and I've thought, oh, it might work, who knows?

420
00:26:59.170 --> 00:27:02.650
<v Pippa O'Brien>And then when we've done it, it's had such a powerful reaction

421
00:27:02.970 --> 00:27:06.780
<v Pippa O'Brien>and response and how people have. Teams have gone on to

422
00:27:07.100 --> 00:27:10.940
<v Pippa O'Brien>come up with safe words that they can use around the banter. I think when

423
00:27:10.940 --> 00:27:14.940
<v Pippa O'Brien>I'm working with some teams, they're terrified that they won't be able to,

424
00:27:15.500 --> 00:27:19.380
<v Pippa O'Brien>to, to have any banter at all. You know, that it's all got to be

425
00:27:19.380 --> 00:27:23.380
<v Pippa O'Brien>terribly polite from now on. And of course, who doesn't like a bit

426
00:27:23.380 --> 00:27:27.260
<v Pippa O'Brien>of banter? We all like a bit of bance. And the line is flexible,

427
00:27:27.260 --> 00:27:31.180
<v Pippa O'Brien>the line's fluid. It depends who's there. It depends on how

428
00:27:31.180 --> 00:27:35.100
<v Pippa O'Brien>people are feeling that day. That's the big thing as well. And what else they've

429
00:27:35.100 --> 00:27:38.620
<v Pippa O'Brien>got going on in the background and how well you know each other, what you

430
00:27:38.620 --> 00:27:41.980
<v Pippa O'Brien>know about what's inside that iceberg for that person as well.

431
00:27:42.620 --> 00:27:46.180
<v Pippa O'Brien>And all of those factors influence people's

432
00:27:46.180 --> 00:27:50.100
<v Pippa O'Brien>banter tolerance, shall we say. I think that one of some of the

433
00:27:50.100 --> 00:27:53.500
<v Pippa O'Brien>work that we've done with those teams is around encouraging them to come up with

434
00:27:53.660 --> 00:27:57.620
<v Pippa O'Brien>a safe word that they can. Anybody can use where on that day.

435
00:27:57.620 --> 00:28:01.390
<v Pippa O'Brien>I'm not feeling it. And it stops. Please. Okay. And that's

436
00:28:01.390 --> 00:28:05.070
<v Pippa O'Brien>it. That's full. Stop the band. That's. No. No explanation

437
00:28:05.550 --> 00:28:09.230
<v Pippa O'Brien>needed. Not having a bad day, are we? Or anything like that.

438
00:28:09.230 --> 00:28:13.110
<v Pippa O'Brien>Okay. Oh, somebody's grumpy. None of that. It's just. It

439
00:28:13.110 --> 00:28:16.830
<v Pippa O'Brien>just stops. And that's. That's it. Which

440
00:28:16.910 --> 00:28:20.150
<v Pippa O'Brien>is quite a healthy way to manage it, I think. It's where teams manage their

441
00:28:20.150 --> 00:28:23.590
<v Pippa O'Brien>own. Their own behaviour, if you like. They're accountable for their own behaviour in that

442
00:28:23.590 --> 00:28:26.990
<v Pippa O'Brien>way. Wasn't it Roma S Ranganathan, the

443
00:28:27.450 --> 00:28:31.290
<v Joanne Lockwood>British comedian that tried to come up with the safe word of mate?

444
00:28:31.450 --> 00:28:35.330
<v Joanne Lockwood>You know, mate with a elongated 8 in the middle? Yeah. So when you

445
00:28:35.330 --> 00:28:39.210
<v Joanne Lockwood>hear your. Your mate say something inappropriate, you just go, mate.

446
00:28:39.530 --> 00:28:43.370
<v Joanne Lockwood>And that's a code word for, yeah, it's too far. Yeah, you've gone too far.

447
00:28:43.370 --> 00:28:47.210
<v Pippa O'Brien>Yeah, yeah, yeah, yeah. Well, this. This one particular organisation

448
00:28:47.290 --> 00:28:50.970
<v Pippa O'Brien>I've been working with, they've gone with not cool. Oh, mate, that's not cool. And

449
00:28:50.970 --> 00:28:54.900
<v Pippa O'Brien>then it just stops. Okay, so you could have. Mate, that's not cool. But

450
00:28:54.900 --> 00:28:58.460
<v Pippa O'Brien>you could even just say, not cool. And then that's it. Stop, stop, stops.

451
00:28:58.620 --> 00:29:02.580
<v Pippa O'Brien>So that's worked for them. Yeah. Because none of us want to be the

452
00:29:02.580 --> 00:29:06.500
<v Joanne Lockwood>inclusion police. None of us. People have stopped talking. I'm 60 years old. I've.

453
00:29:06.500 --> 00:29:10.500
<v Joanne Lockwood>I've lived a pretty colourful life, both genders. And I'm not trying to

454
00:29:10.500 --> 00:29:14.380
<v Joanne Lockwood>say I'm perfect. I've got some high ground here of righteousness. I'm a human.

455
00:29:14.460 --> 00:29:18.380
<v Joanne Lockwood>I. I laugh. I laugh at comedy. I call myself out sometimes,

456
00:29:18.460 --> 00:29:21.910
<v Joanne Lockwood>thinking, actually, no, that's not right. No, stop.

457
00:29:22.070 --> 00:29:25.830
<v Joanne Lockwood>Yeah, still funny. But no, it's not really funny.

458
00:29:26.070 --> 00:29:29.990
<v Pippa O'Brien>And I think it's just there's so. I think the more we call

459
00:29:29.990 --> 00:29:33.270
<v Pippa O'Brien>ourselves out, and also I'm going to say

460
00:29:34.070 --> 00:29:37.590
<v Pippa O'Brien>appropriate or gently challenge other people

461
00:29:38.070 --> 00:29:41.830
<v Pippa O'Brien>as well, the more. The more human we can be about

462
00:29:42.070 --> 00:29:46.030
<v Pippa O'Brien>not being the police in this way. You know, the banter police or

463
00:29:46.030 --> 00:29:49.940
<v Pippa O'Brien>the inappropriateness. Please. And my husband Joey, who have been

464
00:29:49.940 --> 00:29:53.660
<v Pippa O'Brien>married to Jerry for six years now, I know he.

465
00:29:53.900 --> 00:29:57.900
<v Pippa O'Brien>I know he's Scottish and when he first came to London, he would often have

466
00:29:57.900 --> 00:30:01.260
<v Pippa O'Brien>people say, come on, Scotsman, get your hand in your pocket and buy us a

467
00:30:01.260 --> 00:30:05.100
<v Pippa O'Brien>drink. And that he found that really annoying because he's probably the most generous person

468
00:30:05.100 --> 00:30:08.100
<v Pippa O'Brien>you'd ever Meet. Except when I think when you met him, Joanne, he came to

469
00:30:08.100 --> 00:30:10.900
<v Pippa O'Brien>your house and he ate all of your biscuits. So he does owe you at

470
00:30:10.900 --> 00:30:13.940
<v Pippa O'Brien>least a couple of the last biscuits. He had the last biscuit on the plate.

471
00:30:13.940 --> 00:30:16.820
<v Pippa O'Brien>I know. Which I couldn't believe. I was like, if I could have said, mate,

472
00:30:16.820 --> 00:30:20.780
<v Pippa O'Brien>I would have done then, right. But this happened Even recently,

473
00:30:21.400 --> 00:30:25.200
<v Pippa O'Brien>in 2024, probably just before Christmas.

474
00:30:25.200 --> 00:30:28.760
<v Pippa O'Brien>He was in our local pub and somebody who we'd never met before,

475
00:30:28.920 --> 00:30:32.080
<v Pippa O'Brien>who came in as a guest, you know, with somebody else that he did know,

476
00:30:32.080 --> 00:30:35.160
<v Pippa O'Brien>said, oh, let the Scotsman get the drink, get his hand in his pocket. And

477
00:30:35.160 --> 00:30:38.520
<v Pippa O'Brien>it's like Jerry came home and he went. I said, well, what did you say

478
00:30:38.520 --> 00:30:41.920
<v Pippa O'Brien>to him? And he said, well, I didn't say anything. I said, you. If you

479
00:30:41.920 --> 00:30:45.560
<v Pippa O'Brien>don't challenge that, people will continue to do it. So it's around how you challenge

480
00:30:45.560 --> 00:30:48.240
<v Pippa O'Brien>and it's kind of like, oh, that's a bit of a, you know, casual racism

481
00:30:48.240 --> 00:30:51.280
<v Pippa O'Brien>going on there, isn't it, or something like that. Or, oh, I can hear a

482
00:30:51.280 --> 00:30:55.080
<v Pippa O'Brien>stereotype, can't I? So how you do it is the thing. And not getting on

483
00:30:55.080 --> 00:30:59.000
<v Pippa O'Brien>your. I think. Not getting on your high horse. I think in the moment,

484
00:30:59.160 --> 00:31:02.920
<v Pippa O'Brien>people may not go, oh, you're so right, I'm so

485
00:31:02.920 --> 00:31:06.840
<v Pippa O'Brien>sorry, you know, or, oh, my bad. But they

486
00:31:06.840 --> 00:31:10.720
<v Pippa O'Brien>might think about it afterwards. That's. And it goes. They may. May

487
00:31:10.720 --> 00:31:14.180
<v Pippa O'Brien>reflect on it afterwards and go, yeah, maybe. Maybe that's not

488
00:31:14.180 --> 00:31:17.980
<v Pippa O'Brien>appropriate, really. But if we don't say anything, then nothing's going to change.

489
00:31:18.380 --> 00:31:22.300
<v Joanne Lockwood>Yeah. And I think also, as someone on the receiving end, I have to

490
00:31:22.300 --> 00:31:25.820
<v Joanne Lockwood>put a little bit of a buffer between my

491
00:31:25.980 --> 00:31:29.339
<v Joanne Lockwood>hearing and reaction, because I was. Happened to me

492
00:31:29.980 --> 00:31:33.700
<v Joanne Lockwood>yesterday, I think. Well, no, I was in Asda's. Asda's shopping. There are other

493
00:31:33.700 --> 00:31:37.340
<v Joanne Lockwood>supermarkets available, obviously. And a man came around the corner

494
00:31:37.580 --> 00:31:41.270
<v Joanne Lockwood>and he kind of bumped into me a little bit and said, sorry, mate.

495
00:31:41.590 --> 00:31:45.430
<v Joanne Lockwood>And I just thought. I was about to react because I really detest the word

496
00:31:45.430 --> 00:31:49.310
<v Joanne Lockwood>mate being used to me. Yeah. You wouldn't call

497
00:31:49.310 --> 00:31:53.310
<v Joanne Lockwood>my wife mate if you do with me. I thought. I didn't say anything because

498
00:31:53.310 --> 00:31:56.750
<v Joanne Lockwood>I thought, hang on a minute. There are some people who call everybody mate. It's

499
00:31:56.750 --> 00:32:00.510
<v Joanne Lockwood>just their default. My husband does, I'm afraid. Yeah. And so I just

500
00:32:00.510 --> 00:32:04.470
<v Joanne Lockwood>thought, whatever. I'm not going to take it as some personal offence. And some people

501
00:32:04.470 --> 00:32:07.700
<v Joanne Lockwood>do it. You could tell. Some people do it deliberately. Yeah. But I've had ice

502
00:32:07.700 --> 00:32:10.820
<v Joanne Lockwood>cream salesman give me an ice cream. I said, there you go, mate. Really?

503
00:32:11.540 --> 00:32:14.460
<v Joanne Lockwood>Will, you said that to my. I sent my wife to the ice cream once,

504
00:32:14.460 --> 00:32:18.420
<v Joanne Lockwood>Marie, who you've met, and he called her love. And I said, yeah, that's

505
00:32:18.420 --> 00:32:21.140
<v Joanne Lockwood>right, yeah, he calls you love, he calls me mate. So next time I said,

506
00:32:21.140 --> 00:32:23.740
<v Joanne Lockwood>I prefer you called me love next time, if that's okay. And he went, oh,

507
00:32:23.740 --> 00:32:27.500
<v Joanne Lockwood>sorry, love. And I go back and, you

508
00:32:27.500 --> 00:32:31.300
<v Joanne Lockwood>know, we have a good chat and a good bit of banter. So sometimes that

509
00:32:31.860 --> 00:32:35.610
<v Joanne Lockwood>friendly calling it in rather than aggressively

510
00:32:35.610 --> 00:32:39.490
<v Joanne Lockwood>calling it out, you win hearts and minds over, don't you? Because nobody wants to

511
00:32:39.490 --> 00:32:43.450
<v Joanne Lockwood>be told they're a bad person or imply they're a bad person because they're

512
00:32:43.450 --> 00:32:47.410
<v Joanne Lockwood>not. They're just misguided, misunderstood, not

513
00:32:47.410 --> 00:32:51.370
<v Joanne Lockwood>reacting. Their bias has kicked in and suddenly they say something and I think

514
00:32:51.370 --> 00:32:54.530
<v Joanne Lockwood>nobody wants to be shot down in flames for. Yeah, obviously, if they're

515
00:32:54.770 --> 00:32:58.130
<v Joanne Lockwood>repeatedly in the context or they're malicious

516
00:32:59.250 --> 00:33:02.940
<v Joanne Lockwood>weaponizing it. Yeah, I think, I think most

517
00:33:02.940 --> 00:33:05.260
<v Pippa O'Brien>people, if they understand

518
00:33:06.700 --> 00:33:10.060
<v Pippa O'Brien>it's accepting and they are accepting, I think being,

519
00:33:10.940 --> 00:33:14.780
<v Pippa O'Brien>having empathy for them in that moment that they. You don't want them to feel

520
00:33:14.780 --> 00:33:18.340
<v Pippa O'Brien>really bad, but equally you don't want them to carry on with that

521
00:33:18.340 --> 00:33:22.100
<v Pippa O'Brien>behaviour is the way to go. So it's around as you, as you sort of

522
00:33:22.100 --> 00:33:25.820
<v Pippa O'Brien>beautifully described it, it's being quite gentle about it as well, like

523
00:33:25.820 --> 00:33:29.580
<v Pippa O'Brien>now. Yeah, but I will remember the negatives, you know, we talked about negatives,

524
00:33:29.580 --> 00:33:32.780
<v Joanne Lockwood>emotions being stronger. But the number of times I get people bump into me, I'll

525
00:33:32.780 --> 00:33:36.700
<v Joanne Lockwood>say, oh, sorry, love, are you okay? And. Or love, can I help you

526
00:33:36.700 --> 00:33:39.460
<v Joanne Lockwood>with your case? Up those stairs I go, yeah, sure, please go. Go for it.

527
00:33:39.460 --> 00:33:43.380
<v Joanne Lockwood>Go. Yeah, yeah, yeah. No one does that for me, Joe, or telling you. So

528
00:33:43.380 --> 00:33:47.300
<v Pippa O'Brien>you've obviously got something going on then. Yeah, well, I look

529
00:33:47.300 --> 00:33:51.020
<v Joanne Lockwood>quite helpless sometimes on the underground with laptop bags and

530
00:33:51.260 --> 00:33:55.080
<v Joanne Lockwood>cases and things. And sometimes people go, they take pity on me. I go, come

531
00:33:55.080 --> 00:33:58.800
<v Joanne Lockwood>on, then. And there are good people around

532
00:33:58.800 --> 00:34:02.400
<v Pippa O'Brien>still. You know, I think, I think you're right about.

533
00:34:02.480 --> 00:34:06.280
<v Pippa O'Brien>It's that confirmation bias place piece. You know what I was. I always use the

534
00:34:06.280 --> 00:34:10.200
<v Pippa O'Brien>analogy of the labels when we're talking

535
00:34:10.200 --> 00:34:14.160
<v Pippa O'Brien>about how we have bias about

536
00:34:16.160 --> 00:34:20.080
<v Pippa O'Brien>others. And one of the examples that I use quite often is about

537
00:34:20.400 --> 00:34:24.360
<v Pippa O'Brien>drivers and cars and it was always, it's the car, not

538
00:34:24.360 --> 00:34:28.220
<v Pippa O'Brien>the driver. It's interesting when you talk about it because it's, oh, it's Audis that,

539
00:34:28.220 --> 00:34:31.500
<v Pippa O'Brien>that cut me up. It's not the person driving the Audi

540
00:34:33.260 --> 00:34:37.020
<v Pippa O'Brien>or it's up flipping BMWs. Right. And then of course, now it's

541
00:34:37.020 --> 00:34:40.620
<v Pippa O'Brien>Tesla's, but there's all sorts of reasons for that as well. But there you are.

542
00:34:40.700 --> 00:34:44.340
<v Pippa O'Brien>But it's got nothing. But I completely miss all the times when an Audi might

543
00:34:44.340 --> 00:34:48.300
<v Pippa O'Brien>flash me out a junction or an Audi driver might flash me out at a

544
00:34:48.300 --> 00:34:52.060
<v Pippa O'Brien>junction that goes. Because it doesn't fit the buys that I already

545
00:34:52.060 --> 00:34:55.879
<v Pippa O'Brien>hold about that particular group of people. So it doesn't

546
00:34:55.879 --> 00:34:59.759
<v Pippa O'Brien>fit. But sometimes you play

547
00:34:59.759 --> 00:35:03.319
<v Joanne Lockwood>to the stereotype. I mean, I've. I've got Mercedes at the moment. I've had BMWs

548
00:35:03.319 --> 00:35:06.399
<v Joanne Lockwood>in the past and Audis in the past. I remember, I think that's when I

549
00:35:06.399 --> 00:35:09.719
<v Joanne Lockwood>had my 4 Series BMW. I parked it and I wasn't quite in the space.

550
00:35:10.278 --> 00:35:14.079
<v Joanne Lockwood>Marie said to me, don't you. Yeah, you're not quite in the middle space. I

551
00:35:14.079 --> 00:35:17.719
<v Joanne Lockwood>said, that's why it's a BMW. People don't expect me to park correctly anyway. So

552
00:35:17.879 --> 00:35:21.610
<v Joanne Lockwood>I left it there. It's like. So I played that stereotype

553
00:35:21.610 --> 00:35:25.330
<v Joanne Lockwood>and maybe other BMW drivers cut people up and go, it's all right,

554
00:35:25.410 --> 00:35:29.010
<v Joanne Lockwood>it's a BMW. The indicators don't work. They don't have indicators on a

555
00:35:29.010 --> 00:35:32.450
<v Pippa O'Brien>BMW. Yeah, I've just. Yeah, just found that out. Yeah.

556
00:35:33.090 --> 00:35:37.090
<v Joanne Lockwood>So you started life as a chef? I did. So. So

557
00:35:37.570 --> 00:35:40.930
<v Joanne Lockwood>what was the ambition to be a chef? Was it a. Okay. I think

558
00:35:42.130 --> 00:35:45.730
<v Joanne Lockwood>that. Well, in those. Let's rewind a little bit because actually I

559
00:35:45.810 --> 00:35:48.590
<v Pippa O'Brien>had. I was. As a young person, I

560
00:35:49.470 --> 00:35:53.230
<v Pippa O'Brien>didn't have the best start. I'm going to say that I think one of my

561
00:35:53.470 --> 00:35:56.910
<v Pippa O'Brien>real challenges today even is a massive

562
00:35:57.150 --> 00:36:00.830
<v Pippa O'Brien>imposter syndrome that sits around me because as a youngster

563
00:36:00.830 --> 00:36:04.670
<v Pippa O'Brien>I was repeatedly told, you're rubbish, you're useless,

564
00:36:04.910 --> 00:36:08.590
<v Pippa O'Brien>you'll never be any good at that. So that was kind of the bad side.

565
00:36:08.670 --> 00:36:12.590
<v Pippa O'Brien>On a good day, nothing was said. Okay. So there was no positive

566
00:36:13.150 --> 00:36:16.980
<v Pippa O'Brien>affirmation. I didn't really feel comfortable at

567
00:36:16.980 --> 00:36:20.740
<v Pippa O'Brien>school at all. And that resulted in me not really

568
00:36:20.820 --> 00:36:24.460
<v Pippa O'Brien>applying myself and having been told that you're useless then if you don't do well,

569
00:36:24.460 --> 00:36:27.940
<v Pippa O'Brien>it kind of reaffirms the belief system that you have. Well,

570
00:36:28.820 --> 00:36:31.340
<v Pippa O'Brien>what do I expect? You know, of course I'm going to leave with a handful

571
00:36:31.340 --> 00:36:35.140
<v Pippa O'Brien>of nothing because everybody told me that I wasn't going to amount to anything.

572
00:36:35.140 --> 00:36:38.980
<v Pippa O'Brien>So, you know, that's kind of what I expected. I loved

573
00:36:38.980 --> 00:36:42.980
<v Pippa O'Brien>cooking, I still love cooking. So I started as a chef and in

574
00:36:42.980 --> 00:36:46.820
<v Pippa O'Brien>those days it was really rare for women to be in the kitchen. It was

575
00:36:46.820 --> 00:36:50.580
<v Pippa O'Brien>very male dominated and I do Remember once we had a new head

576
00:36:50.580 --> 00:36:54.460
<v Pippa O'Brien>chef come into the kitchen and I was standing facing the stove to have

577
00:36:54.460 --> 00:36:58.380
<v Pippa O'Brien>my back to the pass and he came in, he went, you

578
00:36:58.620 --> 00:37:02.460
<v Pippa O'Brien>get your flipping haircut. All right, lad, get. You know, and it's.

579
00:37:02.540 --> 00:37:06.420
<v Pippa O'Brien>So there was an assumption that everyone in the. Oi, you lad, get your

580
00:37:06.420 --> 00:37:09.490
<v Pippa O'Brien>flipping haircut. And that was it. So there was an assumption that everyone in there

581
00:37:09.490 --> 00:37:13.010
<v Pippa O'Brien>was male. I had to be tougher, harder, stronger, work

582
00:37:13.010 --> 00:37:16.930
<v Pippa O'Brien>longer hours, be generally deal with a lot of

583
00:37:16.930 --> 00:37:20.810
<v Pippa O'Brien>really difficult banter as well in that environment. I

584
00:37:20.810 --> 00:37:23.850
<v Pippa O'Brien>think I loved it. I love the challenge of it. I love the

585
00:37:24.729 --> 00:37:28.610
<v Pippa O'Brien>Friton that you get from. You've got so many. You've got to get this out,

586
00:37:28.610 --> 00:37:31.450
<v Pippa O'Brien>you've got to get that done. And you're juggling a lot of things

587
00:37:32.490 --> 00:37:36.450
<v Pippa O'Brien>at the same time in a hugely pressurised environment. And it's got

588
00:37:36.450 --> 00:37:40.170
<v Pippa O'Brien>to be really well done. And I don't mean that steak had to be really

589
00:37:40.170 --> 00:37:43.090
<v Pippa O'Brien>well done. I mean, you know, it's gotta be professionally produced.

590
00:37:43.890 --> 00:37:47.890
<v Pippa O'Brien>It's incredibly. It takes an incredible toll on your social

591
00:37:47.890 --> 00:37:51.490
<v Pippa O'Brien>life. And I think as a youngster I was then working

592
00:37:51.970 --> 00:37:55.850
<v Pippa O'Brien>five and a half day week and then I had Sunday afternoons and Mondays off

593
00:37:55.850 --> 00:37:59.810
<v Pippa O'Brien>and Monday was my college day. So that meant that

594
00:37:59.810 --> 00:38:03.730
<v Pippa O'Brien>actually you don't have any time off at all, which is quite hard work,

595
00:38:03.930 --> 00:38:07.450
<v Pippa O'Brien>quite hard for a youngster. I made a sort of transition into

596
00:38:07.850 --> 00:38:11.690
<v Pippa O'Brien>working more in hotel management, but I couldn't really get that far

597
00:38:11.770 --> 00:38:15.290
<v Pippa O'Brien>because I didn't really have great qualifications.

598
00:38:15.690 --> 00:38:19.410
<v Pippa O'Brien>I then worked for when after I met Geri, who

599
00:38:19.410 --> 00:38:23.410
<v Pippa O'Brien>became my husband, working shifts wasn't really working

600
00:38:23.410 --> 00:38:27.410
<v Pippa O'Brien>for me. And so I had the opportunity to

601
00:38:27.410 --> 00:38:31.090
<v Pippa O'Brien>work for quite a big, well known company in the UK as a

602
00:38:31.090 --> 00:38:35.080
<v Pippa O'Brien>facilities manager. If you can run a hotel, you can run a

603
00:38:35.080 --> 00:38:38.480
<v Pippa O'Brien>couple of buildings with one hand tied behind your back because it's not a 24

604
00:38:38.480 --> 00:38:42.320
<v Pippa O'Brien>hour operation. Catering is much simpler and

605
00:38:42.320 --> 00:38:45.880
<v Pippa O'Brien>although you've got still got to deliver a high level of customer service and facilities,

606
00:38:46.360 --> 00:38:50.360
<v Pippa O'Brien>it's way easier. And all the mechanical engineering stuff and all

607
00:38:50.360 --> 00:38:53.880
<v Pippa O'Brien>of that, it's way easier than actually

608
00:38:54.040 --> 00:38:57.880
<v Pippa O'Brien>running a hotel. Much, much easier. A you know how many people you're going to

609
00:38:57.880 --> 00:39:01.830
<v Pippa O'Brien>have through the door every day, you know how to staff yourself. For example,

610
00:39:02.470 --> 00:39:06.310
<v Pippa O'Brien>that organisation then moved to a centralised

611
00:39:07.270 --> 00:39:11.190
<v Pippa O'Brien>site and I was going to be made redundant and they said, well, how about

612
00:39:11.510 --> 00:39:15.270
<v Pippa O'Brien>a role in our training team, learning and development. And I was like, yeah,

613
00:39:15.350 --> 00:39:19.030
<v Pippa O'Brien>okay. Then off I go. And that's when everything

614
00:39:19.670 --> 00:39:23.590
<v Pippa O'Brien>happened for me. It Was like, I had

615
00:39:23.590 --> 00:39:27.430
<v Pippa O'Brien>the best ever leader and he was somebody

616
00:39:27.590 --> 00:39:30.830
<v Pippa O'Brien>who. I find it quite hard to talk about him because I get emotional in

617
00:39:30.830 --> 00:39:34.450
<v Pippa O'Brien>a really positive way because for the first time, he was

618
00:39:34.450 --> 00:39:38.010
<v Pippa O'Brien>somebody who really trusted me. He

619
00:39:38.010 --> 00:39:41.690
<v Pippa O'Brien>recognised that I had something a bit more than just get the coffees in, Pippa,

620
00:39:41.690 --> 00:39:45.450
<v Pippa O'Brien>or do this or do that. He recognised that I had potential and he so

621
00:39:45.450 --> 00:39:49.410
<v Pippa O'Brien>challenged me every single time that he gave me insight. We'd go right here,

622
00:39:49.410 --> 00:39:52.930
<v Pippa O'Brien>you are going to drop the bomb on you here. Fine. How do you think

623
00:39:52.930 --> 00:39:56.410
<v Pippa O'Brien>you're going to start this one, Pip? And he'd start by. What I didn't realise

624
00:39:56.410 --> 00:40:00.210
<v Pippa O'Brien>was he was coaching me. And what that coaching did was it

625
00:40:00.210 --> 00:40:04.170
<v Pippa O'Brien>totally unlocked my potential. It got me critically thinking for

626
00:40:04.170 --> 00:40:07.710
<v Pippa O'Brien>myself and it enabled me to actually

627
00:40:07.710 --> 00:40:11.270
<v Pippa O'Brien>realise that I could actually be successful. There was a bit of a blip. I

628
00:40:11.270 --> 00:40:13.830
<v Pippa O'Brien>can tell this story now because it's a lot of years down the line, there

629
00:40:13.830 --> 00:40:17.670
<v Pippa O'Brien>was a bit of a blip because he. On my application for that

630
00:40:17.670 --> 00:40:21.110
<v Pippa O'Brien>organisation, I slightly exaggerated some of my school

631
00:40:21.110 --> 00:40:24.910
<v Pippa O'Brien>qualifications, shall we say, my leaving qualifications. And

632
00:40:25.550 --> 00:40:29.310
<v Pippa O'Brien>that year, that particular year, the company that I was working for,

633
00:40:29.470 --> 00:40:33.470
<v Pippa O'Brien>this person, my manager, recommended me

634
00:40:33.550 --> 00:40:37.310
<v Pippa O'Brien>to do a degree, fully sponsored degree course,

635
00:40:37.870 --> 00:40:41.830
<v Pippa O'Brien>which for me was terrifying because having always been a failure and you

636
00:40:41.830 --> 00:40:45.350
<v Pippa O'Brien>won't amount to anything, all of a sudden I've got to do this. But more

637
00:40:45.350 --> 00:40:49.030
<v Pippa O'Brien>urgently for me was this. I haven't actually got the A

638
00:40:49.030 --> 00:40:52.950
<v Pippa O'Brien>levels that I said that I had at the time. So a bit of blagging

639
00:40:52.950 --> 00:40:56.950
<v Pippa O'Brien>had gone on, may I say, and I had to talk my

640
00:40:56.950 --> 00:41:00.780
<v Pippa O'Brien>way into a course which actually was not as hard as you think as a.

641
00:41:00.780 --> 00:41:04.220
<v Pippa O'Brien>As a mature student, you can, you can get in on an interview if you.

642
00:41:04.220 --> 00:41:08.220
<v Pippa O'Brien>If you can prove that you're, you know, lived

643
00:41:08.220 --> 00:41:12.220
<v Pippa O'Brien>experience. Yeah. Yes. And I actually did really well. I blew myself

644
00:41:12.220 --> 00:41:16.100
<v Pippa O'Brien>out of the water, literally, because I applied all the skills that I'd learned

645
00:41:16.180 --> 00:41:20.140
<v Pippa O'Brien>on the job to how to manage the project, which is

646
00:41:20.140 --> 00:41:23.980
<v Pippa O'Brien>actually delivering your coursework and getting all that done. And I

647
00:41:23.980 --> 00:41:27.310
<v Pippa O'Brien>was quite surprised at myself. That was probably

648
00:41:27.710 --> 00:41:31.390
<v Pippa O'Brien>a massive stepping stone in my confidence and

649
00:41:31.390 --> 00:41:35.150
<v Pippa O'Brien>becoming me. That would never have happened if it hadn't been for that one leader

650
00:41:35.150 --> 00:41:38.830
<v Pippa O'Brien>who saw something in me, trusted me, gave me

651
00:41:38.830 --> 00:41:42.190
<v Pippa O'Brien>massive exposure, but was there as a safety net and

652
00:41:42.430 --> 00:41:46.110
<v Pippa O'Brien>questioned me, got me to critically question how I was going to do everything.

653
00:41:46.270 --> 00:41:50.070
<v Pippa O'Brien>He was somebody that I would. I really wanted to be like. And

654
00:41:50.070 --> 00:41:54.070
<v Pippa O'Brien>that's really why I ended up. I ended up

655
00:41:54.310 --> 00:41:58.310
<v Pippa O'Brien>in, I think it was 1999. 2000,

656
00:41:58.630 --> 00:42:02.430
<v Pippa O'Brien>2000, being head of L and D

657
00:42:02.430 --> 00:42:06.310
<v Pippa O'Brien>for another big household name company in the uk. And then I thought, you know

658
00:42:06.310 --> 00:42:10.070
<v Pippa O'Brien>what, I'm just a desk jockey now and I'm, I'm budgeting,

659
00:42:10.390 --> 00:42:14.270
<v Pippa O'Brien>I'm trying to work out how I can create efficiencies. And that's not

660
00:42:14.270 --> 00:42:17.750
<v Pippa O'Brien>about supporting people to learn and be the best that they can be.

661
00:42:19.050 --> 00:42:22.850
<v Pippa O'Brien>So I jacked it, walked away, started PODA in

662
00:42:22.850 --> 00:42:26.450
<v Pippa O'Brien>December 2000, which is a bit scary, but

663
00:42:26.450 --> 00:42:29.890
<v Pippa O'Brien>huge. At that point I had some huge belief that it would work out. And

664
00:42:29.890 --> 00:42:33.690
<v Pippa O'Brien>here we are 25 years later. Not global domination,

665
00:42:33.849 --> 00:42:37.530
<v Pippa O'Brien>but I'm really happy with where we are. 2000. I mean,

666
00:42:38.170 --> 00:42:41.850
<v Joanne Lockwood>the world was significantly different. You know, Tony Blair was

667
00:42:42.010 --> 00:42:45.410
<v Joanne Lockwood>Prime Minister doing Auld Lang Syne at the Millennium Dome. Things will only get better

668
00:42:45.410 --> 00:42:49.200
<v Pippa O'Brien>and all of that. Yeah, yeah. But computing,

669
00:42:49.200 --> 00:42:52.600
<v Joanne Lockwood>you just think about the world, the way we're connected. I mean, I was running

670
00:42:52.600 --> 00:42:55.880
<v Joanne Lockwood>my IT business back in 2001. It was pre 9 11,

671
00:42:56.600 --> 00:42:59.960
<v Joanne Lockwood>it was pre iPhone, pre social media.

672
00:43:00.440 --> 00:43:04.400
<v Joanne Lockwood>Most people had dial up Internet still. There was no, just the

673
00:43:04.400 --> 00:43:08.320
<v Joanne Lockwood>whole computing revolution. There was no phone in your pocket, Google, the

674
00:43:08.320 --> 00:43:12.240
<v Joanne Lockwood>things we see is couldn't get Deliveroo or an Uber in those days. So

675
00:43:12.240 --> 00:43:15.160
<v Joanne Lockwood>the world was different. It was very much more hands on

676
00:43:16.350 --> 00:43:20.190
<v Joanne Lockwood>in people's offices, wasn't it? So how have you

677
00:43:20.670 --> 00:43:24.270
<v Joanne Lockwood>adapted what you do, I guess to technology and expectations?

678
00:43:24.670 --> 00:43:28.430
<v Pippa O'Brien>Yes, I think, I think expectations

679
00:43:28.670 --> 00:43:32.590
<v Pippa O'Brien>are a movable feast because if

680
00:43:32.670 --> 00:43:36.510
<v Pippa O'Brien>people trust you, and I've used the

681
00:43:36.510 --> 00:43:39.790
<v Pippa O'Brien>word trust a lot in this, I know, but that's because it's super important to

682
00:43:39.790 --> 00:43:43.320
<v Pippa O'Brien>me, then you can manage those expectations

683
00:43:43.400 --> 00:43:47.280
<v Pippa O'Brien>jointly so that everybody is comfortable with what's happening. I think in terms

684
00:43:47.280 --> 00:43:50.760
<v Pippa O'Brien>of how we changed, lockdown

685
00:43:50.920 --> 00:43:54.720
<v Pippa O'Brien>was an enormous catalyst

686
00:43:54.720 --> 00:43:58.280
<v Pippa O'Brien>for change for us. And at the beginning, I think on

687
00:43:58.440 --> 00:44:02.040
<v Pippa O'Brien>the day one when it all kicked off and it, right, everything's shut down,

688
00:44:02.600 --> 00:44:05.800
<v Pippa O'Brien>we're only a small company and on that one day we had

689
00:44:06.200 --> 00:44:10.120
<v Pippa O'Brien>cancellations and most people took the trouble to phone us to say we're going to

690
00:44:10.120 --> 00:44:13.760
<v Pippa O'Brien>have to cancel everything. We had £250,000 worth of

691
00:44:13.760 --> 00:44:17.720
<v Pippa O'Brien>cancellations in a day and we were, we were just like,

692
00:44:18.120 --> 00:44:22.080
<v Pippa O'Brien>okay, no, we understand, thanks very much and blah, blah, blah, looking forward

693
00:44:22.080 --> 00:44:25.559
<v Pippa O'Brien>to working with you when we can and all that good stuff. And I think

694
00:44:25.559 --> 00:44:29.440
<v Pippa O'Brien>we had to learn on a vertical learning curve.

695
00:44:29.440 --> 00:44:32.480
<v Pippa O'Brien>So what I started to do is reach out to all of our existing clients

696
00:44:32.480 --> 00:44:36.210
<v Pippa O'Brien>and say, right, how can we support you to manage people

697
00:44:36.210 --> 00:44:40.210
<v Pippa O'Brien>remotely? Because this is the new normal for the, for the foreseeable.

698
00:44:40.290 --> 00:44:44.290
<v Pippa O'Brien>And I used that to run loads of free sessions and using that

699
00:44:44.290 --> 00:44:48.250
<v Pippa O'Brien>as an opportunity to get my head around using some of the

700
00:44:48.250 --> 00:44:52.010
<v Pippa O'Brien>technology that was available. And it was, some of it was pretty sketchy right back

701
00:44:52.010 --> 00:44:55.770
<v Pippa O'Brien>then. You know, there was. And then there was almost like the VHS

702
00:44:55.770 --> 00:44:59.650
<v Pippa O'Brien>Beta max was for anybody that's old enough to remember that around which

703
00:44:59.650 --> 00:45:03.100
<v Pippa O'Brien>platforms were going to be the ones that were adopted. And

704
00:45:04.140 --> 00:45:07.900
<v Pippa O'Brien>I think that was, that was one element of change. I think people

705
00:45:08.060 --> 00:45:11.980
<v Pippa O'Brien>went from big multi day programmes, if

706
00:45:11.980 --> 00:45:15.980
<v Pippa O'Brien>you like, to wanting to see greater embedded results

707
00:45:15.980 --> 00:45:19.740
<v Pippa O'Brien>in the organisation. So what we started to do was really more around

708
00:45:20.140 --> 00:45:23.980
<v Pippa O'Brien>takeaways, if you like. So people do a little learning module, they go away

709
00:45:23.980 --> 00:45:27.380
<v Pippa O'Brien>and apply it and then they come back and chat about the results. And that

710
00:45:27.380 --> 00:45:31.060
<v Pippa O'Brien>actually has the impact of really being motivational for the rest of the

711
00:45:31.060 --> 00:45:34.140
<v Pippa O'Brien>cohort as well. Somebody thinks, oh well, they've done it so I could do it,

712
00:45:34.140 --> 00:45:38.020
<v Pippa O'Brien>you know, so it's really powerful stuff. I think the other thing that I did

713
00:45:38.100 --> 00:45:42.060
<v Pippa O'Brien>during lockdown was to support my own learning was I did

714
00:45:42.060 --> 00:45:45.740
<v Pippa O'Brien>a course within sead, the Global Business School, on

715
00:45:45.740 --> 00:45:49.660
<v Pippa O'Brien>innovation, managing innovation during disruption. So I mean, how much

716
00:45:49.660 --> 00:45:52.540
<v Pippa O'Brien>more disruption were we going through at the time? It couldn't have been a better

717
00:45:52.540 --> 00:45:56.220
<v Pippa O'Brien>example. And off the back of that we came up with some virtual

718
00:45:56.220 --> 00:45:59.780
<v Pippa O'Brien>reality AI modules that we partnered with another organisation

719
00:46:00.020 --> 00:46:03.980
<v Pippa O'Brien>to develop and then market, which it's interesting because

720
00:46:03.980 --> 00:46:07.980
<v Pippa O'Brien>I thought they would go really crazy and really take off and people have

721
00:46:07.980 --> 00:46:11.820
<v Pippa O'Brien>gone. We prefer the actors actually. So it's

722
00:46:11.820 --> 00:46:15.820
<v Pippa O'Brien>interesting where you offer people this great solution where they

723
00:46:15.820 --> 00:46:19.380
<v Pippa O'Brien>can access any time and it was ideal for shift workers

724
00:46:19.460 --> 00:46:23.340
<v Pippa O'Brien>or people who have got downtime in their day job and then

725
00:46:23.340 --> 00:46:27.060
<v Pippa O'Brien>they can just do a little. I'll just do that module. So they want

726
00:46:27.140 --> 00:46:31.090
<v Pippa O'Brien>real people, whether that's real people through a screen or real

727
00:46:31.090 --> 00:46:35.010
<v Pippa O'Brien>people face to face in the room. So that was a

728
00:46:35.010 --> 00:46:38.690
<v Pippa O'Brien>really interesting piece of learning as well. But yes, so

729
00:46:38.690 --> 00:46:42.690
<v Pippa O'Brien>keeping it current, seeing what other people are doing is important. The

730
00:46:42.690 --> 00:46:46.450
<v Pippa O'Brien>key thing I think is listening and listening to what

731
00:46:46.530 --> 00:46:50.410
<v Pippa O'Brien>our clients need, what their aspirations are, what

732
00:46:50.410 --> 00:46:53.890
<v Pippa O'Brien>they want to achieve. And then it goes in, it goes in here

733
00:46:54.370 --> 00:46:57.940
<v Pippa O'Brien>and then I go away and mulch it down. It sort of

734
00:46:57.940 --> 00:47:01.940
<v Pippa O'Brien>composts away in here for a bit and then I then think about a solution.

735
00:47:02.020 --> 00:47:05.020
<v Pippa O'Brien>It does take a while to think about, well, how can I take this and

736
00:47:05.020 --> 00:47:08.940
<v Pippa O'Brien>make it into something that's. That's really going to get

737
00:47:08.940 --> 00:47:12.620
<v Pippa O'Brien>people's attention and it might be attention to

738
00:47:12.620 --> 00:47:16.620
<v Pippa O'Brien>Challenge. It might be attention to go, aha, but how can I do that? And

739
00:47:16.620 --> 00:47:18.820
<v Pippa O'Brien>that does take a little bit of pain. I think, oh God, how am I

740
00:47:18.820 --> 00:47:21.340
<v Pippa O'Brien>going to do that? And then it always comes. I have to trust the process,

741
00:47:21.340 --> 00:47:25.330
<v Pippa O'Brien>the composting process. So when I'm too busy, I find I don't

742
00:47:25.330 --> 00:47:28.970
<v Pippa O'Brien>get composting time. So that's a little bit frustrating. Yeah,

743
00:47:30.410 --> 00:47:34.090
<v Joanne Lockwood>I think you're right. I'm not sure I call it compost and time, but

744
00:47:34.330 --> 00:47:38.090
<v Joanne Lockwood>I find that I need to have those stare in space

745
00:47:38.489 --> 00:47:41.610
<v Joanne Lockwood>moments to sit on the sofa. Maria will come up to me and said, what

746
00:47:41.610 --> 00:47:45.530
<v Joanne Lockwood>are you thinking about? I said nothing really because I'm not really thinking about anything.

747
00:47:46.250 --> 00:47:49.300
<v Joanne Lockwood>I know that somewhere in my head my

748
00:47:49.780 --> 00:47:53.700
<v Joanne Lockwood>neurons are firing off, reprocessing everything, re

749
00:47:53.700 --> 00:47:57.300
<v Joanne Lockwood>indexing my brain. And then things become clear. And you're right,

750
00:47:57.540 --> 00:48:01.220
<v Joanne Lockwood>I can go on a car journey, drive for three hours. I get to the

751
00:48:01.220 --> 00:48:05.140
<v Joanne Lockwood>end of it, I think at all what happened. I come out and

752
00:48:05.140 --> 00:48:08.860
<v Joanne Lockwood>go, right, ping, ping, ping, ping, ping. All these ideas are firing off where my

753
00:48:08.860 --> 00:48:12.580
<v Joanne Lockwood>brain has sort of used that opportunity to do that. And

754
00:48:12.900 --> 00:48:16.460
<v Joanne Lockwood>you can't do that while you're interacting with people or you're stressed or you're busy

755
00:48:16.460 --> 00:48:20.360
<v Joanne Lockwood>or you're focusing on. No, you can't, you need that space. Jerry,

756
00:48:20.360 --> 00:48:23.920
<v Pippa O'Brien>who now, who's my husband, who now works with our business, he's really

757
00:48:24.080 --> 00:48:28.040
<v Pippa O'Brien>a great implementer, transactional person and he

758
00:48:28.040 --> 00:48:31.840
<v Pippa O'Brien>gets everything done. He finds it hard to understand that I need that time

759
00:48:31.920 --> 00:48:35.840
<v Pippa O'Brien>to just be a bit vague for a while. And that's an important part of

760
00:48:35.840 --> 00:48:39.680
<v Pippa O'Brien>the process as well. It's almost like in a, in a project based world world,

761
00:48:39.680 --> 00:48:43.640
<v Pippa O'Brien>he would want a time code for that, you know, want a thinking time

762
00:48:43.640 --> 00:48:47.200
<v Pippa O'Brien>code so that he can make sure that we're making the best use of everything

763
00:48:47.360 --> 00:48:51.290
<v Pippa O'Brien>that we've got available. Yeah, yeah, it's. I mean

764
00:48:51.290 --> 00:48:54.690
<v Joanne Lockwood>people sometimes will equate that to procrastination, I guess, where

765
00:48:55.010 --> 00:48:58.490
<v Joanne Lockwood>you want to just keep playing with it. And I, I don't know about you,

766
00:48:58.490 --> 00:49:02.250
<v Joanne Lockwood>but I find that if I've got a three week deadline, everything happens the day

767
00:49:02.250 --> 00:49:06.130
<v Joanne Lockwood>before because I'm thinking about things, I'm remodelling it

768
00:49:06.130 --> 00:49:09.770
<v Joanne Lockwood>and tweaking it in my mind and when I actually got to put it on

769
00:49:09.770 --> 00:49:13.690
<v Joanne Lockwood>paper, it comes straight out. I don't think as I write, I've kind of

770
00:49:13.690 --> 00:49:17.430
<v Joanne Lockwood>got the ideation down there and I need that, that evaluation time

771
00:49:17.670 --> 00:49:21.030
<v Joanne Lockwood>in my brain to get to that point where suddenly now I can do. It

772
00:49:21.670 --> 00:49:25.430
<v Pippa O'Brien>that's real, what we call reflective behaviour. And

773
00:49:25.510 --> 00:49:29.390
<v Pippa O'Brien>whereas I'm much more of a. Get something, think about it, get something

774
00:49:29.390 --> 00:49:33.030
<v Pippa O'Brien>down and then leave it and then come back and tinker with it.

775
00:49:33.030 --> 00:49:36.950
<v Pippa O'Brien>So I maybe do the tinkering in a different. You're doing the tinkering

776
00:49:36.950 --> 00:49:40.390
<v Pippa O'Brien>up here and I'm doing the tinkering in a different way.

777
00:49:40.630 --> 00:49:44.430
<v Pippa O'Brien>And sometimes in organisations there's challenges where if you've

778
00:49:44.430 --> 00:49:48.400
<v Pippa O'Brien>got a real activist leader and a reflector team member,

779
00:49:49.040 --> 00:49:52.880
<v Pippa O'Brien>Jo, that task to do 10 days ago and she hasn't even started it yet,

780
00:49:53.120 --> 00:49:57.080
<v Pippa O'Brien>you know, and actually have. It's all going on up here. It's all clicking

781
00:49:57.080 --> 00:50:00.999
<v Pippa O'Brien>away up here. So it can cause all sorts of conflicts as

782
00:50:00.999 --> 00:50:04.840
<v Pippa O'Brien>well. Yeah, I think it serves me well

783
00:50:04.840 --> 00:50:08.560
<v Joanne Lockwood>sometimes where I don't have to. I don't have to have the world

784
00:50:08.560 --> 00:50:12.450
<v Joanne Lockwood>mapped out. Some people need to have their together

785
00:50:12.450 --> 00:50:16.050
<v Joanne Lockwood>for want of a better expression. I'm quite happy to go into.

786
00:50:16.370 --> 00:50:20.170
<v Joanne Lockwood>I can exist in chaos because I trust my brain to be able to

787
00:50:20.170 --> 00:50:24.090
<v Joanne Lockwood>assemble what I need in a moment. The

788
00:50:24.090 --> 00:50:28.090
<v Joanne Lockwood>moment is now. Make it happen. I know I can trust my brain to do

789
00:50:28.090 --> 00:50:31.890
<v Joanne Lockwood>that. Where some people go, well, I can't start until I can start. I've got

790
00:50:31.890 --> 00:50:34.450
<v Joanne Lockwood>to have this. All my ducks in a row. I've got to have this planned

791
00:50:34.450 --> 00:50:38.370
<v Joanne Lockwood>out. And when I get there, I've got certainty. I can turn

792
00:50:38.370 --> 00:50:42.130
<v Joanne Lockwood>up at an event and the organiser can say, well, do you mind if we

793
00:50:42.130 --> 00:50:45.970
<v Joanne Lockwood>change everything? I go, okay, I'm not wedded to

794
00:50:45.970 --> 00:50:49.250
<v Joanne Lockwood>it. What are you thinking? I go, okay, I can do a bit of that

795
00:50:49.250 --> 00:50:52.730
<v Joanne Lockwood>and a bit of this and a bit of that. That's born from your confidence

796
00:50:52.730 --> 00:50:56.330
<v Pippa O'Brien>in yourself. Yeah, yeah, I guess

797
00:50:56.490 --> 00:51:00.330
<v Joanne Lockwood>that's. My brain works. But I've been through

798
00:51:00.330 --> 00:51:03.530
<v Joanne Lockwood>phases where I needed certainty, but I spread my IT background.

799
00:51:04.520 --> 00:51:08.440
<v Joanne Lockwood>You never knew the result or the answer because people say to me,

800
00:51:08.440 --> 00:51:12.160
<v Joanne Lockwood>why did it take you four days to fix that server? You go, well, because

801
00:51:12.160 --> 00:51:15.360
<v Joanne Lockwood>it was a problem. Well, I said, if it hadn't been a problem, I'd have

802
00:51:15.360 --> 00:51:19.320
<v Joanne Lockwood>fixed it immediately. But the problem needs investigating. You need to try different

803
00:51:19.320 --> 00:51:23.320
<v Joanne Lockwood>scenarios, different thought processes in order to get to the point where I

804
00:51:23.320 --> 00:51:26.280
<v Joanne Lockwood>said, well, I still don't understand. But, you know, a problem's a problem because it's

805
00:51:26.280 --> 00:51:29.800
<v Joanne Lockwood>a problem. You know, it just is. How many things do we do every day

806
00:51:30.990 --> 00:51:34.430
<v Joanne Lockwood>that aren't actually problems? They just solve first time.

807
00:51:34.990 --> 00:51:38.510
<v Joanne Lockwood>And it's easy to say, well, if I'd done the last thing first, but then

808
00:51:38.590 --> 00:51:41.750
<v Joanne Lockwood>there were Times I'd probably do the last thing first. You just don't realise it

809
00:51:41.750 --> 00:51:45.430
<v Joanne Lockwood>or I don't realise it. And that's experience as well, going be on a cut

810
00:51:45.430 --> 00:51:48.670
<v Joanne Lockwood>short circuit. And I guess I've been used to having that

811
00:51:49.390 --> 00:51:53.230
<v Joanne Lockwood>analytical mind where you try different

812
00:51:53.230 --> 00:51:57.220
<v Joanne Lockwood>scenarios and some of those are happening in your head and you go no,

813
00:51:57.220 --> 00:52:00.980
<v Joanne Lockwood>have I tried that before? Yeah, I've done that. The probability of that. Yeah. Almost

814
00:52:00.980 --> 00:52:04.300
<v Joanne Lockwood>like my own GPT in my head. If you like all these scenarios, kick out.

815
00:52:04.380 --> 00:52:07.620
<v Joanne Lockwood>So yeah, I guess we all think differently but yeah, that works for me. Yeah,

816
00:52:07.620 --> 00:52:11.460
<v Pippa O'Brien>I think that's another piece around supporting people to

817
00:52:11.460 --> 00:52:15.060
<v Pippa O'Brien>understand that actually we all approach tasks in different way and that's

818
00:52:15.060 --> 00:52:19.060
<v Pippa O'Brien>equally valuable in teams that we all approach tasks in different way, we

819
00:52:19.060 --> 00:52:21.980
<v Pippa O'Brien>all think in different ways, our brains work in different ways and what

820
00:52:22.640 --> 00:52:26.560
<v Pippa O'Brien>collectively we bring is what makes the team successful. And I

821
00:52:26.560 --> 00:52:29.440
<v Pippa O'Brien>see and it goes back to a little bit about what I was saying earlier

822
00:52:29.440 --> 00:52:33.200
<v Pippa O'Brien>on about people who are, have got very fixed views about

823
00:52:33.200 --> 00:52:36.840
<v Pippa O'Brien>how people should work is quite often that they're a very fixed and

824
00:52:36.840 --> 00:52:40.760
<v Pippa O'Brien>defined group of people. So they're not looking for that richness of diversity

825
00:52:40.760 --> 00:52:44.640
<v Pippa O'Brien>within their teams. They want everybody to think like them, be like them, look like

826
00:52:44.640 --> 00:52:48.580
<v Pippa O'Brien>them, because that's the right way to be. Yeah. And also when we're

827
00:52:48.580 --> 00:52:52.500
<v Joanne Lockwood>delivering training we have to recognise that as well, don't we? We have to fire

828
00:52:52.500 --> 00:52:55.980
<v Joanne Lockwood>the neurons in different ways for different people. Yeah, totally. 100%.

829
00:52:56.380 --> 00:53:00.300
<v Pippa O'Brien>I love it. I'm still loving it now I'm 64 next month.

830
00:53:00.380 --> 00:53:04.140
<v Pippa O'Brien>Well in fact this coming month, very soon, 31st of March,

831
00:53:04.140 --> 00:53:08.100
<v Pippa O'Brien>April. I can't keep going forever obviously. But what I say is as

832
00:53:08.100 --> 00:53:11.980
<v Pippa O'Brien>long as I'm still relevant, I'll. I'll be continuing. I don't, I couldn't

833
00:53:11.980 --> 00:53:15.830
<v Pippa O'Brien>imagine retiring really. So it's. I saw a

834
00:53:15.830 --> 00:53:19.750
<v Joanne Lockwood>keynote From Lindsay at 55 redefined the other day and she's talking

835
00:53:19.750 --> 00:53:23.670
<v Joanne Lockwood>about the ageism is the next barrier. I've

836
00:53:23.670 --> 00:53:27.590
<v Pippa O'Brien>read that as well. Yeah. And when we look at the

837
00:53:27.590 --> 00:53:30.790
<v Joanne Lockwood>workforce, millennials will turn 50

838
00:53:31.510 --> 00:53:35.030
<v Joanne Lockwood>in six years time, I think. Yeah. So the bulk of our

839
00:53:35.030 --> 00:53:38.670
<v Joanne Lockwood>workforce will suddenly become over 50 because our

840
00:53:38.670 --> 00:53:42.440
<v Joanne Lockwood>population is shrinking now we may have to have two point something

841
00:53:42.440 --> 00:53:46.360
<v Joanne Lockwood>children to create a sustainable population and women are

842
00:53:46.360 --> 00:53:49.440
<v Joanne Lockwood>giving birth at a rate of 1.2 or something. I can't remember the exact figure

843
00:53:49.440 --> 00:53:53.360
<v Joanne Lockwood>she said. So basically our population and the

844
00:53:53.360 --> 00:53:57.360
<v Joanne Lockwood>global population is now shrinking. So Gen Alphas and Gen Zs will be the

845
00:53:57.360 --> 00:54:01.240
<v Joanne Lockwood>smallest cohort in for

846
00:54:01.240 --> 00:54:04.920
<v Joanne Lockwood>many, many Many generations. So we have to start Investing in our

847
00:54:04.920 --> 00:54:08.840
<v Joanne Lockwood>50s, our Gen X's, even our boomers still,

848
00:54:08.840 --> 00:54:12.480
<v Joanne Lockwood>and our millennials. So we have to find a career

849
00:54:13.120 --> 00:54:17.040
<v Joanne Lockwood>that lasts us into our 80s because we can't afford to retire. Retirement was meant

850
00:54:17.040 --> 00:54:20.880
<v Joanne Lockwood>to be five years and then you die. It's now seen

851
00:54:20.880 --> 00:54:24.760
<v Joanne Lockwood>as a 40 year birthright. You know, you retire in your 60s, live

852
00:54:24.760 --> 00:54:28.560
<v Joanne Lockwood>to your hundred and unless we got a mega pension, which my

853
00:54:28.560 --> 00:54:32.560
<v Joanne Lockwood>generation just don't have mega pensions anymore, I. Think that's

854
00:54:32.560 --> 00:54:36.000
<v Pippa O'Brien>another reason for keeping going is the financial one. But equally,

855
00:54:36.400 --> 00:54:40.230
<v Pippa O'Brien>I don't feel, I don't feel ready, I don't feel

856
00:54:40.230 --> 00:54:44.150
<v Pippa O'Brien>ready to stop yet. I still reading things and get excited about things

857
00:54:44.150 --> 00:54:48.070
<v Pippa O'Brien>and as long as I'm still getting excited, then it's got to happen, hasn't

858
00:54:48.070 --> 00:54:51.950
<v Pippa O'Brien>it? Yeah, I'm excited too. I think I see

859
00:54:51.950 --> 00:54:55.910
<v Joanne Lockwood>innovation every day. I mean, see AI coming on board, we see Internet

860
00:54:55.910 --> 00:54:59.790
<v Joanne Lockwood>and technology and computing getting faster and phones and the

861
00:54:59.790 --> 00:55:03.140
<v Joanne Lockwood>attitudes of people. You think, well, there's so much more to do. I think

862
00:55:03.690 --> 00:55:06.410
<v Joanne Lockwood>going back to what we talked about earlier, about working from home, working from the

863
00:55:06.410 --> 00:55:10.410
<v Joanne Lockwood>office, I don't feel that I have to exhaust myself

864
00:55:11.210 --> 00:55:15.010
<v Joanne Lockwood>commuting, travelling, being a slave to someone else's

865
00:55:15.010 --> 00:55:18.730
<v Joanne Lockwood>culture and environment. I create my own culture. I feel very empowered

866
00:55:18.730 --> 00:55:22.090
<v Joanne Lockwood>to have this gig economy, this

867
00:55:22.330 --> 00:55:26.330
<v Joanne Lockwood>multi career, multi idea, entrepreneurial, make money in

868
00:55:26.330 --> 00:55:30.090
<v Joanne Lockwood>different directions so I can keep my brain firing on different

869
00:55:30.090 --> 00:55:33.820
<v Joanne Lockwood>things and not feel I'm in this trudge. When people say, oh, I'm looking forward

870
00:55:33.820 --> 00:55:37.820
<v Joanne Lockwood>to retiring next year, I think, to do what? I

871
00:55:37.820 --> 00:55:41.740
<v Pippa O'Brien>completely agree with you and you know what? Nothing, nothing disappoints

872
00:55:41.740 --> 00:55:45.660
<v Pippa O'Brien>me more is when I meet people and they

873
00:55:45.660 --> 00:55:49.580
<v Pippa O'Brien>are moaning about their job, the organisations that

874
00:55:49.580 --> 00:55:53.580
<v Pippa O'Brien>they work in and everything about it, any change that's

875
00:55:53.580 --> 00:55:57.560
<v Pippa O'Brien>going on, colleagues, how they're being managed, I said, well, why

876
00:55:57.560 --> 00:56:00.720
<v Pippa O'Brien>don't you do something else? Why don't you leave? Oh no, I can't do that.

877
00:56:00.720 --> 00:56:04.600
<v Pippa O'Brien>Well, why not? Pension in seven years. It's like, so

878
00:56:04.600 --> 00:56:08.400
<v Pippa O'Brien>you're going to completely burn the next seven years of

879
00:56:08.400 --> 00:56:11.680
<v Pippa O'Brien>your finite resources of life doing something

880
00:56:12.240 --> 00:56:16.080
<v Pippa O'Brien>that for a third of your week you clearly hate

881
00:56:16.480 --> 00:56:20.080
<v Pippa O'Brien>and if you clearly hate it, you're not going to be doing the best job.

882
00:56:20.080 --> 00:56:23.680
<v Pippa O'Brien>May I say that as well? Because you might be doing an adequate job

883
00:56:24.060 --> 00:56:26.340
<v Pippa O'Brien>or they might be doing an adequate job, but they're not gonna be doing the

884
00:56:26.340 --> 00:56:30.340
<v Pippa O'Brien>best work. So how can people waste their life? That's what I

885
00:56:30.340 --> 00:56:34.220
<v Pippa O'Brien>don't understand. It's like it's like the old adage, you know, if someone says

886
00:56:34.220 --> 00:56:38.220
<v Joanne Lockwood>they're too busy, it means it's not a priority.

887
00:56:38.300 --> 00:56:42.220
<v Pippa O'Brien>Yeah, absolutely, yeah. You've always got time to do something you

888
00:56:42.220 --> 00:56:45.980
<v Joanne Lockwood>want and you enjoy and you're interested in. Yeah.

889
00:56:46.060 --> 00:56:49.500
<v Joanne Lockwood>So maybe if you're thinking I need to retire. Retire from what?

890
00:56:49.930 --> 00:56:53.090
<v Joanne Lockwood>Which part of what you're doing do you want to retire from? Do you want

891
00:56:53.090 --> 00:56:57.010
<v Joanne Lockwood>to retire from being engaged and passionate and creative? No, you

892
00:56:57.010 --> 00:57:01.010
<v Joanne Lockwood>don't. You want to be retired from being told what to do, to commuting, to

893
00:57:01.010 --> 00:57:03.890
<v Joanne Lockwood>being a slave, to getting up at five in the morning to jump on it.

894
00:57:03.890 --> 00:57:07.730
<v Joanne Lockwood>Yeah, great, we'll retire from that bit. But find yourself a passion and

895
00:57:07.730 --> 00:57:11.330
<v Joanne Lockwood>purpose, otherwise you'll just be floating around, having

896
00:57:11.330 --> 00:57:15.210
<v Joanne Lockwood>arguments at home, kicking the cat, getting bored. I've got

897
00:57:15.210 --> 00:57:19.070
<v Joanne Lockwood>time to go on holiday. I've got time to wake up at 8

898
00:57:19.070 --> 00:57:21.750
<v Joanne Lockwood>o' clock in the morning, have a lay in, do what I want to do,

899
00:57:21.750 --> 00:57:25.230
<v Joanne Lockwood>work with clients, not work on Friday afternoons. I've got time to do what I

900
00:57:25.230 --> 00:57:29.230
<v Joanne Lockwood>need to do. Yeah. I've also got time to really be

901
00:57:29.230 --> 00:57:32.790
<v Joanne Lockwood>passionate about what I do as well. So, yeah, you can reprioritize.

902
00:57:33.030 --> 00:57:36.670
<v Pippa O'Brien>That's exactly what I believe as well. There we are. Full

903
00:57:36.670 --> 00:57:40.590
<v Pippa O'Brien>alignment. Love it. And that's the future. Future of work is that. That's the

904
00:57:40.590 --> 00:57:43.920
<v Joanne Lockwood>future of work. Agree. Pippa, We've been

905
00:57:44.160 --> 00:57:47.640
<v Joanne Lockwood>yakking on now. We have. Thank you for. And thank you to you who are

906
00:57:47.640 --> 00:57:50.600
<v Joanne Lockwood>listening to this. We've been yakking on there for nearly an hour and a half

907
00:57:50.600 --> 00:57:53.400
<v Joanne Lockwood>because we had a good old chat and catch up before we went. Press the

908
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<v Joanne Lockwood>record button, as I always do. So how can people

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<v Joanne Lockwood>get hold of you? Well, poda.co.uk is a good

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<v Pippa O'Brien>start. Is our website or

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<v Pippa O'Brien>pippa@poda.co.uk. you can look me up on

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<v Pippa O'Brien>LinkedIn. Pippa O' Brien and. Or just kind of

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<v Pippa O'Brien>shout, I'll. I'll hear you somewhere. Right. Don't worry at all.

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<v Pippa O'Brien>If you are listening and you think we could help you in any way, do

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<v Pippa O'Brien>get in touch. But more importantly, Jo, thank you for listening, really,

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<v Pippa O'Brien>and thanks to everybody else for listening. It's been a really interesting experience.

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<v Joanne Lockwood>Thank you. Thank you. Take care. That was great. Thank you.

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<v Pippa O'Brien>That was interesting. Refresh the page. As the problem persists,

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<v Joanne Lockwood>as we bring. This conversation to a close, I want to express

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<v Joanne Lockwood>my deep, deepest gratitude to you, our listener, for

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<v Joanne Lockwood>lending your ear and heart to the cause of inclusion.

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<v Joanne Lockwood>Today's discussion struck a chord. Consider subscribing to

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<v Joanne Lockwood>inclusion bites and become part of our ever growing community

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<v Joanne Lockwood>driving real change. Share this journey with friends, family and

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<v Joanne Lockwood>colleagues. Let's amplify the voices that matter.

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<v Joanne Lockwood>Got thoughts, stories or a vision to share? I'm all

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<v Pippa O'Brien>ears. Reach out to

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<v Pippa O'Brien>jo.lockwood@seechangehappen.co.uk

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<v Pippa O'Brien>and let's make your voice heard. Until next time, this is

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<v Pippa O'Brien>Joanne Lockwood signing off with a promise to return with

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<v Pippa O'Brien>more enriching narratives that challenge, inspire and

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<v Pippa O'Brien>unite us all. Here's to fostering a more inclusive world one

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<v Pippa O'Brien>episode at a time. Catch you on the next bite.