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<v James Burden>Foreign.

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<v Joanne Lockwood>Welcome to Inclusion Bites, your sanctuary

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<v Joanne Lockwood>for bold conversations that spark change. I'm Joanne Lockwood,

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<v Joanne Lockwood>your guide on this journey of exploration into the heart of

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<v Joanne Lockwood>inclusion, belonging and societal transformation.

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<v Joanne Lockwood>Ever wondered what it truly takes to create a world? Remember, everyone

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<v Joanne Lockwood>not only belongs, but thrives. You're not alone.

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<v Joanne Lockwood>Join me as we uncover the unseen, challenge

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<v Joanne Lockwood>the status quo and share stories that resonate

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<v Joanne Lockwood>deep within. Ready to dive in? Whether you're

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<v Joanne Lockwood>sipping your morning coffee or winding down after a long day, let's

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<v Joanne Lockwood>connect, reflect and inspire action together.

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<v Joanne Lockwood>Don't forget, you can be part of the conversation too. Reach out

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<v Joanne Lockwood>to jo.lockwood@seechangehappen.co.uk

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<v Joanne Lockwood>to share your insights or to join me on the show.

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<v Joanne Lockwood>So adjust your earbuds and settle in. It's time to

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<v Joanne Lockwood>ignite the spark of inclusion with Inclusion Bites.

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<v Joanne Lockwood>And today is episode 179

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<v Joanne Lockwood>with the title Stuttering Without Apology. And I have the

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<v Joanne Lockwood>absolute honour and privilege to welcome James Burden.

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<v Joanne Lockwood>James is a speech language pathologist and the founder of

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<v Joanne Lockwood>Stuttering Blueprint, empowering professionals who stutter

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<v Joanne Lockwood>to lead with confidence and connect without

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<v Joanne Lockwood>compromise. And when I asked James to describe his superpower,

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<v Joanne Lockwood>he said it is creating safe spaces where stuttering

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<v Joanne Lockwood>becomes strength, not silence. Hello, James, welcome to

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<v Joanne Lockwood>the show. Hi, Joanne, thank you so much for having me.

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<v Joanne Lockwood>I understand from where we were chatting just now it's early o' clock for you

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<v Joanne Lockwood>because you're based Pacific time on the US

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<v Joanne Lockwood>continent, aren't you? Yes, that's right. So

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<v James Burden>I'm from Vancouver BC originally and I still live there. That's

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<v James Burden>my home base. But right now I am living in Mexico for the last

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<v James Burden>couple months, on my way to Peru soon. So I love

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<v James Burden>doing what I do and I also love doing it while travelling and seeing the

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<v James Burden>world because it really brings some depth to

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<v James Burden>my, my service and I like to go to places that have

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<v James Burden>a lot of sort of spiritual, interesting things to do. So I.

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<v James Burden>I got to go and do different ceremonies with different indigenous

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<v James Burden>peoples all over the world, which is not something to do with my stuttering

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<v James Burden>programme, but is very much to do with what I

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<v James Burden>find valuable. Wow, that sounds fascinating. I can't wait to get to

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<v Joanne Lockwood>that. One of my claim to fames is I've been to Mexico by mistake

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<v Joanne Lockwood>and you might wonder how one could go to Mexico by mistake. Well,

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<v Joanne Lockwood>it's quite easy when you're driving down the aisle in California and you're not paying

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<v Joanne Lockwood>attention and then suddenly there's a sign that says last US Exit and it

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<v Joanne Lockwood>disappears behind you. The next Sign you see is welcome to Mexico. It's

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<v Joanne Lockwood>like that wasn't the plan. So it took like 30 seconds to get into Mexico

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<v Joanne Lockwood>and it took about three hours to get back out again through border control. So

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<v Joanne Lockwood>that's my claim to fame Mexico by mistake. Luckily we happened to have the

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<v Joanne Lockwood>passports in the car. So you were there for all

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<v James Burden>three hours? Yeah, you just end up queuing up out of

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<v Joanne Lockwood>Tijuana to try and come back in. It's like, yeah, I guess it

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<v Joanne Lockwood>was the spring breakers or the college students were all out in force trying to

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<v Joanne Lockwood>queue back because it was a whole roll of us plated

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<v Joanne Lockwood>cars trying to get back in. So, yeah, we were, yeah, we were kind of

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<v Joanne Lockwood>okay. But yeah, we're a bit worried for a bit because we were lucky to

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<v Joanne Lockwood>have our passports. Just happened to have them in the glove compartment, the car. So

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<v Joanne Lockwood>we were lucky. But yeah, could have been fun. Yeah. So that's my claim

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<v Joanne Lockwood>to fame Mexico by mistake. James, we were chatting again in the

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<v Joanne Lockwood>green room before we went live. Around stuttering and

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<v Joanne Lockwood>your masterclass in your programme, what triggered

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<v Joanne Lockwood>you to focus on stuttering and speech in the way you

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<v Joanne Lockwood>have? Well, my focus on

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<v James Burden>stuttering speech came just from an interest in

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<v James Burden>speech and language, from learning Spanish years ago and

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<v James Burden>finding it fascinating the similarities between Spanish and

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<v James Burden>English, the words that are similar. So I got interested in linguistics. I

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<v James Burden>already had a psychology degree and then the, the idea of speech

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<v James Burden>pathology came up and I'm like, wow, that's a great combination of both. So

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<v James Burden>I put all the effort into getting into grad school, which wasn't easy, still isn't

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<v James Burden>easy to become a speech language pathologist. It's very competitive, but I

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<v James Burden>managed to get in. And then during grad school at one of my

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<v James Burden>practicums, I started, I went and did a practicum at Columbia Speech

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<v James Burden>and Language Services in Vancouver and they were doing a 10

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<v James Burden>day intensive stuttering workshop. And this is the first

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<v James Burden>time I had come across people who stuttered in a professional

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<v James Burden>setting. And when I met everybody, they all came in,

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<v James Burden>they had quite intense stutters and I, I very quickly got used to

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<v James Burden>hearing that, so it wasn't quite so scary or

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<v James Burden>different. I, I didn't feel as uncomfortable as I think a lot of people feel

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<v James Burden>when they hear it. And then over those 10 days, these 10 people

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<v James Burden>went from stuttering intensely to

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<v James Burden>almost completely fluent. And some were completely fluent. It was, it was

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<v James Burden>an incredible transformation and

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<v James Burden>I was, I was impressed by this. I decided this, this is

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<v James Burden>something I wanted to do in so much in speech Pathology is,

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<v James Burden>you know, making little ripples and, and hoping those turn into big

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<v James Burden>waves later. But this was a massive change in a short

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<v James Burden>period of time and I, I found it very satisfying. However,

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<v James Burden>there's a little bit more to this story when it comes to working just

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<v James Burden>on fluency. But I'll, I'll circle back

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<v James Burden>around to that in a minute because it's important for inclusion.

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<v James Burden>But for this story, I see these people have this

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<v James Burden>massive transformation. I changed my graduate paper,

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<v James Burden>graduating paper topic so that I could follow this up. And I was very

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<v James Burden>lucky in that one of my professors was a

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<v James Burden>clinical professor and a speech language pathologist who specialised in

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<v James Burden>stuttering. And so she took me under her wing after

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<v James Burden>graduation. She started giving me clients for stuttering from

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<v James Burden>her overflow. She mentored me. I picked up a couple other

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<v James Burden>mentors along the way in those first few years. So I got to

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<v James Burden>do in a one on one setting what I'd seen done in this intensive

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<v James Burden>setting. I also discovered this programme called Camperdown,

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<v James Burden>which is from Australia and it's using the same method, the

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<v James Burden>prolonged speech method as well we used in the intensive

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<v James Burden>programme. But now it could be done in a once a week

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<v James Burden>setting and send clients home with practise. And then it also

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<v James Burden>transferred very well when the time came to doing it

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<v James Burden>via zoom. So very powerful method, making big

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<v James Burden>changes. As I started to see those changes, I started to feel

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<v James Burden>very comfortable, very good at this. I'm like good at helping

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<v James Burden>people become fluent. I'm very comfortable around

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<v James Burden>people who are stuttering. And one of the most interesting parts

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<v James Burden>was almost like a therapist effect

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<v James Burden>or a placebo effect that would be like when people

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<v James Burden>came in and even when they had just started to begin to work with

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<v James Burden>me, they started to relax right away. And I

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<v James Burden>think that came from being in a place

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<v James Burden>where stuttering is okay. Being in a place where stuttering is

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<v James Burden>accepted, we're accepting it. At the same time, we're trying to

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<v James Burden>make it easier to speak. Speak. And that's always been kind of. My

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<v James Burden>attitude is let's make it easier to speak

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<v James Burden>rather than let's fix you, let's make sure

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<v James Burden>you don't stutter so that you'll be okay. Because I don't believe

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<v James Burden>that stuttering makes someone not okay. So removing the shame and

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<v Joanne Lockwood>the stigma and the awkwardness, taking away the pressure

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<v Joanne Lockwood>to be perfect. Exactly. And what is perfect

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<v James Burden>anyway is a little bit of

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<v James Burden>stuttering here and there. I mean, we all do it sometimes. The difference

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<v James Burden>between someone who stutters every once in a while

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<v James Burden>and someone who Stutters a little bit more is

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<v James Burden>that if that stuttering starts to

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<v James Burden>affect their mindset, like, oh my God, there's something wrong with me,

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<v James Burden>I, I don't speak right. And they're getting messages

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<v James Burden>from well meaning family, maybe even well meaning teachers

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<v James Burden>or not so well meaning peers, you know, in school getting teased

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<v James Burden>or bullied. They're getting the message over and over that stuttering

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<v James Burden>is not an acceptable way to speak. And once that takes

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<v James Burden>root, it can really blossom into a not so pleasant

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<v James Burden>plant that just affects the way they

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<v James Burden>interact with the world. And so we're trying not to,

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<v James Burden>trying not to stutter. And in avoiding it, in avoiding the

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<v James Burden>stutter we start, people start to avoid important

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<v James Burden>speaking situations, making, not putting themselves out there. Maybe on a

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<v James Burden>professional level, it might be job interviews or it might be even

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<v James Burden>applying for certain types of jobs because if I can't speak, I

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<v James Burden>can't do that job. I could never be a lawyer because they have to speak.

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<v James Burden>I could never be a, a politician or

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<v James Burden>whatever it is. And yet we know that's not true because in the US

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<v James Burden>Joe Biden, who was the most powerful men in on the planet for

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<v James Burden>a number of years, was a person who stuttered or is

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<v James Burden>a person who stutters. So there's a lot of myths that

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<v James Burden>get in the way. That is a big part of

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<v James Burden>my masterclass that I will share the link with you later.

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<v James Burden>How to break those myths. But also in the

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<v James Burden>masterclasses, how to speak more fluently from a place of I'm

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<v James Burden>already enough. I'm just trying to work on my

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<v James Burden>speech, not I need to work on my speech in order to be enough. There's

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<v James Burden>an important fine distinction there. Is there a root

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<v Joanne Lockwood>cause? Is it childhood trauma? Is it just a

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<v Joanne Lockwood>developmental difference? Is there something that

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<v Joanne Lockwood>triggers your language development, if you like, or your speech development that

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<v Joanne Lockwood>can make you more susceptible to developing a stutter or

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<v Joanne Lockwood>stammer or speech impairment. That

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<v James Burden>is the billion dollar question, because so much,

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<v James Burden>and I say that literally, I don't know exactly how much money has gone into

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<v James Burden>researching that exact question, what causes stuttering. But

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<v James Burden>we still don't have a definitive answer.

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<v James Burden>And when we don't have a definitive answer, it usually

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<v James Burden>leads to the conclusion that it's just a normal part of being

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<v James Burden>human. And that is what came out in

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<v James Burden>2023. There was a forum of some of the

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<v James Burden>biggest names in stuttering treatment. Mark

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<v James Burden>Onslow, Barry Guitar, Rosalie Shenker,

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<v James Burden>others. Now these are people who literally wrote textbooks.

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<v James Burden>Barry Guitar wrote my textbook in grad school for

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<v James Burden>stuttering and in this forum it's a discussion over

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<v James Burden>stuttering as a neurodivergence. It's

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<v James Burden>not it. And it follows a neurodivergent pattern. It

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<v James Burden>affects all different cultures at the same rate. It is a little bit

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<v James Burden>more common in men than in women, but

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<v James Burden>that could easily be a reporting issue because

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<v James Burden>of the pressure on women to conform a little bit more in

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<v James Burden>society or maybe a lot more. The masking abilities might be there.

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<v James Burden>Now I can't necessarily prove that one, but what we see

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<v James Burden>reported is a 4 to 1 ratio of men to women. Stutter

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<v James Burden>more, men stutter more. That's people who are identified at birth

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<v James Burden>as men or women or male or female. But,

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<v James Burden>and, and, and so this neurodivergent neurodiverse

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<v James Burden>angle is I think incredibly powerful because as a

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<v James Burden>society we are learning to accept that we

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<v James Burden>have people with different kinds of minds, ADHD

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<v James Burden>minds, people with autism, people who are

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<v James Burden>left handed, and also

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<v James Burden>in this case stuttering. That's very interesting. You say that happens across languages and I,

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<v Joanne Lockwood>I suppose that never, never occurred to me. I just always in my head

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<v Joanne Lockwood>imagined a stutter in English. But I guess,

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<v Joanne Lockwood>yeah, it happens in Chinese, it happens in

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<v Joanne Lockwood>Indian, Punjabi, whatever. It just, I guess the words

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<v Joanne Lockwood>manifest themselves differently because often in English it's certain

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<v Joanne Lockwood>letters that trigger, isn't it? Is it the same sounds

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<v Joanne Lockwood>that trigger or is it, what's the commonality between.

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<v Joanne Lockwood>Because often people get stuck on the T's or the S's or something or

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<v Joanne Lockwood>certain words. Are there certain words in different languages that also trigger.

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<v James Burden>You know what, that's another great question because what it

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<v James Burden>turns out to be, it's usually a bit of a self fulfilling

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<v James Burden>prophecy. The sound that an individual is going to stutter

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<v James Burden>on. Now the way it usually works is something like this.

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<v James Burden>Some big stutter happens on a certain letter that

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<v James Burden>results in an embarrassed feeling. So the

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<v James Burden>next time that letter comes up for that person in a high

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<v James Burden>stakes situation, they're expecting to stutter. And lo

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<v James Burden>and behold they do. Because they, their body gets

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<v James Burden>more tense. They, they're expecting this to happen.

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<v James Burden>They, they, they sort of tense up and then it does. And then

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<v James Burden>that is proof that it's that letter that is the problem

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<v James Burden>and it just compounds from there. And

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<v James Burden>usually it's not always this way. But a very common

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<v James Burden>letter for someone to stutter on is the first

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<v James Burden>letter of their name. Because they have had an

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<v James Burden>experience where they've tried to introduce themselves, they've stuttered and then

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<v James Burden>some smart person has said, what did you forget your name? Because

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<v James Burden>that's such a classic thing to say when someone stutters on their own name

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<v James Burden>and people don't realise how harmful that can be and how

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<v James Burden>hurtful. Even though it seems like an innocuous joke, it

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<v James Burden>is not an innocuous joke if you're very sensitive and

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<v James Burden>understandably so, considering how people treat stutterers

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<v James Burden>about stuttering and not wanting to stutter where people can hear you. So

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<v Joanne Lockwood>as a listener or the other part of a conversation and

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<v Joanne Lockwood>somebody is struggling, however we would describe that,

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<v Joanne Lockwood>what should I do to be a better listener and to help that

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<v Joanne Lockwood>person over the situation? Should I. Obviously I shouldn't

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<v Joanne Lockwood>be speaking for them. I shouldn't be interrupting them, I shouldn't be completing their sentence.

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<v Joanne Lockwood>How should I react? You're absolutely right with the not

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<v James Burden>interrupting and not completing sentences. That's. If there. If there were

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<v James Burden>gonna be rules, that would be rule number one. The best thing

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<v James Burden>to do is simply wait and listen and just be

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<v James Burden>patient and keep looking at the person. And

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<v James Burden>I think more importantly is what we're doing here

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<v James Burden>is advocating that stuttering is not a disorder,

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<v James Burden>it's not a disease, it's not a neurological

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<v James Burden>problem, it's not a tick. It's simply

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<v James Burden>the way that this portion of the population,

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<v James Burden>1%, which is much, much bigger than most people would

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<v James Burden>realise, how many people that stutter, that's simply the way that they talk

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<v James Burden>and that it's okay. And if you understand that deep

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<v James Burden>inside as the listener, makes it a lot easier not

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<v James Burden>to have to, like, remember all the rules about how to talk to a

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<v James Burden>person who stutters. You just know that it's okay and you don't have to worry

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<v James Burden>about them and they're fine. They're just doing their thing. It's just going to take

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<v James Burden>a couple extra seconds. Sometimes it's going to take even longer. But if

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<v James Burden>you wait, the message will come out. And you don't have to

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<v James Burden>say anything like, it's okay, I'm waiting. You don't have to,

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<v James Burden>like, draw attention to it in any real way. You're just. You're just paying

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<v James Burden>attention like you would to anyone who is taking a little bit longer to say

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<v James Burden>something. Yeah. As you're talking now, I'm just thinking, how would I react in the

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<v Joanne Lockwood>situation? And I'm thinking all these emotions and things are flying

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<v Joanne Lockwood>around my head going, oh, do I feel. So am I feeling sorry for that

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<v Joanne Lockwood>person? Maybe I am. Maybe I'm feeling a bit of empathy. Maybe I'm feeling a

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<v Joanne Lockwood>bit of compassion, benevolence. I want to say they're there. It's okay. Don't

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<v Joanne Lockwood>worry. I want to help them and reassure them, but I also,

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<v Joanne Lockwood>in my head is, don't draw attention to it. Be patient. Don't look like I'm

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<v Joanne Lockwood>bothered. But it's trying to find that middle ground, isn't it?

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<v Joanne Lockwood>Just a blank stare and kind of a vacant

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<v Joanne Lockwood>smile, tilting your head to one side and going, I'm waiting on the inside. I'm

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<v Joanne Lockwood>waiting on the inside. Keep going. And I'm just trying to think of how

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<v Joanne Lockwood>I can learn myself to create the right

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<v Joanne Lockwood>listening face, the right listening mode to not

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<v Joanne Lockwood>add to the pressure. I think that when we know that there's

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<v James Burden>nothing wrong, it's not a sign of anything. It's not a

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<v James Burden>sign of lower intelligence, it's not a sign of a

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<v James Burden>neurological problem, it's not a sign of a disease or

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<v James Burden>anything, then it takes the pressure off us to, to look

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<v James Burden>normal, look normal, everything's okay. Also,

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<v James Burden>when I said don't draw attention to it, I think that's

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<v James Burden>absolutely fair. When talking to adults, we. We don't need to tell them

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<v James Burden>they're okay or, or. Or give them a pat or, or feel sorry for

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<v James Burden>anyone. What we. But

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<v James Burden>I. That. That doesn't necessarily mean. Let's

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<v James Burden>say you've got a young child who stutters. I'm not

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<v James Burden>saying don't talk about it because that just makes it into the

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<v James Burden>elephant in the room. When we, when we don't talk to a child

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<v James Burden>about their stutter at all, then we're sending

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<v James Burden>the message, this is so bad that we can't

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<v James Burden>even talk about it. I remember experiences when I was

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<v James Burden>young. Nothing to do with stuttering, but, like, the things that we don't talk about

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<v James Burden>are the worst possible things. We don't talk about

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<v James Burden>Uncle John because, you know, in his drinking

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<v James Burden>problem. Just don't talk about it. Never mention it, you know, like it. Those

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<v James Burden>are the things in families that are a sign

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<v James Burden>that it's really, really bad. So I don't suggest that

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<v James Burden>parents don't talk to their children about stuttering if that starts to

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<v James Burden>happen. There's also a lot of, like,

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<v James Burden>typical developmental stuttering that may come

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<v James Burden>and then go just on its own. And

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<v James Burden>if it goes fine, if it stays also fine, there are

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<v James Burden>other ways to deal with it. And I don't mean deal with it as in

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<v James Burden>fix it. I just mean ways to interact with your child. I

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<v James Burden>mean Palin pci. So Palin parent child interaction

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<v James Burden>is actually based out of the UK where you're located. And it's From Michael

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<v James Burden>Palin. And I love Michael Palin's story. You remember him

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<v James Burden>from Monty Python. Monty Python, yeah. Great fan of Michael Payne. So

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<v James Burden>he did a movie called the Fish Called Wanda many

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<v James Burden>years ago where he played a stutterer. Yes, he did. And

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<v James Burden>he was the comic relief. And after the movie aired, a stuttering

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<v James Burden>organisation came to him and said, hey, you've actually done us

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<v James Burden>a disservice. You know, you're putting up stutterers

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<v James Burden>as people to be laughed at and mocked. And he was so

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<v James Burden>struck by this that he

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<v James Burden>founded the Palin Institute for Stuttering.

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<v James Burden>He has done more for stuttering than any

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<v James Burden>single other person I can think of off the top of my head. You

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<v James Burden>know, he founded this institute, he's put money into research and more important,

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<v James Burden>he's put money into therapy. And so I did one of

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<v James Burden>my trainings. I did, I flew to Boston and

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<v James Burden>people from the Palin Centre flew into Boston as well. And I spent a week

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<v James Burden>learning about Palin Parent Child Interaction Therapy, which

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<v James Burden>is very different from the Lidcombe method. So Palin

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<v James Burden>pci, or Parent Child Interaction, teaches how

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<v James Burden>you interact with your child on a. You get down to their level,

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<v James Burden>you learn how to play with them by commenting instead of asking a bunch of

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<v James Burden>questions. Now, it's interesting. I'm talking a lot now

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<v James Burden>about how to help a young child. My

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<v James Burden>current focus and the focus of my

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<v James Burden>masterclass is on adults. It's like

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<v James Burden>how especially professionals, entrepreneurs,

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<v James Burden>people who are. Have a lot of skin in the game and need

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<v James Burden>their speech to advance their careers or advance

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<v James Burden>their business or whatever they're working on, go after their

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<v James Burden>goals. So that's what I'm focusing on now. But I've worked

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<v James Burden>with all ages. I've worked with adults, I've worked with teenagers,

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<v James Burden>I've worked with school age kids and I've worked with preschool kids,

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<v James Burden>pretty much everybody. So I'm giving you guys some information about what

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<v James Burden>to do if you're a parent and you're worrying about your child starting to stutter.

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<v James Burden>But, but most of what I'm. My, my masterclass is

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<v James Burden>focused on the adult. So if you're a person who stutters as an

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<v James Burden>adult, definitely check it out. It'll give you more about

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<v James Burden>how society and

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<v James Burden>how the stigma has made things

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<v James Burden>harder for you on a level that I'm sure you understand

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<v James Burden>if you're a person who stutters, but how it's actually affecting

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<v James Burden>your speech and by going underneath the iceberg.

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<v James Burden>So Joseph Sheehan, a longtime stuttering

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<v James Burden>advocate, person who stutters and a therapist

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<v James Burden>Talked about the stuttering iceberg. And so the top of the iceberg is the

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<v James Burden>stutters that you hear and maybe avoidance behaviours that

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<v James Burden>you see like I'm not going to talk in this situation, I'm, I'm going to

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<v James Burden>avoid this word. I'm going to do everything I can to avoid

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<v James Burden>speaking or avoid stuttering. But

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<v James Burden>underneath the iceberg is the

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<v James Burden>thoughts, the feelings, the self judgement,

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<v James Burden>the myths about stuttering. All of the parts that affect

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<v James Burden>your mind and your soul and create

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<v James Burden>those surface behaviours. So if we are

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<v James Burden>tensing up, we're more likely to stutter.

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<v James Burden>If we are afraid that we're going to stutter, we're more likely to

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<v James Burden>avoid. So the way to really

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<v James Burden>help in the long run and not only help but

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<v James Burden>provide lasting support is to melt that

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<v James Burden>iceberg. So take that to warmer water. And by warmer water

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<v James Burden>I mean an environment like a therapy room like with me,

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<v James Burden>where you start to feel accepted for your stutter. And

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<v James Burden>I also like to get people together who stutter so that

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<v James Burden>they can see other people who stutter, see how completely normal it

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<v James Burden>is. Completely, um, okay. And because

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<v James Burden>people judge themselves insanely, hardly insanely

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<v James Burden>hard, but then they see somebody else and they're not anywhere near as

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<v James Burden>judgmental. So we can learn not to judge someone else. Then we can learn to

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<v James Burden>turn that around on ourselves. And this is where it kind of gets into almost

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<v James Burden>a, like a spiritual aspect. Like when, when.

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<v James Burden>Because I used acceptance commitment therapy as part of my

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<v James Burden>programme and that's about like turning that light of

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<v James Burden>consciousness back on yourself and looking at yourself with kindness and a

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<v James Burden>lack and non judgement. And that's what act is about. It's

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<v James Burden>about deciding what your values are.

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<v James Burden>What is more important to me, not stuttering or going for what I

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<v James Burden>know I can do and deserve. And at first it's going to be not

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<v James Burden>stuttering is more important. But then as we begin to

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<v James Burden>not judge we can move that down and begin to see that maybe going

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<v James Burden>for the job interview is more important, maybe building a

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<v James Burden>business is more important. Maybe talking to the man or woman that

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<v James Burden>you're interested in is more important than not stuttering and

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<v James Burden>slowly working towards those goals. You're putting your

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<v James Burden>values in a new order. Yeah, I can certainly relate to the

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<v Joanne Lockwood>internalisation and manifesting your,

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<v Joanne Lockwood>manifesting all of the stereotypes, all of that self loathing

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<v Joanne Lockwood>all at once in your head and putting yourself in situations where

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<v Joanne Lockwood>you can't stop by being wholly consumed that cognitive

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<v Joanne Lockwood>load of worry that you're gonna, the first thing that's gonna come

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<v Joanne Lockwood>out of your mouth is gonna be a stutter. So I can certainly understand

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<v Joanne Lockwood>how that limits people's ability to interact in society.

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<v Joanne Lockwood>Because you say, as you said earlier, what we have is this

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<v Joanne Lockwood>stigma and is there an opposite of normalisation,

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<v Joanne Lockwood>denormalization, where you're in society and society treats

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<v Joanne Lockwood>you less fairly because of that speech impairment

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<v Joanne Lockwood>difference and you're hyper aware

397
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<v Joanne Lockwood>that you don't want to feel foolish, come across foolish. If you're in a

398
00:25:55.810 --> 00:25:59.700
<v Joanne Lockwood>job interview, think, well, you, you're almost walking into the room go, they

399
00:25:59.700 --> 00:26:02.900
<v Joanne Lockwood>won't like me if I started with this. Pressure's on you to get it right,

400
00:26:02.900 --> 00:26:06.740
<v Joanne Lockwood>isn't it? You know, when we dig down deep

401
00:26:07.780 --> 00:26:11.700
<v James Burden>underneath the. I don't want to look foolish underneath,

402
00:26:11.860 --> 00:26:15.660
<v James Burden>the pressure is. And people may not necessarily feel

403
00:26:15.660 --> 00:26:19.620
<v James Burden>this consciously, but if you dig down deep, there's a

404
00:26:19.620 --> 00:26:23.460
<v James Burden>sense of not being right, being broken

405
00:26:23.460 --> 00:26:27.100
<v James Burden>in some way. And are you familiar with Brene Brown's work? It's. Yes.

406
00:26:27.100 --> 00:26:31.020
<v James Burden>So she talks about shame, and shame is

407
00:26:31.020 --> 00:26:34.980
<v James Burden>a big, heavy word. And when she talks to be like a shame researcher, who

408
00:26:34.980 --> 00:26:38.460
<v James Burden>wants to talk about that? Nobody. Right. And so

409
00:26:38.700 --> 00:26:42.380
<v James Burden>I'm going to go there when it comes to stuttering, because I believe

410
00:26:42.620 --> 00:26:46.620
<v James Burden>at the deepest root of it all, there's a shame for being broken.

411
00:26:46.620 --> 00:26:50.620
<v James Burden>And stuttering is something that has all of the

412
00:26:50.620 --> 00:26:54.610
<v James Burden>things Brene Brown talks about that make shame

413
00:26:54.610 --> 00:26:57.210
<v James Burden>thrive, which is silence,

414
00:26:57.930 --> 00:27:01.930
<v James Burden>secrecy and judgement. So when you have those

415
00:27:01.930 --> 00:27:05.730
<v James Burden>three things, shame thrives. So people are trying to

416
00:27:05.730 --> 00:27:09.370
<v James Burden>keep silent, people are trying to keep their

417
00:27:09.530 --> 00:27:13.330
<v James Burden>stutter secret and they're judging themselves and people

418
00:27:13.330 --> 00:27:17.130
<v James Burden>are judging them or they are perceiving that people are judging them.

419
00:27:17.290 --> 00:27:20.830
<v James Burden>Now, I'm sure there is absolutely, undoubtedly

420
00:27:21.630 --> 00:27:25.470
<v James Burden>prejudice in the world, but I would say the. The harshest critics of people

421
00:27:25.470 --> 00:27:29.310
<v James Burden>who stutter are the people who stutter themselves and not to

422
00:27:29.310 --> 00:27:32.990
<v James Burden>other people who stutter to themself. Themself.

423
00:27:33.390 --> 00:27:37.310
<v James Burden>They. They judge themself. And so then shame

424
00:27:37.310 --> 00:27:41.230
<v James Burden>is thriving. And I've talked about shame as

425
00:27:41.230 --> 00:27:45.110
<v James Burden>being like poop in the pool. So it doesn't

426
00:27:45.110 --> 00:27:48.670
<v James Burden>matter how much poop is in the pool, no one's going

427
00:27:48.670 --> 00:27:52.510
<v James Burden>swimming. It could be like the tiniest fleck. And

428
00:27:52.510 --> 00:27:55.750
<v James Burden>I'm not saying stuttering is poop. I'm saying that the shame

429
00:27:56.630 --> 00:28:00.590
<v James Burden>around it is like that it contaminates people's

430
00:28:00.590 --> 00:28:04.310
<v James Burden>entire world with this idea

431
00:28:04.790 --> 00:28:07.910
<v James Burden>that they're not good enough,

432
00:28:08.550 --> 00:28:12.360
<v James Burden>that no one will want to swim in this pool because I'm

433
00:28:12.360 --> 00:28:16.320
<v James Burden>broken. So I really need to. What I do

434
00:28:16.320 --> 00:28:19.440
<v James Burden>is I try to help people with that piece while

435
00:28:19.520 --> 00:28:23.400
<v James Burden>simultaneously working on the speech. But when we work on

436
00:28:23.400 --> 00:28:26.320
<v James Burden>the speech, we have to work on it in a way that is

437
00:28:27.200 --> 00:28:31.160
<v James Burden>not about fixing you. It's not about if you

438
00:28:31.160 --> 00:28:34.960
<v James Burden>speak fluently, then you're okay.

439
00:28:35.120 --> 00:28:38.720
<v James Burden>No, it's you're okay and I can help and by feeling

440
00:28:38.720 --> 00:28:42.420
<v James Burden>okay, it will help you speak more fluently. So what are they kind of the

441
00:28:42.420 --> 00:28:46.340
<v Joanne Lockwood>basic techniques to help you speak more fluently because you want

442
00:28:46.340 --> 00:28:49.460
<v Joanne Lockwood>to, not cause there's any shame or stigma, but because you want to. What the.

443
00:28:49.460 --> 00:28:53.420
<v Joanne Lockwood>What the kind of technique? So there are many.

444
00:28:54.300 --> 00:28:57.500
<v James Burden>There are many different approaches. The one that I

445
00:28:58.380 --> 00:29:01.260
<v James Burden>recommend using, it's a little bit more involved,

446
00:29:02.140 --> 00:29:06.020
<v James Burden>but it has most lasting results and it has the most science behind

447
00:29:06.020 --> 00:29:09.830
<v James Burden>it. And that's the prolonged speech family of methods.

448
00:29:09.990 --> 00:29:13.910
<v James Burden>And now you could do an intensive programme, but it's like. That's like the

449
00:29:13.910 --> 00:29:17.150
<v James Burden>one that I did when I was in grad school, which is the 10 days

450
00:29:17.150 --> 00:29:20.710
<v James Burden>and you're really hammer at it. Or you can do Camper down,

451
00:29:21.190 --> 00:29:24.790
<v James Burden>which. And what. What you do in these programmes is

452
00:29:24.950 --> 00:29:28.830
<v James Burden>Camper down works like this. There's a video, I have

453
00:29:28.830 --> 00:29:32.670
<v James Burden>one on YouTube and there's plenty of others out there where you

454
00:29:32.670 --> 00:29:36.320
<v James Burden>watch me or whoever the speaker is, speak at it in an

455
00:29:36.320 --> 00:29:40.280
<v James Burden>incredibly slow, connected, flowy kind

456
00:29:40.280 --> 00:29:44.040
<v James Burden>of a way. Much in the same way like you would learn to

457
00:29:44.040 --> 00:29:47.720
<v James Burden>swing a golf club or swing a baseball bat,

458
00:29:47.720 --> 00:29:51.560
<v James Burden>slowly at first, very slow, just to get the

459
00:29:51.560 --> 00:29:55.120
<v James Burden>muscle memory and then speed it up over time.

460
00:29:55.360 --> 00:29:59.200
<v James Burden>And it ends in a kind of a flowy way of speaking that

461
00:29:59.200 --> 00:30:03.170
<v James Burden>sounds like this. Now I'm overdoing it a little bit so

462
00:30:03.170 --> 00:30:07.130
<v James Burden>that you can hear. But then when you speed it up, it sounds pretty

463
00:30:07.130 --> 00:30:11.050
<v James Burden>much typical. Like it sounds like a typical speaker. But what we're

464
00:30:11.050 --> 00:30:14.810
<v James Burden>doing is we're keeping our voice activated. So that's

465
00:30:14.810 --> 00:30:18.770
<v James Burden>the here, so that stays activated. And we're making sure each

466
00:30:19.090 --> 00:30:23.090
<v James Burden>word flows into the next so that it has this sort of flowiness to it.

467
00:30:23.090 --> 00:30:27.070
<v James Burden>And once we. You practise with the video and

468
00:30:27.070 --> 00:30:31.030
<v James Burden>you work with me to speed that up over time and still

469
00:30:31.110 --> 00:30:34.710
<v James Burden>maintain like a natural cadence. So

470
00:30:34.950 --> 00:30:38.870
<v James Burden>what can be challenging is as people are learning this, they might end up

471
00:30:38.870 --> 00:30:42.869
<v James Burden>sounding like this for a minute. And then you have to learn how to,

472
00:30:42.869 --> 00:30:46.510
<v James Burden>okay, let's re. Add in inflection and re. Add in tone and

473
00:30:46.510 --> 00:30:49.190
<v James Burden>pitch. And until it sounds natural

474
00:30:50.230 --> 00:30:53.840
<v James Burden>from there, it needs to actually be used.

475
00:30:54.080 --> 00:30:58.080
<v James Burden>Well, what, what I'm noticing right now with my. One of my current

476
00:30:58.160 --> 00:31:02.160
<v James Burden>clients is that she's started

477
00:31:02.160 --> 00:31:06.040
<v James Burden>to learn this method. And she's also been

478
00:31:06.040 --> 00:31:09.960
<v James Burden>tracking her daily stuttering and we're

479
00:31:09.960 --> 00:31:13.800
<v James Burden>watching it going down and I have a. I won't get into, like, how we

480
00:31:13.800 --> 00:31:17.680
<v James Burden>track it exactly, except that it's like it's her feelings about her stutter

481
00:31:18.050 --> 00:31:21.570
<v James Burden>as opposed to exactly what it sounds like. Because what's more important

482
00:31:21.970 --> 00:31:25.970
<v James Burden>is how people feel about their speech than it is what

483
00:31:26.530 --> 00:31:29.730
<v James Burden>other people actually hear. So for her,

484
00:31:31.170 --> 00:31:35.090
<v James Burden>she's. We. She's only been with me about three, four

485
00:31:35.090 --> 00:31:38.690
<v James Burden>weeks now. I think we just hit week four and she's doing

486
00:31:38.690 --> 00:31:42.610
<v James Burden>amazing. She's. Her stuttering is reduced a great deal.

487
00:31:42.690 --> 00:31:46.290
<v James Burden>She's putting herself out there more than she ever did before

488
00:31:46.530 --> 00:31:50.330
<v James Burden>and she's feeling really good about it. And that's before we've even finished the

489
00:31:50.330 --> 00:31:53.650
<v James Burden>programme. What we're going to be doing now is

490
00:31:54.530 --> 00:31:58.530
<v James Burden>taking what she's learned and going and trying it

491
00:31:58.530 --> 00:32:02.450
<v James Burden>out with different people. So we start

492
00:32:02.450 --> 00:32:06.290
<v James Burden>with the easy ones, you know, friends and family. Using this technique for

493
00:32:06.290 --> 00:32:10.210
<v James Burden>speaking with friends and family and then trying it

494
00:32:10.210 --> 00:32:14.210
<v James Burden>out with people that she doesn't know quite so well, eventually

495
00:32:14.210 --> 00:32:18.210
<v James Burden>getting it towards where she'll be doing a

496
00:32:18.210 --> 00:32:21.930
<v James Burden>little bit of public speaking. Not huge public speaking, but just like in front of,

497
00:32:21.930 --> 00:32:25.770
<v James Burden>like, a group of people. Not like on stage, just

498
00:32:25.770 --> 00:32:29.610
<v James Burden>like at a party, say. And then each time we're.

499
00:32:29.610 --> 00:32:33.530
<v James Burden>We're kind of combining this acceptance, commitment, therapy approach,

500
00:32:34.570 --> 00:32:38.110
<v James Burden>putting what is most valuable to you with

501
00:32:38.430 --> 00:32:42.190
<v James Burden>what is. So what are your goals for your speech and then

502
00:32:42.350 --> 00:32:46.350
<v James Burden>moving up this hierarchy. So she's doing

503
00:32:46.350 --> 00:32:50.110
<v James Burden>amazing. She's only having to work on this for 15 minutes a day

504
00:32:50.670 --> 00:32:54.590
<v James Burden>and she's already in a month in. She is. Her mindset has

505
00:32:54.590 --> 00:32:58.470
<v James Burden>changed a huge amount. She's learning. Not that she doesn't have

506
00:32:58.470 --> 00:33:02.310
<v James Burden>to be perfect in every single situation because, like, we've been

507
00:33:02.310 --> 00:33:06.090
<v James Burden>talking about stuttering doesn't mean there's anything wrong, so. And

508
00:33:06.090 --> 00:33:09.690
<v James Burden>also speech. What. What people don't

509
00:33:09.690 --> 00:33:13.570
<v James Burden>realise. We are all naturally good at speaking as

510
00:33:13.570 --> 00:33:17.410
<v James Burden>humans, right? So if a cat is agile and

511
00:33:17.410 --> 00:33:21.010
<v James Burden>good on its feet, we have a natural ability to talk.

512
00:33:21.730 --> 00:33:24.690
<v James Burden>But the fine motor coordination

513
00:33:25.730 --> 00:33:29.330
<v James Burden>that is required to speak is

514
00:33:29.330 --> 00:33:33.330
<v James Burden>enormous. We have to. We have to coordinate our lips,

515
00:33:33.330 --> 00:33:37.250
<v James Burden>tongue, lungs, jaw, vocal folds, all

516
00:33:37.250 --> 00:33:41.210
<v James Burden>in real time, while simultaneously processing language. And

517
00:33:41.210 --> 00:33:45.210
<v James Burden>then when there's a little interruption in that, we think we might think

518
00:33:45.210 --> 00:33:49.210
<v James Burden>to ourselves we're not a good speaker. But this is like a tiny blip in

519
00:33:49.210 --> 00:33:52.770
<v James Burden>an incredibly complex machine that

520
00:33:53.250 --> 00:33:56.830
<v James Burden>people don't realise. And then people are tracking for

521
00:33:56.830 --> 00:34:00.430
<v James Burden>danger. They're worried that they're Gonna stutter. So that just

522
00:34:00.750 --> 00:34:03.790
<v James Burden>interrupts the machine even more. And the pressure

523
00:34:04.750 --> 00:34:08.710
<v James Burden>is what my current client is, one of my

524
00:34:08.710 --> 00:34:12.670
<v James Burden>current clients is learning to release. So releasing

525
00:34:12.670 --> 00:34:16.670
<v James Burden>that pressure, learning to speak in a new way, trying it out

526
00:34:16.670 --> 00:34:20.110
<v James Burden>in new situations. And again the

527
00:34:20.110 --> 00:34:23.720
<v James Burden>masterclass kind of breaks it down in more detail than I.

528
00:34:23.800 --> 00:34:27.760
<v James Burden>Then we have time for here. But that being said, it's, it's only a

529
00:34:27.760 --> 00:34:31.640
<v James Burden>19 minute masterclass. It just very quickly will run

530
00:34:31.640 --> 00:34:35.520
<v James Burden>you through all of the ways that your mindset is

531
00:34:35.520 --> 00:34:38.920
<v James Burden>affected and how that actually affects the speech directly.

532
00:34:39.400 --> 00:34:43.360
<v James Burden>So it's not just us sitting around holding hands, singing Kumbaya, saying

533
00:34:43.360 --> 00:34:47.000
<v James Burden>you're okay because you stutter. It's by doing that

534
00:34:47.000 --> 00:34:50.820
<v James Burden>it gen genuinely affects the way we speak.

535
00:34:51.220 --> 00:34:55.060
<v James Burden>It's, it's much more than just feeling good about ourselves.

536
00:34:55.380 --> 00:34:59.340
<v James Burden>It's about how to speak more fluently because you

537
00:34:59.340 --> 00:35:03.300
<v James Burden>feel good about yourself. You mentioned at the beginning that about 1% of the population

538
00:35:03.460 --> 00:35:06.980
<v Joanne Lockwood>will have a stutter some of some shape or form globally

539
00:35:07.300 --> 00:35:11.180
<v Joanne Lockwood>across ages and disproportionately men over women. I would say.

540
00:35:11.180 --> 00:35:14.900
<v Joanne Lockwood>Well, I'm guessing it's far more prevalent for people to have different

541
00:35:15.650 --> 00:35:19.410
<v Joanne Lockwood>speak speech artefacts for want of a better way of describing them in terms

542
00:35:19.410 --> 00:35:23.330
<v Joanne Lockwood>of filler words. The ums, the ahs, the

543
00:35:23.890 --> 00:35:27.650
<v Joanne Lockwood>I know I speak and I often repeat a word

544
00:35:27.650 --> 00:35:31.250
<v Joanne Lockwood>as thinking time. So I would go I, I, I or and, and, and, and

545
00:35:31.250 --> 00:35:34.690
<v Joanne Lockwood>I would have those kind of artefacts in the way I speak.

546
00:35:35.090 --> 00:35:38.890
<v Joanne Lockwood>And I often when I'm reviewing the transcript I see the

547
00:35:38.890 --> 00:35:42.330
<v Joanne Lockwood>words stacked up and I think well that was me revving up for the next

548
00:35:42.330 --> 00:35:46.070
<v Joanne Lockwood>sentence if you like. Can the techniques you're using here help

549
00:35:46.550 --> 00:35:49.670
<v Joanne Lockwood>that those artefacts as well as a stutter or

550
00:35:50.470 --> 00:35:54.470
<v Joanne Lockwood>are they different attributes of the mind here? Well, what you're talking about is completely

551
00:35:54.470 --> 00:35:58.230
<v James Burden>natural for all of us. I do it, you do it. Those

552
00:35:58.230 --> 00:36:01.870
<v James Burden>little like I just did right there, like the, I'm like giving

553
00:36:01.870 --> 00:36:05.630
<v James Burden>myself time to process language and this is what

554
00:36:05.630 --> 00:36:09.590
<v James Burden>gets mixed up into something that would

555
00:36:09.590 --> 00:36:13.350
<v James Burden>be what we call stuttering versus

556
00:36:13.750 --> 00:36:17.350
<v James Burden>normal disfluency. Those things get mixed up in together.

557
00:36:17.510 --> 00:36:21.350
<v James Burden>And yes, a lot of the techniques, the slowing way down

558
00:36:21.430 --> 00:36:24.710
<v James Burden>technique and then speeding up, that's more for

559
00:36:24.870 --> 00:36:28.670
<v James Burden>fluency, that is more for stuttering. But a lot of the other kinds

560
00:36:28.670 --> 00:36:32.470
<v James Burden>of things that we learn in my programme are pausing,

561
00:36:32.630 --> 00:36:36.550
<v James Burden>slowing down on your main point. All of the natural

562
00:36:36.790 --> 00:36:40.530
<v James Burden>good public speaking techniques also help you stutter less.

563
00:36:40.610 --> 00:36:44.290
<v James Burden>And you, you talked about like

564
00:36:45.010 --> 00:36:48.850
<v James Burden>these things happening when you're

565
00:36:48.850 --> 00:36:52.770
<v James Burden>under stress or when you're trying to speak in a

566
00:36:52.770 --> 00:36:56.690
<v James Burden>public situation, maybe on a podcast. Right now, like as I'm processing

567
00:36:56.690 --> 00:37:00.410
<v James Burden>what I want to say, I'm having to slow down. And if I

568
00:37:00.410 --> 00:37:03.410
<v James Burden>don't slow down then I'm going to do the ums and the ahs.

569
00:37:04.700 --> 00:37:08.700
<v James Burden>Another factor for the ums and the odds for people who stutter is sometimes

570
00:37:09.100 --> 00:37:11.900
<v James Burden>they're using them to cover a stutter.

571
00:37:12.940 --> 00:37:16.620
<v James Burden>I know I can say this certain phrase fluently

572
00:37:16.700 --> 00:37:20.660
<v James Burden>every time. So it might be a, you know, it

573
00:37:20.660 --> 00:37:24.500
<v James Burden>might be a, you know what I mean or it might

574
00:37:24.500 --> 00:37:28.220
<v James Burden>be any kind of little filler phrase that keeps things

575
00:37:28.220 --> 00:37:31.830
<v James Burden>flowing for them while they think of the next thing.

576
00:37:32.630 --> 00:37:36.030
<v James Burden>So it's a combination of language

577
00:37:36.030 --> 00:37:39.950
<v James Burden>processing and motor planning for the mouth. Does that

578
00:37:39.950 --> 00:37:43.870
<v James Burden>answer your question? Yeah, I know there

579
00:37:43.870 --> 00:37:47.510
<v Joanne Lockwood>are certain words that I'm going to trip over. I just can't get my.

580
00:37:48.070 --> 00:37:51.870
<v Joanne Lockwood>I just can't form them correctly or in my mind I can't. One of them

581
00:37:51.870 --> 00:37:55.270
<v Joanne Lockwood>is championing. I just, I really struggle with that word and I

582
00:37:56.000 --> 00:37:59.840
<v Joanne Lockwood>sometimes I find myself heading down this one way street and that

583
00:37:59.840 --> 00:38:03.520
<v Joanne Lockwood>word's definitely on the horizon. I'm thinking, blimey, I'm going to crash into that in

584
00:38:03.520 --> 00:38:07.120
<v Joanne Lockwood>a minute. And I can't stop myself using that word. And what I found sometimes

585
00:38:07.120 --> 00:38:11.040
<v Joanne Lockwood>is maybe it's because I have the confidence to be able to make light

586
00:38:11.040 --> 00:38:14.440
<v Joanne Lockwood>of it and go champing one of those words I just can't say and then

587
00:38:14.440 --> 00:38:18.360
<v Joanne Lockwood>just make light of it and just pause and everyone in the audience knows the

588
00:38:18.360 --> 00:38:22.120
<v Joanne Lockwood>word I'm trying to say. I've made light of the fact it's got stuck

589
00:38:22.120 --> 00:38:25.810
<v Joanne Lockwood>in my mouth somehow and I just move on from it

590
00:38:25.810 --> 00:38:29.730
<v Joanne Lockwood>having used the word as a lighthearted segue to something

591
00:38:29.730 --> 00:38:33.330
<v Joanne Lockwood>else. And I guess some of that is confidence and also. But I know

592
00:38:33.810 --> 00:38:37.490
<v Joanne Lockwood>when I'm on stage speaking, training, whatever I'm doing,

593
00:38:37.970 --> 00:38:41.890
<v Joanne Lockwood>I'll know that I'll get end up in this linguistic roadblock. It's gonna

594
00:38:41.890 --> 00:38:45.330
<v Joanne Lockwood>hit me. And sometimes I won't even finish the sentence.

595
00:38:45.970 --> 00:38:49.090
<v Joanne Lockwood>I'll somehow pause, segue to something else and carry on talking.

596
00:38:50.010 --> 00:38:52.810
<v Joanne Lockwood>And I've learned over the years that nobody notices,

597
00:38:53.850 --> 00:38:57.610
<v Joanne Lockwood>nobody really listens that intensively to every single word you

598
00:38:57.610 --> 00:39:01.610
<v Joanne Lockwood>say. And I think once I stopped being

599
00:39:01.610 --> 00:39:05.450
<v Joanne Lockwood>hung up about being word perfect on every

600
00:39:05.450 --> 00:39:08.570
<v Joanne Lockwood>sentence, I realised that nobody cares or nobody notices.

601
00:39:09.210 --> 00:39:13.130
<v Joanne Lockwood>That pressure comes off, doesn't it? You've hit the nail

602
00:39:13.130 --> 00:39:16.810
<v James Burden>on the head there. So there's a couple of wonderful points in there.

603
00:39:17.200 --> 00:39:21.200
<v James Burden>First off, that this is a very human thing, you don't have to

604
00:39:21.360 --> 00:39:25.240
<v James Burden>self identify as a person who stutters to have gone

605
00:39:25.240 --> 00:39:29.240
<v James Burden>through that experience of, oh, no, here's a word I don't know how

606
00:39:29.240 --> 00:39:32.560
<v James Burden>to say. It always comes out wrong. And then because of that

607
00:39:33.039 --> 00:39:36.920
<v James Burden>knowledge or that expectation, then it go. Then it

608
00:39:36.920 --> 00:39:40.200
<v James Burden>does come out that way. And then it's more proof for you that you can't

609
00:39:40.200 --> 00:39:43.280
<v James Burden>say that word. The other thing you mentioned is

610
00:39:44.180 --> 00:39:48.060
<v James Burden>other people don't really notice that much. Now, if you're a

611
00:39:48.060 --> 00:39:51.980
<v James Burden>person who stutters, who has been teased since you were a little

612
00:39:51.980 --> 00:39:55.860
<v James Burden>kid, corrected, told that you don't speak normal,

613
00:39:56.660 --> 00:40:00.060
<v James Burden>then those little micro

614
00:40:00.060 --> 00:40:04.020
<v James Burden>traumas add up to a bigger trauma around your speech.

615
00:40:04.020 --> 00:40:08.020
<v James Burden>And it's a lot harder to let that go or laugh

616
00:40:08.020 --> 00:40:11.780
<v James Burden>it off the way a person who doesn't have that lived experience

617
00:40:12.670 --> 00:40:16.430
<v James Burden>would. So for you and me, if I

618
00:40:16.430 --> 00:40:20.190
<v James Burden>stutter, I'll just like, oh, wow, that was funny. And then I move on. If

619
00:40:20.590 --> 00:40:24.310
<v James Burden>you've had a lot of these micro traumas, it's a lot harder and you kind

620
00:40:24.310 --> 00:40:28.270
<v James Burden>of clench up even tighter or you just won't put yourself in a situation

621
00:40:28.350 --> 00:40:32.030
<v James Burden>where that could possibly happen because the fear of

622
00:40:32.110 --> 00:40:35.230
<v James Burden>that happening is, is too great.

623
00:40:35.870 --> 00:40:39.630
<v James Burden>The experience, you can't, you don't want to

624
00:40:39.630 --> 00:40:43.510
<v James Burden>relive that over and over. You remember times as it's happened already and it's,

625
00:40:43.510 --> 00:40:47.510
<v James Burden>it's just too much. There's so many more people out there who

626
00:40:47.510 --> 00:40:51.470
<v James Burden>stutter than, than you'd expect. But most of them, you would never

627
00:40:51.470 --> 00:40:55.030
<v James Burden>hear them do it or know that they stutter because they're avoiding,

628
00:40:55.270 --> 00:40:58.950
<v James Burden>because they're making sure you don't hear it. And that is one of the things

629
00:40:58.950 --> 00:41:02.790
<v James Burden>that is top of mind for them. And maybe if

630
00:41:03.510 --> 00:41:07.270
<v James Burden>we work on that mindset. Well, I know that if we work on that mindset,

631
00:41:07.870 --> 00:41:11.750
<v James Burden>that can start to relieve the pressure and put them in

632
00:41:11.750 --> 00:41:14.830
<v James Burden>the same position that you and I would be of just like, oh, laughing it

633
00:41:14.830 --> 00:41:18.750
<v James Burden>off and moving on. Are there speecho files?

634
00:41:18.750 --> 00:41:22.750
<v Joanne Lockwood>Like, you have audiophiles, you know, people who want the

635
00:41:22.750 --> 00:41:26.510
<v Joanne Lockwood>perfect sound recording, you know, the purists who find

636
00:41:26.590 --> 00:41:30.150
<v Joanne Lockwood>CD music abhorrent and it has to be the full harmonics of

637
00:41:30.150 --> 00:41:33.950
<v Joanne Lockwood>analogue music from a vinyl. Are there people who have the speech thing? Because

638
00:41:34.030 --> 00:41:37.310
<v Joanne Lockwood>I've been on various podcast forums and there are people say, oh, no, you must

639
00:41:37.310 --> 00:41:41.050
<v Joanne Lockwood>clean out all the ums and the ahs. And I get so distracted if

640
00:41:42.010 --> 00:41:45.770
<v Joanne Lockwood>the voice isn't fluent and the right level of recording and the right

641
00:41:45.930 --> 00:41:49.930
<v Joanne Lockwood>depth of tone. And are there people out there that want to Police you

642
00:41:49.930 --> 00:41:52.970
<v Joanne Lockwood>into their definition of perfect.

643
00:41:53.690 --> 00:41:57.490
<v James Burden>Well, I've done a number of podcasts so far and I've never met any of

644
00:41:57.490 --> 00:42:01.450
<v James Burden>them. It seems to me more likely that those kind

645
00:42:01.450 --> 00:42:05.170
<v James Burden>of people are self conscious than they

646
00:42:05.170 --> 00:42:08.970
<v James Burden>are other consciousness. So if they are

647
00:42:10.170 --> 00:42:14.090
<v James Burden>disfluent, whether they're a person who stutters or not,

648
00:42:14.330 --> 00:42:17.930
<v James Burden>if they are disfluent, then that bugs them.

649
00:42:18.090 --> 00:42:22.050
<v James Burden>If their sound isn't just so it bugs them. And maybe it

650
00:42:22.050 --> 00:42:26.010
<v James Burden>bugs them when other people's sounds are. But I think it's less

651
00:42:26.010 --> 00:42:29.850
<v James Burden>common than the self judgement. Maybe that's just my personal opinion.

652
00:42:30.970 --> 00:42:34.810
<v Joanne Lockwood>Just fluent a lot as a. I never heard of that word before, but yeah,

653
00:42:34.810 --> 00:42:38.650
<v Joanne Lockwood>it's. We talked about

654
00:42:38.650 --> 00:42:42.650
<v Joanne Lockwood>stuttering. There's another word, stammer. Is. Is a stutter and a stammer the

655
00:42:42.650 --> 00:42:45.250
<v Joanne Lockwood>same thing? Oh yes, yeah, sorry, of course.

656
00:42:46.370 --> 00:42:50.170
<v James Burden>It's just a. It's a cultural difference. In the UK it's stammer and

657
00:42:50.170 --> 00:42:54.010
<v James Burden>in North America it's stutter. They mean exactly the same thing. Yeah, I've heard

658
00:42:54.010 --> 00:42:57.450
<v Joanne Lockwood>both terms. I wouldn't, I wouldn't necessarily say that stutter is not a UK word,

659
00:42:57.450 --> 00:43:01.220
<v Joanne Lockwood>but I've heard they describe it as stammering. So they are the same

660
00:43:01.220 --> 00:43:04.940
<v Joanne Lockwood>thing. Yeah, I don't really. There is another

661
00:43:05.180 --> 00:43:09.100
<v James Burden>thing as well called cluttering. I don't want to get too into that.

662
00:43:09.100 --> 00:43:12.780
<v James Burden>That is a very much more rare. It's like

663
00:43:12.780 --> 00:43:16.660
<v James Burden>so stuttering is one in a hundred. I don't know the stats on cluttering,

664
00:43:16.660 --> 00:43:20.540
<v James Burden>but it's related. But it's more like squishing words together.

665
00:43:20.940 --> 00:43:24.380
<v James Burden>I don't know how to even imitate it the way I could. I'm used to

666
00:43:24.380 --> 00:43:28.290
<v James Burden>being able to produce a stutter so that I can work with clients

667
00:43:28.290 --> 00:43:31.970
<v James Burden>on it. So. And it's important for me. Sometimes I will

668
00:43:31.970 --> 00:43:35.850
<v James Burden>stutter publicly. Sometimes I. I go out and stutter and just to

669
00:43:35.850 --> 00:43:39.690
<v James Burden>remind myself of the lived experience of people who stutter. It's not the same as

670
00:43:39.690 --> 00:43:43.610
<v James Burden>having it all the time, but just to. Okay, what is it like when

671
00:43:43.610 --> 00:43:47.530
<v James Burden>people give you that funny look or do they even give it to you or

672
00:43:47.530 --> 00:43:51.210
<v James Burden>is it just you're expecting to see it? It's interesting.

673
00:43:51.770 --> 00:43:55.410
<v James Burden>It's worth. It's worth a little experiment. If you're not a person who stutters, just

674
00:43:55.410 --> 00:43:58.750
<v James Burden>to go try it once in a while. I don't really expect a lot to

675
00:43:58.750 --> 00:44:00.790
<v James Burden>take me up on that challenge, but

676
00:44:03.030 --> 00:44:06.830
<v James Burden>it is eye opening and to see how people

677
00:44:06.830 --> 00:44:09.510
<v James Burden>react to you if you stutter. Yeah. I developed

678
00:44:10.950 --> 00:44:14.429
<v Joanne Lockwood>a self consciousness if you like. Probably when I was hitting

679
00:44:14.429 --> 00:44:17.910
<v Joanne Lockwood>puberty, 11, 10, 12 years old. That kind of age

680
00:44:18.310 --> 00:44:22.070
<v Joanne Lockwood>we first become self aware of judgement and how people see us and things like

681
00:44:22.070 --> 00:44:26.040
<v Joanne Lockwood>that. And I remember in school classes in English, we had

682
00:44:26.040 --> 00:44:29.160
<v Joanne Lockwood>to read out, I think it was probably Shakespeare or Romeo and Juliet or something.

683
00:44:29.160 --> 00:44:31.920
<v Joanne Lockwood>We all had to. The teacher would go around the room and say, right, you

684
00:44:32.000 --> 00:44:35.880
<v Joanne Lockwood>read out the next paragraph. And I remember having to stand up in

685
00:44:35.880 --> 00:44:39.400
<v Joanne Lockwood>class holding this book. And I find it

686
00:44:39.400 --> 00:44:43.360
<v Joanne Lockwood>extremely difficult to read and talk, to read out

687
00:44:43.360 --> 00:44:47.160
<v Joanne Lockwood>loud from a written page. My eyes don't track properly. I'm

688
00:44:47.160 --> 00:44:50.640
<v Joanne Lockwood>really bad at following a book and reading each line.

689
00:44:51.520 --> 00:44:54.760
<v Joanne Lockwood>I can read paragraphs and I can read and get the gist of things, but

690
00:44:54.760 --> 00:44:58.580
<v Joanne Lockwood>I can't read word for word. So I used to be really paranoid about standing

691
00:44:58.580 --> 00:45:02.540
<v Joanne Lockwood>up, reading out loud, knowing I would lose track of where I was in

692
00:45:02.540 --> 00:45:06.220
<v Joanne Lockwood>the sentence or not be able to come up the next word properly. And of

693
00:45:06.220 --> 00:45:09.940
<v Joanne Lockwood>course that, that led me to feel like I was going bright red. You know,

694
00:45:09.940 --> 00:45:13.660
<v Joanne Lockwood>that embarrassment, all the blood flowing to my cheeks, all that fight flight, fear kicking

695
00:45:13.660 --> 00:45:17.380
<v Joanne Lockwood>in, that adrenaline and that, that led me to

696
00:45:17.380 --> 00:45:21.180
<v Joanne Lockwood>avoiding standing up and speaking out loud for many, many years.

697
00:45:21.260 --> 00:45:24.900
<v Joanne Lockwood>Yeah, right up and probably through my 20s, into my 30s.

698
00:45:25.540 --> 00:45:29.420
<v Joanne Lockwood>And it only became, when I guess I became more self

699
00:45:29.420 --> 00:45:32.500
<v Joanne Lockwood>confident in other things, in my ability, that I

700
00:45:33.380 --> 00:45:37.140
<v Joanne Lockwood>lost the fear just by being a more confident person.

701
00:45:37.700 --> 00:45:41.660
<v Joanne Lockwood>But it did dog me for many years, that stigma and shame

702
00:45:41.660 --> 00:45:45.420
<v Joanne Lockwood>of not being able to speak without my face going bright red and the fear

703
00:45:45.420 --> 00:45:48.740
<v Joanne Lockwood>of messing up in public all through that, reading out loud in school.

704
00:45:50.020 --> 00:45:53.980
<v James Burden>And so here you are as a podcaster, you're speaking in

705
00:45:53.980 --> 00:45:57.780
<v James Burden>front of, you know, thousands, tens of thousands of people,

706
00:45:58.020 --> 00:46:01.700
<v James Burden>even if it's recorded first, you're, you're putting yourself out there.

707
00:46:01.860 --> 00:46:05.860
<v James Burden>So for you, I'm curious, do you think the confidence came

708
00:46:05.860 --> 00:46:09.620
<v James Burden>first or did putting yourself out there come first? Or was it

709
00:46:09.620 --> 00:46:13.580
<v James Burden>like kind of like meshed in together? I think it was. I'm gonna,

710
00:46:13.580 --> 00:46:16.380
<v Joanne Lockwood>I'm gonna say. Experience.

711
00:46:18.540 --> 00:46:22.380
<v Joanne Lockwood>Of nobody really noticed, you know, I was standing up, I was doing

712
00:46:22.380 --> 00:46:25.980
<v Joanne Lockwood>something, I wasn't practising, I was doing live.

713
00:46:27.020 --> 00:46:30.899
<v Joanne Lockwood>All the anxieties in my head, all these things are firing off in my brain

714
00:46:30.899 --> 00:46:34.140
<v Joanne Lockwood>saying, you can't, this is going to go wrong, you're going to go bright red,

715
00:46:34.300 --> 00:46:36.940
<v Joanne Lockwood>you're going to fluff it up, people are not going to like you, they're going

716
00:46:36.940 --> 00:46:40.860
<v Joanne Lockwood>to hate you. All this stigma's kicking in. And then I realised

717
00:46:40.860 --> 00:46:44.590
<v Joanne Lockwood>that it was Just false statements going on in my head. I

718
00:46:44.590 --> 00:46:48.550
<v Joanne Lockwood>learned that all these, all this negative down talk was

719
00:46:48.550 --> 00:46:52.110
<v Joanne Lockwood>made up and I think it just became. I

720
00:46:52.110 --> 00:46:56.030
<v Joanne Lockwood>overcame that self fulfilling prophecy with a new story and became a

721
00:46:56.030 --> 00:46:59.990
<v Joanne Lockwood>new self fulfilling prophecy that it was okay. And I went to a stage where

722
00:46:59.990 --> 00:47:03.830
<v Joanne Lockwood>I was just starting to become a stage professional speaker going out on

723
00:47:03.830 --> 00:47:07.790
<v Joanne Lockwood>stage all the time in front of 6, 700 people audiences, huge audiences.

724
00:47:08.670 --> 00:47:12.190
<v Joanne Lockwood>And I'd always have this fight flight, fear kicking in

725
00:47:12.670 --> 00:47:16.350
<v Joanne Lockwood>in like 30 seconds before I was. As the person started to introduce me,

726
00:47:17.070 --> 00:47:21.030
<v Joanne Lockwood>I'd always sit in the wings going, if there's suddenly a power cut, I

727
00:47:21.030 --> 00:47:24.910
<v Joanne Lockwood>won't be disappointed. If suddenly I'm cancelled. And the person introducing me says,

728
00:47:26.110 --> 00:47:29.550
<v Joanne Lockwood>we've changed the programme, sorry Joanne, you're not on anymore. I was going.

729
00:47:31.230 --> 00:47:34.350
<v Joanne Lockwood>So I had this major anxiety because I was always scared

730
00:47:35.460 --> 00:47:39.420
<v Joanne Lockwood>of those first words, that first sentence. Because in

731
00:47:39.420 --> 00:47:43.220
<v Joanne Lockwood>my mind I wasn't sure what I was going to say first. Because I'm one

732
00:47:43.220 --> 00:47:46.940
<v Joanne Lockwood>of these speakers that doesn't have a script. I don't over rehearse things. The first

733
00:47:46.940 --> 00:47:50.340
<v Joanne Lockwood>thing that comes out of my mouth often is a surprise to me.

734
00:47:50.820 --> 00:47:54.780
<v Joanne Lockwood>It's been playing around in my head and something gets, a package of words

735
00:47:54.780 --> 00:47:58.380
<v Joanne Lockwood>gets delivered to my mouth and it comes out at the right moment. So I

736
00:47:58.380 --> 00:48:02.270
<v Joanne Lockwood>had to learn to trust myself. I had to learn that when I'm

737
00:48:02.270 --> 00:48:06.150
<v Joanne Lockwood>on that stage and I pause, I smile, I look around the

738
00:48:06.150 --> 00:48:10.150
<v Joanne Lockwood>room to create that dramatic effect, that lean in feeling

739
00:48:10.150 --> 00:48:13.910
<v Joanne Lockwood>in the audience. I knew that whatever came out my mouth first was

740
00:48:13.910 --> 00:48:16.990
<v Joanne Lockwood>gonna make sense, the audience were gonna be drawn in

741
00:48:18.030 --> 00:48:21.630
<v Joanne Lockwood>and it would work. So once I started realising that I could trust

742
00:48:21.630 --> 00:48:25.630
<v Joanne Lockwood>myself, I then believed in myself and now I

743
00:48:25.630 --> 00:48:28.390
<v Joanne Lockwood>don't get that anxiety. Someone said, oh, can you go up there and talk about

744
00:48:28.390 --> 00:48:31.670
<v Joanne Lockwood>this? I go, give me 10 seconds, I'll just plug the module in. Go. Okay,

745
00:48:31.670 --> 00:48:35.610
<v Joanne Lockwood>okay, okay. All right, I've got an opening line. Once the opening line's out,

746
00:48:35.610 --> 00:48:38.730
<v Joanne Lockwood>I know the rest will just follow. And it is a kind of a

747
00:48:40.410 --> 00:48:43.850
<v Joanne Lockwood>trust in me and not let that fear

748
00:48:44.490 --> 00:48:48.170
<v Joanne Lockwood>dominate my life. So yeah, I guess it's, I've developed that technique.

749
00:48:48.890 --> 00:48:52.570
<v Joanne Lockwood>And also people have described me as having a late night radio voice,

750
00:48:53.050 --> 00:48:56.810
<v Joanne Lockwood>very slow, very methodical, very rhythmic. When

751
00:48:56.810 --> 00:49:00.490
<v Joanne Lockwood>someone said they found it very warming and easy to listen to, I thought, okay,

752
00:49:01.250 --> 00:49:05.090
<v Joanne Lockwood>let's max that. Let's really focus on that's the way I speak. And

753
00:49:05.330 --> 00:49:09.250
<v Joanne Lockwood>very rhythmic and very calm. It means I don't have to rush

754
00:49:09.250 --> 00:49:12.730
<v Joanne Lockwood>my sentences out. And I Can put a bit of pace in if I want

755
00:49:12.730 --> 00:49:15.810
<v Joanne Lockwood>to. I can tone up, tone down and I can bring

756
00:49:16.609 --> 00:49:20.210
<v Joanne Lockwood>some different sorts of pace and rhythm to my speaking. So, yeah,

757
00:49:20.530 --> 00:49:23.490
<v Joanne Lockwood>it is a learned behaviour through observation and practise.

758
00:49:24.770 --> 00:49:28.690
<v James Burden>What you're describing is so human. I mean, one of

759
00:49:28.690 --> 00:49:32.530
<v James Burden>the biggest fears many people have sometimes. I've heard this

760
00:49:32.530 --> 00:49:35.890
<v James Burden>said. I don't know if it's true that sometimes people fear

761
00:49:35.890 --> 00:49:39.810
<v James Burden>embarrassment more than death or they fear public speaking

762
00:49:39.810 --> 00:49:43.650
<v James Burden>more than death. And, like, I can't speak to that, but because

763
00:49:43.650 --> 00:49:47.650
<v James Burden>I am, I don't have that fear. Dying? No, no, I haven't tried dying

764
00:49:47.650 --> 00:49:51.530
<v James Burden>either. But I mean, I've been in some scary situations,

765
00:49:51.530 --> 00:49:54.290
<v James Burden>skiing and some scary situations doing sports.

766
00:49:55.500 --> 00:49:59.220
<v James Burden>Yeah, no, fear of death is worse than. Worse than fear

767
00:49:59.220 --> 00:50:03.060
<v James Burden>of public speaking for me. But, you know, that might be

768
00:50:03.060 --> 00:50:06.620
<v James Burden>true for some people. What you said, though,

769
00:50:07.980 --> 00:50:11.580
<v James Burden>made me think of this funny quip I heard.

770
00:50:12.460 --> 00:50:16.060
<v James Burden>When you are young, you care what other people think.

771
00:50:17.260 --> 00:50:21.230
<v James Burden>And in middle age you don't care what other people think. And

772
00:50:21.230 --> 00:50:25.150
<v James Burden>when you get older, you realise no one was thinking about you

773
00:50:25.150 --> 00:50:28.230
<v James Burden>in the first place, they were just thinking about themselves. And

774
00:50:29.110 --> 00:50:32.950
<v James Burden>that is very powerful for getting up on stage or

775
00:50:32.950 --> 00:50:36.790
<v James Burden>very powerful for doing a podcast. People want to

776
00:50:36.790 --> 00:50:40.790
<v James Burden>hear what's in it for them. If you make a little mistake here and

777
00:50:40.790 --> 00:50:44.750
<v James Burden>there, the people who are judging

778
00:50:44.750 --> 00:50:48.550
<v James Burden>you are more likely, if they are judging you at all,

779
00:50:49.240 --> 00:50:53.040
<v James Burden>they're judging you to feel better about themselves, that really, everyone's wandering

780
00:50:53.040 --> 00:50:55.960
<v James Burden>around thinking about themselves 99% of the time.

781
00:50:56.840 --> 00:50:59.720
<v James Burden>So if that helps you take some of the fear

782
00:51:00.680 --> 00:51:04.600
<v James Burden>out of public speaking, out of trying to speak, and

783
00:51:04.680 --> 00:51:08.240
<v James Burden>the fact that you might start to remember that most people are just thinking about

784
00:51:08.240 --> 00:51:12.200
<v James Burden>themselves most of the time. Yeah. There's another analogy that I use on this one,

785
00:51:12.200 --> 00:51:16.060
<v Joanne Lockwood>where if you take a group photo, whether that's

786
00:51:16.060 --> 00:51:19.820
<v Joanne Lockwood>your school, class, the conference you're at, your family grouping,

787
00:51:19.820 --> 00:51:23.380
<v Joanne Lockwood>whatever it may be, and the first thing you do when you grab that

788
00:51:23.380 --> 00:51:27.140
<v Joanne Lockwood>photograph is you find yourself in it to make sure

789
00:51:27.300 --> 00:51:30.620
<v Joanne Lockwood>your expression, whether you were looking the right way, whether you were smiling at the

790
00:51:30.620 --> 00:51:34.420
<v Joanne Lockwood>camera, whether your hair was in place yet your clothing was right,

791
00:51:34.900 --> 00:51:38.060
<v Joanne Lockwood>I guarantee that's what most people will do with a photograph, where they're in it

792
00:51:38.060 --> 00:51:41.620
<v Joanne Lockwood>somewhere they'll find themselves. And if you pass that photo to the next person,

793
00:51:42.050 --> 00:51:45.930
<v Joanne Lockwood>they're going to do exactly the same about them and

794
00:51:45.930 --> 00:51:49.570
<v Joanne Lockwood>not give a hoot about you. It's only maybe after

795
00:51:49.970 --> 00:51:53.050
<v Joanne Lockwood>time passes, they'll scan the line and go, oh, look, you've got A silly grin

796
00:51:53.050 --> 00:51:56.130
<v Joanne Lockwood>on, haven't you? But the first reaction everyone's going to do with that photograph is

797
00:51:56.130 --> 00:51:59.890
<v Joanne Lockwood>find themselves and worry about them. So exactly what you're saying,

798
00:51:59.970 --> 00:52:02.770
<v Joanne Lockwood>so what's in it for me? What do I care about? I care about me,

799
00:52:02.770 --> 00:52:06.690
<v Joanne Lockwood>how I'm getting out of this. Actually, you know, I've got my daughter,

800
00:52:06.930 --> 00:52:10.610
<v Joanne Lockwood>you take a photograph, you say, oh, don't ever post that, don't. What did you

801
00:52:10.610 --> 00:52:13.940
<v Joanne Lockwood>post that one for? I look awful. I go, it's just a family photo, we

802
00:52:13.940 --> 00:52:17.620
<v Joanne Lockwood>all look awful, don't worry about it. Because people lock on to

803
00:52:17.620 --> 00:52:21.420
<v Joanne Lockwood>themselves and they exactly what you're saying. So audibly or even visually.

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00:52:21.500 --> 00:52:25.220
<v James Burden>And so if, if I could take that point and run with it, if, if

805
00:52:25.220 --> 00:52:29.100
<v James Burden>there's people listening right now who want to know, what

806
00:52:29.100 --> 00:52:32.540
<v James Burden>can I get out of this? And I'm

807
00:52:33.020 --> 00:52:35.980
<v James Burden>speaking to, mainly to the people who stutter.

808
00:52:36.780 --> 00:52:40.530
<v James Burden>What you can get out of listening to this and

809
00:52:41.170 --> 00:52:44.690
<v James Burden>watching my masterclass is how to use these

810
00:52:44.850 --> 00:52:48.290
<v James Burden>techniques practically, how to use this information

811
00:52:49.170 --> 00:52:52.370
<v James Burden>about people not really thinking about you, about

812
00:52:53.330 --> 00:52:57.090
<v James Burden>how stuttering affects your mindset and your mindset affects your

813
00:52:57.090 --> 00:52:59.810
<v James Burden>speech. How to use that practically

814
00:53:01.010 --> 00:53:04.730
<v James Burden>to stutter less. Because that is what most people who

815
00:53:04.730 --> 00:53:08.530
<v James Burden>stutter are interested in. They want to stutter less. They don't want to hear

816
00:53:08.530 --> 00:53:12.350
<v James Burden>about mindset or feeling good about themselves, they just want to stutter

817
00:53:12.350 --> 00:53:16.310
<v James Burden>less. And I'm here to say that learning about mindset,

818
00:53:16.630 --> 00:53:20.390
<v James Burden>learning about techniques will help you stutter

819
00:53:20.390 --> 00:53:24.150
<v James Burden>less. So that is what you can get out of

820
00:53:24.230 --> 00:53:27.990
<v James Burden>my very short 19 minute masterclass. It's not, it's not there to

821
00:53:27.990 --> 00:53:31.350
<v James Burden>just make you feel good right away, but to actually help you

822
00:53:31.510 --> 00:53:35.470
<v James Burden>stutter less by feeling good about yourself. James, that is fascinating. I

823
00:53:35.470 --> 00:53:39.160
<v Joanne Lockwood>mean, our conversation is, it's, it's really resonated with me.

824
00:53:39.720 --> 00:53:43.560
<v Joanne Lockwood>Just as I say my own speech artefacts. Never. I don't think I've ever stuttered,

825
00:53:43.560 --> 00:53:47.000
<v Joanne Lockwood>but I've, I've certainly had speech artefacts I've been very paranoid about, so it's helped

826
00:53:47.000 --> 00:53:50.120
<v Joanne Lockwood>me contextualise those. So how can people get ahold of you and find out more

827
00:53:50.120 --> 00:53:54.040
<v Joanne Lockwood>about your masterclass and your programme? Well, I'll give you the link to the

828
00:53:54.040 --> 00:53:57.960
<v James Burden>masterclass and that will send you

829
00:53:57.960 --> 00:54:01.880
<v James Burden>straight to a. When you watch the first minute or so, three

830
00:54:01.880 --> 00:54:05.840
<v James Burden>minutes, then you'll get a link to book a call with me. I am

831
00:54:05.840 --> 00:54:09.840
<v James Burden>just interested in having conversations with people, so it's,

832
00:54:09.840 --> 00:54:13.380
<v James Burden>there's no charge to have a conversation with me.

833
00:54:13.620 --> 00:54:17.460
<v James Burden>Just get on the phone, tell me what your struggles are. I'll

834
00:54:17.460 --> 00:54:21.180
<v James Burden>see if I can help you. And if you invite me to help

835
00:54:21.180 --> 00:54:24.500
<v James Burden>you, I will. This is not. I have never, ever

836
00:54:25.620 --> 00:54:29.620
<v James Burden>successfully convinced someone that they need help with

837
00:54:29.620 --> 00:54:33.620
<v James Burden>their stutter, that it has to come from them. So

838
00:54:33.620 --> 00:54:37.390
<v James Burden>because otherwise none of the

839
00:54:37.390 --> 00:54:41.070
<v James Burden>therapy, none of the coaching can be

840
00:54:41.070 --> 00:54:44.670
<v James Burden>effective from a. From a place of. I don't really want to be here.

841
00:54:44.990 --> 00:54:48.990
<v James Burden>So there's absolutely no point whatsoever in pressuring you. So

842
00:54:48.990 --> 00:54:52.910
<v James Burden>please reach out, make a call. Even if it's

843
00:54:52.910 --> 00:54:56.830
<v James Burden>about a teen or a loved one, maybe I can offer

844
00:54:56.830 --> 00:55:00.510
<v James Burden>them some support as well. Excellent. I found you on LinkedIn and

845
00:55:00.750 --> 00:55:04.570
<v Joanne Lockwood>just search for James Burden. B U R D E N. Yeah, you're there. Yeah.

846
00:55:04.890 --> 00:55:08.730
<v James Burden>Also, I'm on a stuttering blueprint on Facebook

847
00:55:08.890 --> 00:55:12.610
<v James Burden>and Instagram. But yeah, the really best way is to

848
00:55:12.610 --> 00:55:16.610
<v James Burden>just watch that masterclass and then make a call

849
00:55:16.610 --> 00:55:20.130
<v James Burden>with me. Great. I'll put all the links in the show notes at the bottom

850
00:55:20.130 --> 00:55:23.930
<v Joanne Lockwood>of this so people can track you down. But it's been a fascinating conversation. James,

851
00:55:23.930 --> 00:55:27.730
<v Joanne Lockwood>I've really got something out this. It's a subject I've probably never explored

852
00:55:27.730 --> 00:55:31.150
<v Joanne Lockwood>before. So thank you so much for your time. You're welcome. Thank you for having

853
00:55:31.150 --> 00:55:35.150
<v James Burden>me. Can I just send one

854
00:55:35.150 --> 00:55:38.790
<v James Burden>last little. Say one last little thing to your audience? Go for it. Go for

855
00:55:38.790 --> 00:55:42.510
<v Joanne Lockwood>it. To our listener that they're leaning in. Go for it.

856
00:55:42.830 --> 00:55:46.830
<v James Burden>Okay, so for those listening, especially if you're someone

857
00:55:46.830 --> 00:55:50.750
<v James Burden>who stutters, here's what I want you to take away. People are out there

858
00:55:50.750 --> 00:55:53.950
<v James Burden>who need to hear your

859
00:55:54.350 --> 00:55:58.350
<v James Burden>voice. Not a polished version, not a perfect version.

860
00:55:58.990 --> 00:56:02.030
<v James Burden>The real you. So

861
00:56:03.070 --> 00:56:06.830
<v James Burden>every week, challenge yourself to share your story with at least one person,

862
00:56:07.230 --> 00:56:10.830
<v James Burden>one group or one platform. And not because it's easy,

863
00:56:11.150 --> 00:56:13.790
<v James Burden>but because your voice matters.

864
00:56:14.990 --> 00:56:18.950
<v James Burden>So Joanne, thank you so much for having me and this conversation has

865
00:56:18.950 --> 00:56:21.560
<v James Burden>been a guest. Thanks, James.

866
00:56:23.240 --> 00:56:27.080
<v Joanne Lockwood>As we bring this conversation to a close, I want to express

867
00:56:27.080 --> 00:56:31.040
<v Joanne Lockwood>my deepest gratitude to you, our listener, for lending

868
00:56:31.040 --> 00:56:34.520
<v Joanne Lockwood>your ear and heart to the cause of inclusion.

869
00:56:35.480 --> 00:56:39.080
<v Joanne Lockwood>Today's discussion struck a chord. Consider subscribing to

870
00:56:39.080 --> 00:56:43.080
<v Joanne Lockwood>Inclusion Bites and become part of our ever growing community

871
00:56:43.720 --> 00:56:47.440
<v Joanne Lockwood>driving real change. Share this journey with friends, family and

872
00:56:47.440 --> 00:56:50.850
<v Joanne Lockwood>colleagues. Lets amplify the voices that matter.

873
00:56:51.490 --> 00:56:55.370
<v Joanne Lockwood>Got thoughts, stories or a vision to share? I'm all

874
00:56:55.370 --> 00:56:57.050
<v Joanne Lockwood>ears. Reach out to

875
00:56:57.050 --> 00:57:00.610
<v Joanne Lockwood>jo.lockwood@seechangehappen.co.uk

876
00:57:01.010 --> 00:57:04.890
<v Joanne Lockwood>and let's make your voice heard. Until next time, this

877
00:57:04.890 --> 00:57:08.810
<v Joanne Lockwood>is Joanne Lockwood signing off with a promise to return with

878
00:57:08.810 --> 00:57:12.210
<v Joanne Lockwood>more enriching narratives that challenge, inspire

879
00:57:12.530 --> 00:57:16.140
<v Joanne Lockwood>and unite us all. Here's to fostering a more inclusive world.

880
00:57:16.300 --> 00:57:19.340
<v Joanne Lockwood>One episode at a time. Catch you on the next bite.