WEBVTT

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<v Joanne Lockwood>Foreign.

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<v Joanne Lockwood>Welcome to Inclusion Bites, your sanctuary

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<v Joanne Lockwood>for bold conversations that spark change. I'm Joanne Lockwood,

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<v Joanne Lockwood>your guide on this journey of exploration into the heart of

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<v Joanne Lockwood>inclusion, belonging and societal transformation.

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<v Joanne Lockwood>Ever wondered what it truly takes to create a world without? Remember, everyone

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<v Joanne Lockwood>not only belongs, but thrives. You're not alone.

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<v Joanne Lockwood>Join me as we uncover the unseen, challenge

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<v Joanne Lockwood>the status quo and share storeys that resonate

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<v Joanne Lockwood>deep within. Ready to dive in? Whether you're

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<v Joanne Lockwood>sipping your morning coffee or winding down after a long day, let's

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<v Joanne Lockwood>connect, reflect and inspire action together.

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<v Joanne Lockwood>Don't forget, you can be part of the conversation too. Reach out

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<v Joanne Lockwood>to jo.lockwood@seechangehappen.co.uk

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<v Joanne Lockwood>to share your insights or to join me on the show.

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<v Joanne Lockwood>So adjust your earbuds and settle in. It's time to

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<v Joanne Lockwood>ignite the spark of inclusion with Inclusion Bites.

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<v Joanne Lockwood>And today is episode 207 with the title

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<v Joanne Lockwood>Inclusion Through Play. And I have the absolute honour and

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<v Joanne Lockwood>privilege to welcome Nikie Forster. Nikie is a learning and development

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<v Joanne Lockwood>specialist who challenges traditional training by designing

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<v Joanne Lockwood>playful, inclusive experiences that help everyone feel they truly

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<v Joanne Lockwood>belong. When I asked Nikki to describe her superpower, she

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<v Joanne Lockwood>said it is her ability to turn almost anything into

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<v Joanne Lockwood>an engaging, inclusive learning experience that meets people

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<v Joanne Lockwood>exactly where they are. Hello, Nikie, welcome to the show.

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<v Nikie Forster>Hi, Jo, thank you so much for having me along today. Pleasure. We met

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<v Joanne Lockwood>probably back in October, September, at a local

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<v Joanne Lockwood>business coaching workshop series that was being

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<v Joanne Lockwood>run in the local council offices. Right, something like that. We did,

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<v Nikie Forster>we did, yes. I think you were part of Cohort 2. I came

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<v Nikie Forster>along as part of Cohort 1 and the lady who was running asked me to

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<v Nikie Forster>come back and do a specific piece around

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<v Nikie Forster>managing people. And I racked my

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<v Nikie Forster>brains as to how to do that, where it wasn't just, you know,

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<v Nikie Forster>words on a PowerPoint slide. And I think we engaged over that little

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<v Nikie Forster>session. Yeah, we did. And my wife Marie was with us as well and

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<v Joanne Lockwood>she's not normally one to participate in these kind of stand up

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<v Joanne Lockwood>activity games. She's always one of the back. She's the introvert. Don't make me stand

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<v Joanne Lockwood>up, don't make me clap. Don't make me put a hand in the room. And

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<v Joanne Lockwood>even she engaged and I was really impressed. We built little Lego models,

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<v Joanne Lockwood>didn't we? And you gave us a box of LEGO each. We played with it,

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<v Joanne Lockwood>little cards to look at and design our cars. I think it was,

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<v Joanne Lockwood>and I think the way you did it was you built it up really, really

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<v Joanne Lockwood>slowly that we bought into the concept. So we had, we were invested in

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<v Joanne Lockwood>the vehicle. And then you said, right now, I want you to stand up and

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<v Joanne Lockwood>put the vehicle on the mat, where it represents where you're at

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<v Joanne Lockwood>right now. And of course, you've already got the investment in. It's a very small

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<v Joanne Lockwood>gap to go from vehicle to in front of you to vehicle, the mat, isn't

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<v Joanne Lockwood>it? Watching people,

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<v Nikie Forster>you know, kind of also different in what people made and what people's

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<v Nikie Forster>ideas are. And I think that that's. That's part of what draws me to that

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<v Nikie Forster>style of facilitation is allowing people very much to be

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<v Nikie Forster>themselves and not just be the loudest person in the room that

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<v Nikie Forster>wants, you know, is able to express themselves there. And then

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<v Nikie Forster>it's about everybody being able to think first and then

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<v Nikie Forster>participate. I'm guessing that you

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<v Joanne Lockwood>bespoked the whole. The

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<v Joanne Lockwood>game, if you like the game. The cards. You had a deck of cards which

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<v Joanne Lockwood>we handed out. You had a mat, which I'm presuming you've

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<v Joanne Lockwood>designed or at least assembled from some templates and things. But

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<v Joanne Lockwood>yeah.

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<v Nikie Forster>It'S kind of a bit of a mishmash of things. So very much. Some of

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<v Nikie Forster>the tools that I were using were ones that I've made specifically to use in

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<v Nikie Forster>a training arena. But some of the other elements, like using

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<v Nikie Forster>the Lego part of that is just learning and development, but it also comes

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<v Nikie Forster>from something called LEGO Serious Play, which I do a lot of as well,

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<v Nikie Forster>uses LEGO in a slightly different way to how we were using it, but

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<v Nikie Forster>ultimately is about that interaction and getting people

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<v Nikie Forster>to create things for themselves. Over Covid, I did a few

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<v Joanne Lockwood>Minecraft events. So again, I guess digging and building in

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<v Joanne Lockwood>Minecraft and having a little project team and a project leader to decide how you're

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<v Joanne Lockwood>going to excavate or build or construct. Yeah. And achieve

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<v Joanne Lockwood>goals. I guess in Minecraft it's just a digital version of LEGO Play. Is it

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<v Nikie Forster>kind of using LEGO in. So I. I think I

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<v Nikie Forster>probably just need to distinguish because if you've got anybody in your audience who knows

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<v Nikie Forster>about LEGO Serious Play and I start talking about LEGO, as in we're just

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<v Nikie Forster>building stuff that. That you'll probably get some emails. So because they. They're

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<v Nikie Forster>quite distinct. So I use it in two different ways. In the way that you're

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<v Nikie Forster>talking about and the way in which we used it, it was very much using

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<v Nikie Forster>LEGO as a tool to a

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<v Nikie Forster>discussion. And so that. That's how we used it.

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<v Nikie Forster>LEGO Serious Play is an actual methodology

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<v Nikie Forster>created by the LEGO group back in the 90s, along with two

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<v Nikie Forster>professors and they created something that has a

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<v Nikie Forster>specific methodology where everybody builds their answer,

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<v Nikie Forster>shares their answer, so everybody in the room gets to hear it. And

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<v Nikie Forster>then you can bring all those models together to create a much bigger

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<v Nikie Forster>narrative, a much bigger model. And so it has very many different

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<v Nikie Forster>layers to. So depending on what I'm doing will depend on

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<v Nikie Forster>which of those is the best option to use.

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<v Joanne Lockwood>So I'm assuming that LEGO Serious Play then, is a trademarked

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<v Joanne Lockwood>programme and you have to be a certified or part of the

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<v Joanne Lockwood>LEGO clan to be able to use it, Is that right? Oh, okay, so

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<v Nikie Forster>this is where it gets interesting. So the first part of your question. Yes,

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<v Nikie Forster>it is trademarked. You have to have your little R's in

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<v Nikie Forster>circles. Are they. What are they called? Registered trademark. Yeah, yeah, yeah. So if

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<v Nikie Forster>you're writing LEGO Series Play down, it has to be down that. And. And it

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<v Nikie Forster>is associated with lego. However, they did a really

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<v Nikie Forster>interesting thing. So they started off with training people to

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<v Nikie Forster>use it and running certification courses. So because they. It

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<v Nikie Forster>was originally designed for in house, because if you think in the

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<v Nikie Forster>mid-90s, you're just talking about mine, Minecraft there in the

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<v Nikie Forster>mid-90s, that's a lot of. When the kind of electrical games came

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<v Nikie Forster>out, a lot of gaming and stuff was becoming big and LEGO was at that

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<v Nikie Forster>stage where they're going, oh, okay, how do we keep up with this? You,

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<v Nikie Forster>we're just little traditional blocks and things. What do we do? So that's

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<v Nikie Forster>when they collaborated with these two professors to go,

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<v Nikie Forster>surely there's something that we can use in house, that we can spark ideas

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<v Nikie Forster>and conversations with our teams in order to work out how, what our future is,

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<v Nikie Forster>the strategy. So that's where LEGO Serious Play started. Then

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<v Nikie Forster>they realised actually other businesses could benefit from this, so they started training people.

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<v Nikie Forster>But in 2010, they made the decision to

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<v Nikie Forster>make it what's called open source, which was basically,

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<v Nikie Forster>here's all the details, here's how you run it. As long as you know how

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<v Nikie Forster>to facilitate, go ahead and do it. And so you

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<v Nikie Forster>don't have to be certified. And it's one of my big bugbears, I

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<v Nikie Forster>can, I can rant about this for quite a while, but I won't. But when

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<v Nikie Forster>I see people offering LEGO Serious Play certification courses,

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<v Nikie Forster>that's fine. If you're not in learning development, you're not a trainer,

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<v Nikie Forster>you're not a facilitator and you're learning from scratch, I think it's a good

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<v Nikie Forster>route to go down. But you. What they're really

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<v Nikie Forster>teaching you is how to facilitate and using Lego Serious Play

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<v Nikie Forster>as the underlying method for it. So I run courses

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<v Nikie Forster>for experienced trainers, facilitators, coaches and educators about how

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<v Nikie Forster>to use Lego Serious Play. And it's a one day event, you don't have to

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<v Nikie Forster>be certified to do it. So I did go off on a rant there. Sorry.

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<v Joanne Lockwood>No, that's fine. It's education. I've learned something that's good.

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<v Nikie Forster>But I think ultimately it should always be about the learner and not

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<v Nikie Forster>about the, you know, whose model it's

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<v Nikie Forster>attributed to or the theory. Unless you are using that

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<v Nikie Forster>throughout an entire programme, it should always be about, well, what's useful for the

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<v Nikie Forster>learner. How am I going to get the learners to feel comfortable in

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<v Nikie Forster>the space and open up and engage? And if that means using

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<v Nikie Forster>Lego, then fantastic, let's do that. And

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<v Joanne Lockwood>drilling down into that. It's about each individual learner, not the

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<v Joanne Lockwood>cohort of learners. Because we've got to be multimodal, we've got to think about

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<v Joanne Lockwood>each learning style, each attention style, each reward.

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<v Nikie Forster>Yes. Pathway, all these kind of things. And too often

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<v Joanne Lockwood>it's a one size fits all. Yeah, I remember

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<v Nikie Forster>a little while ago, but I do remember it quite vividly. I went along

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<v Nikie Forster>to a training event and I was writing my

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<v Nikie Forster>notes. I'm not a copious note taker, but I do like making just notes

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<v Nikie Forster>or scribbling down things or doodling or something like that. And I was

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<v Nikie Forster>actually told by the trainer to stop writing.

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<v Nikie Forster>Yeah. And it took me a moment to kind

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<v Nikie Forster>of. To kind of what? No, stop writing. You have to listen. That's

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<v Nikie Forster>how you're going to learn. You have to listen. Well, you're not much of a

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<v Nikie Forster>trainer if that's what you think. And I didn't say

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<v Nikie Forster>that out loud, that was in my head, but it took me a while and

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<v Nikie Forster>I'm not normally a person that's lost words. But the idea that

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<v Nikie Forster>everybody has to learn in the same way.

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<v Nikie Forster>I think anybody who's worth their salt as a, you know, in learning and development

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<v Nikie Forster>understands that. However, not everybody does. Some people are very

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<v Nikie Forster>focused on, well, this is how I learn, so that's how I'm going to train

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<v Nikie Forster>or teach. So, yes, I think it's really important to understand

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<v Nikie Forster>and not just to design in that way. So have a

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<v Nikie Forster>workshop where all of that is incorporated. But to actually

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<v Nikie Forster>be very much in the moment of this isn't landing, what

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<v Nikie Forster>do I do differently? Or this is going great, let's do it a bit more.

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<v Nikie Forster>But that person over there isn't Quite engaging. So,

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<v Nikie Forster>you know, it's very much around that for me it's being

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<v Nikie Forster>in the moment and making sure that everybody's getting what they need or want. I

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<v Nikie Forster>do quite a lot of stuff pre workshop, actually, when I'm running a programme

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<v Nikie Forster>or working with clients in order to understand who's turning up and what

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<v Nikie Forster>their needs are. And I think that's really

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<v Nikie Forster>helpful, not just from my perspective of understanding who's coming into

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<v Nikie Forster>the room, but I tend to send a form with

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<v Nikie Forster>a video attached to it. So they get to see me before they turn up,

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<v Nikie Forster>they get to understand a little bit about how the programme's gonna run. Cause I'm

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<v Nikie Forster>quite informal in the way that I do things. But everything has a

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<v Nikie Forster>purpose. So I think if people understand all of that upfront, they

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<v Nikie Forster>can make better judgments when they turn up about how they

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<v Nikie Forster>might want to interact. I remember seeing in the old

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<v Joanne Lockwood>days, yes, Steve Jobs at Apple and he was very

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<v Joanne Lockwood>famous for his launch and the way he stagecraft everything.

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<v Joanne Lockwood>I'm not sure the exact point I'm trying to make here, but

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<v Joanne Lockwood>I think what he did was he used to do his presentations inside 8

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<v Joanne Lockwood>minute or 10 minute segments. So we would talk for a while,

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<v Joanne Lockwood>then he flipped to a video and the video would flip to a live

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<v Joanne Lockwood>demonstration and then that would flip to involving somebody else

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<v Joanne Lockwood>come in and they talk about it and have a discussion and then

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<v Joanne Lockwood>he'd move on to the next thing. So I've always taken that when I'm delivering

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<v Joanne Lockwood>training, delivering anything, I want to go through this cycle where I say, here's

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<v Joanne Lockwood>my 20 minute segment, I'm going to talk, I'm going to video, we're going to

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<v Joanne Lockwood>discuss, we're going to write something down and then we're going to do some Q

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<v Joanne Lockwood>and A and then we're going to rinse and repeat, do the next topic. Yeah,

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<v Nikie Forster>it is keeping fluid, isn't it? Yeah. And now I've got

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<v Joanne Lockwood>a puppy. I've learned even more about those kind of techniques where you're constantly trying

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<v Joanne Lockwood>to feed the brain and move from one state to another

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<v Joanne Lockwood>state before the person shows the teeth and goes out of grounding it. Yes.

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<v Nikie Forster>Yeah, it is, it's about. I think

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<v Nikie Forster>the kind of. The real depth of it is psychology rather than anything else. It's

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<v Nikie Forster>about understanding people. And I think a lot of what I do, regardless of the

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<v Nikie Forster>topic that I'm training, it nearly always, always comes

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<v Nikie Forster>comes back to understanding yourself and understanding others.

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<v Nikie Forster>Everything else on top of that is just extra

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<v Nikie Forster>information that you can sprinkle over and go. And I'm going to use that in

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<v Nikie Forster>order to do this. But I think self awareness,

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<v Nikie Forster>whether that's innate or whether you have to learn it is the first

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<v Nikie Forster>step and then understanding others and how you react

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<v Nikie Forster>to them is the bit that will then get you those, that kind of better

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<v Nikie Forster>interaction. Those are what you just said. There are the key

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<v Joanne Lockwood>tenets of emotional intelligence, aren't they? Yeah, yeah, absolutely. And I

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<v Joanne Lockwood>think, I think you can learn it. I would say myself that I

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<v Joanne Lockwood>have learned self awareness, self management,

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<v Joanne Lockwood>building relationships, all the attendance of those emotional intelligence there

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<v Joanne Lockwood>over, over the last 10, 15 years. Before that I was, I was

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<v Joanne Lockwood>unaware of who I was, how I showed up

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<v Joanne Lockwood>and I was unaware what if that mattered or not.

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<v Joanne Lockwood>So I think yes you can, I think you put people in a space where

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<v Joanne Lockwood>they go, the light bulb comes on and go, ah, okay. The world is much

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<v Joanne Lockwood>simpler if I understand who I am. Yes.

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<v Nikie Forster>Yeah. And I think it's really interesting to think about how

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<v Nikie Forster>we get to that point of self awareness and I do think some people

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<v Nikie Forster>have more insight than others naturally. But

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<v Nikie Forster>like we just said, I think it can also be learned and I

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<v Nikie Forster>think there are aspects that you can do yourself

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<v Nikie Forster>in order to learn that, but there are aspects that other people can help you

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<v Nikie Forster>with as well. So yeah, simple things. Like years and

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<v Nikie Forster>years ago I did my first personality profiling. Yeah. You know,

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<v Nikie Forster>thing where you find out what your colours are and the stuff and then what

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<v Nikie Forster>that means and then whether you like the results of that or not.

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<v Nikie Forster>So that I think was probably my first journey into it being. But I had

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<v Nikie Forster>some very good managers when I was younger, particularly starting

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<v Nikie Forster>out in my training career, who were more coaching

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<v Nikie Forster>managers which, which worked well for me

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<v Nikie Forster>to a certain level. Although I'm quite a pragmatist at heart. So

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<v Nikie Forster>I like to be involved and I like, like for me to have an opinion.

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<v Nikie Forster>But ultimately I need to know why. Why are you asking me that? Why, why

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<v Nikie Forster>am I doing it this way? And so the managers

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<v Nikie Forster>that I had at the time understood that about me

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<v Nikie Forster>and was able to help me find my own way,

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<v Nikie Forster>encourage me to be the me that I am now. In

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<v Nikie Forster>terms of. Yes, I do turn up with suitcases full of

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<v Nikie Forster>props in my training sessions and I always have to a certain extent. But I

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<v Nikie Forster>think in those early years when I was, my world of

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<v Nikie Forster>training experience was more about sitting in a room and seeing people

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<v Nikie Forster>talk at, you know, it was more of a presentation or a lecture. And

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<v Nikie Forster>so that was my experience of being content. And you're going to have it.

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<v Nikie Forster>Yes, exactly. And I'm the expert on it and you know,

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<v Nikie Forster>you have to ask me the questions. So when, when you have an experience

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<v Nikie Forster>that you then think, well, I don't want to do it that way. And is

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<v Nikie Forster>that okay? You need that encouragement. You need people to go, yes, it's all

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<v Nikie Forster>right to do things differently. And I was very lucky that I had that. Yeah.

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<v Joanne Lockwood>I tend to always assume that somebody in the room probably knows more than I

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<v Joanne Lockwood>do about the topic. So I never want to consider myself the expert.

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<v Joanne Lockwood>I'm just there. I often say when I start talking is that I'm not here

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<v Joanne Lockwood>to tell you what to say, think or do. I'm just asking you to think

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<v Joanne Lockwood>about what you want to say, think or do. And I

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<v Joanne Lockwood>obviously, I always have this, the acronym WIFM W I,

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<v Joanne Lockwood>I F.M. you know, what's in it for me? So I'm always thinking about why

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<v Joanne Lockwood>the person's in the room, what they're hoping to get out of it. I really

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<v Joanne Lockwood>want to hear why they're here, why they're there and what they're expecting. Because I.

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<v Joanne Lockwood>Yes, if I'm talking about this and everybody else and everyone wants to

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<v Joanne Lockwood>talk about that, then I need to adjust. I can't force them to my side

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<v Joanne Lockwood>of the fence. I need to meet them. Meet them where they are. Absolutely,

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<v Nikie Forster>absolutely. And I think it's very much when you treat people like

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<v Nikie Forster>adults, but you're telling them that you're treating them like adults,

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<v Nikie Forster>I think you get a much better response. Again,

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<v Nikie Forster>kind of having, I'm not a great delegate in workshops because

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<v Nikie Forster>I sit there and I go, why are you doing that? I just want to

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<v Nikie Forster>redesign everything. But one of the things that I really struggle

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<v Nikie Forster>with is when people open up a workshop and they say things

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<v Nikie Forster>like, right, everybody has to switch their phone off. Or even worse,

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<v Nikie Forster>here's a bowl in the middle of the table. Everybody put your phones in there

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<v Nikie Forster>because I don't want you to be distracted or that's just treating them like a

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<v Nikie Forster>5 year old. Not that 5 year olds have phones. Well, they might do, but

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<v Nikie Forster>you know, it's like everybody's busy. If you need to use your phone, you use

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<v Nikie Forster>your phone. But just be considerate. I don't even mention phones. I

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<v Nikie Forster>have to be honest because I think setting the

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<v Nikie Forster>expectation for people about we're all adults in the room.

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<v Nikie Forster>Nobody is, you know, saying you have to be here.

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<v Nikie Forster>Nobody is saying they have to participate. But when you do, you do it with

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<v Nikie Forster>consideration for others. And we do it with respect and things like that. Yeah.

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<v Nikie Forster>So I think setting expectations is important, but doing it as an

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<v Nikie Forster>adult is even more. Yeah, I tend to try and start with an expectations

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<v Joanne Lockwood>contract, if you like, where we are part of whiteboard. So what do we

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<v Joanne Lockwood>expect of each other today? Being present? Be attentive.

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<v Nikie Forster>Yeah. Create space for learning, don't jump to conclusions,

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<v Joanne Lockwood>allow people to have their opinions or those sort of things. So I would try

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<v Joanne Lockwood>and do it that way. And that's why I say be present is kind of

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<v Joanne Lockwood>my way of saying, if you could turn your notifications off, silence the

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<v Joanne Lockwood>thing. But I also, look, if you need to make a phone call, you're busy,

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<v Joanne Lockwood>you want to make a phone call, please step out, go and go to the

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<v Joanne Lockwood>toilet when you want, use the phone when you want, but do it outside the

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<v Joanne Lockwood>room. I ran a workshop a little while ago, probably a

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<v Joanne Lockwood>year ago, and I think it was the chief people officer was

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<v Joanne Lockwood>in the room and they constantly were sat there on the laptop going.

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<v Joanne Lockwood>And then their phone was beep, beep, beep, beep, beep, beep, beep. All the other

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<v Joanne Lockwood>delegates were going, this person's supposed to be setting an example

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<v Joanne Lockwood>here. And I felt really, really uncomfortable because I could feel everybody else was

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<v Joanne Lockwood>uncomfortable and I didn't want to sort of say, or you stop it.

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<v Joanne Lockwood>But I was. And they were looking to me as a kind of, you know,

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<v Joanne Lockwood>because you're one of your training, you're the leader, aren't you, to take responsibility and

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<v Joanne Lockwood>do something. And I, I wasn't sure how to do it without being

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<v Joanne Lockwood>kind of authoritarian. I didn't want to be authoritarian. I, what

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<v Joanne Lockwood>I, I think what I let happen was I let the room

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<v Joanne Lockwood>decide it was unacceptable. Yes. Without me saying it. And

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<v Joanne Lockwood>I, and this person, they were just oblivious. Oblivious to the impact they were having

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<v Joanne Lockwood>on everybody else. And I just. It's coming back to that self

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<v Nikie Forster>awareness bit again, isn't it? I think in the past when I've had that,

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<v Nikie Forster>not with laptops and stuff, but when somebody's been like on the phone and

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<v Nikie Forster>stuff, depending on the room, sometimes I have just

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<v Nikie Forster>said, would you like us to wait until you finished? You know, if it's been

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<v Nikie Forster>going on a while and they go, oh, no, I'm really sorry, or actually, yeah,

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<v Nikie Forster>no, this is really important. Okay, do you want to take it outside then so

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<v Nikie Forster>that we can focus on what we're doing rather than on what you're doing? Or

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<v Nikie Forster>sometimes if they're repeat offenders, then I will walk around

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<v Nikie Forster>the room and just stand at the back of them while I'm still

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<v Nikie Forster>talking. So everybody eyes is on me. But ultimately that person

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<v Nikie Forster>realises that that's a good technique and they realise then. But I'm

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<v Nikie Forster>quite happy to. I'm pausing here because I was gonna say I'm quite happy to

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<v Nikie Forster>call people out on it, but this is something that you taught me in

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<v Nikie Forster>one of your posts quite a while ago. Now. I remember seeing this and it's

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<v Nikie Forster>always stuck with me. You did a post about not

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<v Nikie Forster>people out, but calling people in. And that's

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<v Nikie Forster>always stuck with me. And I really like that. And so I, I

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<v Nikie Forster>try and do that more and more. So I don't try and embarrass people and

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<v Nikie Forster>I don't try and make them feel as though they should know that what they're

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<v Nikie Forster>doing is either wrong or unacceptable because they might not know, they might not

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<v Nikie Forster>be self aware, there might be other things going on for them. So I try

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<v Nikie Forster>and do it in a way that, you know, allows them to feel as though

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<v Nikie Forster>they're not being told off and just making them feel more self aware that

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<v Nikie Forster>actually what you're doing is distracting or what you've said isn't appropriate

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<v Nikie Forster>or, you know. But allowing them to learn from it

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<v Nikie Forster>rather than feel defensive. Yeah, that's why I try and

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<v Joanne Lockwood>do the contract at the beginning. It's. We all agree that we need

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<v Joanne Lockwood>to be present, we all agree that it's a good idea not to

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<v Joanne Lockwood>be distracted with other things. And we all agree that if you want to use

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<v Joanne Lockwood>the phone, you want to go to the toilet, you want to do anything else,

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<v Joanne Lockwood>you feel free. This is not primary school where you have to put your hand

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<v Joanne Lockwood>up and ask for permission. You just stand up and walk out and it's absolutely

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<v Joanne Lockwood>fine. Yeah, but the words that you use there to

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<v Nikie Forster>describe that is the words that I use as well. It's about expectations. So what

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<v Nikie Forster>expectations do you have of what we're doing? Of me? Of your peers,

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<v Nikie Forster>rather than using the term ground rules. Because again, as

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<v Nikie Forster>soon as you start using that rules, we're limiting

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<v Nikie Forster>people. Yeah, again. But the group should decide. It shouldn't be me

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<v Joanne Lockwood>dictating, it should be the group. I mean, if the group said, look, actually we're

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<v Joanne Lockwood>all trying to close a deal at the moment and we're all on standby and

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<v Joanne Lockwood>if the deal happens, we've all got to jump up and go and do something.

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<v Joanne Lockwood>I go, okay, it's going to be a rough ride, but I'll factor that into

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<v Joanne Lockwood>my meeting plan or my lesson plan and I'll meet You where you're at

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<v Joanne Lockwood>and you're paying me to be here, you want me to do a

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<v Joanne Lockwood>great job. As long as you take away those key things, I may skip half

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<v Joanne Lockwood>the content because you're not listening and go straight to some action stuff

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<v Joanne Lockwood>where you have to be engaged because you're doing things. Yeah,

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<v Nikie Forster>yeah. But again, you have expectations, setting. Yeah. I've chaired so many

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<v Joanne Lockwood>board meetings where board members sat around the table with their

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<v Joanne Lockwood>phones and their laptop and someone's giving a report and everyone's doing this on

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<v Joanne Lockwood>their own laptop, their eyes are down and then. And then when it's their turn

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<v Joanne Lockwood>for report, they give their report and everybody else's eye down. Do you think

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<v Joanne Lockwood>half of you haven't paid attention to anything that's going on? And you look at

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<v Joanne Lockwood>questions at the end or people disagreeing with the minutes, you think,

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<v Joanne Lockwood>were you not there at the time? No, you weren't actually. I remember you were

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<v Joanne Lockwood>sitting there writing your own personal emails while you were, while you were around the

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<v Joanne Lockwood>table. And it is frustrating, that respect thing. If you want people

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<v Joanne Lockwood>to listen to you, you need to give people their

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<v Joanne Lockwood>space. And that's that self regulation, that emotional intelligence of understand the

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<v Joanne Lockwood>room, isn't it? Yeah, no, absolutely. And I think that's. That's one of

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<v Nikie Forster>the reasons why I gravitated towards the Lego series play that

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<v Nikie Forster>we spoke about earlier, was because as well as everybody having

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<v Nikie Forster>to build their own models in a proper structured session, I would then go around

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<v Nikie Forster>every single person and ask them to explain their model,

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<v Nikie Forster>how they see it, so there's no wrong answers. But also, then I get

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<v Nikie Forster>the rest of the group to ask questions of the model,

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<v Nikie Forster>not, not the whys, you know, why have you done that? But I see you've

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<v Nikie Forster>got a pink flower on the edge of your model there. What does that represent?

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<v Nikie Forster>So in order to ask those questions, you have to have

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<v Nikie Forster>listened to what the person says. Otherwise you've

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<v Nikie Forster>asking a question about something that's already been said and it

373
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<v Nikie Forster>does. And it drives deeper listening, but it also

374
00:23:52.200 --> 00:23:56.120
<v Nikie Forster>drives a deeper discussion. Because some people, even when they've built something,

375
00:23:56.120 --> 00:24:00.120
<v Nikie Forster>will go, well, I built this and it represents how

376
00:24:00.120 --> 00:24:04.080
<v Nikie Forster>I'm motivated on, you know, do my work. And that's all they'll

377
00:24:04.080 --> 00:24:07.800
<v Nikie Forster>say. Some people will go into it very elaborately, but when you start asking

378
00:24:07.800 --> 00:24:11.280
<v Nikie Forster>questions about, well, what. Tell me about that pink flower on the edge of the

379
00:24:11.600 --> 00:24:15.480
<v Nikie Forster>model. What does that represent? And even if they say, oh, I don't know,

380
00:24:15.480 --> 00:24:19.360
<v Nikie Forster>I just like the flower, you then follow it up with well, now that I've

381
00:24:19.360 --> 00:24:22.800
<v Nikie Forster>pointed out, what might it represent? And they can give you an answer, and they

382
00:24:22.800 --> 00:24:26.720
<v Nikie Forster>always do. They'll say something like, well, actually, that's probably

383
00:24:26.720 --> 00:24:30.580
<v Nikie Forster>what I'm hoping it be like. But it's right on the edge. It

384
00:24:30.580 --> 00:24:34.060
<v Nikie Forster>feels as though it's slightly out of reach. And you get these real deep

385
00:24:34.060 --> 00:24:37.620
<v Nikie Forster>insights into things. And the level of

386
00:24:37.620 --> 00:24:40.540
<v Nikie Forster>listening and contribution really shifts

387
00:24:41.420 --> 00:24:45.380
<v Nikie Forster>when you do something like that, rather than the standard, has

388
00:24:45.380 --> 00:24:49.060
<v Nikie Forster>anybody got any questions? And everybody

389
00:24:49.060 --> 00:24:52.980
<v Nikie Forster>goes, okay, how close to lunchtime is it? I might not answer because

390
00:24:52.980 --> 00:24:55.860
<v Nikie Forster>it means you're going to be here for another five minutes and I'd rather go

391
00:24:55.860 --> 00:24:59.660
<v Nikie Forster>now. So, yeah, it's interesting how you can shift the conversations along.

392
00:25:00.330 --> 00:25:03.130
<v Joanne Lockwood>Yeah. One of the things I liked about the exercise I did with you, with

393
00:25:03.130 --> 00:25:07.130
<v Joanne Lockwood>my wife and others was that initial phase where

394
00:25:07.130 --> 00:25:10.810
<v Joanne Lockwood>you're building and you're sharing a pile of Lego with somebody else.

395
00:25:11.050 --> 00:25:14.690
<v Joanne Lockwood>You're interacting with the person next to you who you may not know is also

396
00:25:14.690 --> 00:25:18.450
<v Joanne Lockwood>a very good bonding opportunity. And you're discussing and you've broken that

397
00:25:18.450 --> 00:25:22.370
<v Joanne Lockwood>ice in your one to your left, one to your right,

398
00:25:22.370 --> 00:25:26.250
<v Joanne Lockwood>and you, your three. And if there's another three, you overlap and it almost

399
00:25:26.250 --> 00:25:29.990
<v Joanne Lockwood>like infects around the table. You start to have conversations. You're standing there

400
00:25:29.990 --> 00:25:33.710
<v Joanne Lockwood>queuing up to put your model on the map, on the mat. And again

401
00:25:33.710 --> 00:25:37.030
<v Joanne Lockwood>you're, oh, what's yours? And what's yours? Where are you putting your one? And it

402
00:25:37.030 --> 00:25:40.390
<v Joanne Lockwood>again creates that. I'm going to use a puppy thing here. So when puppies meet,

403
00:25:40.390 --> 00:25:42.990
<v Joanne Lockwood>all they want to do is sniff each other's bums and run around, around circles

404
00:25:42.990 --> 00:25:46.710
<v Joanne Lockwood>for five minutes. That's that they want to bond and get to know each other.

405
00:25:46.710 --> 00:25:50.430
<v Joanne Lockwood>And I think sometimes when we're. When we're engaging in workshops and learning and development,

406
00:25:50.830 --> 00:25:54.310
<v Joanne Lockwood>we're not allowing people to do the puff stiff. We're not allowing people to get

407
00:25:54.310 --> 00:25:58.230
<v Joanne Lockwood>to know each other and to. And get that human value. It's all me to

408
00:25:58.230 --> 00:26:01.710
<v Joanne Lockwood>you, not us. And we. Absolutely.

409
00:26:01.870 --> 00:26:05.830
<v Nikie Forster>But I think also there's an element of. So as a trainer

410
00:26:05.830 --> 00:26:09.750
<v Nikie Forster>or facilitator, allowing people, you know, giving somebody an activity that allows them to

411
00:26:09.750 --> 00:26:13.630
<v Nikie Forster>do that allows then people to go, okay, right. It's. I'm

412
00:26:13.630 --> 00:26:16.830
<v Nikie Forster>allowed to talk, I'm allowed to interact. I think sometimes when you go into a

413
00:26:16.830 --> 00:26:20.750
<v Nikie Forster>room, particularly if you don't know anybody else there and you're not quite sure

414
00:26:20.750 --> 00:26:24.510
<v Nikie Forster>of the situation, then that can be hard, just to

415
00:26:24.510 --> 00:26:28.350
<v Nikie Forster>strike up a conversation and go into small Talk and try

416
00:26:28.350 --> 00:26:32.350
<v Nikie Forster>and engage and work out well who's who. And you know, it

417
00:26:32.350 --> 00:26:35.830
<v Nikie Forster>can be very intimidating even in an in house

418
00:26:36.150 --> 00:26:39.950
<v Nikie Forster>workshop where you know that there are gonna be people in the room that

419
00:26:39.950 --> 00:26:43.910
<v Nikie Forster>you've worked with but you don't really know them and how's it gonna

420
00:26:43.910 --> 00:26:47.670
<v Nikie Forster>work? And you know, you need something at the beginning that just

421
00:26:47.670 --> 00:26:51.340
<v Nikie Forster>allows people to feel comfortable in just starting to talk.

422
00:26:51.900 --> 00:26:55.660
<v Nikie Forster>I think as a very young trainer I expected

423
00:26:55.820 --> 00:26:59.780
<v Nikie Forster>that to happen just naturally. All these people would show up and nobody

424
00:26:59.780 --> 00:27:03.460
<v Nikie Forster>would talk and I would almost be like, have you all lost your voices?

425
00:27:03.460 --> 00:27:07.180
<v Nikie Forster>And I look back at that now and think, how horrendous must that have been

426
00:27:07.340 --> 00:27:11.100
<v Nikie Forster>to be that person turning up who was probably a bit anxious

427
00:27:11.100 --> 00:27:14.140
<v Nikie Forster>and a bit worried about how it was going to work.

428
00:27:15.750 --> 00:27:18.510
<v Nikie Forster>Just, you know, to sit there and well, no, I haven't lost my voice, but

429
00:27:18.510 --> 00:27:21.310
<v Nikie Forster>I'm really, you know, I don't know how to do this. I don't know how

430
00:27:21.310 --> 00:27:24.310
<v Nikie Forster>to interact with these people or I don't want to, I don't actually want to

431
00:27:24.310 --> 00:27:28.310
<v Nikie Forster>be here, maybe, you know, all those things. So I think over

432
00:27:28.310 --> 00:27:31.950
<v Nikie Forster>my 30 odd years of being a trainer, I've learned an awful lot. And I

433
00:27:31.950 --> 00:27:35.870
<v Nikie Forster>do look back at those early years and think, oh, if only somebody had kind

434
00:27:35.870 --> 00:27:39.870
<v Nikie Forster>of steered me in a better direction in how to open up

435
00:27:39.870 --> 00:27:43.670
<v Nikie Forster>a workshop and make people feel more comfortable in that space.

436
00:27:45.220 --> 00:27:48.900
<v Joanne Lockwood>I found that if you, if you pounce on people cold,

437
00:27:49.220 --> 00:27:52.420
<v Joanne Lockwood>that makes people very nervous and very worried because everyone's sitting around the table going,

438
00:27:52.500 --> 00:27:56.220
<v Joanne Lockwood>oh, gonna bounce on me and avoid eye contact. Or

439
00:27:56.220 --> 00:27:59.860
<v Joanne Lockwood>sometimes I still do it and I know I shouldn't. Maybe

440
00:28:00.500 --> 00:28:03.580
<v Joanne Lockwood>you start and go around the table. So everyone sort of think, oh, I've got

441
00:28:03.580 --> 00:28:06.220
<v Joanne Lockwood>time to think, time to think what I'm saying. What am I gonna say? Yeah,

442
00:28:06.220 --> 00:28:08.780
<v Joanne Lockwood>and you've got to try and figure out who you start with because you're thinking,

443
00:28:08.780 --> 00:28:12.240
<v Joanne Lockwood>okay, I've got to find the person who I think is going to be gung

444
00:28:12.240 --> 00:28:15.320
<v Joanne Lockwood>ho for this. I find the extrovert, start with you and work around.

445
00:28:15.880 --> 00:28:19.640
<v Joanne Lockwood>But I've also found that if you ask people to introduce themselves to the person

446
00:28:19.640 --> 00:28:23.320
<v Joanne Lockwood>next door first. Yeah. So they're used to speaking

447
00:28:23.480 --> 00:28:27.440
<v Joanne Lockwood>out loud to somebody and then once they've broken their

448
00:28:27.440 --> 00:28:30.600
<v Joanne Lockwood>dark, they've broken the ice on that, then they're happy to talk to the group

449
00:28:30.600 --> 00:28:34.520
<v Joanne Lockwood>because they've already shift their voice has already been heard once. Yeah,

450
00:28:34.520 --> 00:28:38.120
<v Nikie Forster>One of the activities that I use quite a lot because it works quite well.

451
00:28:38.120 --> 00:28:41.400
<v Nikie Forster>And again it does link to Lego. I keep going back to Lego a lot.

452
00:28:41.800 --> 00:28:45.300
<v Nikie Forster>I have a whole tub of deconstructed

453
00:28:45.300 --> 00:28:49.140
<v Nikie Forster>minifigures. Right. Okay. Lots of accessories. And I

454
00:28:49.140 --> 00:28:53.020
<v Nikie Forster>basically get people to build their own minifigure that represents

455
00:28:53.020 --> 00:28:56.940
<v Nikie Forster>themselves as and whatever the topic is. So it's usually a leader or

456
00:28:56.940 --> 00:29:00.740
<v Nikie Forster>a manager, because that's mainly what I deal with. Fade of the lightsaber or something.

457
00:29:01.460 --> 00:29:05.420
<v Nikie Forster>Well, actually, some people do, you know, but again, it's asking them, how

458
00:29:05.420 --> 00:29:08.940
<v Nikie Forster>does that represent you? And then depending on the size of the group, everybody

459
00:29:08.940 --> 00:29:12.700
<v Nikie Forster>introduces themselves to everybody or they get into small groups and they

460
00:29:12.700 --> 00:29:16.600
<v Nikie Forster>introduce themselves. But it's about the representation. So you know that they might well have

461
00:29:16.600 --> 00:29:20.040
<v Nikie Forster>chosen something that looks like Darth Vader with a lightsaber. When you say to them,

462
00:29:20.040 --> 00:29:24.040
<v Nikie Forster>because how does that represent you as a leader? Then they have to

463
00:29:24.040 --> 00:29:27.280
<v Nikie Forster>think a little bit more. Cheque people.

464
00:29:27.760 --> 00:29:31.600
<v Nikie Forster>Yeah, I have a very commanding style of leadership. Okay, let's see how that plays

465
00:29:31.600 --> 00:29:35.120
<v Nikie Forster>out. When we talk about leadership styles and stuff. Again, it gives something

466
00:29:35.280 --> 00:29:39.200
<v Nikie Forster>for somebody to do before they then start to talk

467
00:29:39.280 --> 00:29:43.210
<v Nikie Forster>and they've got a prop there to be able to talk about, so

468
00:29:43.210 --> 00:29:46.810
<v Nikie Forster>it feels a bit safer rather than just to say, hi, my name's

469
00:29:46.810 --> 00:29:50.370
<v Nikie Forster>Nikki. I think my leadership style is a bit like Darth

470
00:29:50.370 --> 00:29:54.050
<v Nikie Forster>Vader. I don't think anybody would actually say that if they didn't have a minifigure,

471
00:29:54.450 --> 00:29:58.090
<v Nikie Forster>you know, that they could construct into something with a lightsaber and

472
00:29:58.090 --> 00:30:01.850
<v Nikie Forster>stuff. But, yeah, I think it's really interesting, those allowing

473
00:30:01.850 --> 00:30:04.690
<v Nikie Forster>people to feel comfortable in that opening part.

474
00:30:06.060 --> 00:30:09.580
<v Joanne Lockwood>So how did you start your career then? You weren't always this superstar

475
00:30:09.580 --> 00:30:13.300
<v Joanne Lockwood>LEGO deep learning specialist. What was your

476
00:30:13.300 --> 00:30:17.060
<v Joanne Lockwood>ambition when you left school, then? My ambition when I left school

477
00:30:17.060 --> 00:30:21.060
<v Nikie Forster>was to be a Radio 1 disc jockey. I wanted to be

478
00:30:21.060 --> 00:30:24.820
<v Nikie Forster>on the radio. And I did actually do a bit of time at

479
00:30:24.820 --> 00:30:28.340
<v Nikie Forster>hospital radio, which I loved. And I also did a bit of time at local

480
00:30:28.340 --> 00:30:32.110
<v Nikie Forster>radio. Radio Victory was the local radio station.

481
00:30:33.140 --> 00:30:37.100
<v Nikie Forster>Yes. Yeah. Trout Road. Yeah. Off to the St.

482
00:30:37.100 --> 00:30:40.940
<v Joanne Lockwood>Marie's Church. Yeah, it was. So I

483
00:30:40.940 --> 00:30:44.900
<v Nikie Forster>did. I did several stints with what was called Victory fm.

484
00:30:44.900 --> 00:30:48.580
<v Nikie Forster>It came back as yes, and again,

485
00:30:48.740 --> 00:30:52.660
<v Nikie Forster>I loved it. It was a great experience and I did a lot of

486
00:30:53.140 --> 00:30:56.980
<v Nikie Forster>presenting and producing and thought that could be a way

487
00:30:56.980 --> 00:31:00.820
<v Nikie Forster>forward. It was a real. Really helped me learn how to talk to

488
00:31:00.820 --> 00:31:04.140
<v Nikie Forster>people in terms of interviewing and

489
00:31:04.380 --> 00:31:08.180
<v Nikie Forster>questioning. So I did something called Coffee on Victory fm. It was a

490
00:31:08.180 --> 00:31:11.860
<v Nikie Forster>morning stint where I used to get people in and

491
00:31:11.860 --> 00:31:15.860
<v Nikie Forster>interview them. So that was a big Learning curve for me. But I soon realised

492
00:31:15.860 --> 00:31:19.860
<v Nikie Forster>if I wanted to do it professionally there's way more rules and regulations and the

493
00:31:19.860 --> 00:31:22.940
<v Nikie Forster>certain things you're allowed to say and not allowed to say. And I kind of

494
00:31:22.940 --> 00:31:25.740
<v Nikie Forster>went off the ball a bit because I don't do rules very well.

495
00:31:27.410 --> 00:31:31.010
<v Nikie Forster>I. So I kind of deviated a bit. I didn't know what I wanted to

496
00:31:31.010 --> 00:31:34.610
<v Nikie Forster>do after that. So I started working at B and Q. Very different from wanting

497
00:31:34.610 --> 00:31:37.570
<v Nikie Forster>to be on the radio, but it was just a part time job. But actually

498
00:31:38.450 --> 00:31:42.410
<v Nikie Forster>it was B and Q that allowed me to become a trainer in

499
00:31:42.410 --> 00:31:46.250
<v Nikie Forster>a very weird and wonderful way because it was the, it was the knees I

500
00:31:46.250 --> 00:31:49.890
<v Nikie Forster>was working on the decorative section and everybody was rag rolling their walls and

501
00:31:49.890 --> 00:31:53.890
<v Nikie Forster>crackle glazing anything that wasn't nailed down. And we had all these paint effects

502
00:31:53.890 --> 00:31:57.890
<v Nikie Forster>that came into the store and nobody knew how to use them. And my manager,

503
00:31:58.050 --> 00:32:01.850
<v Nikie Forster>yeah, yeah, my manager at the time knowing that I used to do the

504
00:32:01.850 --> 00:32:05.850
<v Nikie Forster>radio stuff, basically said, Nick, you know how to talk. Go and demonstrate this stuff

505
00:32:05.850 --> 00:32:09.850
<v Nikie Forster>and get it sold. Okay. So I took myself off into a corner of the

506
00:32:09.850 --> 00:32:12.770
<v Nikie Forster>store and I was, you know, kind of trying to work out how to use

507
00:32:12.770 --> 00:32:16.130
<v Nikie Forster>it and then people would turn up randomly and ask me what I was doing.

508
00:32:16.130 --> 00:32:19.890
<v Nikie Forster>And then that kind of evolved into me putting out some tannoy

509
00:32:19.890 --> 00:32:23.720
<v Nikie Forster>announcements that I was going to do a demonstration. And then that escalated

510
00:32:24.030 --> 00:32:27.790
<v Nikie Forster>into me doing way more demonstrations on things. And

511
00:32:27.870 --> 00:32:31.390
<v Nikie Forster>I also became their interior designer for a while quite randomly.

512
00:32:31.950 --> 00:32:34.950
<v Nikie Forster>But in true Nikki style, I didn't just want to be on the shop floor

513
00:32:34.950 --> 00:32:38.670
<v Nikie Forster>doing interior design. I decided that I was going to put on some evening classes

514
00:32:39.310 --> 00:32:42.270
<v Nikie Forster>for the customers to come in and do like a six week

515
00:32:42.990 --> 00:32:46.790
<v Nikie Forster>course on all this interior design stuff. I didn't even know I was training

516
00:32:46.790 --> 00:32:49.790
<v Nikie Forster>at that point. All I was doing was I didn't want to be on the

517
00:32:49.790 --> 00:32:51.920
<v Nikie Forster>shop floor, I wanted to do something else.

518
00:32:53.670 --> 00:32:56.990
<v Nikie Forster>And so the cafe, I was at Hedge End at the time when it just

519
00:32:56.990 --> 00:33:00.870
<v Nikie Forster>opened, the B and Q there and they had a mezzanine floor with

520
00:33:00.870 --> 00:33:04.710
<v Nikie Forster>a cafe on it which closed at 6. So from 6 till 8

521
00:33:04.870 --> 00:33:08.830
<v Nikie Forster>every Thursday for about six weeks. I basically commandeered that and set

522
00:33:08.830 --> 00:33:12.790
<v Nikie Forster>up wallpaper, trestle tables and had all this, all this

523
00:33:12.790 --> 00:33:16.230
<v Nikie Forster>stuff going on. I had loads of people turn up little certificates at the end

524
00:33:16.230 --> 00:33:19.230
<v Nikie Forster>of it. And it was through that that somebody saw me and say actually you'd

525
00:33:19.230 --> 00:33:22.370
<v Nikie Forster>probably be quite good at doing induction workshops for us.

526
00:33:23.330 --> 00:33:27.250
<v Nikie Forster>So that's when I really got involved in doing what I'd call official training.

527
00:33:27.810 --> 00:33:31.610
<v Nikie Forster>I did induction workshops and became part of the the team at

528
00:33:31.610 --> 00:33:35.610
<v Nikie Forster>BQ and then became a management development person and then eventually became

529
00:33:35.610 --> 00:33:39.370
<v Nikie Forster>the regional training manager for the south, the little region that I was

530
00:33:39.370 --> 00:33:42.850
<v Nikie Forster>in. So I learned most of my formal training with

531
00:33:43.010 --> 00:33:46.450
<v Nikie Forster>BNQ in. It's what I'd call its heyday of learning and development

532
00:33:47.700 --> 00:33:51.540
<v Nikie Forster>and then everything else since then is different companies and different ways of doing things

533
00:33:51.620 --> 00:33:55.300
<v Nikie Forster>and just learning. Every time you have different

534
00:33:56.100 --> 00:34:00.020
<v Nikie Forster>culture in the business or different people that want training to be

535
00:34:00.020 --> 00:34:03.660
<v Nikie Forster>a slightly different way, but all the time the creative element has always

536
00:34:03.660 --> 00:34:06.980
<v Nikie Forster>followed me just doing stuff that engages

537
00:34:07.300 --> 00:34:10.500
<v Nikie Forster>people to do things rather than me just study in front of the room

538
00:34:10.980 --> 00:34:14.799
<v Nikie Forster>telling people stuff. So, yeah, so that's how I got

539
00:34:14.799 --> 00:34:17.279
<v Nikie Forster>into it. Wow. So

540
00:34:18.399 --> 00:34:21.199
<v Joanne Lockwood>BNQ head office was. It used to be at Eastleigh, didn't it? At one time

541
00:34:21.439 --> 00:34:25.399
<v Nikie Forster>it did, yes. Yeah. I didn't go there very often, but yeah, it was

542
00:34:25.399 --> 00:34:29.038
<v Nikie Forster>just up the road. But I know from hearing other

543
00:34:29.199 --> 00:34:32.959
<v Joanne Lockwood>storeys that BNQ are an excellent inclusive employer, that

544
00:34:32.959 --> 00:34:36.919
<v Joanne Lockwood>they employ more people over the age of 60 than most. They're really

545
00:34:36.919 --> 00:34:40.540
<v Joanne Lockwood>focused on developing people who are retire but useful.

546
00:34:41.260 --> 00:34:44.860
<v Nikie Forster>Well, absolutely. Have a disability, employ lots of people with downs.

547
00:34:45.100 --> 00:34:49.020
<v Joanne Lockwood>Lots of people with learning disabilities that they are a really inclusive employer.

548
00:34:49.180 --> 00:34:53.140
<v Nikie Forster>Yeah. Certainly in the time that I was with them for 13 years and certainly

549
00:34:53.140 --> 00:34:56.300
<v Nikie Forster>in the time that I was with them, I raved about bnq.

550
00:34:57.820 --> 00:35:01.340
<v Nikie Forster>I really enjoyed their approach to

551
00:35:01.980 --> 00:35:05.710
<v Nikie Forster>employment and allowing people to do

552
00:35:07.070 --> 00:35:10.990
<v Nikie Forster>to better themselves, but also in a way that worked for them.

553
00:35:11.150 --> 00:35:15.030
<v Nikie Forster>It wasn't, you know, a hard line of this is how it's done. Have

554
00:35:15.030 --> 00:35:18.950
<v Joanne Lockwood>you noticed a generational shift in how people want to

555
00:35:18.950 --> 00:35:22.630
<v Joanne Lockwood>engage in training? I mean, we hear that Gen Z, Gen

556
00:35:22.630 --> 00:35:26.630
<v Joanne Lockwood>Alpha, even younger millennials are. They

557
00:35:26.630 --> 00:35:30.230
<v Joanne Lockwood>want reward based. When we were talking about puppies earlier, you need to keep feeding

558
00:35:30.230 --> 00:35:33.910
<v Joanne Lockwood>them traits. You know, people talk about gamifying and stimulating the brain

559
00:35:33.910 --> 00:35:37.770
<v Joanne Lockwood>chemicals to get people to be hyper and pumped up or is do

560
00:35:37.770 --> 00:35:40.490
<v Joanne Lockwood>traditional training methods still work for the younger generation?

561
00:35:41.770 --> 00:35:45.610
<v Nikie Forster>It's an interesting one and I think I might struggle to answer that because

562
00:35:45.690 --> 00:35:49.610
<v Nikie Forster>I think what I've always done is hits the dopamine

563
00:35:50.970 --> 00:35:54.850
<v Nikie Forster>because I've always had activities that get people

564
00:35:54.850 --> 00:35:58.490
<v Nikie Forster>to do the thing and get people to explore it and design it in a

565
00:35:58.490 --> 00:36:01.210
<v Nikie Forster>way that is quite short sections before we move on.

566
00:36:02.250 --> 00:36:05.650
<v Nikie Forster>But I do think I've got a son who's 14 and I do recognise with

567
00:36:05.650 --> 00:36:08.850
<v Nikie Forster>him that the shorter, more

568
00:36:09.090 --> 00:36:13.090
<v Nikie Forster>interactive stuff will definitely sit better than you know any long

569
00:36:13.090 --> 00:36:17.090
<v Nikie Forster>form of learning. He talks about his teachers and the ones that

570
00:36:17.090 --> 00:36:20.610
<v Nikie Forster>he likes the best are the ones that will engage in conversation, will set

571
00:36:20.850 --> 00:36:24.650
<v Nikie Forster>activities for them to do, rather than the kind of the

572
00:36:24.650 --> 00:36:28.610
<v Nikie Forster>drawn out side of things. So I noticed my speech has slowed down a

573
00:36:28.610 --> 00:36:32.570
<v Nikie Forster>bit because I'm trying to think and I see a lot of different generations

574
00:36:32.570 --> 00:36:35.530
<v Nikie Forster>in the work that I do. I mean, a lot of the stuff I do

575
00:36:35.530 --> 00:36:38.250
<v Nikie Forster>is around management and leadership, so it tends to be

576
00:36:39.770 --> 00:36:43.650
<v Nikie Forster>probably mid-30s, upwards for most companies when

577
00:36:43.650 --> 00:36:47.250
<v Nikie Forster>I get involved in that. But I do a lot of stepping into

578
00:36:47.250 --> 00:36:50.570
<v Nikie Forster>leadership as well. And you tend to get younger generations

579
00:36:51.450 --> 00:36:55.450
<v Nikie Forster>in that. I do a lot of work with the NHS around leadership as

580
00:36:55.450 --> 00:36:58.170
<v Nikie Forster>mindset rather than leadership as a title.

581
00:36:59.610 --> 00:37:03.460
<v Nikie Forster>And I think that sometimes I see them turn up

582
00:37:03.940 --> 00:37:07.900
<v Nikie Forster>almost like I've got a full day of doing this, because they just used

583
00:37:07.900 --> 00:37:11.420
<v Nikie Forster>to being on their feet and doing stuff and things, but usually by the end

584
00:37:11.420 --> 00:37:15.220
<v Nikie Forster>of it, I've got a good thumbs up. And I think it's about engagement. I

585
00:37:15.220 --> 00:37:19.220
<v Nikie Forster>think it's always just been about treating people as they want to be treated

586
00:37:19.940 --> 00:37:23.740
<v Nikie Forster>regardless of age. The Platinum Rule people often. Well,

587
00:37:23.740 --> 00:37:26.780
<v Nikie Forster>exactly. People forget that they always go for the Golden Rule. Treat people as you

588
00:37:26.780 --> 00:37:30.670
<v Joanne Lockwood>want to be treated, but. But you've got to step into them. You got to

589
00:37:30.990 --> 00:37:34.870
<v Joanne Lockwood>be person centric. Yeah, yeah. So if you've got a, you know, a

590
00:37:34.870 --> 00:37:38.470
<v Nikie Forster>group of people who are more quieter, you know, more

591
00:37:38.470 --> 00:37:41.310
<v Nikie Forster>reflective, then you need to give them more time to reflect. If you've got a

592
00:37:41.310 --> 00:37:45.190
<v Nikie Forster>group of people that are all in very

593
00:37:45.190 --> 00:37:48.950
<v Nikie Forster>loud and boisterous and wanting to, you know, kind of do everything at

594
00:37:48.950 --> 00:37:52.910
<v Nikie Forster>100 miles an hour, then you might need to speed things up. But it's also

595
00:37:52.910 --> 00:37:56.860
<v Nikie Forster>looking for the outliers as well. You know, just because 90% of

596
00:37:56.860 --> 00:38:00.780
<v Nikie Forster>the room is that you still need to make sure the 10 is

597
00:38:00.780 --> 00:38:04.540
<v Nikie Forster>allowed to, you know, get what they want from it as well. And

598
00:38:05.660 --> 00:38:09.420
<v Joanne Lockwood>I suppose I actually want to have fun myself, you know, facilitating a group.

599
00:38:09.420 --> 00:38:12.460
<v Joanne Lockwood>I want to come out at the end of the day going, high five. I've

600
00:38:12.460 --> 00:38:15.460
<v Joanne Lockwood>enjoyed that. Yeah, we've all bonded. I want you to think I've done a good

601
00:38:15.460 --> 00:38:18.980
<v Joanne Lockwood>job. So it's. You're trying to keep it active for yourself because, you know, I

602
00:38:18.980 --> 00:38:22.380
<v Joanne Lockwood>don't know about you, but I've run the same course for an organisation I think

603
00:38:22.380 --> 00:38:26.300
<v Joanne Lockwood>I ran. I think I deliver something like 40 versions of this session to

604
00:38:26.300 --> 00:38:29.180
<v Joanne Lockwood>different cohorts over the course of six months. And by the end of it, you

605
00:38:29.180 --> 00:38:32.940
<v Joanne Lockwood>think Have I told that gag before? Have I said that? Did I tell you

606
00:38:32.940 --> 00:38:35.780
<v Joanne Lockwood>that or did I tell the last group that? And it's like by the end

607
00:38:35.780 --> 00:38:39.340
<v Joanne Lockwood>of it, your brain is like mush. So you want to. You want to enjoy

608
00:38:39.340 --> 00:38:42.860
<v Joanne Lockwood>it yourself, don't you? And I think the more you enjoy it, the more your

609
00:38:42.860 --> 00:38:46.820
<v Joanne Lockwood>audience are going to enjoy it as well. Absolutely. And I think

610
00:38:46.820 --> 00:38:50.660
<v Nikie Forster>the way that I kind of get over that is by allowing more

611
00:38:50.660 --> 00:38:54.320
<v Nikie Forster>of the audience participation to come through,

612
00:38:54.560 --> 00:38:58.440
<v Nikie Forster>because then every session is different, you know,

613
00:38:58.440 --> 00:39:02.160
<v Nikie Forster>I think that there's always a structure to what you do, of course, and there's

614
00:39:02.160 --> 00:39:06.000
<v Nikie Forster>always key points that you want to dig at home. But

615
00:39:06.000 --> 00:39:09.600
<v Nikie Forster>when the audience is coming up with their answers and what happens next, and

616
00:39:09.760 --> 00:39:13.200
<v Nikie Forster>you know, if we go off on a tangent, then fantastic, because that's what's needed

617
00:39:13.200 --> 00:39:16.560
<v Nikie Forster>in the moment. But you're right at the end of it, you can usually, usually

618
00:39:16.560 --> 00:39:20.330
<v Nikie Forster>tell if it's landed or not. I do.

619
00:39:20.410 --> 00:39:23.530
<v Nikie Forster>I think for those people who are slightly more

620
00:39:23.930 --> 00:39:27.850
<v Nikie Forster>extrovert and vocal in how they're getting that

621
00:39:27.850 --> 00:39:31.770
<v Nikie Forster>they're learning, it's very easy to read those. I think it's

622
00:39:31.770 --> 00:39:35.210
<v Nikie Forster>harder to read those that are slightly more reflective

623
00:39:35.770 --> 00:39:39.770
<v Nikie Forster>or internally thinking. And

624
00:39:39.930 --> 00:39:43.770
<v Nikie Forster>sometimes I do have to just verbally cheque how, you know,

625
00:39:43.850 --> 00:39:47.680
<v Nikie Forster>how we're doing. Are we on the right level?

626
00:39:47.920 --> 00:39:50.960
<v Nikie Forster>Because I do find those sometimes slightly harder to read.

627
00:39:52.240 --> 00:39:55.680
<v Joanne Lockwood>Yeah, it always surprised me because I tend to finish my sessions with a

628
00:39:57.040 --> 00:40:00.640
<v Joanne Lockwood>tell me the one thing that is going to stick with you out of today's

629
00:40:00.640 --> 00:40:04.320
<v Joanne Lockwood>session or the one thing you're going to implement right now and go around the

630
00:40:04.320 --> 00:40:07.560
<v Joanne Lockwood>room and ask people to just verbalise that. And I think, wow, you picked up

631
00:40:07.560 --> 00:40:11.120
<v Joanne Lockwood>on that. Wow, you picked up on that. And the diversity of things that

632
00:40:11.120 --> 00:40:15.080
<v Joanne Lockwood>resonated with people. And it wasn't all the point I thought, thought they were going

633
00:40:15.080 --> 00:40:18.720
<v Joanne Lockwood>to go for. They picked up something really random. I thought, wow, that was a

634
00:40:18.720 --> 00:40:22.520
<v Joanne Lockwood>throwaway remark I made an hour ago. And that

635
00:40:22.520 --> 00:40:26.520
<v Joanne Lockwood>really stuck with you. I thought, okay, that's brilliant. And so

636
00:40:26.520 --> 00:40:30.240
<v Joanne Lockwood>again, it's recognising that everyone's going to take away something different and everyone hears something

637
00:40:30.240 --> 00:40:34.080
<v Joanne Lockwood>different and everyone's situation is different, aren't they? So it's always

638
00:40:34.080 --> 00:40:37.480
<v Joanne Lockwood>surprising me. And I think it's really good because by sharing to the room what

639
00:40:37.480 --> 00:40:41.280
<v Joanne Lockwood>you're taking away, it gives other people those nuggets as well. So they're always

640
00:40:41.280 --> 00:40:44.480
<v Joanne Lockwood>their self appear to be learning again, aren't they? Oh, I'm taking this away because

641
00:40:44.640 --> 00:40:48.520
<v Joanne Lockwood>I'M taking that way. So it reinforces that without

642
00:40:48.520 --> 00:40:52.160
<v Joanne Lockwood>me having to do a summary at the end. Yeah, yeah, no,

643
00:40:52.160 --> 00:40:56.160
<v Nikie Forster>absolutely. And yet absolutely spot on with that. The throwaway comment that

644
00:40:56.160 --> 00:41:00.040
<v Nikie Forster>wasn't in your design notes. You had no intention of saying it when you turned

645
00:41:00.040 --> 00:41:03.800
<v Nikie Forster>up in the morning. And that's the thing that they're taking away. It always makes

646
00:41:03.800 --> 00:41:07.600
<v Nikie Forster>me smile at that. But that's the beauty of listening to the room and picking

647
00:41:07.600 --> 00:41:11.400
<v Nikie Forster>up on what other people are saying and having the

648
00:41:11.400 --> 00:41:14.430
<v Nikie Forster>freedom as a trainer or facilitator to

649
00:41:14.830 --> 00:41:18.790
<v Nikie Forster>interject, you know, and add storeys that. That make sense for that

650
00:41:18.790 --> 00:41:22.630
<v Nikie Forster>moment, I think. You know, just sticking to your script.

651
00:41:22.630 --> 00:41:26.270
<v Nikie Forster>Well, no, that. That's what we've got, so that's what we'll do. That,

652
00:41:26.430 --> 00:41:30.390
<v Nikie Forster>you know, it doesn't help. So I think it's great. I mean,

653
00:41:30.390 --> 00:41:33.710
<v Joanne Lockwood>there's a technique. I don't know if you heard this. It's called newsjacking. So what

654
00:41:33.710 --> 00:41:37.710
<v Joanne Lockwood>you're doing is you're taking current affairs or something of the moment. Yeah.

655
00:41:37.710 --> 00:41:41.480
<v Joanne Lockwood>And bringing that into the session as an anecdote or an

656
00:41:41.480 --> 00:41:45.400
<v Joanne Lockwood>example. Everyone's. Everyone's heard the news today or everyone's aware of what's going

657
00:41:45.400 --> 00:41:48.280
<v Joanne Lockwood>on in the world. So if you. If you ignore the Middle east, you ignore

658
00:41:48.280 --> 00:41:52.000
<v Joanne Lockwood>Russia, you ignore Iran, what's going on there at the moment, then you're

659
00:41:52.000 --> 00:41:55.440
<v Joanne Lockwood>ignoring the world. If you can bring some of those examples in.

660
00:41:55.919 --> 00:41:59.400
<v Nikie Forster>Yeah. Whatever that may be. And then it makes it completely off the moment.

661
00:41:59.400 --> 00:42:03.120
<v Joanne Lockwood>Relevant. Yes. Yeah, no, absolutely.

662
00:42:03.200 --> 00:42:07.200
<v Nikie Forster>I think making it relevant is really important, I think, also

663
00:42:07.600 --> 00:42:11.120
<v Nikie Forster>allowing people to work out for them in.

664
00:42:11.840 --> 00:42:15.120
<v Nikie Forster>In that moment what's going on for them right now. Because quite often I get

665
00:42:15.120 --> 00:42:18.920
<v Nikie Forster>people turn up to management or leadership programmes that aren't

666
00:42:18.920 --> 00:42:22.880
<v Nikie Forster>really managers or leaders, that they're perspective managers

667
00:42:22.880 --> 00:42:26.720
<v Nikie Forster>and leaders, you know, and it's kind of allowing people to say, okay, this

668
00:42:26.720 --> 00:42:30.640
<v Nikie Forster>is what we're talking about now. Might not be something that you do for six

669
00:42:30.640 --> 00:42:34.440
<v Nikie Forster>months down the line, but actually, everything that. Generally

670
00:42:34.440 --> 00:42:38.440
<v Nikie Forster>speaking, everything that I talk about is just people skills. So it can translate

671
00:42:38.440 --> 00:42:42.210
<v Nikie Forster>into talking with your peers, talking with suppliers, talking with stakeholders.

672
00:42:42.210 --> 00:42:44.650
<v Nikie Forster>I can't remember why I'm going off on this tangent now, but.

673
00:42:46.650 --> 00:42:50.010
<v Joanne Lockwood>I'm with you. I'm hanging in. I mean, I think what you're trying to say

674
00:42:50.010 --> 00:42:52.690
<v Joanne Lockwood>there is. What you're trying to do is help people build a kit bag or

675
00:42:52.690 --> 00:42:56.490
<v Joanne Lockwood>a toolkit. Yeah. Of various things. You know, if you're. And you're young,

676
00:42:56.730 --> 00:43:00.330
<v Joanne Lockwood>your toolkit's quite Empty. But you get a couple of screwdrivers, you get a couple

677
00:43:00.330 --> 00:43:03.130
<v Joanne Lockwood>of spanners and they think, oh, I need to, I need to do this. I

678
00:43:03.130 --> 00:43:05.170
<v Joanne Lockwood>haven't got the right tool. I'll go and buy one of those from B and

679
00:43:05.170 --> 00:43:08.890
<v Joanne Lockwood>Q. And then you put it in your bag. And then later, a year later,

680
00:43:08.890 --> 00:43:12.610
<v Joanne Lockwood>you think, oh, I need that one again. And then you've got that repertoire, those

681
00:43:12.610 --> 00:43:16.490
<v Joanne Lockwood>anecdotes, those sayings, those thought processes. Yeah.

682
00:43:16.490 --> 00:43:19.810
<v Nikie Forster>And then being able to reflect back on, you know, oh, I went to that

683
00:43:19.810 --> 00:43:23.290
<v Nikie Forster>workshop when we talked about that. Right, where's my notes about that? Or go and

684
00:43:23.290 --> 00:43:27.210
<v Nikie Forster>speak to somebody that was at the workshop before. I think that was another

685
00:43:27.210 --> 00:43:30.610
<v Nikie Forster>thing that I was going to bring up actually, as you were talking about at

686
00:43:30.610 --> 00:43:33.330
<v Nikie Forster>the end of the day where you said about what's the one thing you're taking

687
00:43:33.330 --> 00:43:36.770
<v Nikie Forster>away from today? So I'm a big fan of what I call

688
00:43:36.770 --> 00:43:40.210
<v Nikie Forster>distracted reflection. Not

689
00:43:40.530 --> 00:43:43.970
<v Nikie Forster>making full on action plans at the end of a workshop

690
00:43:44.610 --> 00:43:48.369
<v Nikie Forster>because I don't believe that people have everything they need at the end of a

691
00:43:48.369 --> 00:43:52.290
<v Nikie Forster>workshop in order to say, this is definitely what we're doing

692
00:43:52.690 --> 00:43:56.130
<v Nikie Forster>going forwards. I think it's about giving people everything they need in a

693
00:43:56.130 --> 00:43:59.850
<v Nikie Forster>workshop to start the brain and allow the brain to

694
00:43:59.850 --> 00:44:03.410
<v Nikie Forster>digest it later down the line. Because when you say to people, right, come up

695
00:44:03.410 --> 00:44:07.270
<v Nikie Forster>with a really good idea, idea, right now you are five minutes off you go.

696
00:44:07.270 --> 00:44:11.150
<v Nikie Forster>You might get one or two, but it's very unlikely. You're more likely to

697
00:44:11.150 --> 00:44:14.910
<v Nikie Forster>get that idea when you're walking the dog or, you know, when you're sat

698
00:44:14.910 --> 00:44:18.830
<v Nikie Forster>reading something. Oh no, that. Oh yeah, I remember that. Well, that could work.

699
00:44:19.470 --> 00:44:23.430
<v Nikie Forster>It's always kind of in the moment. And so I'm really keen when

700
00:44:23.430 --> 00:44:26.590
<v Nikie Forster>I do my workshops to explain that to people that at the end of this

701
00:44:26.590 --> 00:44:30.150
<v Nikie Forster>you're not going to have a set of three action points that you have to

702
00:44:30.150 --> 00:44:34.070
<v Nikie Forster>take away and do by three months time and then reflect back

703
00:44:34.070 --> 00:44:37.290
<v Nikie Forster>on them. Because the brain doesn't work in that way. The brain works in a

704
00:44:37.290 --> 00:44:40.890
<v Nikie Forster>way that it needs time to mull it over and digest it and then work

705
00:44:40.890 --> 00:44:44.170
<v Nikie Forster>out, well, what am I doing with it? And it also takes the pressure off

706
00:44:44.170 --> 00:44:47.930
<v Nikie Forster>people as well, I think, to think that they have to do those

707
00:44:47.930 --> 00:44:51.889
<v Nikie Forster>things, particularly if somebody's, you know, quite anxious about,

708
00:44:51.889 --> 00:44:55.170
<v Nikie Forster>well, I've said I was going to do this and I really should be doing

709
00:44:55.170 --> 00:44:57.370
<v Nikie Forster>it, but I'm not gonna have time to do it. Or actually the plan's all

710
00:44:57.370 --> 00:45:01.090
<v Nikie Forster>changed. Yeah. And people have to oscillate between

711
00:45:01.090 --> 00:45:04.880
<v Joanne Lockwood>operational and strategic thinking, don't they? It's like, what affects me

712
00:45:04.880 --> 00:45:08.800
<v Joanne Lockwood>today, what's my burning bridge, what's biting me on the backside

713
00:45:08.800 --> 00:45:12.800
<v Joanne Lockwood>right now, versus if I invested the time to change the

714
00:45:12.800 --> 00:45:16.680
<v Joanne Lockwood>process or to enhance or to do things differently,

715
00:45:16.840 --> 00:45:20.120
<v Joanne Lockwood>I would do it this way in future, but I can't because that's stopping me.

716
00:45:20.360 --> 00:45:23.760
<v Joanne Lockwood>Which is why I always tend to ask, what's stopping you? What prevents you from

717
00:45:23.760 --> 00:45:27.400
<v Joanne Lockwood>doing these things and what's the most important thing you want to do? And hopefully

718
00:45:27.400 --> 00:45:31.250
<v Joanne Lockwood>in the room is generally a manager or a lead or a supervisor. They're hearing

719
00:45:31.250 --> 00:45:34.610
<v Joanne Lockwood>people say, well, this is what's stopping me. And I go, of course, time, money,

720
00:45:34.930 --> 00:45:37.850
<v Joanne Lockwood>all these kind of things are going to be stopping you. But what you should

721
00:45:37.850 --> 00:45:41.810
<v Joanne Lockwood>be saying is nothing is the answer. What's stopping you? Nothing should be

722
00:45:41.810 --> 00:45:45.650
<v Joanne Lockwood>the answer. So what do you need your manager to do to allow

723
00:45:45.730 --> 00:45:49.570
<v Joanne Lockwood>it to be nothing? What are the blockers, is what I'm saying. And then let's

724
00:45:49.570 --> 00:45:53.250
<v Joanne Lockwood>get those out on the table. Yeah, yeah. Because

725
00:45:53.410 --> 00:45:56.370
<v Nikie Forster>again, as soon as one person says something, they go, oh, yeah, no. And it'll

726
00:45:56.370 --> 00:46:00.070
<v Nikie Forster>spark a conversation for, for something else. And it allows them to

727
00:46:00.710 --> 00:46:04.590
<v Nikie Forster>really delve down into what the challenge is rather than just the I don't

728
00:46:04.590 --> 00:46:08.470
<v Nikie Forster>have time. Here's a tip for anyone listening. I

729
00:46:08.470 --> 00:46:12.390
<v Joanne Lockwood>found that Chat GPT is really good at reading handwriting. So what I do

730
00:46:12.390 --> 00:46:15.430
<v Joanne Lockwood>is in my workshops, I get people to write on Post it notes.

731
00:46:16.950 --> 00:46:20.870
<v Joanne Lockwood>The four questions I ask is, what will I do? Will rather

732
00:46:20.870 --> 00:46:24.800
<v Joanne Lockwood>than should will I do? What will we do? What's the priority and what's stopping

733
00:46:24.800 --> 00:46:27.440
<v Joanne Lockwood>me? I get to write on the individual Post it notes and go around the

734
00:46:27.440 --> 00:46:30.440
<v Joanne Lockwood>room and at the end of it, I take a photograph of all the Post

735
00:46:30.440 --> 00:46:34.080
<v Joanne Lockwood>IT notes on my phone in ChatGPT and say, right, create a spreadsheet

736
00:46:34.400 --> 00:46:38.320
<v Joanne Lockwood>with all the we's, I's, priorities and stoppings in a

737
00:46:38.320 --> 00:46:42.280
<v Joanne Lockwood>spreadsheet. I then feed that again back into ChatGPT and

738
00:46:42.280 --> 00:46:46.040
<v Joanne Lockwood>say, I want you to write me a delegate synthesis pack now with the 30,

739
00:46:46.093 --> 00:46:49.000
<v Joanne Lockwood>60, 90 day products with all the key actions and all the key points and

740
00:46:49.000 --> 00:46:52.780
<v Joanne Lockwood>all the things that people were saying. Summarise back, which I then send to the

741
00:46:52.780 --> 00:46:56.420
<v Joanne Lockwood>leader or the booker and say, this is what your cohort said,

742
00:46:56.580 --> 00:46:59.340
<v Joanne Lockwood>this is what their actions are, this is what they want to do about it

743
00:46:59.340 --> 00:47:03.140
<v Joanne Lockwood>and this is what's stopping them. I like that. Yeah. Do you want to have

744
00:47:03.140 --> 00:47:05.700
<v Joanne Lockwood>a follow up in 30 days? No one ever says, yeah, let's have a chat

745
00:47:05.700 --> 00:47:09.300
<v Joanne Lockwood>about this. They always take it. I've no idea if they read it, but it's

746
00:47:09.300 --> 00:47:12.820
<v Joanne Lockwood>a very easy way. Now, I say just take photographs and chatgpt will

747
00:47:13.460 --> 00:47:16.540
<v Joanne Lockwood>do a good enough job on the handwriting. Yeah. It doesn't have to be a

748
00:47:16.540 --> 00:47:19.020
<v Joanne Lockwood>perfect. It's better than typing it in because I used to sit on the train,

749
00:47:19.090 --> 00:47:22.930
<v Joanne Lockwood>train typing it in all the post it notes. Type it in. Two hour

750
00:47:22.930 --> 00:47:26.730
<v Joanne Lockwood>train journey. I'll have them all done. But yeah, now, now photograph I take. I

751
00:47:26.730 --> 00:47:30.530
<v Joanne Lockwood>put them all on a whiteboard. Take a photograph of the page, put one. Yeah,

752
00:47:30.930 --> 00:47:34.810
<v Joanne Lockwood>yeah, yeah. I could, I could turn this around in 20 minutes. Now acts as

753
00:47:34.810 --> 00:47:38.570
<v Nikie Forster>a really good reminder of the day as well, because any, even if they don't

754
00:47:38.570 --> 00:47:42.450
<v Nikie Forster>do those things in 30, 60, 90 days, it will be a reflection of what

755
00:47:42.450 --> 00:47:46.410
<v Nikie Forster>their intentions were. And I think that's really important to look

756
00:47:46.410 --> 00:47:49.400
<v Nikie Forster>back on. And if someone does something with it,

757
00:47:50.200 --> 00:47:53.800
<v Joanne Lockwood>I don't need any gratitude. It was their work. If the person that booked me

758
00:47:53.800 --> 00:47:57.240
<v Joanne Lockwood>as a trainer or facilitate for the day, they take that away and go, oh,

759
00:47:57.240 --> 00:48:01.200
<v Joanne Lockwood>that was useful. If they take one thing out of it, that's fine. And

760
00:48:01.200 --> 00:48:03.640
<v Joanne Lockwood>they may never thank me, they may never come back to me, that's fine. At

761
00:48:03.640 --> 00:48:05.640
<v Joanne Lockwood>least they got the document. I know I've done a good job.

762
00:48:07.400 --> 00:48:09.920
<v Joanne Lockwood>You never know, they may refer you saying, oh, yeah, when Joe came in, she

763
00:48:09.920 --> 00:48:13.520
<v Joanne Lockwood>goes, this is fantastic, that's what you want. And it's part of the sales pitch

764
00:48:13.520 --> 00:48:16.920
<v Joanne Lockwood>as well. So you can sort of offer it as your value add, isn't it?

765
00:48:17.160 --> 00:48:21.100
<v Joanne Lockwood>Your bonus content, if you like. Right. So I

766
00:48:21.100 --> 00:48:24.220
<v Joanne Lockwood>liked about your session, we got to keep the Lego. I was sort of thinking,

767
00:48:24.380 --> 00:48:27.100
<v Joanne Lockwood>oh, I built my little model here and I was thinking, oh, this is really.

768
00:48:27.260 --> 00:48:30.940
<v Joanne Lockwood>He said, you can take your model away with you. Oh, what, really? Oh, oh,

769
00:48:31.100 --> 00:48:34.619
<v Joanne Lockwood>I've got my model and it's that value.

770
00:48:34.940 --> 00:48:38.820
<v Nikie Forster>Yeah, yeah. I do tend to do that with the

771
00:48:38.820 --> 00:48:42.740
<v Nikie Forster>smaller bits of Lego. As I said, when people build their minifigures at

772
00:48:42.740 --> 00:48:46.700
<v Nikie Forster>the beginning of a workshop, I always allow them to take it away because, again,

773
00:48:46.940 --> 00:48:50.800
<v Nikie Forster>it acts as another little element in their brain to reflect back on what

774
00:48:50.800 --> 00:48:54.280
<v Nikie Forster>the day was, what it represented for them. Sometimes I

775
00:48:54.280 --> 00:48:58.280
<v Nikie Forster>bookend, so I get them to build their minifigure in the morning, they see

776
00:48:58.280 --> 00:49:02.160
<v Nikie Forster>themselves as a leader and then at the end of the session get them

777
00:49:02.160 --> 00:49:06.080
<v Nikie Forster>to add one accessory. Having been through the

778
00:49:06.080 --> 00:49:10.080
<v Nikie Forster>workshop, that they now recognise about themselves as a leader or what they want to

779
00:49:10.080 --> 00:49:13.480
<v Nikie Forster>be in the future or whatever it is that we're doing. So they rummage around

780
00:49:13.480 --> 00:49:16.800
<v Nikie Forster>for another accessory and again they go around and talk about it. So then they

781
00:49:16.800 --> 00:49:19.520
<v Nikie Forster>take it away and they end up putting it on their monitor or on the

782
00:49:19.520 --> 00:49:22.820
<v Nikie Forster>desk, or even if they take it home and talk to the partner about it,

783
00:49:23.380 --> 00:49:26.980
<v Nikie Forster>take a. Photograph, stick it on LinkedIn, tag you in, all that kind of stuff.

784
00:49:27.140 --> 00:49:30.820
<v Nikie Forster>Absolutely, all that stuff. But it's just an extra reminder. It's an extra little

785
00:49:30.820 --> 00:49:34.780
<v Nikie Forster>neuron in the brain that's connected somewhere that said, this is

786
00:49:34.780 --> 00:49:37.700
<v Nikie Forster>what we did on this workshop and this is what it meant for me, and

787
00:49:37.700 --> 00:49:41.660
<v Nikie Forster>that'll stick with them. It'll make it sticky for a lot longer. We

788
00:49:41.660 --> 00:49:45.580
<v Joanne Lockwood>talked about inclusion and in the narrative we

789
00:49:45.580 --> 00:49:48.900
<v Joanne Lockwood>also use the word belong. And all of these little techniques

790
00:49:49.610 --> 00:49:53.610
<v Joanne Lockwood>draw you in. This place is for me, I belong here. Nikki's for

791
00:49:53.610 --> 00:49:57.050
<v Joanne Lockwood>me. Yeah, this, this training's for me. It's. I've got something, I'm taking it away

792
00:49:57.050 --> 00:50:00.290
<v Joanne Lockwood>and I, I feel that, as you say, the dopamine hits the brain, chemicals are

793
00:50:00.290 --> 00:50:03.490
<v Joanne Lockwood>firing off and you come away going, oh, that was really good. So you have

794
00:50:03.490 --> 00:50:06.410
<v Joanne Lockwood>a positive experience of the whole thing. That's what, that's what you're after, isn't it?

795
00:50:06.650 --> 00:50:10.410
<v Nikie Forster>Yeah, yeah. Because if somebody's had a positive experience,

796
00:50:10.730 --> 00:50:14.570
<v Nikie Forster>they're much more open to learning. That's ultimately what, What I'm

797
00:50:14.570 --> 00:50:18.450
<v Nikie Forster>gearing it for is if they feel comfortable in the space and they

798
00:50:18.450 --> 00:50:22.410
<v Nikie Forster>feel comfortable with how to express themselves, they are much more likely to

799
00:50:22.410 --> 00:50:26.410
<v Nikie Forster>retain the learning that they've had and that then becomes much

800
00:50:26.410 --> 00:50:30.130
<v Nikie Forster>more worthwhile in terms of somebody having employed me to

801
00:50:30.210 --> 00:50:33.890
<v Nikie Forster>deliver. But them, in terms of having spent their time in term and turning up.

802
00:50:33.890 --> 00:50:37.810
<v Joanne Lockwood>Are you able to translate this into online or are you more a

803
00:50:37.810 --> 00:50:41.650
<v Joanne Lockwood>face to face person? I prefer face to face,

804
00:50:41.650 --> 00:50:45.010
<v Nikie Forster>definitely. I do do some programmes online

805
00:50:45.710 --> 00:50:49.630
<v Nikie Forster>and I usually send out a workshop pack if I'm.

806
00:50:49.630 --> 00:50:53.510
<v Nikie Forster>If I'm doing. If it's something like a. I don't tend to do

807
00:50:53.510 --> 00:50:57.510
<v Nikie Forster>days, I tend to do programmes, shorter sessions, over a

808
00:50:57.510 --> 00:51:00.670
<v Nikie Forster>period of week. And so in the past, what I've done is I've sent out

809
00:51:01.389 --> 00:51:04.830
<v Nikie Forster>a workshop pack where I've actually had some form of

810
00:51:04.830 --> 00:51:08.750
<v Nikie Forster>activity that I want them to do, but I've put it in almost like a

811
00:51:08.750 --> 00:51:12.390
<v Nikie Forster>party bag, like a little paper bag that I've sealed down with a snicker on

812
00:51:12.390 --> 00:51:16.090
<v Nikie Forster>it. This is Workshop one. So everybody, you know, we're all online, right?

813
00:51:16.090 --> 00:51:19.930
<v Nikie Forster>Everybody get your, your, your pack, your little parcel for Workshop one.

814
00:51:20.010 --> 00:51:23.770
<v Nikie Forster>And so Again, dopamine. We're all open. What is this? You know,

815
00:51:23.930 --> 00:51:27.810
<v Nikie Forster>opening it up and there's something in there, you know, that

816
00:51:27.810 --> 00:51:31.690
<v Nikie Forster>it may be a deck of cards. It may. And so, you know, they're going

817
00:51:31.690 --> 00:51:34.730
<v Nikie Forster>through those. Or it may be a bit of Lego that they have to build.

818
00:51:34.730 --> 00:51:38.690
<v Nikie Forster>It could be anything. But again, it allows it

819
00:51:38.690 --> 00:51:42.330
<v Nikie Forster>to be more than just. We're just

820
00:51:42.490 --> 00:51:46.210
<v Nikie Forster>on the camera and the microphone and talking and I want to go off and

821
00:51:46.210 --> 00:51:50.170
<v Nikie Forster>get a cup of tea or I'm just distracted by the dog or something. It's

822
00:51:50.410 --> 00:51:54.370
<v Nikie Forster>getting them physically involved, but also the excitement of, oh, I've got these

823
00:51:54.370 --> 00:51:58.250
<v Nikie Forster>little presents that I'm going to open up on each. Each session. So that's

824
00:51:58.250 --> 00:52:01.130
<v Nikie Forster>how I tend to play it if I'm doing online stuff.

825
00:52:02.010 --> 00:52:04.810
<v Joanne Lockwood>I think that's what impressed me about the session that you ran, that I was

826
00:52:04.810 --> 00:52:08.510
<v Joanne Lockwood>a part of, is the amount of forethought and prep and stuff.

827
00:52:08.580 --> 00:52:12.420
<v Joanne Lockwood>Stuff that was. It wasn't just you stood up with a side deck and talked.

828
00:52:12.420 --> 00:52:16.180
<v Joanne Lockwood>There was clearly so much depth there of the

829
00:52:16.180 --> 00:52:19.780
<v Joanne Lockwood>materials you produce. As I always said that these are custom

830
00:52:20.020 --> 00:52:23.940
<v Joanne Lockwood>stuff. You've designed these, pull these together. And that's not cheap to pull

831
00:52:23.940 --> 00:52:27.740
<v Joanne Lockwood>together either, is it? You must have invested quite reasonably in the. In

832
00:52:27.740 --> 00:52:31.500
<v Joanne Lockwood>the card, decks of card, the Lego. You give away, the mats and stuff. You

833
00:52:31.500 --> 00:52:35.140
<v Joanne Lockwood>must have. Yeah. I mean, you know, a lot of money. Some of this.

834
00:52:35.730 --> 00:52:39.610
<v Nikie Forster>So, sorry, talking over the top of you. Some of this stuff I've designed specifically

835
00:52:39.610 --> 00:52:42.690
<v Nikie Forster>for me to use, but some of it I design and then sell to other

836
00:52:42.690 --> 00:52:46.570
<v Nikie Forster>trainers as well. So it has like an ongoing effect. But

837
00:52:46.570 --> 00:52:50.450
<v Nikie Forster>the Lego, I think it's not that expensive at the end of the day.

838
00:52:50.450 --> 00:52:53.890
<v Nikie Forster>And for the value that it gives in terms of the experience,

839
00:52:54.690 --> 00:52:58.290
<v Nikie Forster>well, minifigures. Two pound fifty or thereabouts, isn't it? So one minifigure.

840
00:52:58.610 --> 00:53:02.290
<v Nikie Forster>Not if you buy Pre Loved minifigures. Pre loved. Okay. Off ebay.

841
00:53:02.690 --> 00:53:06.690
<v Joanne Lockwood>Yeah. Yeah, I'm all for recycling and upcycling and that kind of stuff.

842
00:53:07.390 --> 00:53:11.150
<v Nikie Forster>Good old ebay gets quite a lot of my business. Yeah. And I get all

843
00:53:11.150 --> 00:53:14.190
<v Nikie Forster>sorts and you can. You can get all sorts on there and just give them

844
00:53:14.190 --> 00:53:17.870
<v Nikie Forster>a little bit of a wash and stuff and they're. They're perfectly good for

845
00:53:17.870 --> 00:53:21.870
<v Nikie Forster>reusing. Stick them in the dishwasher in a bag or something. Yeah, well, yes.

846
00:53:22.110 --> 00:53:25.950
<v Nikie Forster>Yeah, that's a good one to do. But, yeah, I think

847
00:53:25.950 --> 00:53:29.830
<v Nikie Forster>it doesn't matter whether it's half an hour or, you know, as

848
00:53:29.830 --> 00:53:33.670
<v Nikie Forster>the six part programme. I think the same effort should be

849
00:53:33.670 --> 00:53:36.630
<v Nikie Forster>put into that experience for both of those.

850
00:53:38.140 --> 00:53:41.372
<v Joanne Lockwood>I do that. I produce lemonade cards, A6,

851
00:53:41.628 --> 00:53:45.540
<v Joanne Lockwood>A5A. Well, look, tiny ones. I have props, I have

852
00:53:45.540 --> 00:53:49.300
<v Joanne Lockwood>lots of videos which I've curated over the years and little games I do. So

853
00:53:49.300 --> 00:53:53.260
<v Joanne Lockwood>yeah, it's. I even turn up with a, a crate of, full of Fidget

854
00:53:53.260 --> 00:53:57.140
<v Joanne Lockwood>toys and baskets. I always provide pens and

855
00:53:57.140 --> 00:54:00.540
<v Joanne Lockwood>pen holders. I've got sweets, I've got gluten free,

856
00:54:00.940 --> 00:54:04.910
<v Joanne Lockwood>vegan compatible sweets which I give out this

857
00:54:04.910 --> 00:54:08.150
<v Joanne Lockwood>coffee biscuit. So I turn up and I spent 15 minutes to get the room

858
00:54:08.150 --> 00:54:12.110
<v Joanne Lockwood>ready and then when people walk in they go, wow. It's like, oh

859
00:54:12.110 --> 00:54:14.790
<v Joanne Lockwood>yeah, you can see the meat and the sweets in the biscuits. You think, yeah,

860
00:54:14.790 --> 00:54:18.350
<v Joanne Lockwood>this is kind of. People are eating, they're enjoying, they're settled down,

861
00:54:18.670 --> 00:54:21.710
<v Joanne Lockwood>they sit there with the Fidget toys. Yeah, help yourself with the Fidget toys.

862
00:54:22.030 --> 00:54:25.790
<v Nikie Forster>Absolutely. And it tells people, as soon as they walk into the room,

863
00:54:25.870 --> 00:54:29.730
<v Nikie Forster>it tells them that they've been thought about. You

864
00:54:29.730 --> 00:54:33.610
<v Nikie Forster>mentioned about the gluten free and the vegan aspect of things. The amount of

865
00:54:33.610 --> 00:54:37.330
<v Nikie Forster>time I've turned up to a hotel to run

866
00:54:37.970 --> 00:54:41.610
<v Nikie Forster>a workshop and they've got the biscuits out and you say, okay, where are the

867
00:54:41.610 --> 00:54:44.650
<v Nikie Forster>gluten free ones? Where are the dairy free ones? Oh no, we don't have any

868
00:54:44.650 --> 00:54:47.810
<v Nikie Forster>of those. Good job. I bought some then, you know, because it's.

869
00:54:48.690 --> 00:54:52.090
<v Nikie Forster>My husband is gluten free and dairy free so I know that every time he

870
00:54:52.090 --> 00:54:55.940
<v Nikie Forster>goes to it, there's never anything for him. And lunch is always

871
00:54:55.940 --> 00:54:59.740
<v Nikie Forster>just a salad. Yeah. And. And it is kind of like, well, that's not the

872
00:54:59.740 --> 00:55:03.540
<v Nikie Forster>same experience. So it's, it's the small things that I think really

873
00:55:03.540 --> 00:55:07.540
<v Nikie Forster>do make the biggest difference for people. A number of times I've turned up for

874
00:55:07.540 --> 00:55:10.820
<v Joanne Lockwood>lunchtime buffets and things. You see all of this stuff and then at the end

875
00:55:11.140 --> 00:55:14.540
<v Joanne Lockwood>there's this one plate with a bit of cling film over it that's got vegan

876
00:55:14.540 --> 00:55:18.540
<v Joanne Lockwood>or dairy free or anything really. We've got all this lovely colour

877
00:55:18.540 --> 00:55:22.310
<v Joanne Lockwood>and appetising food here and we've got this, this plate of mush at the end

878
00:55:22.310 --> 00:55:26.310
<v Joanne Lockwood>which is like. And I just think it's so sad. My reaction would be

879
00:55:26.630 --> 00:55:30.590
<v Joanne Lockwood>start that everyone has vegan or everyone has gluten free or whatever and

880
00:55:30.590 --> 00:55:33.870
<v Joanne Lockwood>then have your meat pile that you can add to it or something. So if

881
00:55:33.870 --> 00:55:36.750
<v Joanne Lockwood>you make it all special for everybody and then, then you can add the meat

882
00:55:36.750 --> 00:55:40.350
<v Joanne Lockwood>or you can add the gluten and people should Engineer it in

883
00:55:40.350 --> 00:55:44.150
<v Joanne Lockwood>reverse. Yes. Include something for this for everybody

884
00:55:44.310 --> 00:55:48.240
<v Joanne Lockwood>that you can then upgrade if you need to too. Absolutely. And have

885
00:55:48.240 --> 00:55:51.960
<v Joanne Lockwood>gluten free upgrades as well. Yeah, absolutely. Yummy and exciting. Yeah, yeah, it's.

886
00:55:52.200 --> 00:55:56.120
<v Joanne Lockwood>That's conscious inclusion for you though, isn't it? We know about that. Yeah.

887
00:55:56.360 --> 00:56:00.160
<v Nikie Forster>Is, is. I think that's when you find out whether whether a company

888
00:56:00.160 --> 00:56:04.120
<v Nikie Forster>is driven by profit or not. Because gluten

889
00:56:04.120 --> 00:56:08.080
<v Nikie Forster>free, dairy free quite often is more expensive but when

890
00:56:08.080 --> 00:56:11.840
<v Nikie Forster>you think about it, natural foods tend to be

891
00:56:11.840 --> 00:56:14.680
<v Nikie Forster>gluten free. You know, it's. Yeah, I think it's just about

892
00:56:16.270 --> 00:56:20.150
<v Nikie Forster>making the experience good for everybody. Yeah, it is. And

893
00:56:20.150 --> 00:56:23.990
<v Joanne Lockwood>that's where we started. We talk about person centric. You know, you can't have one

894
00:56:23.990 --> 00:56:27.310
<v Joanne Lockwood>size fits all because do you want to be the person that's not thought about?

895
00:56:27.310 --> 00:56:30.270
<v Joanne Lockwood>You're going to switch off, you're going to be disruptive, you're going to be unattentive,

896
00:56:30.510 --> 00:56:33.790
<v Joanne Lockwood>you're going to be fidgety and that vibe will spread around the room as well.

897
00:56:33.950 --> 00:56:37.910
<v Nikie Forster>Yeah, it will. It gets picked up very quickly. Nikki, it's been absolutely fascinating.

898
00:56:37.910 --> 00:56:40.670
<v Joanne Lockwood>I love talking to you and I can't wait to meet for a coffee sometime.

899
00:56:40.670 --> 00:56:44.550
<v Joanne Lockwood>I'm sure we'll get to each other some somewhere. Yes. How can

900
00:56:44.550 --> 00:56:48.350
<v Joanne Lockwood>people get hold of you? So the best way is via my website,

901
00:56:48.590 --> 00:56:52.470
<v Nikie Forster>which is curiouslighthouse.co.uk Everything is.

902
00:56:52.470 --> 00:56:56.390
<v Nikie Forster>Is on there from the management development stuff to the Lego series play workshops.

903
00:56:56.390 --> 00:57:00.390
<v Nikie Forster>But LinkedIn is also where I hang out as well and if they're looking for

904
00:57:00.390 --> 00:57:04.030
<v Nikie Forster>me, it's Nikie, which is spelled N I K I E just to be different.

905
00:57:04.110 --> 00:57:07.950
<v Nikie Forster>Forster, F O R S T E R. So yeah, LinkedIn or my

906
00:57:07.950 --> 00:57:11.920
<v Nikie Forster>website are the two best places to get hold of me. Fabulous. And

907
00:57:11.920 --> 00:57:15.520
<v Joanne Lockwood>you talked earlier about having aspirations to be on the radio and you probably

908
00:57:15.520 --> 00:57:19.440
<v Joanne Lockwood>weren't radio friendly enough. And I was thinking as I was talking just then

909
00:57:19.760 --> 00:57:23.520
<v Joanne Lockwood>that bum sniffing wasn't a phrase I was expecting to say today.

910
00:57:23.920 --> 00:57:27.720
<v Joanne Lockwood>It probably isn't a phrase you could broadcast on breakfast

911
00:57:27.720 --> 00:57:31.600
<v Joanne Lockwood>radio or something. So. Yeah, I'm with you. My brain

912
00:57:32.560 --> 00:57:36.030
<v Joanne Lockwood>slots things into my mouth that I don't necessarily filter sometimes.

913
00:57:37.940 --> 00:57:41.460
<v Nikie Forster>It's a good job that we've got this as a, as a way of being

914
00:57:41.460 --> 00:57:45.420
<v Nikie Forster>able to voice ourselves without those rules. And that's right. We can broadcast our

915
00:57:45.420 --> 00:57:49.020
<v Joanne Lockwood>own radio. Indeed. Thank you so much. It's been absolutely

916
00:57:49.020 --> 00:57:52.900
<v Joanne Lockwood>wonderful. Thank you. I've thoroughly enjoyed it. Thank you for having me on, Joe.

917
00:57:54.420 --> 00:57:58.260
<v Joanne Lockwood>As we bring this conversation to a close. I want to express

918
00:57:58.260 --> 00:58:02.070
<v Joanne Lockwood>my deepest gratitude to you, our listener, for lending

919
00:58:02.300 --> 00:58:05.740
<v Joanne Lockwood>your ear and heart to the cause of inclusion.

920
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<v Joanne Lockwood>Today's discussion struck a chord. Consider subscribing to

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<v Joanne Lockwood>Inclusion Bites and become part of our ever growing community

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<v Joanne Lockwood>driving real change. Share this journey with friends, family and

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<v Joanne Lockwood>colleagues. Let's amplify the voices that matter.

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<v Joanne Lockwood>Got thoughts, storeys or a vision to share? I'm all

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<v Joanne Lockwood>ears. Reach out to

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<v Joanne Lockwood>joe.lockwood@seachangehappen.co.uk

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<v Joanne Lockwood>and let's make your voice heard. Until next time, this

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<v Joanne Lockwood>is Joanne Lockwood signing off with a promise to return with

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<v Joanne Lockwood>more enriching narratives that challenge, inspire and

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<v Joanne Lockwood>unite us all. Here's to fostering a more inclusive world one

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<v Joanne Lockwood>episode at a time. Catch you on the next bite.