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<v Joanne Lockwood>Welcome to Inclusion Bites, your sanctuary for bold

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<v Joanne Lockwood>conversations that spark change. I'm Joanne Lockwood, your

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<v Joanne Lockwood>guide on this journey of exploration into the heart of inclusion,

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<v Joanne Lockwood>belonging and societal

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<v Joanne Lockwood>transformation. Ever wondered what it truly takes to create a

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<v Joanne Lockwood>world? Remember, everyone not only belongs, but

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<v Joanne Lockwood>thrives. You're not alone. Join me as we uncover the unseen,

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<v Joanne Lockwood>challenge the status quo and share stories that resonate deep

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<v Joanne Lockwood>within. Ready to dive in? Whether you're sipping your morning

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<v Joanne Lockwood>coffee or winding down after a long day, let's connect, reflect

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<v Joanne Lockwood>and inspire action together. Don't forget, you can be part of the

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<v Joanne Lockwood>conversation too. Reach out to

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<v Joanne Lockwood>jo.lockwood@seechangehappen.co.uk to share your insights or

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<v Joanne Lockwood>to join me on the show. So adjust your earbuds and settle

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<v Joanne Lockwood>in. It's time to ignite the spark of inclusion with Inclusion

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<v Joanne Lockwood>Bites. And today

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<v Joanne Lockwood>is episode 225 with the title Clarity

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<v Joanne Lockwood>Within Complexity. And I have the absolute honour and privilege to welcome Simon

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<v Joanne Lockwood>Mont. Simon is a lawyer, strategist, facilitator,

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<v Joanne Lockwood>mystic and problem solver who helps mission driven organisations

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<v Joanne Lockwood>align their values, vision and impact whilst creating environments where people

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<v Joanne Lockwood>can thrive and contribute meaningfully. When I asked Simon to describe his superpower, he said

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<v Joanne Lockwood>that it is his ability to hold complexity and clarity at the same

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<v Joanne Lockwood>time. Hello, Simon, welcome to the

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<v Joanne Lockwood>show.

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<v Simon Mont>Hi Joanne, thanks so much for having me.

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<v Joanne Lockwood>Where that's in the world Are you Simon?

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<v Simon Mont>I'm in the mountains above Santa Fe, New Mexico, in the United

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<v Simon Mont>States.

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<v Joanne Lockwood>That's beautiful. Lovely weather at the moment. Is it getting warmer?

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<v Simon Mont>Yes, actually. Incredible weather the past couple days.

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<v Joanne Lockwood>And for those of you listening, you can't see this, but I can see behind Simon is at least two or

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<v Joanne Lockwood>three saxophones hanging on the wall. So you're into jazz or just

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<v Joanne Lockwood>collect?

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<v Simon Mont>No, I grew up playing saxophone. Jazz and funk mostly, and

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<v Simon Mont>blues. So I grew. Yeah, I grew up, grew up playing

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<v Simon Mont>them. Got a degree in it when, when I went to

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<v Simon Mont>college. I don't play as much as I used to, but I've kind of transitioned more to string

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<v Simon Mont>instruments because you can just pick them up off the ground and strum them for a couple

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<v Simon Mont>minutes.

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<v Joanne Lockwood>It was always one of my lifelong ambitions was to play the

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<v Joanne Lockwood>sax. Our son, he had lessons when he was, when he was a child, so we got him an alto sax

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<v Joanne Lockwood>and we've still got it somewhere. And I always wished that I could

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<v Joanne Lockwood>just. I'm talking about going to a party and someone has a sax on their

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<v Joanne Lockwood>wall. You walk up to it, grab it and you just peel

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<v Joanne Lockwood>off. Baker street in the corner and just. And just hang it back up and

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<v Joanne Lockwood>go. That's it. Yeah, just that one song or

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<v Joanne Lockwood>something. Just feel. pour something out of sax.

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<v Simon Mont>Why saxophone for you?

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<v Joanne Lockwood>I think it's. I don't know, it's just that kind of. It's an

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<v Joanne Lockwood>iconic instrument, isn't it? It's got that sort of vibe about it, that sort

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<v Joanne Lockwood>of. I don't know. Trumpet is a bit too shouty, and I think saxophone is

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<v Joanne Lockwood>really subtle and sound that comes out of it. I think that's what it

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<v Joanne Lockwood>is. It just drew me into that kind of. It's a friendlier

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<v Joanne Lockwood>sound.

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<v Simon Mont>I think it's got quite a mythology around it,

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<v Simon Mont>too.

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<v Joanne Lockwood>There's a.

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<v Simon Mont>There's a great book about, like, a biography of the saxophone called the Devil's Horn, which is really

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<v Simon Mont>fun. Well, and yeah, the. The person who created it

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<v Simon Mont>was. He had the factory bombed a couple times because he was such a threat to the

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<v Simon Mont>kind of rigid military band establishment as he was creating a instrument to attempt

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<v Simon Mont>to replace it. And then it kind of carried over this mythos to the United States, where it

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<v Simon Mont>began to represent kind of like an erotic soul that then kind of got

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<v Simon Mont>picked up in jazz also. Often people attribute it to it

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<v Simon Mont>because it's a. The reed instrument really mimics the human voice a lot and then has a lot of, like,

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<v Simon Mont>breadth and flexibility that the brasses

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<v Simon Mont>didn't. So it was seen as like a.

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<v Simon Mont>Yeah. A threat to rigid, structured. Its establishment

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<v Simon Mont>in. In the music world.

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<v Joanne Lockwood>Is it the only brass that has a read, then? Is that. Is that it's. It's

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<v Joanne Lockwood>unique?

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<v Simon Mont>No, there's a bunch of woodwinds. So, like a clarinet is also a

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<v Simon Mont>woodwind.

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<v Joanne Lockwood>Yeah, but the sax is a brass instrument, whereas the clarinet's wooden or

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<v Joanne Lockwood>plastic these days, isn't it? Yeah.

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<v Simon Mont>So it's made of. It's made of brass.

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<v Joanne Lockwood>But the.

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<v Simon Mont>But the difference between brass and woodwind is actually about the

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<v Simon Mont>mouthpiece. So a brass instrument has a full brass mouthpiece and a woodwind has a

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<v Simon Mont>reed.

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<v Joanne Lockwood>Right. Okay. Okay. That's the difference. Wow. You see?

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<v Simon Mont>There we go.

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<v Joanne Lockwood>This podcast is amazing. We're covering. This is.

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<v Simon Mont>This is what people are coming for when they. When they sign up for

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<v Simon Mont>the. For the Inclusion Bites podcast.

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<v Joanne Lockwood>It is. Yeah. And it's. Well, we like to just do a bit of background on

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<v Joanne Lockwood>our. On the guest as well, rather than just launch into the work, if you

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<v Joanne Lockwood>like. Yeah, I like to get to know people. So one thing I loved

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<v Joanne Lockwood>about. I pulled it out. Your superpower. Whole complexity and

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<v Joanne Lockwood>clarity. At the same time. And you nodded when I, when I said that was what's going to read

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<v Joanne Lockwood>out? What does that mean to you then?

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<v Simon Mont>I think complexity is about understanding that there's so many

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<v Simon Mont>different ways to perceive a situation and perceive

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<v Simon Mont>reality. So many paradigms, so many lenses that we can look through

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<v Simon Mont>that each reveal certain things, certain elements of what's real, certain

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<v Simon Mont>choices, they point us to certain ideas of what is right and wrong, desirable, not

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<v Simon Mont>desirable, because there's a lot going on. And then clarity is the ability

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<v Simon Mont>to kind of maintain focus inside of all of that,

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<v Simon Mont>to discern what we truly ought to be doing

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<v Simon Mont>in a given moment. Just like to make it grounded, for example, like in the world of

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<v Simon Mont>organisational development, DEI and HR and all

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<v Simon Mont>that. There's a lot of situations where if you take

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<v Simon Mont>a conflict, for example, and if you look through it from one perspective through a

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<v Simon Mont>race based lens, you'd be like, oh, I can see how anti blackness is playing out

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<v Simon Mont>here. So you look through the anti blackness lens, you see that, but you move and you look through

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<v Simon Mont>the gender lens and you say, oh, there's something else happening. But then you switch and you look

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<v Simon Mont>through. I'm not going to look through an identity based lens. I'm really going to look at the structural power dynamics and the

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<v Simon Mont>roles and responsibilities. I'm gonna see something else and then, okay, I'm not gonna look through any of

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<v Simon Mont>those. I'm gonna look through a, like a psychological lens, like an internal family systems

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<v Simon Mont>lens. I'm gonna see something else. You can keep seeing all these different lenses, which is great,

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<v Simon Mont>but then at the end of the day there's a conflict of what are we gonna, how are we gonna move inside of it, what

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<v Simon Mont>are we gonna talk about and how do we maintain clarity to not get lost in all those

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<v Simon Mont>possibilities. And some of it's about clarity about which lens to prioritise in a

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<v Simon Mont>moment. Right. Sometimes it, it's really important to prioritise a race based

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<v Simon Mont>lens. And sometimes prioritising a race based lens is actually gonna escalate the conflict and

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<v Simon Mont>dehumanise everyone involved.

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<v Joanne Lockwood>So it's a bit like being at the opticians where they swap the lens out and you're having to look at

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<v Joanne Lockwood>the scenario, evaluate each through each of the

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<v Joanne Lockwood>various lens or no lens, and extrapolate that and then swap in the

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<v Joanne Lockwood>most important layers, lenses to, to achieve

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<v Joanne Lockwood>what you're trying to look for. More than one lens.

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<v Joanne Lockwood>Yeah.

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<v Simon Mont>And being able to discern which one. And the question of like, well, which lens do we use at which

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<v Simon Mont>time always comes back to like, well, what are we really trying to achieve

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<v Simon Mont>here? And being able to stay clear about that.

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<v Joanne Lockwood>Do you think that some people come with a preconceived or a pre baked lens

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<v Joanne Lockwood>scenario and the problem maybe is trying to get people to step back from that

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<v Joanne Lockwood>preconceived idea and look it through other, other

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<v Joanne Lockwood>perspectives?

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<v Simon Mont>Yeah, I think we all have. We're all operating with some lenses that

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<v Simon Mont>we're not even aware of. And I think the more aware of whatever lens we're bringing, the

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<v Simon Mont>more we can ask the question of whether it's appropriate for the given

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<v Simon Mont>moment. If I don't even know what lens I'm looking through, then I can't ask if it's

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<v Simon Mont>appropriate. And I think that, like in the realm of HR and DEI

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<v Simon Mont>type practitioners, I think some of us make an assumption the lenses

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<v Simon Mont>we use are good and appropriate in all

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<v Simon Mont>circumstances. And after, you know, 10 years in the game, I've noticed that actually some of the

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<v Simon Mont>lenses that I thought were going to be appropriate in all circumstances actually, actually weren't and

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<v Simon Mont>were harmful in some of them. Some of the things, some of the lenses that I used to wear all

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<v Simon Mont>the time because I thought that by wearing them I would be a good person or a moral person

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<v Simon Mont>or work toward the world that I wanted to see. I realised that actually I

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<v Simon Mont>cared more about what I looked like while I was wearing the lenses than what the lenses

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<v Simon Mont>actually allowed me to see.

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<v Joanne Lockwood>Most people, I would say most people, all people generally come from a place

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<v Joanne Lockwood>of good. They come from a place where they genuinely believe they're right

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<v Joanne Lockwood>and that their perspective is the most valid. And

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<v Joanne Lockwood>that's. And then when you're engaging, you come with your own perceived idea

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<v Joanne Lockwood>that you're right and your perspective is valid. And it's really hard to try and

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<v Joanne Lockwood>meet those two perspectives that are maybe diametrically opposed or in conflict

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<v Joanne Lockwood>and better see our way through that.

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<v Simon Mont>Yeah, there's a tool that I use a lot in my work called

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<v Simon Mont>polarities. When there's those diametrically opposed perspectives or

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<v Simon Mont>beliefs, and it's just a really basic

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<v Simon Mont>observation. If we enter the game when we've noticed that polarity

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<v Simon Mont>that feels diametrically opposed, if we enter that conversation with an

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<v Simon Mont>assumption that each of our perspectives carries a gift and a risk,

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<v Simon Mont>there's something beautiful in what you're saying. And there's something that if we over

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<v Simon Mont>fixate and only use yours, a risk we're exposed to, and that's the same with

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<v Simon Mont>mine. And then the game Becomes okay, how can we unearth the gifts and

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<v Simon Mont>risks of both of our perspectives in order to create something new

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<v Simon Mont>that harnesses as much of the gifts and as little of the risks as

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<v Simon Mont>possible? And then the way like that becomes really tricky is that

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<v Simon Mont>as we're doing that we're also liable to judge each other

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<v Simon Mont>for the perspective. It's one thing for me to say I disagree with you and there's a risk in your

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<v Simon Mont>perspective. Then there's a judgement that's like, and you're a bad person because you are holding that

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<v Simon Mont>perspective. And then when we get in those judgments then we like escalate and it's

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<v Simon Mont>nonsense. And then there's also underlying power dynamics that are based on all the

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<v Simon Mont>different things from identities to structures to roles, whatever it

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<v Simon Mont>is. So if we enter and you have significantly more power

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<v Simon Mont>than I do, then and we don't negotiate that well, your

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<v Simon Mont>perspective is going to dominate. We're going to get the gifts and the risks of your

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<v Simon Mont>perspective. We're not going to get very many of the gifts of my perspective and we're not

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<v Simon Mont>actually going to be able to play this human creation game as well as we could

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<v Simon Mont>have.

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<v Joanne Lockwood>One thing I've noticed recently is quite a few people accuse people with other views

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<v Joanne Lockwood>of holding the power. This whole semi global

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<v Joanne Lockwood>anti wokeness that's occurred, it's because people who were seen as woke,

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<v Joanne Lockwood>marginalised suddenly have more power than the majority. And of course those

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<v Joanne Lockwood>who are feeling marginalised and the woke people are looking back and going, hang on a minute, I haven't got

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<v Joanne Lockwood>power, I'm being oppressed, I'm trying to fight for my

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<v Joanne Lockwood>existence. And so there's often mismatch between who has the power and

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<v Joanne Lockwood>who perceives who has the power. And people are feeling threatened because they see it as a zero sum

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<v Joanne Lockwood>game. If you have it, I can't.

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<v Simon Mont>Yeah, power is very odd and complex and most of us have very oversimplified

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<v Simon Mont>understandings of how it operates because we have to understand like how it

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<v Simon Mont>operates. My internal experience of how it operates and how I believe it then

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<v Simon Mont>actually like interpersonally, how we actually are exerting power and then

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<v Simon Mont>organizationally and systemically. But I think that one of the things that has

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<v Simon Mont>a lot of power in a lot of different areas is the ability to cast oneself as a

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<v Simon Mont>victim, cast someone else as a threat or an oppressor and then behave as if your

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<v Simon Mont>actions toward your presumed oppressor are thereby

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<v Simon Mont>justified. It happens everywhere the mo like in most situations, if I can

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<v Simon Mont>convince all the People around me or enough people around me that I'm the one

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<v Simon Mont>that's the victim, then I can kind of do whatever I want and nobody's really

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<v Simon Mont>gonna. Nobody's really gonna check me. And you can see that,

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<v Simon Mont>right? The anti wokeness is a. And American, you know, kind of

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<v Simon Mont>Trumpism. And MAGA is absolutely a victim

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<v Simon Mont>narrative. Their whole idea is we are at

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<v Simon Mont>threat. Those people over there are taking power, those people over there are

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<v Simon Mont>getting something out of us, therefore we ought to attack or do

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<v Simon Mont>something. And actually like, really interesting on an organisational

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<v Simon Mont>level. You know, I work, most of my work is in kind of American leftist social

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<v Simon Mont>justice kind of spaces. We actually do the same thing in our organ in those

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<v Simon Mont>organisations, right. You have somebody who says, I'm being treated

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<v Simon Mont>inequitably, I'm being treated unjustly, that boss has too much power over,

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<v Simon Mont>over me. If they can then get people to buy into that narrative, oftentimes they

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<v Simon Mont>can do a lot of things. Sometimes it's really accurate and sometimes they

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<v Simon Mont>become really disruptive and sometimes aggressive and sometimes

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<v Simon Mont>problematic and violent themselves because they believe that they are the

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<v Simon Mont>victim. So this idea of like the difference between this victim mindset

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<v Simon Mont>wielded for power and like true victimisation is something that it's really

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<v Simon Mont>hard to tease apart.

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<v Joanne Lockwood>Yeah, I see more of it where people who hold the views

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<v Joanne Lockwood>you were talking about, the MAGA and the. Those sort of views really truly believe that

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<v Joanne Lockwood>they are the victims. We see it, the rise of the manosphere, the rise of

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<v Joanne Lockwood>toxic masculinity. Women are oppressing men. We're seeing a lot of that in young

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<v Joanne Lockwood>boys now, probably in the US as well as the uk. And it's this belief that

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<v Joanne Lockwood>people are losing power or losing someone else that holds control over

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<v Joanne Lockwood>them.

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<v Simon Mont>Yeah, yeah, I think the, That's a. You know, my read of all of that is that like,

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<v Simon Mont>if you go into like the polarity idea, right, If I interact with that and say,

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<v Simon Mont>okay, there's something real that they're saying, there's some gift here

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<v Simon Mont>that they're trying to bring and there's some risk,

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<v Simon Mont>okay. At the same time, if I take the pause and say, all right, I'm not gonna

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<v Simon Mont>judge them, I'm not gonna just be like those wackadoodles, those evil

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<v Simon Mont>people, even though I'm aware of the risk. Because if I, if I don't check that

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<v Simon Mont>manosphere belief structure, right, what we're actually advocating for is

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<v Simon Mont>like a really violent form of patriarchy that's terrible to queer and Trans

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<v Simon Mont>people, terrible to women, ends up controlling bodies and actually then

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<v Simon Mont>becomes terrible to the males and the men as well as their identities become

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<v Simon Mont>collapsed into these kind of shells of

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<v Simon Mont>themselves. And then it also gives them an excuse to, to kind of treat earth

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<v Simon Mont>and not earth itself and non human inhabitants as objects for their own

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<v Simon Mont>desires. In the same way. It's. It's kind of gross,

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<v Simon Mont>actually. The gross. You heard me. That's the judgement,

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<v Simon Mont>right? What I was before was, okay, those are the risks of that

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<v Simon Mont>thing. But then I went gross and like, okay, there, that's more of the

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<v Simon Mont>judgement. But there's a gift. They're actually, I think they're actually

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<v Simon Mont>really trying to point us to, which is like first in the United States, the

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<v Simon Mont>sense of, right, the sense of loss that they're experiencing, I think is very

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<v Simon Mont>real, right? There was a. There's a whole generation of people who are

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<v Simon Mont>growing up essentially like rooted, what is the

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<v Simon Mont>word? Rootless, right? They don't have a place to ground their sense of

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<v Simon Mont>self. They don't have their place to ground their sense of

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<v Simon Mont>identity. It's being attacked, it's being undercut from all sides,

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<v Simon Mont>right? So because you have a kind of capitalist patriarchal narrative that

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<v Simon Mont>says you're not worth anything unless you have high status, high money,

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<v Simon Mont>sexually engaged with a high status female,

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<v Simon Mont>right? All of these things, but then makes all of those incredibly scarce and

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<v Simon Mont>incredibly hard to access, especially though like money and status,

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<v Simon Mont>right? So they're like, okay, what is my

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<v Simon Mont>worth? What am I doing? And then they go to the left and you know, to the

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<v Simon Mont>political left. And as a white guy who has spent, you know, more than a decade

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<v Simon Mont>in leftist spaces, especially years ago, it was

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<v Simon Mont>hard. A lot of side eye, right? A lot of scepticism, a lot of having to swallow

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<v Simon Mont>other people's projections. And then the left built this idea of what a good

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<v Simon Mont>man is. And the good man is actually very quiet, always in a support role,

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<v Simon Mont>always listening, always. And then, and then the left like really went far

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<v Simon Mont>into a very kind of like old school original sin narrative, which was like, if

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<v Simon Mont>you're, if you're a white, if you're a guy, if you're straight, you are born

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<v Simon Mont>into your role as a problem because of these

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<v Simon Mont>structures. And because of that, what we expect of you is to kind of

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<v Simon Mont>constantly apologise and make yourself small and believe that you are

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<v Simon Mont>inherently sinning by virtue of your embodied

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<v Simon Mont>existence. It was very. And then, okay, like you go over there as a guy, it's

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<v Simon Mont>not really easy to find belonging it's not really easy

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<v Simon Mont>to. To find it. And. And then in that vacuum,

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<v Simon Mont>right? Then people come and they say, okay, men and boys, you're lost, you're

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<v Simon Mont>hurting, you feel abandoned, you feel at risk, you feel

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<v Simon Mont>scared. All those feelings incredibly real. And now we get a narrative that

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<v Simon Mont>then takes that and moves that into

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<v Simon Mont>something. I think there's a lot of risks with the narrative, but I think if

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<v Simon Mont>you look underneath it, I think what you see is like this big vacuum and pain

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<v Simon Mont>that some of us who are trying to create a world based on more like, you know,

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<v Simon Mont>liberatory, feminist type principles, we left that vacuum there in some

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<v Simon Mont>ways, in the way that we organised ourselves. We didn't strategize toward it

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<v Simon Mont>as much as.

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<v Joanne Lockwood>Yeah, no, I think the other thing is that we are in a world now where

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<v Joanne Lockwood>influencers can monetize their influence and people

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<v Joanne Lockwood>follow them. And so we look at TikTok, YouTube, whatever platform you're using,

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<v Joanne Lockwood>people sell a brand and they sell a

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<v Joanne Lockwood>perspective. And if you're feeling disenfranchised in any way from,

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<v Joanne Lockwood>as you say, maybe these ideals, who are what a man should

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<v Joanne Lockwood>be. And you. Hang on, hang on a minute. That doesn't sound like me, but this person

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<v Joanne Lockwood>does. And you can very easily get sucked into that world, can't

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<v Joanne Lockwood>you?

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<v Simon Mont>Yeah, and it doesn't. And there's this, like, really deep, I think, internal

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<v Simon Mont>attunement and discernment that we have to

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<v Simon Mont>have. I'll just say, like, as a straight white guy, because

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<v Simon Mont>every. Every thought that I've ever heard somebody on the manosphere

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<v Simon Mont>articulate is a thought that I have had in my own mind,

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<v Simon Mont>right? Everyone, Right, the. About what

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<v Simon Mont>it. What it means to be a man and how I ought to be and what I'm entitled to and how people

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<v Simon Mont>should treat me. All of those thoughts are things that have run through my

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<v Simon Mont>head. So I have to be in a practise of discerning what is

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<v Simon Mont>really, really true for me and who do I really want to be

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<v Simon Mont>otherwise? Somebody outside. I think it's a lot of what's happening,

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<v Simon Mont>right? Somebody outside of me who says a thought out loud that

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<v Simon Mont>I have had inside but I have thought is a bad or shameful

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<v Simon Mont>thought. They've now just given me permission to identify with the

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<v Simon Mont>thought. So then what we have is this very interesting thing, right? I'm sitting here having thoughts, and that group of

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<v Simon Mont>people over there on the left is telling me I'm bad for having the

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<v Simon Mont>thoughts. And that group of people over there is telling me I'm normal and I'm good for having the

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<v Simon Mont>thoughts. And unless I have like an incredible level of moral clarity, what am I going to

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<v Simon Mont>do? I'm going to say, forget you guys, I'm going to accept

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<v Simon Mont>myself. They're telling me it's okay. I'm going over there, I'm going to find belonging, I'm going to find

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<v Simon Mont>place, I'm going to find meaning, I'm going to find purpose over

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<v Simon Mont>there. If I go over there, I'm going to find exclusion and side eye and

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<v Simon Mont>scepticism. It's actually like a challenging thing to navigate and I think it's

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<v Simon Mont>cool because there are people who are very aware of this and they're trying to build that space

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<v Simon Mont>that's both kind of morally clear and also centred

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<v Simon Mont>on creating like a belonging for people to navigate this in a better

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<v Simon Mont>way.

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<v Joanne Lockwood>Yeah. That sense of belonging you talked about, it's. It's a bit like osmosis, isn't

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<v Joanne Lockwood>it? You're always going to go to the migrate to the point of less salinity if you like, and try and even it

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<v Joanne Lockwood>out. So you're going to always permeate across to what resonates where you feel most

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<v Joanne Lockwood>comfortable, where you can be yourself, your thoughts

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<v Joanne Lockwood>align. If you're having to fit yourself into the other perspective, you're always going to feel uncomfortable, always

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<v Joanne Lockwood>going to feel threatened, always going to feel you're masking and

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<v Joanne Lockwood>covering. If you're going that way, feeling free this

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<v Joanne Lockwood>way. So, yeah, our affinity group builds amongst that as

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<v Joanne Lockwood>well. Yeah.

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<v Simon Mont>And I think it's also like, what part of the self is that space

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<v Simon Mont>resonating with? Because parts of me are really comfortable in some

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<v Simon Mont>spaces. Like I've never been in a space where I'm like, okay, every

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<v Simon Mont>single part of me feels really comfortable and really welcome

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<v Simon Mont>here. Some spaces I bring out something, some spaces I bring out another

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<v Simon Mont>thing. And I think we all have different parts and different needs that we're

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<v Simon Mont>navigating and those are drawing us around and it's

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<v Simon Mont>really. Yeah, it's really fascinating. And I think that people then go to a place where some

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<v Simon Mont>part of them that feels like has not had a place suddenly feels like it has

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<v Simon Mont>a place. And then they can often fully identify with that and they're like, okay, this is me, this is the

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<v Simon Mont>real me. And then interestingly enough, they'll then start absorbing all of the other norms in

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<v Simon Mont>that where that part of them feels belonging and then get

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<v Simon Mont>confused. That's actually one of the things that happened to me years ago when I really, like, was moving into

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<v Simon Mont>queer community. There's a time where I was wearing a dress, wearing high

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<v Simon Mont>heels. That's how I was being in the world. And part of parts of me when I did that felt

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<v Simon Mont>super reflected and super cared for and super seen in a way that they

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<v Simon Mont>hadn't. And then I was in a very particular community, a very particular geography, and I

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<v Simon Mont>noticed what I was doing was all of a sudden I was scared of being excluded from that

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<v Simon Mont>community. So I would just say all the things that would let me stay and I wouldn't challenge any of the norms

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<v Simon Mont>there. I wouldn't. There were parts of myself I wouldn't bring in the same way in any

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<v Simon Mont>community. And then I kind of

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<v Simon Mont>kept. So that's one of the reasons why I keep moving around through so many different

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<v Simon Mont>places. It's fascinating.

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<v Joanne Lockwood>Yeah, I hear you. I mean, certainly the community, the queer community, the part of it

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<v Joanne Lockwood>I. You could. You could argue I'm aligned

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<v Joanne Lockwood>to. Has its own rule set, has its own mantras, has its own, you know, dare

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<v Joanne Lockwood>say ideology that people talk about. And sometimes you have to sort of step back and go, hang on a minute,

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<v Joanne Lockwood>I'm not drinking that Kool Aid. This is not. That's. That's not. That's not me, that's

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<v Joanne Lockwood>you. And I actually have a different view on this than you do. And you're

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<v Joanne Lockwood>right. If you're not careful, you get ostracised or shunned out of that community into this

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<v Joanne Lockwood>no man's land where you're not. You don't fit anywhere. And so you're desperate to hang onto

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<v Joanne Lockwood>it. So you believe what people believe. I think it takes a brave person to be able to go,

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<v Joanne Lockwood>actually, I'm not buying all of that.

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<v Joanne Lockwood>Yeah.

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<v Simon Mont>And I think some of what we're talking right now is about the relationship between power and

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<v Simon Mont>belonging. Because we all need belonging so deeply,

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<v Simon Mont>right? There's psychological, emotional needs and there's still the very real material and

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<v Simon Mont>physical needs for folks. And it's coming from an embodied history of, like, if you were

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<v Simon Mont>excluded from the tribe and you had to feed yourself, that was it,

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<v Simon Mont>Right? So we need this belonging. And then it means that whoever, whatever

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<v Simon Mont>ideology or structure then brokers that belonging has a

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<v Simon Mont>tremendous amount of power over us. And that's, I think, one of

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<v Simon Mont>the reasons why some of navigating some, like, complex and nuanced DEI

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<v Simon Mont>stuff in organisations can be really, really

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<v Simon Mont>tender. Because if, like, I've seen a number, like in one

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<v Simon Mont>number of groups, I'll think of one in Particular like there was a whole bunch of staff

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<v Simon Mont>who were saying that, you know, there's a toxic power structure and it's a white supremacist power structure and kind of bringing

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<v Simon Mont>that analysis. And then the leader of this, the kind of director of this organisation

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<v Simon Mont>is a woman of colour who had a good analysis, was like, I actually don't think that is

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<v Simon Mont>really the best way to understand this. It creates this moment for that leader

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<v Simon Mont>where it's like, oh, to push back and say, no,

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<v Simon Mont>that's not the way we're gonna understand this in this

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<v Simon Mont>circumstance. Daf, you're actually using that narrative to

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<v Simon Mont>exercise power against me that you're not being accountable

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<v Simon Mont>for. For that person to do that is this

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<v Simon Mont>deep challenge because they're gonna, they're gonna feel

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<v Simon Mont>a belonging threat. They might even get fired over it. If they can convince the board that this

381
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<v Simon Mont>person is white supremacist, at the very least they're going to feel a severing of

382
00:25:43.790 --> 00:25:48.390
<v Simon Mont>relationships and a stark question to their soul of like, hang on, am I actually

383
00:25:48.950 --> 00:25:52.790
<v Simon Mont>doing this bad thing? It's way easier psychologically to just go along

384
00:25:52.790 --> 00:25:55.990
<v Simon Mont>with. Yeah, you're right, it is white supremacist. It's actually way

385
00:25:55.990 --> 00:26:00.910
<v Simon Mont>easier. So then you're in this fascinate. This group is in this fascinating moment where there's people who have

386
00:26:00.910 --> 00:26:05.740
<v Simon Mont>less structural power, role based power because their staff,

387
00:26:05.740 --> 00:26:10.460
<v Simon Mont>kind of junior staff, the CEO has more structural power, has more

388
00:26:10.460 --> 00:26:15.420
<v Simon Mont>informational power, has more connections to people. But then the people, the staff

389
00:26:15.820 --> 00:26:19.219
<v Simon Mont>are saying that the CEO has way more power because they do have some

390
00:26:19.219 --> 00:26:24.060
<v Simon Mont>forms. But actually what's happening is the staff are exercising the most influential amount of power

391
00:26:24.060 --> 00:26:28.780
<v Simon Mont>by shaping a narrative and using ideology to create a sphere of belonging and then threaten

392
00:26:28.780 --> 00:26:33.710
<v Simon Mont>someone with that. And they're not aware that that's actually exactly

393
00:26:33.710 --> 00:26:38.550
<v Simon Mont>how they're using power because they're so convinced the other person is the person who has power over

394
00:26:38.550 --> 00:26:41.270
<v Simon Mont>them. Right. So. And that's what I mean by like the complexity and

395
00:26:41.270 --> 00:26:45.870
<v Simon Mont>clarity. It's like all of it's happening all at the same

396
00:26:45.870 --> 00:26:50.630
<v Simon Mont>time. And then they're in a room and they're. And we're having a meeting and we're trying to figure out what the

397
00:26:50.630 --> 00:26:55.430
<v Simon Mont>budget's gonna be and how are we gonna talk to each other. How are we gonna actually then move forward

398
00:26:55.510 --> 00:26:57.750
<v Simon Mont>given all of that swirl of dynamics?

399
00:26:57.830 --> 00:27:02.610
<v Joanne Lockwood>It's fascinating. I'm. This is a great perspective on a dynamic I

400
00:27:02.610 --> 00:27:07.570
<v Joanne Lockwood>probably hadn't appreciated the collective power versus the individual power and the

401
00:27:07.570 --> 00:27:11.170
<v Joanne Lockwood>collective power is far more influential. Even when you look at

402
00:27:11.170 --> 00:27:16.130
<v Joanne Lockwood>the. In the politics, the collective power of the communities out

403
00:27:16.130 --> 00:27:20.290
<v Joanne Lockwood>there shape the political agenda nationally,

404
00:27:20.290 --> 00:27:24.890
<v Joanne Lockwood>maybe. Certainly we look at some of the influences in the political scene in the US and the UK

405
00:27:25.700 --> 00:27:29.860
<v Joanne Lockwood>around religion, Christianity, those sort of things. There are collective bodies that

406
00:27:29.860 --> 00:27:34.540
<v Joanne Lockwood>infl. That will power, structural power, to influence

407
00:27:34.540 --> 00:27:36.340
<v Joanne Lockwood>how people are going to react by.

408
00:27:40.420 --> 00:27:42.500
<v Joanne Lockwood>The narratives that come out, the influence that way.

409
00:27:42.500 --> 00:27:47.100
<v Simon Mont>So powers take so many different. So many different forms and

410
00:27:47.100 --> 00:27:49.700
<v Simon Mont>expresses it itself in so many different ways.

411
00:27:49.780 --> 00:27:53.780
<v Joanne Lockwood>Yeah. And then you've got energy, oil, money. Well, there's other dynamics as

412
00:27:53.780 --> 00:27:54.020
<v Joanne Lockwood>well.

413
00:27:54.900 --> 00:27:57.060
<v Simon Mont>Yeah. All these different forms of power.

414
00:27:58.180 --> 00:28:03.100
<v Joanne Lockwood>When I read out your bio, the word mystic was in there. So how does mystic fit

415
00:28:03.100 --> 00:28:04.100
<v Joanne Lockwood>into your psyche?

416
00:28:04.180 --> 00:28:07.515
<v Simon Mont>There's like a moral sense and an epistemological

417
00:28:07.515 --> 00:28:11.087
<v Simon Mont>sense. I think the epistemological sense, like way of

418
00:28:11.087 --> 00:28:15.770
<v Simon Mont>knowing. I think you're seeing it in the way that I'm expressing myself

419
00:28:15.770 --> 00:28:19.978
<v Simon Mont>now. Right. I'm. I have this really strong value for seeing many

420
00:28:19.978 --> 00:28:24.903
<v Simon Mont>dimensions of something while knowing that I'll never be able to get to the

421
00:28:24.903 --> 00:28:29.748
<v Simon Mont>essential, objective truth of that thing. And then kind of also from, you

422
00:28:29.748 --> 00:28:34.512
<v Simon Mont>know, my lineage and tradition, that first thing that I did where I said,

423
00:28:34.512 --> 00:28:39.435
<v Simon Mont>you know, when you. When I meet a perspective, the first question is, where

424
00:28:39.435 --> 00:28:43.882
<v Simon Mont>is the light inside of this perspective? Where is the gift inside of

425
00:28:43.882 --> 00:28:48.806
<v Simon Mont>this? And how can I find it and draw it out to learn from it and to reflect it to

426
00:28:48.806 --> 00:28:53.572
<v Simon Mont>the person? That is like a kind of comes from. Comes from that lineage and

427
00:28:53.572 --> 00:28:56.670
<v Simon Mont>then out of. More like straight to the guts of it

428
00:28:56.670 --> 00:29:01.354
<v Simon Mont>there. I think we all are faced with a question of what are we ultimately

429
00:29:01.354 --> 00:29:05.247
<v Simon Mont>concerned with? This is language from my theologian, Paul

430
00:29:05.247 --> 00:29:09.615
<v Simon Mont>Tillich. What are we ultimately concerned with when we're making

431
00:29:09.615 --> 00:29:13.744
<v Simon Mont>decisions? What are we actually driving. Driving toward when

432
00:29:13.744 --> 00:29:18.429
<v Simon Mont>I. And consciously or unconsciously, you know, when I choose to put on a

433
00:29:18.429 --> 00:29:21.685
<v Simon Mont>perspective, what am I trying to achieve with the

434
00:29:21.685 --> 00:29:26.210
<v Simon Mont>perspective? What am I actually about? And I think I'm on a journey of

435
00:29:26.210 --> 00:29:31.132
<v Simon Mont>asking that question to myself over and over to try to get deeper and deeper

436
00:29:31.132 --> 00:29:35.818
<v Simon Mont>down into a core essence of what I consider the soul and say, like, well,

437
00:29:35.818 --> 00:29:40.583
<v Simon Mont>what I'm really concerned with is my soul's relationship to reality and

438
00:29:40.583 --> 00:29:44.791
<v Simon Mont>all and a sense of sacredness. That's what I'm really concerned

439
00:29:44.791 --> 00:29:49.635
<v Simon Mont>with. So now if I. If I'm going to use a feminist analysis, I'm going to say,

440
00:29:49.635 --> 00:29:54.400
<v Simon Mont>is the feminist analysis in this particular context allowing my soul to

441
00:29:54.400 --> 00:29:58.925
<v Simon Mont>breathe and repair its relationships with all of reality and people

442
00:29:58.925 --> 00:30:03.769
<v Simon Mont>around me, or is it not? And then kind of the mystic senses, the sense that,

443
00:30:03.769 --> 00:30:08.217
<v Simon Mont>that like in an experiential way it is possible for us to reach these

444
00:30:08.217 --> 00:30:12.904
<v Simon Mont>moments of like deep bliss and deep awe. Those moments where like, oh my

445
00:30:12.904 --> 00:30:17.430
<v Simon Mont>gosh, everything makes sense and is imbued with sacredness and with

446
00:30:17.430 --> 00:30:22.195
<v Simon Mont>love. Suddenly all of the pain in my life makes sense because of where I am

447
00:30:22.195 --> 00:30:27.119
<v Simon Mont>now. I understand like these glimpses of, of like true deep sacredness and

448
00:30:27.119 --> 00:30:31.963
<v Simon Mont>holiness, that those are the reference points I have for like what I hope I

449
00:30:31.963 --> 00:30:35.376
<v Simon Mont>can, how I can live and how I hope everyone and you can

450
00:30:35.376 --> 00:30:40.220
<v Simon Mont>live. Like, my hope of the world that we're trying to create is that you can

451
00:30:40.220 --> 00:30:45.144
<v Simon Mont>experience that sense of like deep meaning and belonging to the cosmos and

452
00:30:45.144 --> 00:30:50.068
<v Simon Mont>safety and soul and love and awe. That you can experience that as much as, as

453
00:30:50.068 --> 00:30:53.561
<v Simon Mont>possible and that we remove all barriers to access to

454
00:30:53.561 --> 00:30:55.069
<v Simon Mont>that. That's the game.

455
00:30:56.350 --> 00:31:00.470
<v Joanne Lockwood>Sometimes the search for that can be, can be quite exhausting mentally, can't

456
00:31:00.470 --> 00:31:05.430
<v Joanne Lockwood>it? Because you're, you're constantly looking for meaning in everything, but you're

457
00:31:05.430 --> 00:31:10.290
<v Joanne Lockwood>trying to second guess yourself. Sometimes you're trying to find the ultimate answer to the

458
00:31:10.290 --> 00:31:13.770
<v Joanne Lockwood>ultimate question. And sometimes there is no answer, it just

459
00:31:13.770 --> 00:31:16.170
<v Joanne Lockwood>is. Yeah. Yeah.

460
00:31:16.170 --> 00:31:20.930
<v Simon Mont>I think that the need to know and the need to

461
00:31:21.090 --> 00:31:24.450
<v Simon Mont>constantly have peak experiences

462
00:31:26.530 --> 00:31:31.410
<v Simon Mont>and the like journey of doubt and angst is like,

463
00:31:33.090 --> 00:31:37.250
<v Simon Mont>well known to be part of the, like part of the terrain

464
00:31:37.730 --> 00:31:41.650
<v Simon Mont>of trying to, to, to find

465
00:31:41.650 --> 00:31:46.530
<v Simon Mont>that. You know, if we want to get all the way into the like spirituality and psychology like that

466
00:31:46.530 --> 00:31:50.450
<v Simon Mont>People have different teachings about how to navigate that. But I definitely experience it a

467
00:31:50.450 --> 00:31:55.010
<v Simon Mont>lot. Right. I have a lot of my own personal experience of it is like the oftentimes the closer

468
00:31:55.330 --> 00:32:00.170
<v Simon Mont>I get to what I feel like is a life that's truly aligned with my, my purpose

469
00:32:00.170 --> 00:32:05.020
<v Simon Mont>and my place. The more painful, more pain I feel because I'm,

470
00:32:05.260 --> 00:32:07.900
<v Simon Mont>I'm so close, but I can feel that I'm not there.

471
00:32:08.860 --> 00:32:09.220
<v Joanne Lockwood>Right.

472
00:32:09.220 --> 00:32:14.140
<v Simon Mont>And that, that itself is a sense of like, angst for me, that's definitely part of my, part of

473
00:32:14.140 --> 00:32:16.700
<v Simon Mont>the. Part of the set of knots I'm untangling in my life.

474
00:32:17.340 --> 00:32:21.900
<v Joanne Lockwood>I remember looking back at my life 10, 10 or so years ago, where I felt I

475
00:32:21.900 --> 00:32:26.700
<v Joanne Lockwood>was. I. I call it the vortex of confusion or the Bermuda Triangle where you,

476
00:32:26.700 --> 00:32:31.020
<v Joanne Lockwood>you go into this zone and there's no up, there's no down, there's no left, there's no

477
00:32:31.020 --> 00:32:35.220
<v Joanne Lockwood>right. You're just spinning and tumbling and you've kind of in that

478
00:32:35.220 --> 00:32:40.180
<v Joanne Lockwood>mode. You're mentally all over the place. You've got no clarity and you've

479
00:32:40.180 --> 00:32:43.300
<v Joanne Lockwood>got. You've almost got two X's, because staying there is not an

480
00:32:43.300 --> 00:32:48.180
<v Joanne Lockwood>option. Escape the other side with clarity or bottle it and go back

481
00:32:48.580 --> 00:32:52.900
<v Joanne Lockwood>knowing full well you've got to come back into the vortex to get to the other side another

482
00:32:52.900 --> 00:32:57.880
<v Joanne Lockwood>time. So what do you do? Do you stay? Do you go? And I remember the only way

483
00:32:57.880 --> 00:33:01.000
<v Joanne Lockwood>I could get to the other side and get out was to stop

484
00:33:01.000 --> 00:33:04.800
<v Joanne Lockwood>overthinking. I almost had to say to myself, I am. This

485
00:33:04.800 --> 00:33:09.360
<v Joanne Lockwood>is. I don't have to find an answer. I don't have to explain it to you, me or

486
00:33:09.360 --> 00:33:14.080
<v Joanne Lockwood>anybody. Just have to say I am so I can leave the door and that

487
00:33:14.080 --> 00:33:18.440
<v Joanne Lockwood>becomes my new reality. Which is fine. I'm trying to question how I got

488
00:33:18.440 --> 00:33:23.310
<v Joanne Lockwood>there. It's just put myself back in the vortex. I've learned over the years that sometimes

489
00:33:23.310 --> 00:33:25.510
<v Joanne Lockwood>you don't have to have the answer. Just accept.

490
00:33:25.990 --> 00:33:27.670
<v Simon Mont>Yeah, there's this space.

491
00:33:27.750 --> 00:33:29.430
<v Joanne Lockwood>How does that fit into your model?

492
00:33:29.430 --> 00:33:34.220
<v Simon Mont>I resonate with that On a. On a personal. Like a personal level of like,

493
00:33:34.220 --> 00:33:39.010
<v Simon Mont>not being fixated in the mind and the need to understand or control and

494
00:33:39.010 --> 00:33:43.056
<v Simon Mont>reduce the universe to the size of my own ideas is part of the

495
00:33:43.056 --> 00:33:46.440
<v Simon Mont>path. That's something that feels really true to

496
00:33:46.440 --> 00:33:50.900
<v Simon Mont>me. I also was laughing. I was like smiling as you were, as you were

497
00:33:50.900 --> 00:33:54.782
<v Simon Mont>talking about it. Because the way that you map that out is

498
00:33:54.782 --> 00:33:58.581
<v Simon Mont>so. Is so much one of the particular interpretations of

499
00:33:58.581 --> 00:34:02.956
<v Simon Mont>a. Of the Exodus story in the Hebrew Bible. Even to the right, you

500
00:34:02.956 --> 00:34:07.828
<v Simon Mont>leave. You leave a place of constriction. And we don't go from a place of

501
00:34:07.828 --> 00:34:12.618
<v Simon Mont>constriction into a place of freedom. We actually go into, in Hebrew,

502
00:34:12.618 --> 00:34:15.260
<v Simon Mont>called the midbar, which is a desert or

503
00:34:15.260 --> 00:34:19.057
<v Simon Mont>wilderness. But it's also known as midbar is a desert or

504
00:34:19.057 --> 00:34:22.772
<v Simon Mont>wilderness. Midaber is both speak and from where it is

505
00:34:22.772 --> 00:34:27.726
<v Simon Mont>spoken. So the wilderness from where it is where truth is spoken is where

506
00:34:27.726 --> 00:34:32.433
<v Simon Mont>we go. And then the name, the way that kind of the source of sacredness

507
00:34:32.433 --> 00:34:35.405
<v Simon Mont>appears in that place is I will be what I will

508
00:34:35.405 --> 00:34:40.113
<v Simon Mont>be. I am that I am. So it was so funny that you were like, you gotta leave

509
00:34:40.113 --> 00:34:43.582
<v Simon Mont>from one place into the liminal. And then I am that I

510
00:34:43.582 --> 00:34:46.224
<v Simon Mont>am. And then you kind of move from there

511
00:34:46.224 --> 00:34:50.849
<v Simon Mont>into. Into a more embodied knowing. It feels very like resonant on a

512
00:34:50.849 --> 00:34:54.236
<v Simon Mont>human, on a personal and a like, lineage level for

513
00:34:54.236 --> 00:34:54.480
<v Simon Mont>me.

514
00:34:54.880 --> 00:34:59.804
<v Joanne Lockwood>Well, they say there's no original idea. It's just recycling other people's

515
00:34:59.804 --> 00:35:04.728
<v Joanne Lockwood>ideas. So I came up with that analogy on my own without knowing any of the story

516
00:35:04.728 --> 00:35:09.576
<v Joanne Lockwood>from the Exodus. So, yeah, I guess you look at other examples like the Matrix

517
00:35:09.576 --> 00:35:11.961
<v Joanne Lockwood>films, and you have to go through that

518
00:35:11.961 --> 00:35:16.887
<v Joanne Lockwood>confusion. You have to wake up and go and fly down the chute before you can find

519
00:35:16.887 --> 00:35:21.579
<v Joanne Lockwood>what the reality is and then decide whether that's the reality you want to

520
00:35:21.579 --> 00:35:24.120
<v Joanne Lockwood>stay in. Yeah, it seems dark when you get

521
00:35:24.120 --> 00:35:24.950
<v Joanne Lockwood>there. Yeah.

522
00:35:24.950 --> 00:35:29.258
<v Simon Mont>And I think, like. Yeah, it seems to me that it's. It's just a thing right

523
00:35:29.258 --> 00:35:34.227
<v Simon Mont>beyond. Before it was mythologized or storied in all these different ways, it was

524
00:35:34.227 --> 00:35:38.903
<v Simon Mont>just there. And then it gets storied and mythologized in all these different

525
00:35:38.903 --> 00:35:41.241
<v Simon Mont>ways, each of which reveals something

526
00:35:41.241 --> 00:35:45.843
<v Simon Mont>different. Something that I think is, like, very meaningful to me about the

527
00:35:45.843 --> 00:35:50.302
<v Simon Mont>Exodus, Hebrew Bible version of it is they really emphasise the period of

528
00:35:50.302 --> 00:35:55.195
<v Simon Mont>wandering and so could go on for a long time about this, but just that in the period

529
00:35:55.195 --> 00:36:00.090
<v Simon Mont>of wandering, the story is very much people struggling to try to repattern all of

530
00:36:00.090 --> 00:36:04.913
<v Simon Mont>the things that they learned from the place of narrowness and watching failure

531
00:36:04.913 --> 00:36:09.806
<v Simon Mont>after failure after failure, fear after fear after fear, and then doing the best

532
00:36:09.806 --> 00:36:13.165
<v Simon Mont>they could to get as much of that out of their collective

533
00:36:13.165 --> 00:36:16.451
<v Simon Mont>body. And then they enter into, you know, the promised

534
00:36:16.451 --> 00:36:21.417
<v Simon Mont>land. And we see still that the. The extent to which they couldn't get it out of them

535
00:36:21.417 --> 00:36:25.727
<v Simon Mont>made them replicate some of the things. So even though they were able to

536
00:36:25.727 --> 00:36:30.548
<v Simon Mont>enter. Enter that promised land, in some ways they weren't able to do it as fully

537
00:36:30.548 --> 00:36:34.931
<v Simon Mont>embodied as they wanted to, and they left it to us to continue as the story

538
00:36:34.931 --> 00:36:39.751
<v Simon Mont>goes. But. But the quip about it is it was way easier to get the people out of Egypt

539
00:36:39.751 --> 00:36:44.644
<v Simon Mont>than to get Egypt out of the people. And I think that that is something that a lot of

540
00:36:44.644 --> 00:36:49.614
<v Simon Mont>us on identity journeys and unplugging from the Matrix journeys contemporarily

541
00:36:49.614 --> 00:36:53.339
<v Simon Mont>is, like, really important. Is like, yeah, I can see that it's

542
00:36:53.339 --> 00:36:58.232
<v Simon Mont>a. I can see that that system over there is nonsense and I can try to get out, but if I

543
00:36:58.232 --> 00:37:03.200
<v Simon Mont>go too fast into a new thing without really taking the time to be in the unknown, I'm

544
00:37:03.200 --> 00:37:07.801
<v Simon Mont>going to carry a bunch of that stuff over and that the ability to reside in the

545
00:37:07.801 --> 00:37:12.770
<v Simon Mont>unknown is actually like a really important part of the process, as you just said,

546
00:37:12.770 --> 00:37:14.816
<v Simon Mont>from your own direct experience,

547
00:37:15.030 --> 00:37:19.750
<v Joanne Lockwood>does that play back to what we were saying earlier, where you've got the draw of

548
00:37:19.750 --> 00:37:24.670
<v Joanne Lockwood>this perspective? The draw of that perspective, and if you're not careful, you End up drinking the

549
00:37:24.670 --> 00:37:28.830
<v Joanne Lockwood>Kool Aid over here and then realising that actually it doesn't

550
00:37:28.830 --> 00:37:33.670
<v Joanne Lockwood>resonate. You haven't found yourself. What you've done is you've bought somebody else's ideal, somebody else's promised land,

551
00:37:34.170 --> 00:37:39.050
<v Joanne Lockwood>not your promised land. And actually you want to, you need to go, I've made a mistake, I've gone the wrong direction, I need to

552
00:37:39.050 --> 00:37:41.290
<v Joanne Lockwood>go back. You don't feel satisfied at all then, do you?

553
00:37:41.690 --> 00:37:46.530
<v Simon Mont>Yeah, that's feel. I just from my. One of the ways I've experienced that

554
00:37:46.530 --> 00:37:51.050
<v Simon Mont>in my life is, you know, I kind of unplugged from a really

555
00:37:51.850 --> 00:37:56.170
<v Simon Mont>status based, kind of white

556
00:37:56.250 --> 00:38:00.900
<v Simon Mont>dominant academic value set, we'll call it

557
00:38:00.900 --> 00:38:05.740
<v Simon Mont>that. And I tried to unplug from that and as I did I found my place

558
00:38:05.740 --> 00:38:10.060
<v Simon Mont>in the kind of lefty community organising scene and then

559
00:38:11.500 --> 00:38:15.020
<v Simon Mont>I immediately was like, oh, this is the real stuff, this is where I want it to

560
00:38:15.020 --> 00:38:18.860
<v Simon Mont>be. And then took on all of their thoughts and all of their thoughts about

561
00:38:18.860 --> 00:38:23.500
<v Simon Mont>me. And in some ways it was really uplifting. In some ways it was

562
00:38:23.660 --> 00:38:28.390
<v Simon Mont>super dehumanising and like put me in some really, really dark places for a long

563
00:38:28.390 --> 00:38:33.070
<v Simon Mont>time. And in some ways it allowed me to continue with something I

564
00:38:33.870 --> 00:38:38.790
<v Simon Mont>had from my previous life, which is a sense of superiority. I just went over there and I was like, okay, now I'm

565
00:38:38.790 --> 00:38:43.670
<v Simon Mont>better than all those people and now I'm just going to try to be the intellectually smartest, I'm going to be the

566
00:38:43.670 --> 00:38:48.630
<v Simon Mont>wokest one in the room and that's going to get my status right. So I had that and then you

567
00:38:48.630 --> 00:38:53.510
<v Simon Mont>know, I in some ways built legitimacy and connections in some like the beginnings of my career

568
00:38:53.510 --> 00:38:58.490
<v Simon Mont>out of that. And then I was like watching the ways that work through and the ways it really does

569
00:38:58.490 --> 00:39:03.370
<v Simon Mont>not work when you're actually trying to build organisations and create a liberated world now into

570
00:39:03.930 --> 00:39:08.850
<v Simon Mont>now I'm. And then I entered like a real unknown land of like okay, I'm

571
00:39:08.850 --> 00:39:13.649
<v Simon Mont>still working with organisations and I have developed my own embodied knowledge about

572
00:39:13.649 --> 00:39:18.250
<v Simon Mont>how to do this. And, and that has been like an edge to claim

573
00:39:18.650 --> 00:39:23.010
<v Simon Mont>because I have to be, I have to be in a group of people challenging a power

574
00:39:23.010 --> 00:39:27.710
<v Simon Mont>dynamic, potentially getting fired. If I do it too extremely,

575
00:39:28.110 --> 00:39:33.030
<v Simon Mont>I lose my credibility and I don't have a career. It's, it's a very definitely lived

576
00:39:33.030 --> 00:39:37.630
<v Simon Mont>that thing. And now I'm trying to hang out in that unknown as much as I can

577
00:39:38.910 --> 00:39:40.910
<v Simon Mont>and offer something from it.

578
00:39:40.910 --> 00:39:45.618
<v Joanne Lockwood>Do you find that then that you're constantly having to micro calibrate

579
00:39:45.618 --> 00:39:50.086
<v Joanne Lockwood>Your how you're dealing with people, the emotional intelligence,

580
00:39:50.086 --> 00:39:54.714
<v Joanne Lockwood>feeding back, adjusting yourself slightly, course correcting, but

581
00:39:54.714 --> 00:39:59.342
<v Joanne Lockwood>you're not the finished product. You're on this journey of evolution

582
00:39:59.342 --> 00:40:04.049
<v Joanne Lockwood>constantly. And I think as you say, going through the badlands into the

583
00:40:04.049 --> 00:40:08.834
<v Joanne Lockwood>place of comfort, you still gotta find the next door and the next door and

584
00:40:08.834 --> 00:40:13.702
<v Joanne Lockwood>you still gotta keep evolving yourself, be willing to invest in yourself

585
00:40:13.702 --> 00:40:18.646
<v Joanne Lockwood>and readjust your own and recalibrate your own sense of how you fit into the

586
00:40:18.646 --> 00:40:19.604
<v Joanne Lockwood>world as well.

587
00:40:20.570 --> 00:40:23.930
<v Simon Mont>Yeah, definitely. And the more times,

588
00:40:26.250 --> 00:40:31.170
<v Simon Mont>the more times we realise that we're wearing a mask, the easier it

589
00:40:31.170 --> 00:40:34.770
<v Simon Mont>is to take the mask off and burn it if you

590
00:40:34.770 --> 00:40:39.570
<v Simon Mont>need. And the faster we go through the processes, the less

591
00:40:39.570 --> 00:40:44.260
<v Simon Mont>attached we are. You know, I've spent a, I've spent more than a decade creating the identity

592
00:40:44.900 --> 00:40:49.140
<v Simon Mont>of kind of a social justice organisational development

593
00:40:49.380 --> 00:40:54.220
<v Simon Mont>strategist. And now I'm in a place of questioning and be like, hang on, is this really the mask I

594
00:40:54.220 --> 00:40:59.100
<v Simon Mont>want to wear? And because I've spent 10 years with it, it's hard to shake it loose and it's hard to

595
00:40:59.100 --> 00:41:03.300
<v Simon Mont>think about putting on a different one. But there are other masks that, you know,

596
00:41:04.340 --> 00:41:07.580
<v Simon Mont>if I only wear them for a couple months, then I can put them

597
00:41:07.580 --> 00:41:12.350
<v Simon Mont>off. And that at least because I've let go of enough masks that I've held for

598
00:41:12.430 --> 00:41:17.310
<v Simon Mont>a long time, I know that the process I'm going through right now of this one falling off is

599
00:41:17.550 --> 00:41:21.390
<v Simon Mont>going to be okay and it's going to lead me somewhere deeper and truer and more

600
00:41:21.390 --> 00:41:26.310
<v Simon Mont>honest. And that kind of comes back to the mystic thing which is like

601
00:41:26.310 --> 00:41:31.190
<v Simon Mont>most of us shed masks through our lives and then most of us decide kind of

602
00:41:31.190 --> 00:41:35.030
<v Simon Mont>which mask to put on. Right? We're making a decision about are we going to allow this to

603
00:41:35.030 --> 00:41:39.770
<v Simon Mont>shed. We, what else are we going to do? And we're listening to something deep inside ourselves

604
00:41:39.850 --> 00:41:44.650
<v Simon Mont>to discern right now. I'm trying to listen for, is it the best thing

605
00:41:44.650 --> 00:41:49.050
<v Simon Mont>for me to keep this identity, this justice, justice organiser development,

606
00:41:49.370 --> 00:41:54.290
<v Simon Mont>Is that the best identity for me to continue to really invest in and

607
00:41:54.290 --> 00:41:58.890
<v Simon Mont>embody or is there something else? And I have to listen to

608
00:41:59.850 --> 00:42:02.860
<v Simon Mont>something deeper than all of those identities to make the

609
00:42:02.860 --> 00:42:07.820
<v Simon Mont>decision. And that's the thing that I'm kind of talking about is like the soul and the connection to the source of

610
00:42:07.820 --> 00:42:10.940
<v Simon Mont>sacredness and the source of blessing and the true source of

611
00:42:10.940 --> 00:42:14.980
<v Simon Mont>place. So how, how strong can I

612
00:42:16.580 --> 00:42:21.220
<v Simon Mont>create that connection and how much can I make that my primary

613
00:42:22.260 --> 00:42:24.900
<v Simon Mont>goal and identity? And if I can, I'M like, way more

614
00:42:24.900 --> 00:42:28.700
<v Simon Mont>flexible. And then that allows me to be of service in the way the moment

615
00:42:28.700 --> 00:42:29.130
<v Simon Mont>calls.

616
00:42:29.680 --> 00:42:33.222
<v Joanne Lockwood>I look back at my life and I can see those masks you called

617
00:42:33.222 --> 00:42:37.765
<v Joanne Lockwood>them. I was always describing them as retracing my ideal of who I should

618
00:42:37.765 --> 00:42:42.539
<v Joanne Lockwood>be. I think, is it the song by you too? I still haven't found what I'm looking

619
00:42:42.539 --> 00:42:46.466
<v Joanne Lockwood>for. You keep. I try the next thing I try the next thing I try the

620
00:42:46.466 --> 00:42:50.547
<v Joanne Lockwood>next. Well, that makes finally sense. Well, that finally makes

621
00:42:50.547 --> 00:42:55.475
<v Joanne Lockwood>sense. And then you realise that you're so far from who you are because you've

622
00:42:55.475 --> 00:43:00.095
<v Joanne Lockwood>collected all these masks. Like it's all the things you're wearing that

623
00:43:00.095 --> 00:43:04.253
<v Joanne Lockwood>aren't really you. But they. They create a sense of belonging in a

624
00:43:04.253 --> 00:43:08.873
<v Joanne Lockwood>community. Suddenly you're in the middle of this community, realising

625
00:43:08.873 --> 00:43:12.569
<v Joanne Lockwood>that, actually I feel I'm a stranger in the middle of all my

626
00:43:12.569 --> 00:43:17.420
<v Joanne Lockwood>friends. This is not me. And then you've got that disconnect and then you've

627
00:43:17.420 --> 00:43:21.732
<v Joanne Lockwood>got to. You then got to reverse back and lose your friends, lose your

628
00:43:21.732 --> 00:43:26.660
<v Joanne Lockwood>community and shun yourself and say, actually, finding me is more important

629
00:43:26.660 --> 00:43:30.895
<v Joanne Lockwood>than hanging onto you. That's a real. A real challenge to do, isn't

630
00:43:30.895 --> 00:43:32.420
<v Joanne Lockwood>it? Yeah.

631
00:43:32.580 --> 00:43:37.460
<v Simon Mont>Where for you, when you've made those decisions, what's been the thing that's given you

632
00:43:37.460 --> 00:43:42.420
<v Simon Mont>the clarity and the investment to make that choice, to invest in yourself in that way, where does that come

633
00:43:42.420 --> 00:43:42.660
<v Simon Mont>from?

634
00:43:44.180 --> 00:43:48.500
<v Joanne Lockwood>I think it's literally the pain of staying still

635
00:43:49.470 --> 00:43:54.270
<v Joanne Lockwood>became less than the pain of going forward and being in this vortex, you

636
00:43:54.270 --> 00:43:58.750
<v Joanne Lockwood>know? You know something's got to change and the vortex is so painful, so not good,

637
00:43:59.310 --> 00:44:03.950
<v Joanne Lockwood>that you've got to almost like force yourself in and force yourself out the other side and

638
00:44:03.950 --> 00:44:06.030
<v Joanne Lockwood>recognise that you have to exit

639
00:44:06.590 --> 00:44:09.230
<v Joanne Lockwood>naked. Anything you happen to bring with you is a

640
00:44:09.230 --> 00:44:13.950
<v Joanne Lockwood>bonus. If you go into the vortex expecting to have it all that you

641
00:44:13.950 --> 00:44:17.470
<v Joanne Lockwood>had and take it with you, you can't. You've got to. You gotta exit

642
00:44:17.470 --> 00:44:21.890
<v Joanne Lockwood>everything. And then. Bit like playing poker, you gotta. You gotta go all in with your chips

643
00:44:22.770 --> 00:44:27.690
<v Joanne Lockwood>and sometimes it'll win, sometimes it won't. But, yeah, I had to work out that I was gonna

644
00:44:27.690 --> 00:44:32.650
<v Joanne Lockwood>prepare to sacrifice everything. And I'm not saying I did or didn't, but, yeah, a lot of things fell by

645
00:44:32.650 --> 00:44:37.450
<v Joanne Lockwood>the wayside and they were just. That was just stuff. And I realised afterwards I was

646
00:44:37.450 --> 00:44:42.210
<v Joanne Lockwood>hanging on to things I didn't care about. But I also found that I hadn't

647
00:44:42.210 --> 00:44:44.930
<v Joanne Lockwood>shed everything I needed to shed when I got the other side either.

648
00:44:44.930 --> 00:44:49.010
<v Joanne Lockwood>I. I was still Drinking too much, and I drank too much for most of my

649
00:44:49.010 --> 00:44:52.810
<v Joanne Lockwood>life. And about four years ago, four and a half years ago, I thought, hang on a

650
00:44:52.810 --> 00:44:57.770
<v Joanne Lockwood>minute. This drinking is still something that I've carried through that transition and the

651
00:44:57.770 --> 00:45:01.130
<v Joanne Lockwood>vortex. And that's something I need to let go of because that's

652
00:45:01.130 --> 00:45:04.650
<v Joanne Lockwood>not. I don't like that person anymore. I think that helped as

653
00:45:04.650 --> 00:45:09.570
<v Joanne Lockwood>well. So, yeah, there's still things in there that I think actually this doesn't serve me anymore, but

654
00:45:09.570 --> 00:45:13.400
<v Joanne Lockwood>I'm far more willing to. To let go of things now than I ever

655
00:45:13.400 --> 00:45:16.560
<v Joanne Lockwood>was. Some of that's age, you know, I'm 60 years old. So you do get

656
00:45:16.640 --> 00:45:19.440
<v Joanne Lockwood>maturity. And age does bring a bit more wisdom as well.

657
00:45:20.240 --> 00:45:23.160
<v Joanne Lockwood>Yeah. How about you? Did you. You crossed that journey

658
00:45:23.160 --> 00:45:24.160
<v Joanne Lockwood>yet? Completely.

659
00:45:24.160 --> 00:45:28.320
<v Simon Mont>I think the awareness of pain being the

660
00:45:28.720 --> 00:45:33.520
<v Simon Mont>pointer to enter the wilderness resonates a

661
00:45:33.520 --> 00:45:36.480
<v Simon Mont>lot. The sense of like, I

662
00:45:36.560 --> 00:45:41.400
<v Simon Mont>just. This isn't it. And I've had some

663
00:45:41.400 --> 00:45:46.320
<v Simon Mont>pretty extreme experiences of that, you know, including one like real big

664
00:45:47.280 --> 00:45:51.760
<v Simon Mont>kind of a psychotic breakdown. I had to kind of emergency

665
00:45:51.760 --> 00:45:54.560
<v Simon Mont>evacuate from a area to know. It's really

666
00:45:54.560 --> 00:45:54.880
<v Simon Mont>big.

667
00:45:54.960 --> 00:45:55.280
<v Joanne Lockwood>Yeah.

668
00:45:55.280 --> 00:45:58.699
<v Simon Mont>And then it's, it's, it's. So I've had some of those and I did

669
00:45:58.699 --> 00:46:03.443
<v Simon Mont>them. I had them like that. And then I would do, you know, be with blood medicine and

670
00:46:03.443 --> 00:46:08.258
<v Simon Mont>psychedelics and meditation retreats. And that also is like, can kind of do some of

671
00:46:08.258 --> 00:46:13.075
<v Simon Mont>that process or it's not as actually like, like fully integrated is just doing it in

672
00:46:13.075 --> 00:46:17.819
<v Simon Mont>your whole life. But that experience of watching things shed and figuring out how

673
00:46:17.819 --> 00:46:22.704
<v Simon Mont>you're going to come out of the ceremony or the retreat, that's like the whole idea of

674
00:46:22.704 --> 00:46:26.193
<v Simon Mont>the aesthetic practise in some ways, which I've like, toyed

675
00:46:26.193 --> 00:46:31.009
<v Simon Mont>with. And then it's really interesting now in my life because it's like that rhythm

676
00:46:31.009 --> 00:46:35.055
<v Simon Mont>has such a big important part of my life. And now I'm, for the first time

677
00:46:35.055 --> 00:46:38.474
<v Simon Mont>property-owner, have a house with all the complexity that

678
00:46:38.474 --> 00:46:42.381
<v Simon Mont>entails. And then I'm married with a son, so it's very interesting,

679
00:46:42.381 --> 00:46:47.338
<v Simon Mont>right? This idea of like, knowing that. Knowing that to really align often requires a

680
00:46:47.338 --> 00:46:52.014
<v Simon Mont>shedding of everything. And then also being like, oh, there's actually certain

681
00:46:52.014 --> 00:46:56.760
<v Simon Mont>things I'm unwilling to shed right now. And I'm not willing to shed certain things

682
00:46:56.760 --> 00:47:01.367
<v Simon Mont>because of my own heart and soul. And I'm also not willing to shed certain things

683
00:47:01.367 --> 00:47:04.160
<v Simon Mont>because of my relationships and obligations to

684
00:47:04.160 --> 00:47:07.162
<v Simon Mont>others. So that's very interesting. Like, okay, so

685
00:47:07.162 --> 00:47:07.510
<v Simon Mont>what.

686
00:47:07.510 --> 00:47:08.190
<v Joanne Lockwood>How do I.

687
00:47:08.190 --> 00:47:11.830
<v Simon Mont>How do I go through that, that exodus journey here in this new

688
00:47:11.830 --> 00:47:16.550
<v Simon Mont>context. And that's one of the things that I really appreciate about my own ancestral lineage is

689
00:47:16.550 --> 00:47:20.269
<v Simon Mont>like, it has ascetic practise and it has mystical practise, it has a lot of these

690
00:47:20.269 --> 00:47:25.230
<v Simon Mont>things. But the paradigm of the practitioner is somebody who's also in relationship

691
00:47:25.230 --> 00:47:28.070
<v Simon Mont>with kids, with a job, which I think is like a really interesting

692
00:47:28.230 --> 00:47:28.950
<v Simon Mont>paradigm.

693
00:47:30.000 --> 00:47:34.840
<v Joanne Lockwood>Yeah, no, I completely relate to that. I mean, I have my red lines and my red lines effectively

694
00:47:34.840 --> 00:47:39.200
<v Joanne Lockwood>were my wife, my children, my parents, my immediate

695
00:47:39.200 --> 00:47:43.520
<v Joanne Lockwood>family. And that was my non negotiable, they're coming with

696
00:47:43.520 --> 00:47:46.640
<v Joanne Lockwood>me. But then you know what you have to work with, don't

697
00:47:46.640 --> 00:47:50.400
<v Joanne Lockwood>you? You have to put effort into those relationships to make sure they do

698
00:47:50.400 --> 00:47:55.240
<v Joanne Lockwood>work. And once you've realised what's important and what isn't, then you can

699
00:47:55.240 --> 00:47:58.580
<v Joanne Lockwood>focus on it. Simon's been absolutely. We could go. We could carry on for

700
00:47:58.580 --> 00:48:03.020
<v Joanne Lockwood>hours. We could really go deep in this. It's been fascinating to learn about Exodus and some of

701
00:48:03.020 --> 00:48:07.340
<v Joanne Lockwood>the. My own belief systems map onto other

702
00:48:08.060 --> 00:48:10.860
<v Joanne Lockwood>thinking styles. How can people get a hold of

703
00:48:10.860 --> 00:48:12.060
<v Joanne Lockwood>you? You've got.

704
00:48:12.940 --> 00:48:16.894
<v Simon Mont>I got a website, programmes, I got a website. Harmonise Work is the

705
00:48:16.894 --> 00:48:19.697
<v Simon Mont>website. And then what we do is organisational

706
00:48:19.697 --> 00:48:24.656
<v Simon Mont>development. So we'll do, you know, whether it's strategy or structure or direct,

707
00:48:24.656 --> 00:48:29.399
<v Simon Mont>like DEI work or power negotiation, all that stuff, basically anything you can

708
00:48:29.399 --> 00:48:32.202
<v Simon Mont>think of. And we've got a cool tool there you can

709
00:48:32.202 --> 00:48:37.161
<v Simon Mont>download. It's called the Collaboration manual, which is just like a big map of all

710
00:48:37.161 --> 00:48:40.612
<v Simon Mont>the different agreements you can make to have successful

711
00:48:40.612 --> 00:48:44.348
<v Simon Mont>organisations. Whether it's like meeting styles or roles and

712
00:48:44.348 --> 00:48:47.366
<v Simon Mont>responsibilities. But I think like, like the real

713
00:48:47.366 --> 00:48:51.892
<v Simon Mont>thing. And the reason why I do that work is because this level that we've been

714
00:48:51.892 --> 00:48:56.852
<v Simon Mont>communicating on, this is what's happening for us and this is what's happening for

715
00:48:56.852 --> 00:49:01.740
<v Simon Mont>people. This is a lot of the internal guts of what then produces our behaviours and

716
00:49:01.740 --> 00:49:04.688
<v Simon Mont>then our organisations and our societies and our

717
00:49:04.688 --> 00:49:09.648
<v Simon Mont>system. Our system. So, like, how are we going to maintain this kind of awareness of

718
00:49:09.648 --> 00:49:14.249
<v Simon Mont>all this when we go in and change the way we facilitate a meeting, knowing that

719
00:49:14.249 --> 00:49:19.135
<v Simon Mont>everybody's on a wild soul journey where they're navigating power and belonging

720
00:49:19.135 --> 00:49:24.022
<v Simon Mont>on their search for justice and like what? And that's what's happening when we are

721
00:49:24.022 --> 00:49:26.897
<v Simon Mont>trying to design a new recruitment pipeline for

722
00:49:26.897 --> 00:49:28.890
<v Simon Mont>diversity. So how do we be with it?

723
00:49:28.890 --> 00:49:31.848
<v Joanne Lockwood>Love it. Absolutely fantastic. So also find you on

724
00:49:31.848 --> 00:49:34.450
<v Joanne Lockwood>LinkedIn. And you're Simon Mont, M O N T. Yep.

725
00:49:34.450 --> 00:49:36.970
<v Simon Mont>S I M O N M O N T. That's a good.

726
00:49:36.970 --> 00:49:39.730
<v Joanne Lockwood>Drop your message on there. Connect, say hello. Yeah,

727
00:49:39.730 --> 00:49:39.970
<v Joanne Lockwood>yeah.

728
00:49:39.970 --> 00:49:44.810
<v Simon Mont>And the website's nice. You can download that thing. There's also just like a button to set up a 30 minute

729
00:49:44.810 --> 00:49:48.770
<v Simon Mont>phone call to talk about whatever and see if we're like a good match to do a project

730
00:49:50.610 --> 00:49:53.090
<v Joanne Lockwood>that was harmonise work. That's it.

731
00:49:53.410 --> 00:49:58.330
<v Joanne Lockwood>Fabulous. I'll put that in the show notes. Simon, it's been absolutely fascinating to talk

732
00:49:58.330 --> 00:49:59.410
<v Joanne Lockwood>to you. Thank you so much.

733
00:49:59.490 --> 00:50:00.530
<v Simon Mont>Yeah, thanks so much.

734
00:50:02.050 --> 00:50:06.976
<v Joanne Lockwood>As we bring this conversation to a close, I want to express my deepest

735
00:50:06.976 --> 00:50:11.900
<v Joanne Lockwood>gratitude to you, our listener, for lending your ear and heart to the

736
00:50:11.900 --> 00:50:15.442
<v Joanne Lockwood>cause of inclusion. Today's discussion struck a

737
00:50:15.442 --> 00:50:20.279
<v Joanne Lockwood>chord. Consider subscribing to Inclusion Bites and become part of

738
00:50:20.279 --> 00:50:23.217
<v Joanne Lockwood>our ever growing community driving real

739
00:50:23.217 --> 00:50:27.019
<v Joanne Lockwood>change. Share this journey with friends, family and

740
00:50:27.019 --> 00:50:30.129
<v Joanne Lockwood>colleagues. Let's amplify the voices that

741
00:50:30.129 --> 00:50:33.325
<v Joanne Lockwood>matter. Got thoughts, stories or a vision to

742
00:50:33.325 --> 00:50:35.830
<v Joanne Lockwood>share? I'm all ears. Reach out to Jo

743
00:50:35.830 --> 00:50:40.237
<v Joanne Lockwood>Lockwood@seechangehappen.co.uk and let's make your voice

744
00:50:40.237 --> 00:50:44.989
<v Joanne Lockwood>heard. Until next time, this is Joanne Lockwood signing off with a

745
00:50:44.989 --> 00:50:49.828
<v Joanne Lockwood>promise to return with more enriching narratives that challenge,

746
00:50:49.828 --> 00:50:54.752
<v Joanne Lockwood>inspire and unite us all. Here's to fostering a more inclusive world

747
00:50:54.752 --> 00:50:57.776
<v Joanne Lockwood>one episode at a time. Catch you on the next

748
00:50:57.776 --> 00:50:58.200
<v Joanne Lockwood>bite.
